Seijun Suzuki, born Seitaro Suzuki (鈴木 清太郎 Suzuki Seitarō) on May 24, 1923, is a Japanese filmmaker, actor, and screenwriter. His films are renowned by film enthusiasts worldwide for their jarring visual style, irreverent humour, nihilistic cool and entertainment-over-logic sensibility. He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre.
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- Seijun Suzuki, born Seitaro Suzuki (鈴木 清太郎 Suzuki Seitarō) on May 24, 1923, is a Japanese filmmaker, actor, and screenwriter. His films are renowned by film enthusiasts worldwide for their jarring visual style, irreverent humour, nihilistic cool and entertainment-over-logic sensibility. He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre. His increasingly surreal style began to draw the ire of the studio in 1963 and culminated in his ultimate dismissal for what is now regarded his magnum opus, Branded to Kill (1967), starring notable collaborator Joe Shishido. Suzuki successfully sued the studio for wrongful dismissal but was blacklisted for 10 years. As an independent filmmaker he won critical acclaim and a Japanese Academy Award for his Taishō Trilogy, Zigeunerweisen (1980), Kagero-za (1981) and Yumeji (1991). His films remained widely unknown outside of Japan until a series of theatrical retrospectives beginning in the mid 1980s, home video releases of key films such as Branded to Kill and Tokyo Drifter in the late 90s and tributes by such acclaimed filmmakers as Jim Jarmusch, Takeshi Kitano, Wong Kar-wai and Quentin Tarantino signaled his international discovery. Suzuki has continued making films, albeit sporadically. In Japan, he is more commonly recognized as an actor for his numerous roles in Japanese films and television.
- Seijun Suzuki (鈴木 清順, Suzuki Seijun) on japanilainen elokuvaohjaaja.
- Seijun Suzuki (鈴木 清順, Suzuki Seijun) de son vrai nom Seitarō Suzuki (鈴木 清太郎, Suzuki Seitarō)Il aurait peut-être utilisé le prénom Kiyoshi (清) pour co-réaliser une anime en 1985 Lupin III: The Golden Legend of Babylon On lui attribue parfois le prénom Kiyonori mais il s'agit d'une erreur de transcription (Kiyonori peut s'écrire en Japonais comme Seijun 清順) introduite dans un des premiers articles (sinon le premier) en français sur Suzuki de Roland Lethem en 1967 né le 24 mai 1923 à Tōkyō est un réalisateur japonais Il est considéré comme l'un des réalisateurs marquants du cinéma japonais et bien qu'il fût oublié du grand public pendant une longue période de disgrâce (il fut banni des studios japonais durant dix ans)Cf Saada op cit p XIX-XX il a été récemment redécouvert par les cinéphiles et soutenu par des auteurs célèbres comme Jim Jarmusch Jim Jarmusch s'est inspiré du travail de Seijun Suzuki pour son fameux Ghost Dog Cf par exemple Robert Wilonsky The way of Jim Jarmusch the Dallas Observer 16 mars 2000 ou cette interview de Jarmusch (ou cf plus loin dans cet article pour d'autres sources) Yasuharu Hasebe Hasebe a d'ailleurs commencé sa carrière comme assistant de Seijun Suzuki à la Nikkatsu « J'ai travaillé sur certains films de Seijun Suzuki donc oui vous avez raison je pense qu'il y a une certaine influence en particulier concernant l'humour » (Chris Desjardins op cit p 131) Wong Kar-wai Les références à Suzuki dans le travail de Wong Kar-wai sont fréquemment relevées par la critique (cf par exemple ici là ou là) En outre Wong Kar-wai a repris la musique du film Yumeji de Seijun Suzuki pour son In the Mood for Love ou encore Quentin Tarantino Cf cette interview par exemple : qui se réclament parfois de son influence Seijun Suzuki était un réalisateur prolifique : durant les douze années de sa collaboration avec les studios Nikkatsu (de 1956 à 1968) il a réalisé presque quarante films Le critique Tadao Sato recense 39 films réalisés durant cette période (Tadao Sato op cit p 287) de série B (program pictures)
- Tra il 1956 e il 1967 ha realizzato circa 40 film per la casa di produzione Nikkatsu. Durante questi anni il suo stile si è fatto sempre più surreale e "artistico", il che ha provocato le ire della produzione, la quale è arrivata a lincenziare il regista in seguito alla realizzazione di La farfalla sul mirino (Koroshi no rakuin, 1967), che è diventato il suo film più famoso. Per 10 anni Suzuki ha potuto lavorare solo per la televisione. Ha ricominciato a dirigere film per il cinema con Storia di dolore e tristezza. Negli anni successivi ha diretto la “trilogia dell’era Taishô”, composta da Zigeunerweizen, Il teatro delle illusioni e Yumeji. Insieme a Shigetsugu Yoshida ha co-diretto Lupin III - La leggenda dell'oro di Babilonia (Rupan Sansei - Babiron no Oogon Densetsu, 1985), il terzo lungometraggio d'animazione della serie di Lupin III. I suoi ultimi due film, Pistol Opera e Princess Raccoon (Operetta Tanuki Goten, 2005) sono stati entrambi presentati alla mostra del cinema di Venezia.
