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- Hubert de Blanck was a Dutch-born professor, pianist, and composer who spent the better part of his life in Cuba. Born in Utrecht, Holland, de Blanck was the son of violinist Willem de Blan(c)k and singer Reine Valet. Hubert studied music with his father until February 1865, when he was admitted to the Royal Conservatory of Liege, Belgium. There he studied piano with Felix Etienne Ledent and solfege with Sylvain Dupuis. In 1869, he won the institutions 2nd Annual Piano Competition by unanimous decision. The winning piece performed was Hummel's Concierto in B Flat for piano and orchestra, Hubert was only thirteen years old. In November of that year, he decided to leave the Conservatory de Lieja, where his sister Ana had won the violin competition in 1867, and moved to Brussels. After playing a concert at Brussels' Palace de Real, Leopold II awarded him a scholarship to study at whichever conservatory he chose. Huberts father chose Cologne. The family moved there in 1871. At the Conservatory of Cologne, de Blanck studied piano with Ferdinand Hiller for two years, also learning harmony and composition. He then moved to St. Petersburg in 1873, where he made his formal debut as a concert pianist at age seventeen. That same year, he concertized throughout Russia, Switzerland, and Germany. In 1874 he was named musical director of the 'Eldorado' theater of Versovia, but he left the post the following year. He later returned to his parents in Cologne, where he met the precocious Brazilian violinist, Eugene Maurice Dengremont (1866-1893). The two soon embarked on several concert tours in Europe, including successful tours of Germany and Denmark. In January 1880 the pair played in Dresden, with German chancellor Wilhelm I in attendance. After the performance it was reported in the Saxonian Journal that the Chancellor gave de Blanck a gold encrusted ruby, a testament to his admiration of the pianist. A music critic from Copenhagen commented that the pianist "received fervent and abundant applause, the likes of which our reserved public is not accustomed to giving". De Blanck and Dengremont soon made their way to the Americas, landing in Rio de Janeiro in April 1880, where they were received at the court of Emperor Pedro II of Brazil. From there the duo gave ten concerts in Buenos Aires, beginning with a concert at the Politeama on October 3 of that year. They performed a number of times at the Colon theater, and on November 16, they took part in a large benefit concert whose proceeds funded the creation of a commemorative monument celebrating the one hundredth anniversary of the introduction of 'imprenta' in Buenos Aires. The Argentinian government awarded de Blanck a medal for his participation in the concert. In February 1881, the pianist gave a solo performance in Buenos Aires, after which he travelled to the U.S. for a series of concerts. Upon arriving in New York, he performed Weber's Konzertstück, Pp. 79, with the New York Philharmonic, under the direction of Theodore Thomas. He was later awarded the position of Professor of Piano at the New York College of Music, which had previously been held by the professor Rafael Joseffy. In the weeks that followed he met the young Anna G. Menocal, sister of the future president of Cuba, Mario García Menocal. They were married in New York in November 1881. From this union were born six Cuban sons: Guillermo (Willy), Huberto, Armando, Rosario, Florencio, and Narcio. Taking advantage of the Christmas vacation afforded him by the College, de Blanck visited Havana for the first time in December 1882 along with his wife. There he gave a performance of Anton Rubinstein's Trio, op. 52, for piano violin and cello, along with Anselmo Lopez and Serafin Ramirez. Cuba's most famous artists, among them Ignacio Cervantes, Pablo Desvernine, and Nicolas Ruiz Espadero, applauded with great enthusiasm for the visiting pianist. Upon his return to New York, de Blanck continued to teach and perform in numerous concerts. February 1883 found de Blanck on the cover of New York's 'Musical Courier', a famous magazine of the time. That same year, he moved to Havana and began a new life with his wife and children. He immediately began forging relationships with important members of the Cuban arts community, and was soon named president of the Seccion de Philharmonic de 'La Caridad del Cerro'. In March 1884, he organized and conducted, with assistance from the Governor General, a fundraising festival in the 'Tacon' theater to raise money for the construction of the 'Reina Mercedes' hospital. The event was an extraordinary success. The following November de Blanck created the 'Sociedad de Musica Classica' in conjunction with violinists Jose and Feliz Vandergucht, the cellist Charles Werner, and the violist Tomas de la Rosa. , The group was formed with the intentions of playing mainly 'musica de camara'. In 1886, the 'Sociedad de Music Classica' became known as the 'Sociedad de Cuartetos Classicos', which functioned until 1889, its members being Tomas de la Rosa, Anselmo Lopez, Angel Tempesti, and of course de de Blanck. De Blanck revived the 'Sociedad' in 1909, with Juan Torroella, Arturo Quiñones, Constante Chané, and Antonio Mompo. Toroella went on to run the 'Sociedad' for the next few decades. Fully esconced in Cuba's musical community and atmosphere, de Blanck began contemplating Havana's lack of a dedicated conservatory of music. One day in August 1885, he met with various Cuban professors at the home of Anselmo Lopez and suggested the idea that together they could work on creating a Cuban conservatory of music. The group convened a number of times but the project just didn't seem to get off the ground. De Blanck then decided to go it alone. He named Gabriel Morales Valverde ('Edgardo') conservatory secretary and designated Anselmo Lopez, Ernesto Edelmann, Jose Mungol, Tomas Ruiz, Juan Miguel Joval, and Mariano Cuero its first teachers. Rafael Montoro and Anselmo Lopez were especially instrumental in the project. Soon after, Ramón Suaréz Inclán was named Honorary President for his works as a philanthropist and his dedication to music and the arts. The new conservatory received funding from 'La Caridad Del Cerro', 'La Disputacion Provincial', the 'Real Sociedad Económica', the National Government, the 'Ayuntamiento de La Habana', and opened that September 1885. Originally named the Hubert de Blanck Conservatory, it was later renamed the National Conservatory of Music. Hubert de Blanck died in 1932 at age 76 and was interred in the Colon Cemetery, Havana. Widely acclaimed in Cuba during his lifetime for his significant contribution to the country's culture, he has since been honored with his image on a Cuban postage stamp. As well, a theatrical company carries his name as does the theatre in the Vedado district of Havana which opened in 1955.
