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- Claudio Coello, war ein spanischer Maler, er war Schüler von Francisco Rizi. Er erwarb sich großen Ruf, wurde aber durch Giordanos Ankunft, der die Periode des Verfalls der spanischen Kunst einleitete, verdunkelt und starb am 20. April 1693 in Madrid aus Gram darüber. Er hinterließ in Madrid, San Ildefonso, im Escorial, zu Paular, Saragossa, Salamanca, Corella, Torrejon, Valdemoro und an anderen Orten religiöse Bilder, die sich durch kräftige Auffassung auszeichnen. Claudio Coello war der letzte bedeutende spanische Maler der klassischen Zeit.
- Claudio Coello (2 March 1642 – 20 April 1693) was a Spanish Baroque painter. Influenced by many other artists, including Diego Velázquez who was also of Portuguese descent, Coello is considered the last great Spanish painter of the 17th century. The son of Faustino Coello, a famous Portuguese sculptor, he was a court painter for Charles II. He worked on many churches and public buildings in Madrid, with his most famous work being in the sacristy of El Escorial, which is filled with portraits of priests and courtiers. Claudio Coello was of Portuguese parents, hut was born at Madrid in 1642. He was there instructed in the art by Francisco Rizi, and executed while yet in that school an altar-piece for San Placido at Madrid. His acquaintance with the court painter, Juan Careño, procured him the permission to visit the royal collection, where he made his greatest advance by studying the works of Titian, Rubens, and Van Dyck. His friendship with Josef Donoso, under whom he studied at Rome, was not less advantageous for him. In conjunction with that artist he painted frescoes at Madrid and Toledo, and executed the Triumphal Arch for the entrance of the Queen, Maria Louisa of Orleans. By these paintings he became well known, and was employed by the Archbishop of Saragossa in 1683. He was made painter to Philip IV, by whom he was employed in the Escorial. Coello never travelled out of Spain, and his extraordinary talents are only known in that country. He was the last Spanish painter of eminence, as from the time that Luca Giordano was summoned to Spain, the art sank gradually to its decay. Many excellent specimens of his ability are to be seen in the churches and convents at Madrid, Saragossa, and Salamanca. But his principal work is the famous altar-piece in the sacristy of San Lorenzo, in the Escorial, representing the 'Adoration of the Miraculous Host. ' It is an immense composition, and occupied the painter seven years. In the crowd of personages that form the procession, are no less than fifty portraits, including those of the king and the principal persons of the court: it is painted with the utmost precision, yet in a bold and masterly style, and there is a majestic solemnity in the arrangement of the whole, which suits well to the grandeur of the subject. It is a very extraordinary performance, and holds its place even by the side of the works of Titian and Rubens. The preference which was given to Luca Giordano, who came to Madrid in 1692, in painting the grand staircase in the Escorial, mortified Coello so much that he died of vexation at Madrid in 1693. Coello etched three plates, viz. : — 'Christ on the Cross, with the Virgin, St. Augustine, and St. Monica,' and the portraits of Charles II and his Mother. He was the instructor of Sebastian Muñoz and Teodoro Ardmans. The following is a list of his best paintings: Budapest Gallery. St. Joseph with the Virgin and Child. Madrid. S. Placido. An altar-piece. Madrid, Palace. Cartoons, representing the Fable of Cupid and Psyche, painted by Ant. Palomino. Madrid, Museum. Assumption of the Virgin (Two), Portrait of Charles II. of Spain, St. Bosa of Lima, and The Apotheosis of St. Augustin. Munich. Gallery. St. Peter of Alcantara. Petersburg. Hermitage. His own Portrait and The Magdalen. Saragossa. Augustinian Church. The frescoes in the cupola. Madrid (province). El Escorial. The Adoration of the Host. {His chef-d'oeuvre. ) Error creating thumbnail: Wikimedia Commons has media related to: En:Claudio Coello
- Claudio Coello fue un pintor barroco español. Influido por muchos otros artistas, incluido Diego Velázquez, quien también descendía de portugueses, Coello es considerado el último gran pintor español del siglo XVII.
- Influenzato da molti altri artisti, tra i quali Diego Velázquez, Coello è considerato l'ultimo grande pittore spagnolo del XVII secolo.