- 鈴木 清順（すずき せいじゅん、1923年5月24日 - ）は、映画監督、俳優。本名は鈴木 清太郎。元NHKアナウンサーの鈴木健二の兄。日活の専属監督として名を馳せ、小林旭、高橋英樹、宍戸錠らを主演に迎えた。『殺しの烙印』は一般映画のみならずカルト映画としても世界的な評価が高い。『ツィゴイネルワイゼン』、『陽炎座』、『夢二』などでは幽遠な映像美を見せた。その独特の映像表現は「清順美学」と呼ばれる。
- Seijun Suzuki (ur. jako Seitaro Suzuki 鈴木 清太郎 24 maja 1923 w Nihonbashi, Tokio) jest japońskim reżyserem filmowym. Suzuki nakręcił ponad 40 filmów głównie klasy "B" dla Nikkatsu Company w latach 1956-1967, najczęściej tworząc filmy o yakuzie. Surrealistyczny styl Suzuki przeszkadzał wytwórni filmowej i ostatecznie doprowadził do odrzucenia obrazu Branded to Kill z Joe Shishido. Suzuki pozwał studio i wygrał, ale przez dziesięć lat zmuszony był tworzyć jako artysta niezależny. Jego filmy z tego okresu zdobyły uznanie krytyki i Nagrody Japońskiej Akademii Filmowej za trylogię Taishō : Zigeunerweisen, Kagero-za i Yumeji.
- Seijun Suzuki, född i Nihonbashi, Tokyo den 24 maj 1923, är en japansk filmregissör. 1946 började han vid filmavdelningen vid Kamakura Academy och lyckades få regiassistans examen vilket han jobbade som i ett par år framöver. 1958 gjorde han sin första film, Minato no kanpai: Shori wo wagate ni (1956), och efter detta blev det tre-fyra filmer per år. Med Branded to kill: Koroshi no rakuin, sv. titel: Märkt för mord (1967), hamnade han i bråk med Hori Kyusaku som var chefen för Japans största filmbolag Nikkatsu vid den tiden vilket ledde till att han fick sparken. Anledningen till varför Suzuki fick sparken var för att hans filmer ansågs oortodoxa och i tio års tid framöver tvingades han jobba på TV. 1977 lyckades han dock ta sig tillbaka till riktigt filmskapande med Hishu monogatari, Suzuki var senast aktuell 2005 med Princess Racoon: Operetta tanuki goten.
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- Seijun Suzuki, born Seitaro Suzuki (鈴木 清太郎 Suzuki Seitarō) on May 24, 1923, is a Japanese filmmaker, actor, and screenwriter. His films are renowned by film enthusiasts worldwide for their jarring visual style, irreverent humour, nihilistic cool and entertainment-over-logic sensibility. He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre.
- Seijun Suzuki (鈴木 清順, Suzuki Seijun) on japanilainen elokuvaohjaaja.
- Tra il 1956 e il 1967 ha realizzato circa 40 film per la casa di produzione Nikkatsu. Durante questi anni il suo stile si è fatto sempre più surreale e "artistico", il che ha provocato le ire della produzione, la quale è arrivata a lincenziare il regista in seguito alla realizzazione di La farfalla sul mirino (Koroshi no rakuin, 1967), che è diventato il suo film più famoso. Per 10 anni Suzuki ha potuto lavorare solo per la televisione.
- Seijun Suzuki (ur. jako Seitaro Suzuki 鈴木 清太郎 24 maja 1923 w Nihonbashi, Tokio) jest japońskim reżyserem filmowym. Suzuki nakręcił ponad 40 filmów głównie klasy "B" dla Nikkatsu Company w latach 1956-1967, najczęściej tworząc filmy o yakuzie. Surrealistyczny styl Suzuki przeszkadzał wytwórni filmowej i ostatecznie doprowadził do odrzucenia obrazu Branded to Kill z Joe Shishido.
- Seijun Suzuki, född i Nihonbashi, Tokyo den 24 maj 1923, är en japansk filmregissör. 1946 började han vid filmavdelningen vid Kamakura Academy och lyckades få regiassistans examen vilket han jobbade som i ett par år framöver. 1958 gjorde han sin första film, Minato no kanpai: Shori wo wagate ni (1956), och efter detta blev det tre-fyra filmer per år. Med Branded to kill: Koroshi no rakuin, sv.
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