- Хуберт де Бланк — нидерландско-кубинский пианист, композитор и музыкальный педагог. Сын скрипача и певицы, Бланк учился у своего отца, пока в 1865 г. не поступил в Льежскую консерваторию, где его педагогами были, в частности, Феликс Этьенн Ледан и Сильвен Дюпюи. В 1869 г. после победы на внутриконсерваторском конкурсе пианистов он перешёл в Брюссельскую консерваторию, а двумя годами позже благодаря королевской стипендии, полученной после выступления перед Леопольдом II, отправился завершать своё образование в Кёльнскую консерваторию к Фердинанду Хиллеру. В 1873 г. Бланк начал активную концертную карьеру гастрольной поездкой в Санкт-Петербург. После серии выступлении в России, Германии и Швейцарии он на год занял пост музыкального руководителя театра «Эльдорадо» в Варшаве, затем вернулся в Кёльн. Здесь новую страницу в творческой биографии Бланка открыло знакомство с бразильским скрипачом-вундеркиндом Морисом Дангремоном. В 1879—1880 гг. Бланк аккомпанировал Дангремону в ходе его гастролей по Германии и Дании, а в апреле 1880 г. отправился вместе с ним в Бразилию. На протяжении полугода Дангремон совместно выступали в Латинской Америке, в том числе в буэнос-айресском театре «Колон» и в Рио-де-Жанейро при дворе императора Педро II. Хуберт де Бланк на почтовой марке Кубы, выпущенной в 1956 г. в ознаменование его столетия В феврале 1881 г. Бланк прибыл в Нью-Йорк для дальнейших сольных выступлений, сразу же дебютировав с Нью-Йоркским филармоническим оркестром под управлением Теодора Томаса. Здесь Бланк познакомился с Анной Менокаль, представительницей кубинского аристократического рода (сестрой будущего президента Кубы Марио Гарсии Менокаля), и в ноябре того же года женился на ней. В декабре 1882 г. он впервые посетил Кубу, выступив в Гаване в ансамбле с заметными местными музыкантами Ансельмо Лопесом и Серафином Рамиресом исполнив трио Антона Рубинштейна; исполнение получило высокую оценку центральных фигур кубинской музыкальной общественности — Игнасио Сервантеса, Пабло Девернина, Николаса Руиса Эспадеро. В 1883 г. Бланк окончательно переселился на Кубу. В 1885 г. Бланк выступил инициатором создания Общества классической музыки (исп. Sociedad de Musica Classica), в рамках которого на протяжении четырёх сезонов давались концерты камерной музыки. В том же году Бланк основал в Гаване первую консерваторию европейского типа — Консерваторию Хуберта де Бланка, работавшую до 1896 г. , когда Бланк был вынужден покинуть Кубу из-за начавшейся там антииспанской революции. Вернувшись после установления кубинской независимости, он приступил к восстановлению работы консерватории, которая открылась в 1899 г. как Национальная консерватория Кубы. Заслуги Хуберта де Бланка как основателя Национальной консерватории признаны на Кубе. К его столетию в 1956 г. была выпущена почтовая марка. В том же году в гаванском районе Ведадо открылся Театр имени Хуберта де Бланка, работающий по сей день. Старший сын Хуберта де Бланка Гильермо Де-Бланк-и-Менокаль стал крупным кубинским дипломатом, послом в ряде европейских стран и первым представителем Кубы в Лиге наций.
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