Samuel Jesi (1789 – January 17, 1853) was an Italian engraver. Born in Milan in 1789, he was a pupil of G. Longhi at the Academy of Milan. His first work (1821) was "The Abandonment of Hagar," engraved after a painting by Guercino in the Palazzo di Brera at Milan; this was followed (1834) by "The Madonna with St. John and St. Stephen," from a painting by Fra Bartolomeo in the Cathedral of Lucca. He then devoted himself to the works of Raphael, whom he ably interpreted.

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  • Samuel Jesi (1789 – January 17, 1853) was an Italian engraver. Born in Milan in 1789, he was a pupil of G. Longhi at the Academy of Milan. His first work (1821) was "The Abandonment of Hagar," engraved after a painting by Guercino in the Palazzo di Brera at Milan; this was followed (1834) by "The Madonna with St. John and St. Stephen," from a painting by Fra Bartolomeo in the Cathedral of Lucca. He then devoted himself to the works of Raphael, whom he ably interpreted. His masterpiece is the group representing Pope Leo X with Cardinals Rossi and Giulio dei Medici (1834). While in Paris for the purpose of having it printed he was elected a corresponding member of the Academie des Beaux-Arts, and received the ribbon of the Legion of Honor. In 1846 he began to work on his engraving of the "Cœna Domini," discovered in the Church of S. Onofrio, Florence, and attributed to Raphael. Meanwhile he engraved the "Madonna della Vite. " In 1849 he completed the drawing of the "Cœna Domini," but died in Florence before finishing the engraving.
  • Samuele Jesi war ein italienischer Zeichner, Kupferstecher und Lithograph. Jesi studierte an der Akademie Mailand unter Giuseppe Longhi. Seine ersten größern Arbeiten waren Die Verstoßung der Hagar (1821), nach Guercinos Bild in der Brera zu Mailand, und die Madonna mit Johannes und dem hl. Stephan (1834), nach Fra Bartolommeo im Dom zu Lucca. Im Jahr 1840 stach er nach Raffael das Bildnis des Papstes Leo X. mit den Kardinälen Rossi und Giulio de' Medici im Palazzo Pitti. 1846 übernahm er den Stich des damals eben in Sant'Onofrio zu Florenz entdeckten Freskogemäldes, das ein Abendmahl darstellt und von manchen dem Raffael zugeschrieben wurde. Er vollendete 1849 eine meisterhafte Zeichnung davon, starb aber am 17. Januar 1853 in Florenz vor Beendigung des Stiches. In der Zwischenzeit vollendete er noch den Stich nach der Vierge à la vigne.
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  • Jesi, Samuel
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  • Samuel Jesi (1789 – January 17, 1853) was an Italian engraver. Born in Milan in 1789, he was a pupil of G. Longhi at the Academy of Milan. His first work (1821) was "The Abandonment of Hagar," engraved after a painting by Guercino in the Palazzo di Brera at Milan; this was followed (1834) by "The Madonna with St. John and St. Stephen," from a painting by Fra Bartolomeo in the Cathedral of Lucca. He then devoted himself to the works of Raphael, whom he ably interpreted.
  • Samuele Jesi war ein italienischer Zeichner, Kupferstecher und Lithograph. Jesi studierte an der Akademie Mailand unter Giuseppe Longhi. Seine ersten größern Arbeiten waren Die Verstoßung der Hagar (1821), nach Guercinos Bild in der Brera zu Mailand, und die Madonna mit Johannes und dem hl. Stephan (1834), nach Fra Bartolommeo im Dom zu Lucca. Im Jahr 1840 stach er nach Raffael das Bildnis des Papstes Leo X. mit den Kardinälen Rossi und Giulio de' Medici im Palazzo Pitti.
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  • Samuel Jesi
  • Samuele Jesi
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