Marriage à la Mode is a Restoration comedy by John Dryden, first performed in London in 1673 by the King's Company. It is written in a combination of prose, blank verse and heroic couplets. It has often been praised as Dryden’s best comedic endeavour, and Sutherland accounts for this by observing that "the comic scenes are beautifully written, and Dryden has taken care to connect them with the serious plot by a number of effective links. He writes with . . .
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- Marriage à la Mode is a Restoration comedy by John Dryden, first performed in London in 1673 by the King's Company. It is written in a combination of prose, blank verse and heroic couplets. It has often been praised as Dryden’s best comedic endeavour, and Sutherland accounts for this by observing that "the comic scenes are beautifully written, and Dryden has taken care to connect them with the serious plot by a number of effective links. He writes with . . . one of the most thoughtful treatments of sex and marriage that Restoration comedy can show. " The play contains two songs, "Why Should a Foolish Marriage Vow" by Robert Smith and "Whilst Alexis Lay Pressed" by Nicholas Staggins, both set to Dryden's lyrics and printed in the 1673 book Choice Songs and Ayres for One Voyce to Sing to the Theorbo-Lute or Bass-Viol.
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- 1673-01-01 00:00:00 (xsd:date)
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- Marriage à la Mode is a Restoration comedy by John Dryden, first performed in London in 1673 by the King's Company. It is written in a combination of prose, blank verse and heroic couplets. It has often been praised as Dryden’s best comedic endeavour, and Sutherland accounts for this by observing that "the comic scenes are beautifully written, and Dryden has taken care to connect them with the serious plot by a number of effective links. He writes with . . .
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- Marriage à la mode (play)
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