Giovanni Agostino da Lodi was an Italian painter who was active from c. 1495 to c. 1525. The attribution of his works has been dubious for centuries, until his style and career was defined by the American art historian Bernard Berenson in the 1960s. One of his first identified work is the Pala dei Barcaioli ("Boatmen Altarpiece") in the church of San Pietro Martire at Murano. His only signed work is the St. Peter and St. John the Evangelist in the Pinacoteca di Brera, which shows Lombard influences, such as that of Bramantino.

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  • Giovanni Agostino da Lodi (doc. 1467 - 1524/1525), fue un pintor renacentista italiano. Antes de su identificación por la crítica se le consideraba un maestro anónimo conocido como el Pseudo-Boccaccino. (es)
  • Giovanni Agostino da Lodi (né en 1470 à Lodi et mort v. 1519) est un peintre italien de la haute Renaissance, actif de 1495 à environ 1519. Son œuvre est influencée par Bramantino, mais aussi par Léonard de Vinci et Giovanni Antonio Boltraffio. (fr)
  • Operò nell'orbita di Bramantino, risentendo anche dei modi di Leonardo da Vinci e Giovanni Antonio Boltraffio. (it)
  • Giovanni Agostino da Lodi was an Italian painter who was active from c. 1495 to c. 1525. The attribution of his works has been dubious for centuries, until his style and career was defined by the American art historian Bernard Berenson in the 1960s. One of his first identified work is the Pala dei Barcaioli ("Boatmen Altarpiece") in the church of San Pietro Martire at Murano. His only signed work is the St. Peter and St. John the Evangelist in the Pinacoteca di Brera, which shows Lombard influences, such as that of Bramantino. Later he was also influenced by Leonardo da Vinci's style, as visible in the Christ Washing the Feet of the Apostles in the Gallerie dell'Accademia of Venice. After moving to Venice in the wake of Ludovico Sforza's fall, he returned to Milan in 1506. He subsequently executed works for privates and for the Certosa di Pavia; one of his late works, the Calvary, is housed in the National Gallery in Prague. He also collaborated with Marco d'Oggiono for a polyptych in the church of Santa Maria della Pace in Milan, some panels of which are now in the Pinacoteca di Brera. (en)
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  • 1470-1-1
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dbo:deathDate
  • 1519-0-0
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  • 30576221 (xsd:integer)
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  • 743933779 (xsd:integer)
dct:description
  • Renaissance painter from Lombardy (en)
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http://purl.org/linguistics/gold/hypernym
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rdfs:comment
  • Giovanni Agostino da Lodi (doc. 1467 - 1524/1525), fue un pintor renacentista italiano. Antes de su identificación por la crítica se le consideraba un maestro anónimo conocido como el Pseudo-Boccaccino. (es)
  • Giovanni Agostino da Lodi (né en 1470 à Lodi et mort v. 1519) est un peintre italien de la haute Renaissance, actif de 1495 à environ 1519. Son œuvre est influencée par Bramantino, mais aussi par Léonard de Vinci et Giovanni Antonio Boltraffio. (fr)
  • Operò nell'orbita di Bramantino, risentendo anche dei modi di Leonardo da Vinci e Giovanni Antonio Boltraffio. (it)
  • Giovanni Agostino da Lodi was an Italian painter who was active from c. 1495 to c. 1525. The attribution of his works has been dubious for centuries, until his style and career was defined by the American art historian Bernard Berenson in the 1960s. One of his first identified work is the Pala dei Barcaioli ("Boatmen Altarpiece") in the church of San Pietro Martire at Murano. His only signed work is the St. Peter and St. John the Evangelist in the Pinacoteca di Brera, which shows Lombard influences, such as that of Bramantino. (en)
rdfs:label
  • Giovanni Agostino da Lodi (es)
  • Giovanni Agostino da Lodi (it)
  • Giovanni Agostino da Lodi (fr)
  • Giovanni Agostino da Lodi (en)
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  • male (en)
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  • Giovanni (en)
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foaf:name
  • Giovanni Agostino da Lodi (en)
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