Jalsaghar was released in 1958, sometimes released in the English-speaking world as Jalsaghar: The Music Room, is the fourth feature film directed by Satyajit Ray. Based on a novel of the same name by Tarashankar Bandopadhyay, the film is a detailed dramatic study of the last days of a zamindar - a semi-feudal landlord in Bengal. Told with a detail and sense of empathy, Jalsaghar drew high praise internationally (e.g.
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- 1958-01-01 00:00:00 (xsd:date)
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- 1958-01-01 00:00:00 (xsd:date)
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- Jalsaghar was released in 1958, sometimes released in the English-speaking world as Jalsaghar: The Music Room, is the fourth feature film directed by Satyajit Ray. Based on a novel of the same name by Tarashankar Bandopadhyay, the film is a detailed dramatic study of the last days of a zamindar - a semi-feudal landlord in Bengal. Told with a detail and sense of empathy, Jalsaghar drew high praise internationally (e.g. Bosley Crowther in The New York Times, Derek Malcolm in The Guardian), and is discussed in the second volume of Roger Ebert's Great Movies as a landmark film in global cinema. The film features an excellent footage of Hindustani classical vocal and instrumental music, as well as classical dance. The musical score is by Vilayat Khan (although the credits for the Sony Pictures Classics video release mistakenly list Ravi Shankar as composer) and several major performers, including Begum Akhtar (first singer; sometimes credited as Akhtari Bai), Roshan Kumari, Ustad Bismillah Khan and Company, Waheed Khan, and Salamat Ali Khan (second, khyal singer; sometimes credited as Salamat Khan) also appear in the film.
- Das Musikzimmer ist ein indischer Spielfilm von Satyajit Ray aus dem Jahr 1958.
- Le Salon de musique est un film indien. C'est le quatrième long métrage du cinéaste bengali Satyajit Ray. Il a été réalisé en 1958. Ce film se distingue par d'excellentes séquences de musique classique hindoustanie, vocale et instrumentale, ainsi que par des scènes de danse classique. La bande originale est de Vilayat Khan (bien que le générique de la version de Sony Pictures Classics mentionne par erreur Ravi Shankar comme compositeur). De nombreux artistes éminents apparaissent au cours du film, parmi lesquels on peut citer Begum Akhtar (premier chanteur, parfois annoncé comme Akhtari Bai), Roshan Kumari, Ustad Bismillah Khan et son groupe, Waheed Khan, et Salamat Ali Khan (second chanteur, joueur de khyal, parfois annoncé comme Salamat Khan). Raconté avec un sens du détail et de l'empathie typiques des films de Ray, Jalsaghar a reçu de nombreux éloges dans le monde entier (par exemple celui de Bosley Crowther dans The New York Times ou celui de Derek Malcolm dans The Guardian). Il est analysé dans le second volume de Roger Ebert, Great Movies, comme un film décisif du cinéma mondial.
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- Nomination for Grand Prix at Moscow International Film Festival
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- Jalsaghar (The Music Room)
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- Jalsaghar (The Music Room)
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- Vilayat Khan and Ravi Shankar (score); various other musicians
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- Jalsaghar was released in 1958, sometimes released in the English-speaking world as Jalsaghar: The Music Room, is the fourth feature film directed by Satyajit Ray. Based on a novel of the same name by Tarashankar Bandopadhyay, the film is a detailed dramatic study of the last days of a zamindar - a semi-feudal landlord in Bengal. Told with a detail and sense of empathy, Jalsaghar drew high praise internationally (e.g.
- Das Musikzimmer ist ein indischer Spielfilm von Satyajit Ray aus dem Jahr 1958.
- Le Salon de musique est un film indien. C'est le quatrième long métrage du cinéaste bengali Satyajit Ray. Il a été réalisé en 1958. Ce film se distingue par d'excellentes séquences de musique classique hindoustanie, vocale et instrumentale, ainsi que par des scènes de danse classique. La bande originale est de Vilayat Khan (bien que le générique de la version de Sony Pictures Classics mentionne par erreur Ravi Shankar comme compositeur).
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- Jalsaghar
- Das Musikzimmer
- Le Salon de musique
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- Jalsaghar (The Music Room)
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