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- Abakua friction drum, details of construction are kept secret
- Afro-Bermudan drum, related to the Bahamian ''goombay'', used in the genre of the same name (''gombey'')
- Afro-Cuban ''Abakuá'' drum ensemble, consisting of four drums: ''bonkó enchemiyá'' and ''enkomo'': ''biapá'', ''arobapá'', and ''kuchiyeremá''
- Afro-Guyanese bass drum, used in folk music traditions
- Afro-Surinamese bass drum that sets a steady beat for folk music, played with a stick, of the set with ''apinti'' and ''tumao'', pitch can be varied based on the location of the head struck, made from hollow logs with heads of skin, used in spiritual ceremonies, where it is associated with snake spirits
- Any kind of Dominican or Grenadan folk drum
- Bamboo stomping tubes, sometimes played in groups
- Barrel drum variant of a ''batá'' drum, often with the system of lacing replaced by nailing the heads to the drum, most common in Matanzas Province
- Barrel drum with a goatskin head, used in various folk forms, including chanté siay, jwé dansé and jwé gém
- Barrel drums, covered with lightly-stretched skins, consists of large ''buleador'' drums and smaller ''subidor'' drums, used in ''bomba''
- Barrel-shaped bass drum, used in genre of the same name
- Bass barrel drum, one-headed, laced, and played with sticks, used in Carnival, specifically mizik a mas a Sen Jan
- Bass drum made from a cardboard barrel, used in ''parang''
- Bass drum, accompaniment to stilt dancers and Christmas music
- Bass drum, double-headed, played with sticks, used in Carnival, specifically mizik a mas Byé Fò
- Bass drum, played with sticks
- Carried with a strap, used in marching bands
- Central use in Bermudan traditions, derived from British kettle drum, especially common in ''gombey''
- Central use in Bermudan traditions, generally played in pairs, used in gombey
- Class of three folk tubular drums: caja, mula, and cachimbo
- Cowskin hand drum with artistic collars, used in ''rada'' along with ''boula'' and ''manman'' drums
- Cowskin hand drum, played with a hand and a bow, in a set with katabo and tambou manman
- Cowskin hand drum, played with two sticks, in a set with gonde and tambou manman
- Cowskin hand drum, with the head pegged in place around a decorative collar, used in ''rada'' along with ''segon'' and ''manman'' drums
- Cuban conga drum, barrel-shaped hand drum
- Cylindrical drum headed with cowskin, attached with cords, comes in two varieties: loango and juba
- Cylindrical drum like the tom-tom drum, [played with sticks
- Cylindrical drum that comes in pairs, traditionally made from wood or a two-gallon container with both top and bottom removed and replaced with heads, played with fingers
- Cylindrical drum used in the dance of the same name, has a wire stretched across the single goatskin head
- Cylindrical drum, one-headed, held between players' legs and performed by tapping with the hand or fingers, originally used in ''Burru'' cult rituals, now also common in ''Nyabinghi'' ceremonies
- Cylindrical drum, small and wooden with goatskin at one end, strapped across the shoulder and played with two sticks, used in ''chanté mas''
- Cylindrical drum, used by the Maroons of Moore Town
- Cylindrical drums with double skins, smallest of the set with congo and oumalay drums
- Cylindrical drums with double skins, middle-sized drum of the set with ''bembe'' and ''oumalay'' drums; since introduced to Guyana
- Cylindrical drums with double skins, middle-sized drum of the set with bembe and congo drums
- Cylindrical folk drums with a low bass tone, smaller version of the congo
- Cylindrical folk drums
- Double-headed barrel drum, used in ''chouval bwa'' and Carnival music
- Double-headed barrel drum, used in scratch bands
- Double-headed barrel drum, played open handed, drum heads attached with hoops, accompanies ''kalenda'' stick fighting
- Double-headed barrel drum of African origin, played with a stick on one head and a bare hand on the other
- Double-headed bass drum, used in Muslim ''Hosay'' (''Hosein'') rituals, now widespread among Afro-Trinidadians and others
- Double-headed bass drum, used in masquerades and fife and drum ensembles
- Double-headed bass drum, played with a hard stick in one hand for the lower head, and a soft mallet in the other hand for the upper head, used to accompany quadrilles
- Double-headed bass drum, carried with a strap and leader of marching bands, played with a covered stick in ''Nyabinghi'' ceremonies, used in marching bands, and Rastafarian and Maroon music
