Johann Caspar Aiblinger was a German composer. In his eleventh year he commenced his studies at Tegernsee Abbey, where he was instructed in piano and organ-playing. Four years later he entered the gymnasium at Munich, where he studied under Professor Schlett, his countryman. In 1800 he began his studies at the University of Landshut.

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  • Johann Caspar Aiblinger was a German composer. In his eleventh year he commenced his studies at Tegernsee Abbey, where he was instructed in piano and organ-playing. Four years later he entered the gymnasium at Munich, where he studied under Professor Schlett, his countryman. In 1800 he began his studies at the University of Landshut. Inwardly drawn to the Catholic Church, he completed his philosophy and began theology, but the secularization of many religious orders in Bavaria prevented his entrance into a cloister. He now devoted himself solely to music. Led by the then prevailing idea that without a visit to Italy no musical education is complete, he turned his footsteps southward. After a stay of eight years at Vicenza, where he fell under the influence of his countryman Johann Simon Mayr, Aiblinger (1811) went to Venice and there met Meyerbeer, who procured for him an appointment at the Conservatory. His failure to establish a school for classical music led him to Milan to assume the direction of the local ballet. On his return to Bavaria, King Maximilian I of Bavaria (1756-1825)) invited him to Munich to direct the Italian opera. King Ludwig I of Bavaria appointed him director of the royal orchestra, and sent him to Italy to collect old Italian masterpieces. On his return be became the organist of the church of All Saints for which he wrote many valuable compositions. In 1864 he resigned, on account of advancing years. Between 1820 and 1830 he tried operatic composition, but was unsuccessful. A crusade against Italian music, which led to the revival of Christoph Willibald Gluck's Iphigenia in Tauris, followed. Then he took up church music, studying the old masters and procuring performances of their works. He also wrote much church music, which is generally full of simple dignity and great purity, with a certain degree of freedom, but it is stiff, dry, and weakly sentimental. His instrumentation is not strong. He was, however, inspired with the spirit of the Church. Of his numerous compositions, comprising masses and requiems, offertories and graduals, psalms, litanies, and German hymns, many have been published at Augsburg, Munich, Regensburg, and Mainz.
  • Johann Kaspar Aiblinger, auch Johann Caspar Aiblinger war ein deutscher Komponist und Kapellmeister. Geboren als Sohn eines Krämers studierte er nach dem Gymnasialabschluss 1798 am (heutigen) Wilhelmsgymnasium München Musik in München und Bergamo. Einer seiner Lehrer dort war Johann Simon Mayr. Bis 1819 hielt er sich in Italien auf, vorrangig in Vicenza, Mailand und Venedig, bevor er eine Tätigkeit an seinem späteren Wirkungsort München als Opernkapellmeister aufnahm. In der Zeit von 1827 bis 1864 wirkte er als Kapellmeister an der Allerheiligen-Hofkirche München. 1867 verstarb er in München. Aiblinger schuf vorrangig Kirchenmusik, wie Messen, Vespern, Litaneien, Pastoralen, aber auch Opern, Ballette und Chorwerke. So schuf er beispielsweise Chöre für Frauenstimmen. Seine Werke sind sowohl der Klassik als auch der Romantik zuzuordnen. Viele seiner Kompositionen verbinden Elemente der Romantik mit der der Kirchenmusik. Er gilt als einer der Vertreter der Restauration in der Kirchenmusik. Sein „Bayerisches Militärgebet“ ist bis heute Teil der bayerischen Sonderform des Großen Zapfenstreichs (anstelle des Chorals "Ich bete an die Macht der Liebe") und des Gelöbnisses, wo es anstelle des "Altniederländischen Dankgebets" gespielt wird.
  • Иога́нн Каспа́р Айбли́нгер — немецкий композитор. Изучал философию и богословие в Ландсхутском университете, но затем посвятил себя исключительно музыке. С 1803 г. изучал композицию в Виченце, испытав сильное влияние Симона Майра. С 1811 г. преподавал в Венеции, затем руководил оркестром миланского балета. В 1818 году вернулся в Баварию; возглавлял оркестр Итальянской оперы в Мюнхене, с 1823 г. в придворном оркестре, с 1826 г. его капельмейстер. В этот период пробовал писать оперы, но не снискал успеха и обратился к церковной музыке. С 1837 г. органист мюнхенской Церкви Всех Святых.
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  • Johann Caspar Aiblinger was a German composer. In his eleventh year he commenced his studies at Tegernsee Abbey, where he was instructed in piano and organ-playing. Four years later he entered the gymnasium at Munich, where he studied under Professor Schlett, his countryman. In 1800 he began his studies at the University of Landshut.
  • Johann Kaspar Aiblinger, auch Johann Caspar Aiblinger war ein deutscher Komponist und Kapellmeister. Geboren als Sohn eines Krämers studierte er nach dem Gymnasialabschluss 1798 am (heutigen) Wilhelmsgymnasium München Musik in München und Bergamo. Einer seiner Lehrer dort war Johann Simon Mayr. Bis 1819 hielt er sich in Italien auf, vorrangig in Vicenza, Mailand und Venedig, bevor er eine Tätigkeit an seinem späteren Wirkungsort München als Opernkapellmeister aufnahm.
  • Иога́нн Каспа́р Айбли́нгер — немецкий композитор. Изучал философию и богословие в Ландсхутском университете, но затем посвятил себя исключительно музыке. С 1803 г. изучал композицию в Виченце, испытав сильное влияние Симона Майра. С 1811 г.
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  • Johann Caspar Aiblinger
  • Johann Kaspar Aiblinger
  • Айблингер, Иоганн Каспар
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