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- Se denomina cine latinoamericano al conjunto de producciones cinematográficas de los artistas, productores y técnicos de América Latina. Buena parte de esta producción está concentrada en cuatro países: Argentina, Brasil, México y Cuba, aunque otros países como Chile, Colombia y Perú han tenido periodos intermitentes de auge de sus cinematografías. La Argentina es el único país ganador de un óscar dentro de Latinoamérica, con sus películas "La historia oficial" (1985) y "El secreto de sus ojos" (2010): dos óscares en total. Existen festivales y entidades dedicadas especialmente a la promoción del cine latinoamericano, como el Festival de Cine Latinoamericano de Toulouse, Festival Internacional del Nuevo Cine Latinoamericano de La Habana o la Fundación del Nuevo Cine Latinoamericano, con los antecedentes históricos de los festivales de Pesaro y sobre todo del Festival de Cine de Viña del Mar en 1967 y 1969.
- Latin American cinema refers collectively to the film output and film industries of Latin America. Latin American film is both rich and diverse, but the main centers of production have been Mexico, Argentina, Brazil, and Cuba. Latin American cinema flourished after the introduction of sound, which added a linguistic barrier to the export of Hollywood film south of the border. Mexican movies from the Golden Era in the 1940s and 1950s are significant examples of Latin American cinema, with a huge industry comparable to the Hollywood of those years. Mexican movies were exported and exhibited in all Latin America and Europe. The film Maria Candelaria (1944) by Emilio Fernández, won the Palme D'Or in Cannes Film Festival. Famous actors and actresses from this period include María Félix, Pedro Infante, Dolores del Río, Jorge Negrete and comedian Cantinflas. Argentine cinema was a big industry in the first half of the twentieth century. The 1950s and 1960s saw a movement towards Third Cinema, led by the Argentine filmmakers Fernando Solanas and Octavio Getino. In Brazil, the Cinema Novo movement created a particular way of making movies with critical and intellectual screenplays, a clearer photography related to the light of the outdoors in a tropical landscape, and a political message. In Colombia, Carlos Mayolo, Luís Ospina and Andrés Caicedo led an alternative movement that was to have lasting influence, founding the Grupo de Cali, which they called Caliwood and producing many films as leading exponents of the "New Latin American Cinema" of the 1960s and 70s, including Oiga, Vea, Cali de película, Agarrando pueblo, Pura sangre and Carne de tu carne. Cuban cinema has enjoyed much official support since the Cuban revolution, and important film-makers include Tomás Gutiérrez Alea. In Argentina, after a series of military governments that shackled culture in general, the industry re-emerged after the 1976–1983 military dictatorship to produce The Official Story in 1985, becoming the first of only two Latin American movies to win the Academy Award for Best Foreign Language Film. Other nominees for Argentina were The Truce (1974), Camila (1984), Tango (1998), Son of the Bride (2001) and The Secret In Their Eyes (2009, which also won the award). More recently, a new style of directing and stories filmed has been tagged as "New Latin American Cinema," although this label was also used in the 1960s and 70s. In Mexico movies such as Como agua para chocolate (1992), Cronos (1993), Amores perros (2000), Y tu mamá también (2001), Pan's Labyrinth (2006) and Babel (2006) have been successful in creating universal stories about contemporary subjects, and were internationally recognised, as in the prestigious Cannes Film Festival. Mexican directors Alejandro González Iñárritu, Alfonso Cuarón, Guillermo del Toro and screenwriter Guillermo Arriaga have gone on to Hollywood success. The Argentine economic crisis affected the production of films in the late 1990s and early 2000s, but many Argentine movies produced during those years were internationally acclaimed, including El abrazo partido (2004), Roma (2004) and Nueve reinas (2000), which was the basis for the 2004 American remake Criminal. The modern Brazilian film industry has become more profitable inside the country, and some of its productions have received prizes and recognition in Europe and the United States. Movies like Central do Brasil (1999) and Cidade de Deus (2002) have fans around the world, and its directors have taken part in American and European film projects.
- O cinema da América Latina são as produções cinematográficas dos artistas, produtores e técnicos latino-americanos, contudo essa classificação é discutível em termos de tradição cinematográfica, já que apenas três países concentram quase toda produção latino-americana até 1970. Engloba características de distribuição internacional desde o fim da década de 1970, conhecida em diversos festivais e entidades dedicadas especialmente ao cinema, como o Festival de Cinema Latino-americano de Toulouse, Festival de Havana ou a Fundação do Novo Cinema Latino-americano, com os antecedentes históricos dos festivais de Pesaro e, sobretudo, de Viña del Mar em 1967 e 1969.
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- Se denomina cine latinoamericano al conjunto de producciones cinematográficas de los artistas, productores y técnicos de América Latina. Buena parte de esta producción está concentrada en cuatro países: Argentina, Brasil, México y Cuba, aunque otros países como Chile, Colombia y Perú han tenido periodos intermitentes de auge de sus cinematografías.
- Latin American cinema refers collectively to the film output and film industries of Latin America. Latin American film is both rich and diverse, but the main centers of production have been Mexico, Argentina, Brazil, and Cuba. Latin American cinema flourished after the introduction of sound, which added a linguistic barrier to the export of Hollywood film south of the border.
- O cinema da América Latina são as produções cinematográficas dos artistas, produtores e técnicos latino-americanos, contudo essa classificação é discutível em termos de tradição cinematográfica, já que apenas três países concentram quase toda produção latino-americana até 1970.
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