About: List of national instruments (music)

African American: Conway, Cecelia (1995). African Banjo Echoes in Appalachia : A Study of Folk Traditions (1st ed.). Knoxville: University of Tennessee Press. ISBN 0870498932. African American: Gura, Philip F. ; James F. Bollman (1999). America's Instrument: The Banjo in the Nineteenth Century. University of North Carolina Press. ISBN 0-8078-2484-4. African American: Katonah Museum of Art (2003). The Birth of the Banjo. Katonah, New York: Katonah Museum of Art. ISBN 0-915171-64-3.

Property	Value
dbpprop:abstract	African American: Conway, Cecelia (1995). African Banjo Echoes in Appalachia : A Study of Folk Traditions (1st ed.). Knoxville: University of Tennessee Press. ISBN 0870498932. African American: Gura, Philip F. ; James F. Bollman (1999). America's Instrument: The Banjo in the Nineteenth Century. University of North Carolina Press. ISBN 0-8078-2484-4. African American: Katonah Museum of Art (2003). The Birth of the Banjo. Katonah, New York: Katonah Museum of Art. ISBN 0-915171-64-3. African American: Linn, Karen (1994). That Half-Barbaric Twang: The Banjo in American Popular Culture. University of Illinois Press. ISBN 0-252-06433-X. African American: Tsumura, Akira (1984). Banjos: The Tsumura Collection. Kodansha International. ISBN 0870116053. African American: Webb, Robert Lloyd (1996). Ring the Banjar (2nd ed.). Centerstream Publishing. ISBN 1-57424-016-1. Argentina: Muñoz, R. (1952). Technology of the Argentina Guitar. Buenos Aires. Argentina: Penón, Arturo; Javier García Méndez, Manuel Román, Marcelle Guertin (1988). The Bandonion: A Tango History, A Memoir of Arturo Penón (Petite histoire du bandonéon et du tango). Translated by Tim Barnard. London, Ontario: Nightwood Editions. ISBN 0889711119. Argentina: Pinnell, Richard T. ; Ricardo Zavadivker (1993). The Rioplatense Guitar. Bold Strummer Guitar Study Series: No. 3. Westport, Connecticut: Bold Strummer. ISBN 0933224427. Arab: Bilezikjian, John (2006). Hal Leonard Oud Method. Hal Leonard Corporation. ISBN 0634077864. Armenia: Nercessian, Andy (2001). The Duduk and National Identity in Armenia. Scarecrow Press. ISBN 0810840758. Australia: Schellberg, Dirk (1994). Didgeridoo: Ritual Origins and Playing Techniques. Binkey Kok. ISBN 9074597130. Australia: Moyle, A. (1981). "The Australian Didjeridu: A Late Musical Intrusion". World Archaeology 12 (3): 321–331. Baganda: Makubuya, James Kika (1995). Endongo: The Role and Significance of the Baganda Bowl Lyre of Uganda. Los Angeles: University of California. Bavaria: (in German) Alpenfolklorismus, Volksmusik, Bayern-Pop. Niederbayerische Blätter für Volksmusik; Nr. 7. Dingolfing: Wälischmiller’sche Buchdruckerei. 