D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature consists of two sharps. Its relative minor is B minor and its parallel minor is D minor. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant.

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  • D-Dur ist eine Tonart des Tongeschlechts Dur, die auf dem Grundton d aufbaut. Die Tonart D-Dur wird in der Notenschrift mit zwei Kreuzen geschrieben (fis, cis). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart, werden mit dem Begriff D-Dur bezeichnet. D-Dur gilt als die festlichste unter den Tonarten. Dies hat damit zu tun, dass zu Zeiten der Barockmusik die Barocktrompeten, die bei festlichen Gelegenheiten erklangen, meistens in D gestimmt waren. Außerdem ist D-Dur die häufigste Tonart in der irischen Folklore, da die irischen traditionellen Blasinstrumente in D gestimmt sind. Auch auf der Violine lässt sich diese Tonart recht leicht spielen.
  • D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature consists of two sharps. Its relative minor is B minor and its parallel minor is D minor. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. It is thus no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart; Ludwig van Beethoven; Paganini; Brahms; Tchaikovsky; Prokofiev; Stravinsky; and Korngold. It is also appropriate for guitar music, with drop D tuning making two Ds available as open strings. For some beginning wind instrument students, however, D major is not a very suitable key, since it transposes to E major on B-flat wind instruments, and beginning methods generally tend to avoid keys with more than three sharps. Even so, the clarinet in B-flat is still often used for music in D major, and is perhaps the sharpest key that is practical for the instrument. There are composers however who, in writing a piece in D minor with B-flat clarinets, will have them change to clarinets in A if the music switches to D major. The vast majority of tin whistles are in D, since they are often used in music with fiddles. In the Baroque period, D major was regarded as "the key of glory"; hence many trumpet concertos were in D major, such as those by Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Franceschini, Purcell, Torelli, etc. "The Trumpet Shall Sound" and the "Hallelujah" chorus from Handel's Messiah, and his coronation anthem Zadok the Priest are also in D major. With the invention of the valve trumpet, however, preference shifted to the flatter keys, and thus Haydn wrote his famous trumpet concerto in the key of E-flat major. 23 of Haydn's 104 symphonies are in D major, making it the most often used main key of his symphonies. The vast majority of Mozart's unnumbered symphonies are in D major, namely K. 66c, 81/73, 97/73m, 95/73n, 120/111a and 161/163/141a. The symphony evolved from the overture, and "D major was by far the most common key for overtures in the second half of the eighteenth century. " This continued even into the Romantic Period, and was used for the "triumphant" final movements of several symphonies, including Beethoven's Ninth Symphony, Gustav Mahler's Titan symphony, and Jean Sibelius' Second Symphony. Scriabin considered D major to be golden in color and, in a discussion with Rimsky-Korsakov, he gave an example from one of Rimsky-Korsakov's own operas where a character sang in D major about gold. v • d • e Diatonic Scales and Keys File:Circle of fifths deluxe 4. svg Flats Sharps Major minor Major minor 0 C, a 1 F d G e 2 B♭ g D b 3 E♭ c A f♯ 4 A♭ f E c♯ 5 D♭ b♭ B g♯ 6 G♭ e♭ F♯ d♯ 7 C♭ a♭ C♯ a♯ 8 F♭ d♭ G♯ e♯ The table indicates the number of sharps or flats in each scale. Minor scales are written in lower case.
  • Re mayor (abreviatura en sistema europeo ReM y en sistema americano D) es la tonalidad que consiste en la escala mayor de Re, y contiene las notas re, mi, fa sostenido, sol, la, si, do sostenido y re. Su armadura contiene 2 sostenidos. Su tonalidad relativa es Si menor, y su tonalidad homónima es Re menor.
  • ニ長調(にちょうちょう)は、西洋音楽における調のひとつで、 (D) 音を主音とする長調である。調号はシャープ2箇所(F, C)である。
  • D majeur of D groot is een toonsoort met als grondtoon D. De voortekening telt twee kruisen: Fis en Cis. Het is de parallelle toonaard van b mineur. D majeur is een veelgebruikte toonsoort voor vioolmuziek, omdat deze snaarinstrumenten voor onder andere deze toonsoort gunstig gestemd staan (G-D-A-E). Het is dus niet verwonderlijk dat heel wat vioolconcerto's of strijkkwartetten geschreven staan in deze toonsoort.
