Iacopo Nigreti (Venice, 1548/50 — October 14, 1628), best known as Jacopo Palma il Giovane or simply Palma Giovane ("Young Palma") was a prolific and facile Venetian Mannerist painter. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague..

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  • Iacopo Nigreti (Venice, 1548/50 — October 14, 1628), best known as Jacopo Palma il Giovane or simply Palma Giovane ("Young Palma") was a prolific and facile Venetian Mannerist painter. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague.. The heir of a sound family tradition, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15-1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifazio de' Pitati and who after Bonifazio's death (1553) inherited Bonifazio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guidobaldo II della Rovere, duke of Urbino, recognized Palma's talents, supporting him for four years and sending him to Rome, where he remained until about 1572. Shedding most remnants of Roman manner after his return to Venice, Palma adopted the inescapable models and mannerisms of Tintoretto. His early biographers assert that he found a place in the ageing Titian's workshop; when the master died, Palma stepped in to finish his last work, the Pietà in the Accademia, Venice. Palma's first major public commission arrived after a 1577 fire in the Doge's Palace: three scenes in its grand council hall. By the mid-1580s he had digested Tintoretto's versatile figure postures and Titian's thick surfaces, emphasis on light, and loose brushstroke. In Palma Giovane's output, Freedberg detects also "an occasional discursive opulence à la Veronese; and inclinations towards descriptive naturalism à la Bassano. " Adding naturalism to his Mannerist style by the 1580s, he varied the ingeniously synthesised amalgam according to subject matter and patrons' own eclectic and conservative tastes, with "virtuoso skill and a facile intelligence.". After 1600 he painted mythologies for a small circle of intellectuals. Image:Francescostjerome. jpg|The Francesco St Jerome, circa 1590-1595, Mark Lawrence Art Collection. File:Palma il Giovane Venus und Mars. jpg|Venus and Mars. The National Gallery. London.
  • Jacopo Palma der Jüngere, ital. auch Palma (il) Giovane, war ein italienischer Maler und Radierer. Jacopo Palma wurde als Sohn des aus Serina bei Bergamo stammenden Malers Antonio Palma, eines Neffen von Palma Vecchio, geboren. Im 17. Jahrhundert erhielt er den Beinamen il Giovane, um ihn von seinem gleichnamigen Onkel Jacopo Negretti, genannt Palma il Vecchio, besser unterscheiden zu können.
  • Palma el Joven, en italiano Palma il Giovane, nacido Antonio di Jacopo Negretti es un pintor italiano manierista, sobrino de Palma el Viejo y última figura destacable de la pintura veneciana del siglo XVI.
  • Palma le Jeune, en italien Palma il Giovane, né Jacopo di Antonio Negretti est un peintre italien maniériste, le petit neveu de Palma le Vieux.
  • Jacopo Negretti, também chamado Jacopo Palma, il Giovane (em português Palma, o Jovem), foi um pintor do Maneirismo italiano. Sobrinho neto de Jacopo Palma, il Vecchio, Negretti inicia sua carreira em Urbino, trabalhando como copista de obras de Tiziano e Rafael para Guidobaldo II Della Rovere que o envia a Pesaro e em seguida a Roma, onde vive entre 1567 e 1575, em contato com o tardio Maneirismo florentino-romano de Michelangelo e dos Zuccari. Com os Della Rovere, o artista manterá uma privilegiada relação de proteção ao longo de sua vida. Em Veneza, após a morte de Tiziano em 1576, Palma executa sua bem conhecida intervenção na inacabada Pietà do mestre, por quem cultiva uma profunda admiração. Tal devoção não o impede de sofrer sobremaneira a ascendência de Tintoretto, a partir da qual desenvolve uma pintura de compromisso com sua experiência romana. O êxito de Palma em Veneza é de tal modo imediato que, já em 1578, os governantes da "Sereníssima" encomendam ao artista (então com apenas trinta anos) a decoração de três cenas da Sala del Maggior Consiglio, no Palazzo Ducale. Pintor favorito da Contra-Reforma em Veneza, Palma desenvolve ao longo de seus 80 anos uma intensa atividade, que tende entretanto a fixar-se em fórmulas convencionais durante a fase final de sua carreira, mantendo-se distante das inovações do Barroco. Maneirismo Pintura
  • Джакомо Пальма Младший — по всей вероятности, внучатый племянник Пальма иль Веккьо. Первоначально работал под влиянием Тинторетто, затем в течение восьми лет изучал в Риме Рафаэля, Микеланджело и Полидорода-Караваджьо. Пальма Младший, при значительно развитой технике, не отличался большим талантом. Лучшими его работами считаются «Христос на руках Пресвятой Девы» и некоторые картины, находящиеся в Венеции. Изображение:Messa pasquale cicogna. jpg|Фрагмент картины художника «Месса Паскуале Чиконья» Изображение:Palma il Giovane Venus und Mars. jpg|Venus and Mars. The National Gallery. London.
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  • Palma Giovane
  • Palma il Giovane
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  • Iacopo Nigreti (Venice, 1548/50 — October 14, 1628), best known as Jacopo Palma il Giovane or simply Palma Giovane ("Young Palma") was a prolific and facile Venetian Mannerist painter. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague..
  • Jacopo Palma der Jüngere, ital. auch Palma (il) Giovane, war ein italienischer Maler und Radierer. Jacopo Palma wurde als Sohn des aus Serina bei Bergamo stammenden Malers Antonio Palma, eines Neffen von Palma Vecchio, geboren. Im 17. Jahrhundert erhielt er den Beinamen il Giovane, um ihn von seinem gleichnamigen Onkel Jacopo Negretti, genannt Palma il Vecchio, besser unterscheiden zu können.
  • Palma el Joven, en italiano Palma il Giovane, nacido Antonio di Jacopo Negretti es un pintor italiano manierista, sobrino de Palma el Viejo y última figura destacable de la pintura veneciana del siglo XVI.
  • Palma le Jeune, en italien Palma il Giovane, né Jacopo di Antonio Negretti est un peintre italien maniériste, le petit neveu de Palma le Vieux.
  • Jacopo Negretti, também chamado Jacopo Palma, il Giovane (em português Palma, o Jovem), foi um pintor do Maneirismo italiano. Sobrinho neto de Jacopo Palma, il Vecchio, Negretti inicia sua carreira em Urbino, trabalhando como copista de obras de Tiziano e Rafael para Guidobaldo II Della Rovere que o envia a Pesaro e em seguida a Roma, onde vive entre 1567 e 1575, em contato com o tardio Maneirismo florentino-romano de Michelangelo e dos Zuccari.
  • Джакомо Пальма Младший — по всей вероятности, внучатый племянник Пальма иль Веккьо. Первоначально работал под влиянием Тинторетто, затем в течение восьми лет изучал в Риме Рафаэля, Микеланджело и Полидорода-Караваджьо.
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  • Palma Giovane
  • Jacopo Palma der Jüngere
  • Palma el Joven
  • Palma le Jeune
  • Jacopo Palma il Giovane
  • Jacopo Palma, o Jovem
  • Пальма, Джакомо (младший)
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