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- Nacistická architektura se formovala mezi světovými válkami v Německu a Itálii pod vlivem totalitního státního zřízení.
- Architektur im Nationalsozialismus beschreibt Bauvorhaben, Architektur und Stadtplanung in der Zeit des Nationalsozialismus als deutsche Ausgestaltung des in dieser Zeit verbreiteten Stils des Neoklassizismus. Jenseits der repräsentativen Machtarchitektur wirkten etliche bautechnische und architektonische Entwicklungen in gewandelter Form über das Kriegsende hinaus fort.
- Nazi architecture was an architectural plan which played a role in the Nazi party's plans to create a cultural and spiritual rebirth in Germany as part of the Third Reich. Adolf Hitler was an admirer of imperial Rome and believed that some ancient Germans had, over time, become part of its social fabric and exerted influence on it. He considered the Romans an early Aryan empire, and emulated their architecture in an original style inspired by both neoclassicism and art deco, sometimes known as "severe" deco, erecting edifices as cult sites for the Nazi Party. He also ordered construction of a type of Altar of Victory, borrowed from the Greeks, who were, according to Nazi ideology, inseminated with the seed of the Aryan peoples. At the same time, because of his admiration for the Classical cultures of the ancient Mediterranean, he could not isolate and politicize German antiquity, as Benito Mussolini had done with respect to Roman antiquity. Therefore he had to import political symbols into Germany and justify their presence on the grounds of a spurious racial ancestry, the myth that ancient Greeks were among the ancestors of the Germans - linked to the same Aryan peoples. Hitler's desire to be the founder of a thousand-year Reich were in harmony with the Colosseum being associated with eternity. He envisioned all future Olympic games to be held in Germany in the Deutsches Stadion. He also anticipated that after winning the war, other nations would have no choice but to send their athletes to Germany every time the Olympic games were held. Thus, the architecture foreshadowed Hitler's craving for control of the world long before his aim was put into words. Hitler also seemed to derive satisfaction from seeing world-famous monuments being surpassed in size by German equivalents. Most regimes, especially new ones, wish to make their mark both physically and emotionally on the places they rule. The most tangible way of doing so is by constructing buildings and monuments. Architecture is considered to be the only art form that can actually physically meld with the world as well as influence the people who inhabit it. Buildings, as autonomous things, must be addressed by the inhabitants as they go about their lives. In this sense, people are "forced" to move in certain ways, or to look at specific things. In so doing, Architecture affects not only the landscape, but also the mood of the populace who are served. The Nazis believed architecture played a key role in creating their new order. Architecture had a special importance to the politicians who sought to influence all aspects of human life. Moreover, not only major cities but also small villages were to express the achievement and the nature of the German people. It seemed as though the basic design of commonly practiced architecture at the time was to be either left in place or modified within Germany's dominion. The new building style may have been intended to give the idea to the rest of the world and to the unconverted Germans that the era of the thousand-year Reich had dawned.
- La arquitectura de la Alemania nazi es un proyecto arquitectónico y parte integral de los planes de Partido Nazi para crear un renacimiento cultural y espiritual en Alemania como parte del Tercer Reich. Adolf Hitler fue un admirador de la Roma imperial y era consciente de que algunos antiguos alemanes, con el tiempo, habían pasado a formar parte de la estructura social y ejercido influencia en el Imperio. Por otra parte, tradicionalmente, las tribus germánicas eran vistas por los romanos como enemigos de la paz romana; sin embargo, Hitler consideraba que los romanos conformaron un imperio ario primigenio y emuló su arquitectura en un estilo original inspirado en el neoclasicismo y art decó, algunas veces conocido como deco "sobrio". Así, erigió edificios como sitios de culto para el partido nazi. Asimismo, ordenó la construcción de un tipo de Altar de la Victoria, con un modelo prestado de los griegos, quienes, según la ideología nazi, fueron inseminados con la semilla de los pueblos arios. Al mismo tiempo, debido a su admiración por las culturas clásicas del Mediterráneo Antiguo, no podía aislar y politizar la Antigüedad alemana, como Benito Mussolini había hecho con respecto a la Antigüedad romana. Por tanto, debió importar símbolos políticos a Alemania y justificar su presencia sobre la base de una ascendencia racial espuria, el mito de que los antiguos griegos se encontraban entre los antepasados de los alemanes, relacionados al mismo pueblo ario.
- L’architecture nazie désigne l'architecture officielle allemande sous le régime national-socialiste. Il s'agit d'un concept visant à dégager les caractéristiques communes des commandes architecturales de l'État et du parti national-socialiste entre 1933 et 1945. De façon générale, l'architecture a une importance particulière pour les politiques, et en particulier pour les dirigeants totalitaires qui y voient un moyen d'influencer tous les aspects de la vie humaine. La plupart des régimes, en particulier les nouveaux, souhaitent faire leur marque tant physiquement qu'émotionnellement sur leur territoire. L'une des façons les plus efficaces d'y parvenir est la construction de bâtiments et de monuments. Les nationaux-socialistes croyaient que l'architecture jouerait un rôle majeur dans la création de leur ordre nouveau. Leurs projets visaient à des biens culturels et une renaissance spirituelle en Allemagne dans le cadre du Troisième Reich.