- Double-headed drum that keeps the ground rhythm and is slung across the drummers' shoulder, used in tuk bands
- Double-headed drum, used in '' chutney''
- Doubled headed side snare drum, used in tuk bands
- Drum headed with cowskin, attached with wooden pegs
- Drum used in Afro-Cuban ''Abakuá'' societies, small ''enkomo'' drum of the ''biankomeko'' ensemble, along with the ''kuchiyeremá'' and ''biapá'', and the taller ''bonkó enchemiyá''
- Drum with straight but sloping sides, closest to being a classic goblet drum, variation on a ''batá'' drum
- Drums of unequal size played in a pair, of Afro-Cuban origin, held between the knees, originally used in Cuban folk music of various kinds
- Ensembles that include a number of drums, include the types of palo and alcahuete, used in the Afro-Dominican religious ceremonies, played either in pairs or trios, with skin heads either pegged or tacked
- European-derived open-bottomed twin drum, played using sticks
- European-style bass drum, used in ''comparsa'', a pre-Easter procession
- Family of four drums used in the Haitian-Cuban ''Arada'' ceremonies, consisting of ''hugán'', ''xumpé'', ''hun-hogúlo'' and ''huní''
- Family of hand drums, used in ''lewoz'' and other traditions, as well as ''zouk''
- Family of three drums: ''iyá'', ''itótele'' and ''okónkolo'', used in ''Lucumi'' religious rites, all goblet-shaped and with two goatskin heads called ''tcha-tchás'', sometimes with a nut inside (''coco-Africano''), both for aural and spiritual reasons
- Five to six foot tall cylindrical drum with three windows near the base so the drummer (or pair of drummers) can play it easily, decorated with brightly-colored kerchiefs (foulas)
- Frame drum, used in Creole dance accompaniment for a dance of the same name (gragé)
- Friction drum, single-headed, with a stick inserted and rubbed to produce the sound, used in the ''Kimbisa'' tradition
- Generic term for drums used in ceremonies called ''grounations''; these include the bass drum, ''funde'' and ''kété''
- Generic term for drums
- Goat- or cow-skin drum, heated to produce a pitch
- Goatskin deep-barreled drum, used in Carnival and other celebrations
- Goatskin drum, used alongside ''tambou manman'', used in ''petwo'' and ''YaYa TiKongo'' rhythms
- Goatskin frame drum, played with the back of the hand, front of the fingers and the palm, used to attract spirits for the jumbie dance
- Goatskin frame drum, sometimes played in pairs or larger groups, usually using both hands
- Goatskin-headed drum traditionally made from improvised materials (especially discarded barrels), goatskin is tuned by heating it with a candle and attached with nails, used in the Bahamian genre of the same name (goombay)
- Goatskin-headed tambourine, used in secular music
- Hand drum with a cowhide head, pegged in place and with a decorated collar, used in many Afro-Haitian musics, used in ''rada'', ''petwo'' and other folk traditions
- Hand drum, formerly made of barrels, now more often rum casks; narrower and lower-tuned cousin of the ''kata'', used in the Big Drum tradition, barrel contains a hole on the side, skin is stretched by a hoop wrapped in cloth
- Hand drum, formerly made of barrels, now more often rum casks; wider and higher-tuned cousin of the ''boula'', used in the Big Drum tradition, barrel contains a hole on the side, skin is stretched by a hoop wrapped in cloth
- Handheld frame drum, used in ''plena''
- Hollowed-out tree trunk with skins at either end
- Intermediate drum of the set, with agida and apinti, played with one hand, pitch can be varied based on the location of the head struck, made from hollow logs with heads of skin
- Intermediate-sized ''batá'' goblet-shaped drum, made of wood and covered with skin, along with the ''iyá'' and ''okónkolo''; wax-like substance called ''ida'' or ''fardela'' sometimes used to produce a duller sound
- Intermediate-sized yuka tubular drum, along with caja and cachimbo
- Kettle drum with a goatskin head, used in the Muslim ''Hosay'' (''Hosein'') ritual
- Kettle drum, accompaniment to stilt dancers and Christmas music
- Kettledrum, played in pairs, made from containers used to boil sugarcane juice, with tension lugs to adjust the tightness of the single-head, closed bottom
- Large Afro-Surinamese bass drum with a cymbal on top, used in ''kaseko''
- Large barrel drum, used in Creole instrumental ensembles and ''kaseko'', plays a basic rhythm accompanied by the ''tambou koupé'', head typically made of goatskin, attached with a vine or iron hoop
