Dick and Jane were the main characters in popular basal readers written by William S. Gray and published by Scott Foresman, that were used to teach children to read from the 1930s through to the 1970s in the United States. There is controversy as to plagiarism of another work however, with Gray accused of copying Fred Schonell's similar Dick and Dora readers found in his Happy Venture Playbooks.

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  • Dick and Jane were the main characters in popular basal readers written by William S. Gray and published by Scott Foresman, that were used to teach children to read from the 1930s through to the 1970s in the United States. There is controversy as to plagiarism of another work however, with Gray accused of copying Fred Schonell's similar Dick and Dora readers found in his Happy Venture Playbooks. It is known that the original premise of Gray's readers were in fact appropriated from his Australian contemporary Schonell. Gray's main focus was to develop the Curriculum Foundation Series of books for Scott, Foresman and Company. His vision was to tie "subject area" books in health, science, social studies, etc with the vocabulary mastered in the basic readers, thus vastly improving readability in these same areas. The main characters, Dick and Jane, were a little boy and girl. Supporting characters included Baby (or Sally), Mother, Father, Spot the dog, Puff the cat, and Tim the teddy bear. They first appeared in the Elson-Gray Readers used in the 1930s. The books relied on whole language theories (or "whole word reading") and repetition, using phrases like, "Oh, see. Oh, see Jane. Funny, funny Jane," but they did not totally ignore phonics. Phonetic analysis was part of each reading lesson, although not to the degree one would associate with learning to read by pure phonics. For this reason, they came to be used less and less as studies supported phonics as a more effective method of gaining literacy. The simple but distinctive illustrations for the books were done by artists Eleanor Campbell and Keith Ward. Robert Childress did the illustrations during the 1950s. Black characters and characters from other races and cultures were not introduced until 1965, when Dick and Jane books were already declining in popularity. In 1955 Rudolf Flesch criticized the Dick and Jane series in his book, Why Johnny Can't Read, and the push for multiculturalism, and stronger presentation of other races and cultures was partially a reaction to the cultural homogeneity of the series. First editions of the books are now worth as much as two hundred dollars. The books were reissued in 2003 by Grosset & Dunlap, an imprint of Penguin Group (USA) and over 2.5 million copies were sold, but this time the publishers had warned against using them to teach reading to children. Related merchandise, such as shirts and magnets, also gained wide popularity, particularly among people who had never been exposed to the original series but were familiar with catch phrases like "See Spot run!" The title of one of the books, Fun with Dick and Jane, inspired a 1977 film of the same title, and its 2005 remake.
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  • Dick and Jane were the main characters in popular basal readers written by William S. Gray and published by Scott Foresman, that were used to teach children to read from the 1930s through to the 1970s in the United States. There is controversy as to plagiarism of another work however, with Gray accused of copying Fred Schonell's similar Dick and Dora readers found in his Happy Venture Playbooks.
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  • Dick and Jane
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