- 나치 건축물은 신고전주의와 나치즘 특유의 과대적 망상이 합쳐져 창조된 건축물으로 크고 장대한 것을 추구하였으며 직선으로 정형화 된 건축양식을 따랐다. 알베르트 슈페어는 나치 건축의 총 책임을 떠맡았다. 알베르트 슈페어는 히틀러의 실패한 개인적 꿈을 이뤄주기 위해 베를린 계획안(Germania)과 나아가 베를린 뿐만이 아닌 전 독일을 제3제국의 새로운 문화로 바꾸는것을 시도했다. 물론 이 시도는 나치 독일이 패망하면서 실패하였다. 나치의 건축의 이상을 잘 보여주는 예는 알베르트 슈페어 작품인 제국의사당에서 그 형태가 드러난다.
- Nasjonalsosialistisk arkitektur var en arkitektonisk plan og en integrert del av det nasjonalsosialistiske partiet NSDAPs partis plan om skape en kulturell og åndelig gjenfødsel i Tyskland som en del av skapelsen av Det tredje rike fra 1933.
- Архитектура эпохи национал-социализма (нем. Architektur im Nationalsozialismus) демонстрирует господствующие архитектурные стили, методы строительства и городского планирования, применявшиеся в Германии в период господства в ней национал-социалистической идеологии (1933-45 гг.). Определённое влияние архитектура эпохи национал-социализма оказала и на строительные проекты в послевоенной Германии.
- Arkitektur var ett viktigt uttrycksmedel för Adolf Hitlers regim i Nazityskland. Albert Speer var chefsarkitekt, och han var inriktad på att skapa storslagna monument, för att illustrera Tysklands andliga och kulturella återfödelse i Tredje riket.
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- Nacistická architektura se formovala mezi světovými válkami v Německu a Itálii pod vlivem totalitního státního zřízení.
- Architektur im Nationalsozialismus beschreibt Bauvorhaben, Architektur und Stadtplanung in der Zeit des Nationalsozialismus als deutsche Ausgestaltung des in dieser Zeit verbreiteten Stils des Neoklassizismus. Jenseits der repräsentativen Machtarchitektur wirkten etliche bautechnische und architektonische Entwicklungen in gewandelter Form über das Kriegsende hinaus fort.
- Nazi architecture was an architectural plan which played a role in the Nazi party's plans to create a cultural and spiritual rebirth in Germany as part of the Third Reich. Adolf Hitler was an admirer of imperial Rome and believed that some ancient Germans had, over time, become part of its social fabric and exerted influence on it.
- La arquitectura de la Alemania nazi es un proyecto arquitectónico y parte integral de los planes de Partido Nazi para crear un renacimiento cultural y espiritual en Alemania como parte del Tercer Reich. Adolf Hitler fue un admirador de la Roma imperial y era consciente de que algunos antiguos alemanes, con el tiempo, habían pasado a formar parte de la estructura social y ejercido influencia en el Imperio.
- L’architecture nazie désigne l'architecture officielle allemande sous le régime national-socialiste. Il s'agit d'un concept visant à dégager les caractéristiques communes des commandes architecturales de l'État et du parti national-socialiste entre 1933 et 1945. De façon générale, l'architecture a une importance particulière pour les politiques, et en particulier pour les dirigeants totalitaires qui y voient un moyen d'influencer tous les aspects de la vie humaine.
- 나치 건축물은 신고전주의와 나치즘 특유의 과대적 망상이 합쳐져 창조된 건축물으로 크고 장대한 것을 추구하였으며 직선으로 정형화 된 건축양식을 따랐다. 알베르트 슈페어는 나치 건축의 총 책임을 떠맡았다. 알베르트 슈페어는 히틀러의 실패한 개인적 꿈을 이뤄주기 위해 베를린 계획안(Germania)과 나아가 베를린 뿐만이 아닌 전 독일을 제3제국의 새로운 문화로 바꾸는것을 시도했다. 물론 이 시도는 나치 독일이 패망하면서 실패하였다. 나치의 건축의 이상을 잘 보여주는 예는 알베르트 슈페어 작품인 제국의사당에서 그 형태가 드러난다.
- Nasjonalsosialistisk arkitektur var en arkitektonisk plan og en integrert del av det nasjonalsosialistiske partiet NSDAPs partis plan om skape en kulturell og åndelig gjenfødsel i Tyskland som en del av skapelsen av Det tredje rike fra 1933.
- Архитектура эпохи национал-социализма (нем. Architektur im Nationalsozialismus) демонстрирует господствующие архитектурные стили, методы строительства и городского планирования, применявшиеся в Германии в период господства в ней национал-социалистической идеологии (1933-45 гг.). Определённое влияние архитектура эпохи национал-социализма оказала и на строительные проекты в послевоенной Германии.
- Arkitektur var ett viktigt uttrycksmedel för Adolf Hitlers regim i Nazityskland. Albert Speer var chefsarkitekt, och han var inriktad på att skapa storslagna monument, för att illustrera Tysklands andliga och kulturella återfödelse i Tredje riket.
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