Free Will is the second studio album by American soul poet and musician Gil Scott-Heron, released in August 1972 on Flying Dutchman Records. Recordings sessions for the album took place on March 2 and 3, 1972 at RCA Studios in New York City, and production was handled by producer Bob Thiele. It is the follow-up to Scott-Heron's critically acclaimed studio debut, Pieces of a Man (1971), and it is the second album to feature him working with keyboardist Brian Jackson.
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- * Allmusic * Down Beat * The Guardian * Philadelphia Inquirer * PopMatters (favorable)
* Virgin Encyclopedia
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- 1972-08-01 00:00:00 (xsd:date)
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- (New York, New York)
- March 2–3, 1972
- RCA Studios
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- 1972-08-01 00:00:00 (xsd:date)
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- * Allmusic * Down Beat * The Guardian * Philadelphia Inquirer * PopMatters (favorable)
* Virgin Encyclopedia
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- Free Will is the second studio album by American soul poet and musician Gil Scott-Heron, released in August 1972 on Flying Dutchman Records. Recordings sessions for the album took place on March 2 and 3, 1972 at RCA Studios in New York City, and production was handled by producer Bob Thiele. It is the follow-up to Scott-Heron's critically acclaimed studio debut, Pieces of a Man (1971), and it is the second album to feature him working with keyboardist Brian Jackson. Free Will is also Scott-Heron's final studio album for Flying Dutchman. The album reissued on compact disc in 2001 by Bluebird Records.
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- "Ain't No New Thing"
- Gil Scott-Heron
- We used to white people tryin' to rob us
Why don't they try stealing some of this power
It ain't no new thing … anything they don't understand
They try to destroy
We used to having black innovators
copied and sent back to us
We used to having people try to rob us,
it ain't no new thing
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- March 2–3, 1972
RCA Studios
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- Free Will is the second studio album by American soul poet and musician Gil Scott-Heron, released in August 1972 on Flying Dutchman Records. Recordings sessions for the album took place on March 2 and 3, 1972 at RCA Studios in New York City, and production was handled by producer Bob Thiele. It is the follow-up to Scott-Heron's critically acclaimed studio debut, Pieces of a Man (1971), and it is the second album to feature him working with keyboardist Brian Jackson.
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