1986. Brazil: Crowdy, Denis (2001). "Hybridity and Segregation in the Guitar Cultures of Brazil". in Andy Bennett and Kevin Dawe (Eds.). Guitar Cultures. Oxford, New York: Berg. ISBN 1859734294. Brazil: Gregory, Jonathan (2007). A Comprehensive Guide to Brazilian Pandeiro. Booksurge. ISBN 1419672843. China: Gao, Ming (1980). The Lute: Gao Ming's Pipa Ji (Pi pa ji). Translations from the Oriental Classics. Translated by Jean Mulligan. New York: Columbia University Press. ISBN 0231047606. China: Myers, John (1992). The Way of the Pipa: Structure and Imagery in Chinese Lute Music. Kent, Ohio: Kent State University Press. ISBN 0873384555. Finland: Rahkonen, Carl John (1989). The Kantele Traditions of Finland. Indiana University. Ancient Greece: Schlesinger, Kathleen; J.F. Mountford (1970). The Greek Aulos. Groningen: Bouma's Boekhuis. ISBN 9060880277. Guatemala: Armas Lara, Marcial (1964) (in Spanish). El renacimiento de la danza guatemalteca y el origen de la marimba. José de Pineda Ibarra. Guatemala, Centro Editorial: Ministerio de Educación Pública. Guatemala: The Marimbas of Guatemala. Lexington: University of Kentucky Press. 1964. Guatemala: Coleman, Satis Narrona (1930). The Marimba Book: How to Make Marimbas and How to Play Them. The John Day Company. Guatemala: Hoyt, Richard (1992). Marimba. Tor Books. ISBN 0312851936. Guatemala: Pellicer, Sergio Navarrete (2005). Maya Achi Marimba Music in Guatemala. Temple University Press. ISBN 1592132928. Hawaii: Beloff, Jim (1997). The Ukulele: A Visual History. Emeryville, California: Miller Freeman Books. ISBN 0879304545. India: Annapoorna, L. (1996). Veena Tradition in Indian Music. Kanishka. ISBN 8173911401. Ireland: Armstrong, Robert Bruce (1970). The Irish and Highland harps. Introduction by Seóirse Bodley. New York: Praeger Publishers. Ireland: Clark, Nora Joan (2003). The Story of the Irish Harp: Its History and Influence. North Creek Press. ISBN 0972420207. Ireland: Rimmer, Joan (1969). The Irish Harp. Cork: Mercier Press for the Cultural Relations Committee. ISBN 085342151X. Japan: Adriaansz, Willem (1973). The Kumiuta and Danmono Traditions of Japanese Koto Music. Los Angeles: University of California. ISBN 0520017854. Japan: Johnson, Henry (2004). The Koto: A Traditional Instrument in Contemporary Japan. Hotei. ISBN 9074822630. Japan: Kubota, Hideki (1986) (in Japanese). Yakumogoto no shirabe: Shinwa to sono kokoro . Ōsaka-shi: Tōhō Shuppan. ISBN 4885911443. Japan: Wade, Bonnie C. (1976). Tegotomono: Music for the Japanese Koto. Westport, Connecticut: Greenwood Press. ISBN 083718908X. Latvia: Niles, Christina Jaremko (1980) (Thesis). The Baltic Folk Zithers: An Ethnological and Structural Analysis. UCLA. Lithuania: Niles, Christina Jaremko (1980) (Thesis). The Baltic Folk Zithers: An Ethnological and Structural Analysis. UCLA. Mexico: Kaptain, Laurence (1992). The Wood That Sings: The Marimba in Chiapas, Mexico. Everett, Pennsylvania: HoneyRock. ISBN 0963406000. Mexico: Solís, Ted (1983) (Thesis). The Marimba in Mexico City: Contemporary Contexts of a Traditional Regional Ensemble. University of Illinois at Urbana-Champaign. Mongolia: Marsh, Peter K. (2004). Horse-Head Fiddle and the Cosmopolitan Reimagination of Mongolia. ISBN 041597156X. Mongolia: Santaro, Mikhail (2005). Strings That Conquered the World: Morin Khuur, the Mongolian Horse-head Fiddle. Admon. ISBN 9992903767. Norway: Een, Andrea Ruth (1977). Comparison of Melodic Variants in the Hardingfele Repertoire of Norway. University of Illinois at Urbana-Champaign. Norway: Goertzen, Chris (1997). Fiddling for Norway: Revival and Identity. University of Chicago Press. ISBN 0226300498. Norway: