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- Ben Katchor (born 1951 in Brooklyn, NY) is an American cartoonist. His comic strip Julius Knipl, Real Estate Photographer paints an evocative picture of a slightly surreal, historical New York City with a decidedly Jewish sensibility. Julius Knipl has been published in several book collections including Cheap Novelties: The Pleasure of Urban Decay and The Beauty Supply District. Other serialized comics by Katchor include The Jew Of New York (collected and published as a graphic novel in 1998), The Cardboard Valise and Hotel & Farm. He regularly contributes comics and drawings to The New Yorker, The New York Times, and Metropolis magazine. He was a contributor to RAW and published and edited two issues of Picture Story magazine, which featured his own work along with illustrated articles and stories by Peter Blegvad and Jerry Moriarty. He wrote and illustrated a "weeklong electronic journal" for Slate in 1997 and contributed articles to the now-defunct Civilization: The Magazine of the Library of Congress. His comics have been translated into French, Italian, and Japanese. He currently draws a weekly strip, Shoehorn Technique, for The Forward. In 1993 Katchor was the subject of a lengthy profile by Lawrence Weschler in the The New Yorker. He won an Obie Award for his collaboration with Bang on a Can on The Carbon Copy Building, a "comic book opera" based on his writings and drawings that premiered in 1999. The same year, he was the subject of Pleasures of Urban Decay, a documentary by the San Francisco filmmaker Samuel Ball. The first cartoonist to receive a MacArthur Fellowship, Katchor has also received a Guggenheim Fellowship and is a fellow of the American Academy in Berlin. Katchor is currently touring The Rosenbach Company, a tragi-comedy about the life and times of Abe Rosenbach, the preeminent rare-book dealer of the 20th century, and The Slug Bearers of Kayrol Island, or, The Friends of Dr. Rushower, an absurdist romance about the chemical emissions and addictive soft-drinks of a ruined tropical factory-island. He wrote the libretto for the musical, which has music by Mark Mulcahy. Slug Bearers was originally produced in 2004 at The Kitchen in New York. The work will appear Off Broadway in January 2008 at the Vineyard Theatre, directed by Bob McGrath, with choreography by John Carrafa. Katchor also gives "illustrated lectures" at colleges and museums accompanied by slide projections of his work.
- Ben Katchor, né à Brooklyn en 1951 est un auteur de bande dessinée américain. Il est l'auteur des bandes dessinées Le Juif de New York et Julius Knipl. Une exposition lui a été consacrée en 2008 dans le cadre de la 35 édition du Festival international de la bande dessinée d'Angoulême.
- Nel 1993 fu il soggetto di un lungo profilo scritto da Lawrence Weschler nel The New Yorker. Successivamente, ha vinto un Obie Award per la sua collaborazione con Bang on a Can su The Carbon Copy Building, un fumetto basato su suoi testi e disegni che è stato presentato nel 1999. Lo stesso hanno è stato il soggetto di Pleasures of Urban Decay un documentario del regista Samuel Ball. È stato il primo fumettista a ricevere la MacArthur Foundation Fellowship, Katchor ha anche ricevuto la Guggenheim Fellowship ed è membro della Accademia americana a Berlino. I suoi fumetti sono stati tradotti in italiano, francese e giapponese. Attualmente disegna settimanalmente una striscia, Shoehorn Technique, per The Forward.
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- Ben Katchor (born 1951 in Brooklyn, NY) is an American cartoonist. His comic strip Julius Knipl, Real Estate Photographer paints an evocative picture of a slightly surreal, historical New York City with a decidedly Jewish sensibility. Julius Knipl has been published in several book collections including Cheap Novelties: The Pleasure of Urban Decay and The Beauty Supply District.
- Ben Katchor, né à Brooklyn en 1951 est un auteur de bande dessinée américain. Il est l'auteur des bandes dessinées Le Juif de New York et Julius Knipl. Une exposition lui a été consacrée en 2008 dans le cadre de la 35 édition du Festival international de la bande dessinée d'Angoulême.
- Nel 1993 fu il soggetto di un lungo profilo scritto da Lawrence Weschler nel The New Yorker. Successivamente, ha vinto un Obie Award per la sua collaborazione con Bang on a Can su The Carbon Copy Building, un fumetto basato su suoi testi e disegni che è stato presentato nel 1999. Lo stesso hanno è stato il soggetto di Pleasures of Urban Decay un documentario del regista Samuel Ball.
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