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- Ralph Rosenblum was a renowned film editor who worked extensively with the directors Sidney Lumet and Woody Allen. He won the 1977 BAFTA Award for Best Editing for his work on Annie Hall, and published an influential memoir When the Shooting Stops, the Cutting Begins: A Film Editor's Story. Towards the end of the Second World War, Rosenblum worked as a filmmaking apprentice in the U. S. Office of War Information; among his mentors there were Sidney Meyers and Helen van Dongen. Following the war he became van Dongen's assistant editing Robert Flaherty's film Louisiana Story (1948). Much of Rosenblum's work in the 1950s and early 1960s was in television; he worked on shows such as The Search, Omnibus, The Guy Lombardo Show, and The Patty Duke Show. With Sid Katz and Gene Milford, he formed a company, MKR Films, that provided editorial services for television shows, spots, and corporate films. In the 1960s, Rosenblum edited five films directed by Sidney Lumet, starting with Long Day's Journey into Night (1962). These films, which were all serious dramas, were very important to Rosenblum's career; as John Gallagher has noted, Fail-Safe and The Pawnbroker demonstrated Rosenblum's editorial finesse. The montage ending of Fail Safe, depicting the last few moments of life on earth, and the use of concentration camp flashbacks in The Pawnbroker, brought Rosenblum his first industry recognition. Paul Monaco has summarized Rosenblum's editing innovations on The Pawnbroker, as well as their influence, as follows, "In his work on The Pawnbroker, Rosenblum imitated devices from several French films of the previous decade, but he also extended them. Like Dede Allen, Rosenblum broke editing conventions and rules. More importantly, and like her also, his innovations shifted editing away from its traditional reliance on telling a story to the creation of a new and penetrating subjectivity in the feature film. " In 1966, Rosenblum was nominated for an American Cinema Editors "Eddie" award (Best Editing of a Feature Film) for A Thousand Clowns (1965), which was directed by Fred Coe. In 1968, Rosenblum was hired as an "editorial consultant" to help a young Woody Allen hone a large amount of footage into what became Allen's first film, the mockumentary Take the Money and Run. Rosenblum went on to edit the next five of Allen's films, including Annie Hall, for which he won the 1977 BAFTA Award for Best Editing. Interiors (1978) was Rosenblum's last film with Allen. Rosenblum declined to edit Allen's 1979 film, Manhattan. Susan E. Morse, who had been Rosenblum's assistant editor on several of Allen's films, became his successor and edited Allen's films for the ensuing twenty years. In 1979, Rosenblum published a book written with Robert Karen, When the Shooting Stops, the Cutting Begins: A Film Editor's Story. Gallagher described the importance of this book as follows: Rosenblum worked as a director for about five years, commencing with the documentary film Acting Out (1980). His films included Summer Solstice (1981), which was made for television and which was actor Henry Fonda's last film. Rosenblum taught film and film editing at Columbia University for a number of years until his death in 1995.
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