Hopkins, Pandora (1986). Aural Thinking in Norway: Performance and Communication With the Hardingfele. Foreword by Jan-Petter Blom. Appendix by Magne Myhren. New York: Human Sciences Press. ISBN 0898852536. Portugal: Cabral, Pedro Caldeira (1999). The Portuguese Guitar. Lisbon. Sardinia: Bentzon, Andreas Fridolin Weis (1969). The Launeddas: A Sardinian Folk-music Instrument. University of Michigan. Akademisk forlag. Scotland: Armstrong, Robert Bruce (1970). The Irish and Highland harps. Introduction by Seóirse Bodley. New York: Praeger Publishers. Scotland: Cannon, Roderick David (2002). The Highland Bagpipe and Its Music. John Donald. ISBN 0859765490. Scotland: Donaldson, William (2000). The Highland Pipe and Scottish Society, 1750-1950: Transmission, Change and the Concept of Tradition. East Linton, East Lothian, Scotland: Tuckwell Press. ISBN 1862320756. Scotland: Donaldson, William (2004). Pipers: A Guide to the Players and Music of the Highland Bagpipe. Tuckwell Press. ISBN 1862322910. Scotland: MacNeill, Seumas; Frank Richardson (1987). Piobaireachd and Its Interpretation: Classical Music of the Highland Bagpipe. Donald. ISBN 0859761762. Scotland: Manson, Wiliam Laird (1901). The Highland Bagpipe: Its History, Literature, and Music. Harvard University. A. Gardner. Spain: Schirmer, =G. (1986). Spanish Guitar Music: Guitar Solo. Hal Leonard. ISBN 0793535832. Spain: Gupta, Rahul (2001). The Symphony Spanish Guitar Book. Gyan Sagar Publication. ISBN 8176850152. Sweden: Ling, Jan (1979) (in Swedish). Nyckelharpan: studier i ett folkligt musikinstrument. Prisma. Switzerland: Bachmann-Geiser, Brigitte (1999) (in German). Das Alphorn : vom Lock- zum Rockinstrument. Bern: P. Haupt. ISBN 3258056404. Trinidad and Tobago: Adams, Norman Darway; Austin O Agho (2005). Stories in Steel: The True Account of the Invention of the Steelpan. Morvant, Trinidad: Jhullian Graphics. ISBN 9768194502. Trinidad and Tobago: Hayward, Rachel (1993). The Steelpan Handbook. Piper Publications. Trinidad and Tobago: Wilson, Salah A. (1999). Steelpan Playing with Theory: A Simple, Hands-on, Practical and Theoretical Approach. Salahpan. ISBN 0968618804. Wales: Andersson, Otto Emanuel (1973). The Bowed-Harp: A Study in the History of Early Musical Instruments. Additional footnotes by Kathleen Schlesinger. New York: AMS Press. ISBN 0404565034. Wales: Ellis, Osian (1991). The Story of the Harp in Wales. Cardiff: University of Wales. ISBN 0708311040. Zimbabwe: Grupe, Gerd (2004) (in German). Die Kunst des Mbira-Spiels: Harmonische Struktur und Patternbildung in der Lamellophonmusik der Shona in Zimbabwe. Tutzing: Schneider. ISBN 3795211484. Zimbabwe: Berliner, Paul (1981). The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe. Berkeley, California: University of California Press. ISBN 0226043797. Zimbabwe: Brenner, Klaus-Peter (1997) (in German). Chipendani und Mbira: Musikinstrumente, nicht-begriffliche Mathematik und die Evolution der harmonischen Progressionen in der Musik der Shona in Zimbabwe. Abhandlungen der Akademie der Wissenschaften in Göttingen, Philologisch-Historische Klasse: 3. Folge, Nr. 221. Göttingen: Vandenhoeck & Ruprecht. ISBN 352582372X.
