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- The mandocello (mandoloncello, Liuto cantabile, or liuto moderno) is a plucked string instrument of the mandolin family. The mandocello is played with a plectrum and is fretted. Mandocello construction is similar to that of the mandolin. As with the mandolin, the mandocello body may be constructed with a bowl-shaped back according to designs of the 18th-century Vinaccia school, or with a flat back according to the designs of Gibson Guitar Corporation popularized in the United States in the early 20th Century. The scale of the mandocello is longer than that of the mandolin. Flat-back instruments may have a scale length of approximately 25 inches (65 cm) similar to that of the modern guitar. These instruments may have approximately 23 frets, giving the 4-course mandocello a range from two octaves below middle C to the F an octave above middle C. Bowl-back instruments may have a shorter scale length, on the order of 22.5 inches, and concert bowl-back instruments may have more frets permitting virtuoso passage work in the upper register. The mandocello generally has four courses of strings, tuned CC-GG-dd-aa. Because of the heavy gauge of the lowest course, some folk mandocello players remove one of the C strings to prevent rattling while playing fortissimo. The 10-string mandocello, containing an additional course of E strings (CC-GG-dd-aa-e'e'), may be termed a liuto cantabile or liuto moderno, although these instruments remain technically mandocellos. The bowl-back mandocello is chiefly used in mandolin orchestras and mandolin quartets, where it can provide both a melodic and a bass role similar to that of the cello in the bowed string quartet. It is occasionally used as a solo instrument for the performance of classical music, such as concertos and unaccompanied repertoire originally composed for solo cello. However, some pieces specifically for liuto cantabile were composed by Raffaele Calace, who championed the instrument in the early 20th Century. The mandocello also has a role in modern folk music, such as bluegrass or Celtic music. In this setting the flat-back mandocello is typically used. The mandocello's lower range does not produce the bright, projecting sound of the mandolin or mandola, and its use in this setting has been generally eclipsed by mandolin artists since Bill Monroe. The amplified instrument has infrequently been used in modern rock music groups. The most historically significant mandocellist was Raffaele Calace, who wrote the first method book specifically for liuto cantabile, and is thought to have perfected the design of the instrument following its putative introduction by the Vinaccia family. Luigi Embergher also contributed significantly to advancements in the design of the instrument during the late 19th and early 20th centuries. Accomplished artists specializing in mandocello performance in 21st century America are relatively few in number, and only a modest number of contemporary recordings prominently feature the instrument. One American mandocello artist, Stanley Greenthal, is a specialist in the music of Brittany and an instructor at Zouk Fest. The mandolinist Radim Zenkl is also well-known for performances of American, Italian, and other European folk music on the mandocello. One recent recording with mandolin virtuosos Carlo Aonso and David Grisman has featured Zenkl's mandocello on the album of Italian folk music "Traversata" published by Acoustic Disc. Steve Knightley of the English folk-rock band Show of Hands is also well-known for playing it, however his mandocellos are tuned GDAD with the top course often played open. Rick Nielsen of the band Cheap Trick has a guitar collection that includes electric mandocellos custom made by Hamer Guitars. These instruments were used for the song Mandocello, released on the band's debut eponymous album. This song was later covered by Concrete Blonde and released on their album Still in Hollywood. Richie Sambora, lead guitarist with American band Bon Jovi used a mandocello on the song Lay Your Hands on Me on the band's album of acousticly reworked songs, This Left Feels Right.
- Il mandoloncello è uno strumento musicale a plettro derivato dalla mandola nel XIX secolo. Di proporzioni maggiori (diapason di circa cm 59), è usualmente dotato di quattro cori accordati all'unisono una quinta sotto la mandola tenore. Presenta dunque la medesima accordatura del violoncello ed è stato sviluppato esattamente al fine di ricoprirne il ruolo sia nelle orchestre a plettro, che nei quartetti a plettro. Una variante a cinque cori (do, sol, re, la, mi), dunque con estensione superiore paragonabile a quella della mandola, è anche denominata liuto cantabile.
- マンドロンチェロ(mandoloncello)はマンドリン属の楽器で、マンドラよりもさらに一回り大きく、調弦はヴィオロンチェロと同じくC-G-D-Aの複弦４コースとなっている。また、これに類して、リュート・モデルノ(mandoliuto)と呼ばれる、A線の上にE線を追加した複弦５コースの楽器も存在する。 マンドリンオーケストラではやマンドローネやコントラバスとともに低音域を担当し、時にはやさしく暖かい、また時には激しく力強い音色を奏でる。 楽譜もヴィオロンチェロと同じく、ヘ音記号で表記される。独奏楽器として書かれる場合には、ト音記号を使い１オクターヴ高く表記する場合もある。
- De mandoloncello is de violoncello van de mandoline-familie. Dit snaarinstrument lijkt op een gewone mandoline, maar is groter - ongeveer 65 centimeter lang. Het heeft 23 frets en is bespannen met vier paren snaren die in C/C G/G d/d a/a zijn gestemd. Omdat de C-snaren vaak tegen elkaar aan ratelen wordt dikwijls een van beide C-snaren weggelaten. De mandoloncello wordt bespeeld met een plectrum. Evenals de mandola en de mandobas wordt ook de mandoloncello bijna alleen in mandolineorkesten gebruikt. Jaco Pastorius bespeelt de mandoloncello op de nummers Birdland en The Juggler van het Weather Report-album Heavy Weather.
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