Eugen Schüfftan was an Academy Award-winning cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques.

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  • 12495748X
dbpprop:abstract
  • Eugen Schüfftan was an Academy Award-winning cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
  • Eugen Schüfftan war ein Kameramann und Erfinder. Ihm ist das nach ihm benannte Schüfftan-Verfahren (ein Spiegeltrickverfahren) zu verdanken, das die gewaltigen Kulissen in Fritz Langs Film Metropolis erst ermöglichte.
  • Eugen Schüfftan oli saksalais-yhdysvaltalainen Oscar-palkittu elokuvaaja ja erikoistehosteteknikko.
  • Eugen Schüfftan est un chef opérateur de cinéma et un inventeur allemand. Il est connu pour avoir inventé l'effet Schüfftan, une technique d'effets spéciaux de la première moitié du XX siècle, qu'il mit au point lors du tournage de Metropolis.
  • Eugen Schüfftan foi um cineasta alemão que venceu o Oscar de melhor fotografia em preto & branco (1962). Ele inventou o "Efeito Schüfftan", uma técnica de efeito especial que emprega espelhos para inserir a imagem de atores em cenários em miniatura. Ele usou o processo no célebre filme Metrópolis (1927), dirigido por Fritz Lang. Muito popular na primeira metade do século XX, a técnica foi suplantada pelas "pinturas/projeções de fundo" e a moderna tela azul. Schüfftan venceu o Oscar de 1962 por "Melhor fotografia em preto & branco" com o filme The Hustler.
rdfs:comment
  • Eugen Schüfftan was an Academy Award-winning cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques.
  • Eugen Schüfftan war ein Kameramann und Erfinder. Ihm ist das nach ihm benannte Schüfftan-Verfahren (ein Spiegeltrickverfahren) zu verdanken, das die gewaltigen Kulissen in Fritz Langs Film Metropolis erst ermöglichte.
  • Eugen Schüfftan oli saksalais-yhdysvaltalainen Oscar-palkittu elokuvaaja ja erikoistehosteteknikko.
  • Eugen Schüfftan est un chef opérateur de cinéma et un inventeur allemand. Il est connu pour avoir inventé l'effet Schüfftan, une technique d'effets spéciaux de la première moitié du XX siècle, qu'il mit au point lors du tournage de Metropolis.
  • Eugen Schüfftan foi um cineasta alemão que venceu o Oscar de melhor fotografia em preto & branco (1962). Ele inventou o "Efeito Schüfftan", uma técnica de efeito especial que emprega espelhos para inserir a imagem de atores em cenários em miniatura. Ele usou o processo no célebre filme Metrópolis (1927), dirigido por Fritz Lang. Muito popular na primeira metade do século XX, a técnica foi suplantada pelas "pinturas/projeções de fundo" e a moderna tela azul.
rdfs:label
  • Eugen Schüfftan
  • Eugen Schüfftan
  • Eugen Schüfftan
  • Eugen Schüfftan
  • Eugen Schüfftan
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