dbpprop:description	Horn, flattened by heat and hollowed, used for more religious than purely secular purposes, made from the horn of an animal, most typically a ram or kudu Accordion, bellow-driven free reed with keys or buttons to modify the air flow Aerophone made from the end of a cow horn with the tip broken off on the side, which is blown into Aerophone, can be single- or double-reed, with or without a mouthpiece Arched harp with sixteen strings, attached to the harp with red cotton tassels Bagpipe with a chanter, blowpipe, two tenor drones and a bass drone Bagpipe with three types of chanters, one a simple reed, open at one end, another a small, conical tube with eight fingerholes, one of which is the ''flea-hole'' (a small hole made out of a tube that can raise any note a half-step), and the last is a long, no-holed drone Barrel-shaped percussion instruments, tuned chromatically, originally made from discarded 55 gallon drums Biblically-described historic instrument, probably a cithara; in modern Hebrew, refers to the violin Bowed keyed fiddle Bowed lyre with no fingerboard Bowed string instrument with a long neck, similar to a fiddle or ''sarangi'' and played vertically Bowl lyre made of lizardskin with strings tied to a piece of wood inserted into two holes on two arms Button accordion with a box shape, played with both hands using buttons that produce two sets of notes per hand Chest-resonated stick zither with two to five strings Chromatic hammered dulcimer with four legs Diagonal diatonic flute without a bell, made from a conical vine, with three finger-holes and a rectangular embouchere with two wings on either side Diatonic bagpipe with a conical chanter and at least one bass drone, used to accompany both spiritual and secular, as well as lyric and dance music, usually accompanied by a drum (''tambour'') Diatonic harp with 32, 36, 38 or 40 strings, made from tropical wood and with songs in the Guarani language, with an exaggerated neck-arch, played with the fingernail Diatonic harp, with an exaggerated neck arch, similar to the Paraguayan harp Diatonic, lute-like string instrument Diatonic, unfretted lute-like string instrument, traditionally carved from a single block of wood Double-headed cylindrical drum, slightly bulging at the waist, held horizontally and played double-handed Double-reed pipe with wide reeds made from pieces of cane in a duckbill-type assembly, generally diatonic and with a single octave range Double-reed shawm, played paired End-blown wooden flute with six fingerholes Endblown long bass diatonic fipple flute Family of triangle-shaped lute-type instruments Flute, made from a single piece of bamboo, with three holes to blow into from the nostrils, with fingerholes Four or five stringed instrument, plucked with a bare thumb and a forefinger covered by a metal thimble, traditionally with four or five strings, Four stringed instrument, bowed, hourglass-shape and an arched top and back Four-stringed instrument, bowed Four-stringed small fretted instrument with a hollow body Fretted lute with a long neck, pear-shaped body, and three courses of seven steel strings Fretted seven-stringed instrument with a soundboard and a hollow body, originally with steel strings, but now more commonly with nylon Fretted stringed instrument, long-necked with a flat soundboard and back, and incurved sides Fretted stringed instrument with a hollow body and a soundboard Fretted stringed instrument with a hollow body and with four strings Fretted stringed instrument with a hollow body, derived from the Spanish ''tiple'' and other stringed instruments, made from carved wood with strings (ten, in five sets of two) of leather strips or dried animal gut Fretted stringed instrument with a hollow body Fretted, hollow-bodied bowl lute, usually with four or five doubled strings, with as many as eleven tunings, traditionally made from an armadillo shell Fretted, long-necked lute with a round body, played by plucking with a plectrum Guitar-like instrument, most commonly with ten strings in two courses and made from an armadillo back Guitar-like instrument with a neck