- Claudio Coello was een Spaanse barokschilder. Hij werd beïnvloed door veel andere kunstenaars zoals de Portugees Diego Velázquez. Coello wordt beschouwd als een van de laatste grote Spaanse schilders van de 17e eeuw. De zoon van Faustino Coello, een beroemd Portugees beeldhouwer, was hofschilder voor Karel II van Spanje. Hij werkte aan vele kerken en openbare gebouwen in Madrid, met als bekendste de Sacristie van Escorial, waar veel portretten hangen van priesters en hovelingen.
- Claudio Coello, född 1642 i Madrid, död 20 april 1693 i Madrid, var en spansk målare. Coello var en mycket ansedd hovmålare i Madrid, och utförde religiösa bilder och porträtt i olja samt även större bilder i al fresco såsom i kupolen i augustinerkyrkan i Zaragoza. Typisk för hans stil är den stora tavlan i Escorialkyrkan Procession med den undergörande hostian.
- Claudio Coello est un artiste-peintre et un décorateur espagnol. Il s'efforça de réunir le dessin d'Alonzo Cano, la couleur de Bartolomé Esteban Murillo et les brillants effets de Diego Velázquez, et produisit de beaux ouvrages qui lui valurent le titre de peintre du roi. C'est l'auteur, entre autres œuvres, des fresques de l'escalier du couvent des Descalas Reales et de la sacristie du palais de l'Escurial. Luca Giordano ayant été appelé d'Italie pour faire à l'Escurial des travaux sur lesquels Claudio Coello avait compté pour lui-même, il en mourut de chagrin.
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- Claudio Coello fue un pintor barroco español. Influido por muchos otros artistas, incluido Diego Velázquez, quien también descendía de portugueses, Coello es considerado el último gran pintor español del siglo XVII.
- Influenzato da molti altri artisti, tra i quali Diego Velázquez, Coello è considerato l'ultimo grande pittore spagnolo del XVII secolo.
- Claudio Coello was een Spaanse barokschilder. Hij werd beïnvloed door veel andere kunstenaars zoals de Portugees Diego Velázquez. Coello wordt beschouwd als een van de laatste grote Spaanse schilders van de 17e eeuw. De zoon van Faustino Coello, een beroemd Portugees beeldhouwer, was hofschilder voor Karel II van Spanje. Hij werkte aan vele kerken en openbare gebouwen in Madrid, met als bekendste de Sacristie van Escorial, waar veel portretten hangen van priesters en hovelingen.
- Claudio Coello, född 1642 i Madrid, död 20 april 1693 i Madrid, var en spansk målare. Coello var en mycket ansedd hovmålare i Madrid, och utförde religiösa bilder och porträtt i olja samt även större bilder i al fresco såsom i kupolen i augustinerkyrkan i Zaragoza. Typisk för hans stil är den stora tavlan i Escorialkyrkan Procession med den undergörande hostian.
- Claudio Coello, war ein spanischer Maler, er war Schüler von Francisco Rizi. Er erwarb sich großen Ruf, wurde aber durch Giordanos Ankunft, der die Periode des Verfalls der spanischen Kunst einleitete, verdunkelt und starb am 20. April 1693 in Madrid aus Gram darüber. Er hinterließ in Madrid, San Ildefonso, im Escorial, zu Paular, Saragossa, Salamanca, Corella, Torrejon, Valdemoro und an anderen Orten religiöse Bilder, die sich durch kräftige Auffassung auszeichnen.
- Claudio Coello (2 March 1642 – 20 April 1693) was a Spanish Baroque painter. Influenced by many other artists, including Diego Velázquez who was also of Portuguese descent, Coello is considered the last great Spanish painter of the 17th century. The son of Faustino Coello, a famous Portuguese sculptor, he was a court painter for Charles II.
- Claudio Coello est un artiste-peintre et un décorateur espagnol. Il s'efforça de réunir le dessin d'Alonzo Cano, la couleur de Bartolomé Esteban Murillo et les brillants effets de Diego Velázquez, et produisit de beaux ouvrages qui lui valurent le titre de peintre du roi. C'est l'auteur, entre autres œuvres, des fresques de l'escalier du couvent des Descalas Reales et de la sacristie du palais de l'Escurial.
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