- Large bass drum that leads dances, used by the Alukuó Maroons
- Large two-headed hooped drum, carried with a strap and sometimes with an attached board called an assot
- Large, low-pitched, plays a 4/4 rhythm, covered with a goat skin, used in ''Kumina'' ceremonies, where it plays a steady rhythm, and is often used several at a time, open end sometimes banged with sticks
- Larger drum used in Kélé rituals, literally mother drum
- Larger folk long drum made from a tree trunk, used singly in ensembles called ''palos'', of the Afro-Dominican religious ceremonies, played either in pairs or trios, with single skin heads either pegged or tacked
- Larger, barrel-shaped hand drums, covered with tight animal skin stretched using pegs, used in ''bomba''
- Largest ''batá'' goblet-shaped drum, made of wood and covered with goatskin, along with the ''itótele'' and ''okónkolo''; red wax-like substance called ''ida'' or ''fardela'' is used to produce a duller sound, wrapped with bells and belts (''chaguoro'' or ''tchaworo'')
- Largest barrel-shaped hand drum of the tumbadora family
- Largest drum of the biankomeko ensemble, along with the enkomo: biapá, arobapá, and kuchiyeremá
- Largest of the four drums used in the Haitian-Cuban ''Arada'' ceremonies, along with ''xumpé'', ''hun-hogúlo'' and ''huní''
- Largest variety of the conga family, stave drum with a cowskin head
- Largest yuka tubular drum, along with cachimbo and mula, played by two people, one striking the bass and the other hitting the body with a pair of sticks
- Long drum, made from a hollow tree trunk with goat or sheep skin on either end
- Long drum, made from a hollowed-out tree trunk and topped with animal skin
- Long drum, made from a hollow log, used in ''tambú''
- Made from kegs or barrels, and attached to a skin frame secured by wood, rope and pegs
- Medium-sized barrel-shaped hand drum of the tumbadora family
- Medium-sized drum that supports dancers, played in pairs, with one played solo, and both played bare-handed, used among the Alukuó Maroons
- Miniature version of the tymbale, beaten with two sticks
- Music and dance ritual, which includes drums traditionally made of tree trunks, now often of rum kegs
- One of the smaller drums used in the ensembles called palos, of the Afro-Dominican religious ceremonies, played either in pairs or trios, with single skin heads either pegged or tacked
- Open-bottomed and single-headed drum, played transversally and carved from a single fragment of wood, used in Creole dance accompaniment for kanmougé and mayouri dances, played in pairs with the lead called the "female" type and the support the "male"
- Open-bottomed, goatskin-headed, made from barrels or tree trunks, larger partner of the ''baboula'', accompanies the ''belair'' dance
- Open-bottomed, goatskin-headed, made from barrels or tree trunks, smaller partner of the ''tambou'', used in the '' belair'' dance
- Played by two drummers, one using two sticks and the other hands and feet, used in dance genre of the same name
- Principal Afro-Surinamese drum of the set with ''agida'' and ''tumao'', tenor drum, decorated with carvings, and used for communication by Surinamese slaves and for religious purposes in connection with sky and ancestor spirits, pitch can be varied based on the location of the head struck, made from hollow logs with heads of skin
- Second-largest of the four drums used in the Haitian-Cuban ''Arada'' ceremonies, along with ''hugán'', ''hun-hogúlo'' and ''huní''
- Second-smallest of the four drums used in the Haitian-Cuban ''Arada'' ceremonies, along with ''hugán'', ''xumpé'' and ''huní''
- Shorter and squatter variety of petwo
- Single-headed barrel drum, played open handed, drum heads attached with hoops, accompanies ''kalenda'' stick fighting
- Single-headed barrel drum, covered at one end by goatskin, stretched with rope and pegs, and played barehanded, accompanies ''bélé'', features a plucked strings across the head
- Single-headed drums, used in Carnival, specifically mizik a mas a Kongo, made from a barrel with goatskin heads tighted by cord
- Single-headed hand drum, small, high-pitched, played upright and one-handed, and held between the legs, interacts with dancers by responding to movement and improvises with the ''boula'' drum, used in ''gwo ka'', Carnival, wrestling matches and wakes
- Single-headed hand drum, similar to ''tambou bèlè'' and played transversally and single-handed, produces lower sounds and the basic rhythms of the music, used in ''gwo ka'', Carnival, wrestling matches and wakes