and three courses of two strings each Guitar-like lute with four strings, usually strummed Half-tube zither, rectangular with three sound holes on the bottom, now with twenty-one strings most typically, pentatonic tuning, strings are plucked by hand Hammered dulcimer, trapezoidal-shaped with 72 strings and two sets of bridges, hit with mallets Hammered dulcimer, with a trapezoidal sounding board and traditionally bronze strings, struck with rubber-tipped bamboo hammers Handheld frame drum with metal jingles (''platinelas'') attached, tuned through adjusting the tension of the head, can also be shaken or rasped Harp with no blades or levers, with three rows of strings, the outer two tuned in a diatonic scale and the inner one tuned to the extra semitones of the chromatic scale Highly variant double-shawm with a cylindrical bore Hurdy-gurdy that uses a rosined wheel to create sound Jews harp, made from a reed attached to a frame, plucked Keyed calabash gourds with holes covered in spider silk, wooden frame Large fiddle with a wooden sound box and two strings attached to tuning pegs in the neck Long and hollow thirteen-stringed instrument Long open endblown flute with five fingerholes Long wooden conical trumpet, bent at the end, with turned boxwood mouthpieces, traditionally used by herdsmen Lute-like stringed instrument with a long neck, picked or strummed, variable number of strings Mouth organ with bamboo tubes, attached in pairs to the mouthpiece, and with fixed free reeds Open harp, used in widely varying forms, though originally semi-circular and with five to seven strings, number of strings increased over time, while the size decreased Ornately decorated fiddle with four main strings and four resonating strings beneath them, which are not touched by the bow Pear-shaped bowl lute with a neck, played by plucking Pear-shaped fretless stringed instrument, with five courses of two strings and a single eleventh string, a bent back and a bowl-shaped body, often with up to three soundholes, played with a pick Pear-shaped mandolin-like instrument, part of the '' rondalla'' tradition of ensemble playing of plucked instruments including bandurias, octavinas, lauds, guitars, and basses. Plucked lamellophone, consisting of staggered keys attached to a board, with a halved calabash gourd as resonator Plucked string instrument with two strings and a long neck, strummed or plucked Polychord wire-strung harp with a fore-pillar Rectangular zither with five or six strings, one melody string and several drone strings Round framed idiophone, open on one end, with a clapper inside Round, flat drum with shakers made of metal inside and a horse-skin head Semitonically fretted lute with a long, cylindrical shape, resting on two gourds Set of chorded bamboo panpipes that produces two tones simultaneously, consisting of pieces of cane, placed side by side in order by size and closed at one end, played by blowing across the top of the instrument Set of cylindrical shawm-like instruments, with an air reservoir like a bagpipe Set of three single-reed pipes, all three mouth-blown simultaneously using circular breathing, with two chanters and one drone Set of wooden pieces, mounted on gourds, in a frame and played using two rubber-tipped mallets, held in hands with iron cylinders and rings attached to add a jingling sound Seven-stringed lute, fretless, long-necked and double-waisted with rosette-shaped sound hole Short-necked three-stringed lute with sympathetic and drone strings, fretted and plucked with a plectrum, with a double-chambered body, the lower part of which is covered in skin, and with three main strings Single stringed instrument, blown rather than plucked or strummed, with the string attached to a coconut shell resonator and with a tension noose wrapped around the string to adjust the pitch Single-stringed musical bow Six-stringed instrument with a flat fingerboard, fretless Small stringed instrument, with plucked metal strings, elongated belly as soundboard and narrow neck ending in a pegbox, decorated with carvings of animals and covered with skin Straight trumpet without