The ballata is an Italian poetic and musical form, which was in use from the late 13th to the 15th century. It has the musical structure AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the French musical 'forme fixe' virelai (and not the ballade as the name might otherwise suggest). The first and last "A" is called a ripresa, the "b" lines are piedi (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc.

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  • The ballata is an Italian poetic and musical form, which was in use from the late 13th to the 15th century. It has the musical structure AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the French musical 'forme fixe' virelai (and not the ballade as the name might otherwise suggest). The first and last "A" is called a ripresa, the "b" lines are piedi (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc. Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ballare, to dance, and the form certainly began as dance music. The ballata was one of the most prominent secular musical forms during the trecento, the period often known as the Italian ars nova. Ballate are sung at the end of each day of Boccaccio's Decameron (only one musical setting of these poems, by Lorenzo da Firenze, survives). Early ballate, such as those found in the Rossi Codex are monophonic. Later, ballate are found for two or three voices. The most notable composer of ballate is Francesco Landini, who composed in the second half of the 14th century. Other composers of ballata include Andrea da Firenze, a contemporary of Landini, as well as Bartolino da Padova, Johannes Ciconia, and Zacara da Teramo. In the 15th century both Arnold de Lantins and Guillaume Dufay wrote ballate; they were among the last to do so.
  • La ballata és una peça musical de ball que va anar perdent, a poc a poc, aquest caràcter. La seva utilització com a cançó és posterior a la del madrigal i al principi va ser sobretot monòdica. La ballata, monòdica o polifònica té una estructura poètico-musical preestablerta: consta d'una estrofa a tall de tornada (ripresa) seguida de dues estrofes amb melodia diferent (piedi), d'una tercera estrofa amb la mateixa melodia que la tornada (volta) i d'una repetició final de la tornada (ABbaA)
  • La ballata, chiamata anche canzone a ballo perché destinata al canto e alla danza, è un componimento che si trova in tutte letterature di lingua romanza e ha una particolare struttura.
  • バッラータ（ballata, 複数：ballate）とは、13世紀後期から15世紀にかけて使われたイタリアの詩形、楽式。
  • De ballata is net als de madrigaal en de caccia een Italiaanse liedvorm uit de Trecento periode (14e eeuw in Italië). De ballata is te vergelijken met de Franse virelai en is meestal driestemmig waarbij de stemmen in de regel niet homofoon zijn. Muzikaal gezien heeft het de structuur: Abb'A'A, waarbij A en b verschillen in melodie en b' een rijmende tekst op b is.
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  • The ballata is an Italian poetic and musical form, which was in use from the late 13th to the 15th century. It has the musical structure AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the French musical 'forme fixe' virelai (and not the ballade as the name might otherwise suggest). The first and last "A" is called a ripresa, the "b" lines are piedi (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc.
  • La ballata és una peça musical de ball que va anar perdent, a poc a poc, aquest caràcter. La seva utilització com a cançó és posterior a la del madrigal i al principi va ser sobretot monòdica.
  • La ballata, chiamata anche canzone a ballo perché destinata al canto e alla danza, è un componimento che si trova in tutte letterature di lingua romanza e ha una particolare struttura.
  • バッラータ（ballata, 複数：ballate）とは、13世紀後期から15世紀にかけて使われたイタリアの詩形、楽式。
  • De ballata is net als de madrigaal en de caccia een Italiaanse liedvorm uit de Trecento periode (14e eeuw in Italië). De ballata is te vergelijken met de Franse virelai en is meestal driestemmig waarbij de stemmen in de regel niet homofoon zijn. Muzikaal gezien heeft het de structuur: Abb'A'A, waarbij A en b verschillen in melodie en b' een rijmende tekst op b is.
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  • Ballata
  • Ballata
  • Ballata
  • バッラータ
  • Ballata
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