- Single-headed three-legged friction drum used in ''Abakuá'' ceremonies, played by rubbing a stick over the membrane, which is attached using wedges whose tightness can be modified
- Single-headed, made from a wooden barrel, often from the herring industry, with a skin frame, played two-handed
- Single-headed, open-bottomed conical drum with a hole in the barrel and a goatskin head, stretched by a rope hoop, wrapped in more rope, used in all African-derived Martinican dances and as a symbol of Afro-Martinican identity, including ''bélé'', ''kalenda'', and ''danmyé'', also used to synchronize collective labor in northern Martinique, and is a part of most Martinican rural work songs, uses a plucking string in the northern region
- Skin-covered hand drum, goblet-shaped and played bare-handed, used in ''gwo ka moderne''
- Small Maroon-derived goatskin square-framed drum, introduced to Sierra Leone
- Small and high pitched drums, played with sticks, used in Carnival, specifically mizik a mas a Sen Jan
- Small barrel drum, used in Creole instrumental ensembles and ''kaseko'', used to improvise for dancing while the ''tambou foulé'' plays a basic rhythm, head typically made of goatskin, attached with a vine or iron hoop
- Small barrel frame drum, headed with goatskin; a cord with an attached bead is placed on the drumskin to add a buzzing quality to the sound, used to accompany work songs
- Small conical hand drum, improvises over the other drum rhythms, used in ''plena''
- Small cylindrical, or slightly tapered, goatskin-headed drums of the biankomeko ensemble, consisting of three types: biapá, arobapá, and kuchiyeremá
- Small double-headed drum, used in merengue only in the south of the country
- Small drum, decorated with shells and tin
- Small drum, used among the Alukuó Maroons
- Small enkomo drum of the biankomeko ensemble, along with the biapá, arobapá, and kuchiyeremá, and the taller bonkó enchemiyá
- Small enkomo drum of the biankomeko ensemble, along with the arobapá and biapá, and the taller bonkó enchemiyá
- Small frame drum played with both striking and rubbing, used in indoor music, and quadrilles, ''ladja'' and ''gwo ka'', and in the Tamil music of Indo-Caribbean Martinique
- Small goatskin frame drum, played with the back of the hand, front of the fingers and the palm, used to attract spirits for the jumbie dance
- Small rural folk handheld frame drum
- Small skinny cylindrical drum, improvised, used in Nyabinghi celebrations, played with bare hands, also used in dub poetry
- Small, high-pitched, plays complex, syncopated rhythms, covered with a goat skin, used in Kumina, open end sometimes struck with sticks
- Small, skin-covered bass drum, common among the rural Afro-Surinamese
- Smaller drum used in Kélé rituals, literally child drum
- Smaller folk long drum made from a tree trunk, used singly in ensembles called ''palos'', of the Afro-Dominican religious ceremonies, played either in pairs or trios, with single skin heads either pegged or tacked
- Smaller, barrel-shaped hand drums, covered with tight animal skin, used in ''bomba''
- Smallest ''batá'' goblet-shaped drum, made of wood and covered with skin, along with the ''itótele'' and ''iyá''
- Smallest barrel-shaped hand drum, made out of a box with two sloping sides, of the ''tumbadora'' family, plays the most intricate rhythms of the group, not always characterized as a ''tumbadora'' or conga drum
- Smallest drum of the conga family
- Smallest of the four drums used in the Haitian-Cuban ''Arada'' ceremonies, along with ''hugán'', ''xumpé'' and ''hun-hogúlo''
- Smallest yuka tubular drum, along with caja and mula
- Snare drum played with wooden sticks, carried with a strap, used in marching bands and Maroon music
- Snare drum used in ''comparsa'' pre-Easter celebrations
- Snare drum, used in fife and drum ensembles
- Snare drum, used in cockfights, séwinal, merry-go-rounds, other celebrations
- Tall drum with goatskin head, held in place by cords, wedges and hoops, used in the ''Kimbisa'' culture
- Tall, narrow and single-headed barrel drum, open at the bottom, played by ''congueros'', traditionally wood, now often fiberglass, animal-skin heads can be tuned; also used in popular genres from salsa to ripsaw
- Taller and narrower variety of petwo
- Unstrung banjo with a drumhead attached
- Used in the ''Burru'' rituals, now imported to Rastafarian music
- dbpedia:Snare_drum
- dbpedia:Masquerade
- dbpedia:Cylindrical_drum
- dbpedia:Kaseko
- dbpedia:Kettle_drum
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