fingerholes, traditionally made from a trunk or thick branch of a tree, sometimes with a rim of beeswax around the blowing end, requires circular breathing String instrument derived from the Portuguese ''braguinha'', from the Hawaiian ''uku lele'', ''jumping flea'', referring to the swift fingerwork the instrument requires String instrument with a pear-shaped body and a long neck, played with plectrum Stringed instrument Stringed instrument Stringed instrument with a soundbox, with strings stretched across it, originally with four melody strings and no more than fifteen accompaniment strings Stringed instrument with a deep soundbox made of two tables, connected by ribs, with strings attached to a tuning bar, played with a plectrum Stringed instrument, round, typically with one string bound at the top of the neck with a tuning peg Stringed instrument, blown rather than plucked or strummed, with a single string and tuning noose attached both to a bow and a feather quill, with a frame made from a coconut shell Stringed instrument, strummed with a plectrum, with the free hand silencing unwanted strings, traditionally made from a tortoise shell Stringed instrument, round, typically with one string bound at the top of the neck with a tuning peg Stringed instrument, round, typically with one string bound at the top of the neck with a tuning peg The dafli, also popularly known as daf, dappler or tambourine, is a must for weddings. Made of wooden ring with a double row of bells and a playing surface with a 10" diameter, our dafli is a perfect accompaniment to the dholki. The pleasant sound of the dafli will elevate the tempo and mood of all celebrations. Easy to play with no beforehand practice required - with these daflis anyone can add to the music played in weddings and other celebrations. Three foot long harp, plucked with both hands, made of wood and goat or antelope skin Three stringed banjo-like instrument, covered with snakeskin Three-stringed fretless lute, made from wood with gut strings Three-stringed fretted, pear-shaped instrument with a hollow body and a vaulted back, propped up on the knee Two bamboo tubes, closed at one end and with tongues, attached to a square frame, played by shaking from side to side, causing the tongues to vibrate Two-stringed instrument, held between the legs, with a trapezoidal body and a horse's head typically carved on the upper edge of the pegbox U-shaped frame drum with small rings that make sound when shaken Wooden box with a hole in one side, derived from containers used to transport agricultural products by portworkers Xylophone-like calabash gourd with holes covered in spider silk, wooden frame, struck with a hammer Xylophone-like instrument with gourd resonators, played with mallets, with a two level keyboard so it can play the full chromatic scale, struck with mallets Xylophone-like instrument with gourd resonators, two sets of overlapping keys, struck with mallets Zither-harp, traditionally with five strings, now with up to thirty, held in the lap Zither-like instrument with between eleven and thirty-six strings, tuned diatonically dbpedia:Xylophone dbpedia:Resonator dbpedia:Goblet_drum dbpedia:Mouthpiece dbpedia:Brass dbpedia:String_instrument dbpedia:Percussion_instrument dbpedia:Gourd dbpedia:Zither dbpedia:Strings_(music) dbpedia:Fiddle dbpedia:Teaspoon dbpedia:Trumpet dbpedia:List_of_national_instruments_%28music%29/description/audio dbpedia:List_of_national_instruments_%28music%29/description/Audio
dbpprop:image	Aasteeldrum.jpg Africangyilanddrum.jpg Alphorn.JPG Angklung.jpg Apollo Musagetes Pio-Clementino Inv310.jpg Balaika, Nordisk familjebok.png Bandoneon-curved.jpg Banjo.jpg Bg piper.jpeg BouzoukiFront.jpg Busking Accordionist.jpg Celovic, instrument.gif Celtic harp dsc05425.jpg Charango boliviano.JPG Charango.jpg ChathamHDY Muster Bell 3144.JPG Citera kiendel.jpg Crwth-in-case.jpg Cymbalum.jpg Darbuka drum 1.JPG Dayra player.jpeg Demir-Xomus.jpg Dombra1.jpg Duduk1.jpg Estrella 24-bass accordion.jpg Fado2 - chitarre.jpg FeleHel (2).jpg Fujaro ludado tuta bildo.jpg GaitaGalega.png Gayageum 12 string.jpg Guitar 1.jpg