  • D-dur - majorowa skala muzyczna, której toniką jest d. Jej dźwięki to: d, e, fis, g, a, h, cis. Równoległą tonacją molową/minorową jest h-moll. Znane dzieła w tonacji D-dur: Johann Sebastian Bach - Magnificat BWV 243 (wersja pierwotna skomponowana w tonacji Es-dur, oznaczana w katalogu W. Schmiedera jako BWV 243a, została później transponowana przez Bacha do obecnej tonacji) Ludwig van Beethoven - II Symfonia, II Koncert fortepianowy, Missa Solemnis, Koncert skrzypcowy, trio fortepianowe Geistertrio, XV Sonata fortepianowa Pastoralna Johannes Brahms - II Symfonia, Koncert skrzypcowy Piotr Czajkowski - Koncert skrzypcowy Wolfgang Amadeusz Mozart - XXXVIII Symfonia (KV 504) Praska Siergiej Prokofjew - Symfonia Klasyczna Carl Stamitz - Koncert altówkowy Johann Pachelbel - Kanon Johan Joachim Agrell - Symfonia op.1, nr 1
  • Ré maior (abreviada no sistema europeu como Ré M, e como D no sistema norte-americano) é a tonalidade em que consiste a escala maior de Ré, e contém as notas Ré, Mi, Fá Sustenido, Sol, Lá, Si, Dó Sustenido e Ré. Sua armadura contém, pois, dois sustenidos. Sua tonalidade relativa é Si menor e a tonalidade homônima é Ré menor.
  • Ре мажор — мажорная тональность с тоникой ре, то же, что D-dur. Имеет два диеза при ключе.
  • D大調是一個基於D音的大調,由D、E、F♯、G、A、B、C♯、和D組成,調號有兩個升號。相對小調是b小調,並行小調是d小調。
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dbpprop:fifthPitch
  • A
dbpprop:firstPitch
  • D
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  • G
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  • D-major h-minor.svg
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  • D major
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  • E
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  • C
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  • B
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  • F
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dcterms:subject
rdf:type
rdfs:comment
  • Re mayor (abreviatura en sistema europeo ReM y en sistema americano D) es la tonalidad que consiste en la escala mayor de Re, y contiene las notas re, mi, fa sostenido, sol, la, si, do sostenido y re. Su armadura contiene 2 sostenidos. Su tonalidad relativa es Si menor, y su tonalidad homónima es Re menor.
  • ニ長調(にちょうちょう)は、西洋音楽における調のひとつで、 (D) 音を主音とする長調である。調号はシャープ2箇所(F, C)である。
  • D majeur of D groot is een toonsoort met als grondtoon D. De voortekening telt twee kruisen: Fis en Cis. Het is de parallelle toonaard van b mineur. D majeur is een veelgebruikte toonsoort voor vioolmuziek, omdat deze snaarinstrumenten voor onder andere deze toonsoort gunstig gestemd staan (G-D-A-E). Het is dus niet verwonderlijk dat heel wat vioolconcerto's of strijkkwartetten geschreven staan in deze toonsoort.
  • Ré maior (abreviada no sistema europeu como Ré M, e como D no sistema norte-americano) é a tonalidade em que consiste a escala maior de Ré, e contém as notas Ré, Mi, Fá Sustenido, Sol, Lá, Si, Dó Sustenido e Ré. Sua armadura contém, pois, dois sustenidos. Sua tonalidade relativa é Si menor e a tonalidade homônima é Ré menor.
  • Ре мажор — мажорная тональность с тоникой ре, то же, что D-dur. Имеет два диеза при ключе.
  • D大調是一個基於D音的大調,由D、E、F♯、G、A、B、C♯、和D組成,調號有兩個升號。相對小調是b小調,並行小調是d小調。
  • D-Dur ist eine Tonart des Tongeschlechts Dur, die auf dem Grundton d aufbaut. Die Tonart D-Dur wird in der Notenschrift mit zwei Kreuzen geschrieben (fis, cis). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart, werden mit dem Begriff D-Dur bezeichnet. D-Dur gilt als die festlichste unter den Tonarten. Dies hat damit zu tun, dass zu Zeiten der Barockmusik die Barocktrompeten, die bei festlichen Gelegenheiten erklangen, meistens in D gestimmt waren.
  • D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature consists of two sharps. Its relative minor is B minor and its parallel minor is D minor. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant.
  • D-dur - majorowa skala muzyczna, której toniką jest d. Jej dźwięki to: d, e, fis, g, a, h, cis. Równoległą tonacją molową/minorową jest h-moll. Znane dzieła w tonacji D-dur: Johann Sebastian Bach - Magnificat BWV 243 (wersja pierwotna skomponowana w tonacji Es-dur, oznaczana w katalogu W.
rdfs:label
  • D-Dur
  • Re mayor
  • D major
  • ニ長調
  • D majeur
  • D-dur
  • Ré maior
  • Ре мажор
  • D大調
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