Harvester - Hemåt A year after the release of Sov gott Rose-Marie by the Swedish experimental band International Harvester, the band changed its name once again, shortening it simply to "Harvester". The name change also saw a distinctive change in the tone of the music. The leader of the musical/performance art collective, Bo Anders Perrson, had encountered the music of Joel Jansson, a famed old-time hurdy-gurdy player, in a book by Swedish music researcher Jan Ling.
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- Harvester - Hemåt A year after the release of Sov gott Rose-Marie by the Swedish experimental band International Harvester, the band changed its name once again, shortening it simply to "Harvester". The name change also saw a distinctive change in the tone of the music. The leader of the musical/performance art collective, Bo Anders Perrson, had encountered the music of Joel Jansson, a famed old-time hurdy-gurdy player, in a book by Swedish music researcher Jan Ling. Joel Jansson's playing style had completely the modern aspects of the instrument, instead focusing on irregular rhythms and drone sounds, a pattern of sound that fit into the aesthetic of Parson Sound/International Harvester and Harvester. The album, continuing with its predecessor's move towards a nationalist music that was both politically and environmentally charged, was recorded in "Kafe Marx", a small cafe owned by the youth league of the Swedish Communist Party. Track Listing När Lingonen Mognar (When the Lingonberries are Ripen) Kristallen Den Fina (Beautiful Crystal) Kuk-Polska (Cock-Polska) Nepal Boogie Everybody Needs Somebody To Love Bacon Tomorrow Och Solen Går Upp (And the Sun Rises) Hemåt (Homeward) Sources Haglund, Marcus "The History of Parson Sound - International Harvester and Harvester" found in the cd booklets of International Harvester: Sov gott Rose-Marie and Harvester: Hemat.
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- Harvester - Hemåt A year after the release of Sov gott Rose-Marie by the Swedish experimental band International Harvester, the band changed its name once again, shortening it simply to "Harvester". The name change also saw a distinctive change in the tone of the music. The leader of the musical/performance art collective, Bo Anders Perrson, had encountered the music of Joel Jansson, a famed old-time hurdy-gurdy player, in a book by Swedish music researcher Jan Ling.
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