GuitarOctavinaBanduriaRondalla.jpg Guzheng 01.jpg Harpofdavid.jpg Hazrat & Vina.jpg Hn caxixi baqueta vadero.jpg Hurdy-Gurdy.jpg Igil oktober saya front view.gif Japanese Koto.jpg Jemenittisk sjofar av kuduhorn.jpg Joueur aulos vase borghese.jpg Kankles.jpg Kantele.jpg Khenesarong.jpg Kokle.JPG Komuz.jpg Langeleik.jpg Launeddas.jpg Marimba grand.jpg Marimba.jpg Mbira1.png Mongolian Musician.jpg Morin khuur.jpg Mostra Olearie - sistro 1010384.JPG Mousai Helikon Staatliche Antikensammlungen Schoen80 n1.jpg Neapolitan mandolin 001.jpg NoseFlute.jpg Nyckelharpa.jpg Oud.jpg P1000350.JPG Pandeiro.JPG Pipa2.jpg Rondador.jpg Russ instr gusli shlem.GIF SAZ Instrument 5270.jpg Sanshin.jpg Santour.gif Serbian Gusle.jpg Stand of great highland bagpipes.jpg Thinline Cuatro.jpg Tiple.jpg ToneCajon-Snare.jpg Ukulele1.png Venezuelan cuatro.jpg Venezuelanharpguitar.jpg Violin VL100.jpg Yangqin1.jpg Yidaki 130.jpg
dbpprop:name	''oud'' ''saz'' dbpedia:Accordion dbpedia:Balalaika dbpedia:Cajón dbpedia:Didgeridoo dbpedia:Launeddas dbpedia:Nose_flute dbpedia:Drejelire dbpedia:Langeleik dbpedia:Banjo dbpedia:Harp dbpedia:Aulos dbpedia:Bandoneón dbpedia:Duduk dbpedia:Koto_(musical_instrument) dbpedia:Lyra dbpedia:Lyre dbpedia:Tres dbpedia:Gusle dbpedia:Pipa dbpedia:Crwth dbpedia:Dutar dbpedia:Gusli dbpedia:Hardingfele dbpedia:Khene dbpedia:Mbira dbpedia:Portuguese_guitar dbpedia:Rubab dbpedia:Tiple dbpedia:Veena dbpedia:Triple_harp dbpedia:Abeng dbpedia:Balo dbpedia:Galician_gaita dbpedia:Kurai dbpedia:Frula dbpedia:Gaida dbpedia:Gyil dbpedia:Igil dbpedia:Kokle dbpedia:Komuz dbpedia:Madal dbpedia:Guitar dbpedia:Zither dbpedia:Violin dbpedia:Shofar dbpedia:Fujara dbpedia:Cuatro_(instrument) dbpedia:Dombra dbpedia:Fiddle dbpedia:Goura_(musical_instrument) dbpedia:Kinnor dbpedia:Nyckelharpa dbpedia:Santur dbpedia:Valiha dbpedia:Balaban_(instrument) dbpedia:Tibiae dbpedia:Dotara dbpedia:Karnay dbpedia:Lesiba dbpedia:Bell_(instrument) dbpedia:Bouzouki dbpedia:Charango dbpedia:Mandolin dbpedia:Marimba dbpedia:Morin_khuur dbpedia:Sistrum dbpedia:Ukulele dbpedia:Cimbalom dbpedia:Guzheng dbpedia:Kantele dbpedia:Kanklės dbpedia:Alphorn dbpedia:Angklung dbpedia:Bandura dbpedia:Berimbau dbpedia:Gayageum dbpedia:Pandeiro dbpedia:Steelpan dbpedia:Yangqin dbpedia:Darbuka dbpedia:Endongo dbpedia:Nyatiti dbpedia:Paraguayan_harp dbpedia:Spoon_(musical_instrument) dbpedia:Tamburica dbpedia:Saung-gauk dbpedia:Suroz dbpedia:Doira dbpedia:Pin_pia dbpedia:Rondador dbpedia:Sanshin dbpedia:Talharpa dbpedia:Banduria dbpedia:Birbyne dbpedia:Dranyen dbpedia:Kithara dbpedia:Tambin dbpedia:Clárseach dbpedia:Great_Highland_bagpipe dbpedia:Khomus dbpedia:Venezuelan_harp dbpedia:Dafli
dbpprop:number	111.212 + 112.111 111.222-4 111.241.2 111.242.122 211.212.1 211.261.21 211.311 + 112.113 211.311 + 112.122 411.111.22 421.111.12 421.111.22 421.112.11 421.211.12 422.112.2-62 + 422.221.1-621 422.121-62 422.211.2-62 422.22-62 422.221.2 423.121.1 423.121.11 423.121.12 423.122.2 ? 111.141 (xsd:double) 111.221 (xsd:double) 112.112 (xsd:double) 112.122 (xsd:double) 121.221 (xsd:double) 122.12 (xsd:double) 412.132 (xsd:double) 422 (xsd:integer) 422.121 (xsd:double) 422.122 (xsd:double) dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_311.121.221 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_311.121.222 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_312.11 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_312.22 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_321.21 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_321.22 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_322.11 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_322.12 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_322.212.1 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_311.221 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_311.222 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_314.122 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_321.312 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_321.321 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_321.322 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_322.211 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_322.221 dbpedia:List_of_musical_instruments_by_Hornbostel-Sachs_number:_321.32
dbpprop:otherNames	David's harp Hardanger fiddle Horse-head fiddle Volkszither auloi bağlama, kopuz behlanjeh charanga charanga, chillador cláirsach (Scottish), cruit czimbalom, cymbalom, cymbalum, ţambal, tsymbaly, tsimbl, santouri, santur daduk debakeh didjeridu, yidaki, yiraki, magu, kanbi, ihambilbilg dranyen, dramnyen gaita de fole, gaita gallega horse-head fiddle, igil kannel kayagum, kayago khaen kopuz rabab saung, Burmese harp sereendu, fulannu tamburitza telyn thumb piano vina violão yang ch'in, yang qin zheng, gu-zheng dbpedia:Daf
dbpprop:tradition	Mandinka of West Africa dbpedia:Music_of_Iran dbpedia:Music_of_Cuba dbpedia:Music_of_ancient_Greece dbpedia:Maroon_music dbpedia:Music_of_Laos dbpedia:Music_of_Peru dbpedia:Music_of_Trinidad_and_Tobago dbpedia:Music_of_Turkmenistan dbpedia:Music_of_Tuva dbpedia:Music_of_the_Netherlands dbpedia:Lobi dbpedia:Swedish-speaking_Finns dbpedia:Music_of_Azerbaijan dbpedia:Music_of_Argentina dbpedia:Jewish_music dbpedia:Lanna dbpedia:Music_of_Yugoslavia dbpedia:Music_of_Guatemala dbpedia:Fula dbpedia:Indigenous_Australian_music dbpedia:Music_of_Bangladesh dbpedia:Music_of_Costa_Rica dbpedia:Music_of_Indonesia dbpedia:Music_of_Kazakhstan dbpedia:Music_of_Kyrgyzstan dbpedia:Music_of_Lithuania dbpedia:Music_of_Madagascar dbpedia:Music_of_Montenegro dbpedia:Music_of_Nicaragua dbpedia:Music_of_Polynesia dbpedia:Music_of_Switzerland dbpedia:Music_of_Uzbekistan dbpedia:Music_of_Venezuela dbpedia:Music_of_Afghanistan dbpedia:Khoikhoi dbpedia:Basotho dbpedia:Bavaria dbpedia:Etruria dbpedia:Music_of_Colombia dbpedia:Music_of_India dbpedia:Music_of_Israel dbpedia:Music_of_Hungary dbpedia:Music_of_Greece dbpedia:Music_of_Brazil dbpedia:Music_of_China dbpedia:Music_of_Finland dbpedia:Music_of_Italy dbpedia:Music_of_Croatia dbpedia:Music_of_Hawaii dbpedia:Music_of_Turkey dbpedia:Music_of_Egypt dbpedia:Music_of_Armenia dbpedia:Music_of_Bashkortostan dbpedia:Music_of_Bhutan dbpedia:Music_of_Bolivia dbpedia:Music_of_Bulgaria dbpedia:Music_of_Crete dbpedia:Music_of_Ecuador dbpedia:Music_of_England dbpedia:Music_of_Estonia dbpedia:Music_of_Ghana dbpedia:Music_of_Ireland dbpedia:Music_of_Jamaica dbpedia:Music_of_Japan dbpedia:Music_of_Kenya dbpedia:Music_of_Korea dbpedia:Music_of_Latvia dbpedia:Music_of_Lebanon dbpedia:Music_of_Mexico dbpedia:Music_of_Mongolia dbpedia:Music_of_Nepal dbpedia:Music_of_Norway dbpedia:Music_of_Pakistan dbpedia:Music_of_Paraguay dbpedia:Music_of_Portugal dbpedia:Music_of_Puerto_Rico dbpedia:Music_of_Russia dbpedia:Music_of_Sardinia dbpedia:Music_of_Scotland dbpedia:Music_of_Serbia dbpedia:Music_of_Slovakia dbpedia:Music_of_Slovenia dbpedia:Music_of_Spain dbpedia:Music_of_Sweden dbpedia:Music_of_Uganda dbpedia:Music_of_Wales dbpedia:Music_of_Zimbabwe dbpedia:Music_of_ancient_Rome dbpedia:Music_of_the_Philippines dbpedia:Arab_music dbpedia:African_American_music dbpedia:Music_of_Ancient_Greece dbpedia:Baganda dbpedia:Music_of_Myanmar dbpedia:Music_of_Galicia dbpedia:Music_of_Sakha dbpedia:Music_of_the_Ukraine dbpedia:Ryukyus dbpedia:Baloch dbpedia:Dagara_(people) dbpedia:Latvian-American
dbpprop:wikiPageUsesTemplate	dbpedia:Template:list_of_national_instruments
rdfs:comment	African American: Conway, Cecelia (1995). African Banjo Echoes in Appalachia : A Study of Folk Traditions (1st ed.). Knoxville: University of Tennessee Press. ISBN 0870498932. African American: Gura, Philip F. ; James F. Bollman (1999). America's Instrument: The Banjo in the Nineteenth Century. University of North Carolina Press. ISBN 0-8078-2484-4. African American: Katonah Museum of Art (2003). The Birth of the Banjo. Katonah, New York: Katonah Museum of Art. ISBN 0-915171-64-3.
rdfs:label	List of national instruments (music)
skos:subject	dbpedia:Category:National_symbols dbpedia:Category:Musical_instruments_by_nationality
foaf:page	http://en.wikipedia.org/wiki/List_of_national_instruments_%28music%29
is dbpprop:redirect of	dbpedia:List_of_national_instruments dbpedia:National_instrument_(music)