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- Bacchus and Ariadne (1520-23) is an oil painting by Titian. It is one of a cycle of paintings on mythological subjects produced for Alfonso d'Este, the Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts. An advance payment was given to Raphael, who originally held the commission for the subject of a Triumph of Bacchus. At the time of Raphael's death in 1520, only a preliminary drawing was completed and the commission was then handed to Titian. In the case of Bacchus and Ariadne, the subject matter was derived from the Roman poets Catullus and Ovid. The painting, considered one of Titian's greatest works, now hangs in the National Gallery in London. The other major paintings in the cycle are The Feast of the Gods, The Andrians and The Worship of Venus. Ariadne has been left on the island of Naxos, deserted by her lover Theseus, whose ship sails away to the far left. She is discovered on the shore by the god Bacchus, leading a procession of revellers in a chariot drawn by two cheetahs (These were probably modelled on those in the Duke's menagerie and were leopards in Catullus's original text). Bacchus is depicted in mid-air as he leaps out of the chariot to protect Ariadne from these beasts. In the sky above the figure of Ariadne is her crown, which Bacchus has thrown into the sky and it then becomes the constellation Corona. However, this is only one analysis of the events pictured. The National Gallery's website states that in the painting, 'Bacchus, god of wine, emerges with his followers from the landscape to the right. Falling in love with Ariadne on sight, he leaps from his chariot, drawn by two cheetahs, towards her. Ariadne had been abandoned on the Greek island of Naxos by Theseus, whose ship is shown in the distance. The picture shows her initial fear of Bacchus, but he raised her to heaven and turned her into a constellation, represented by the stars above her head. ' The composition is divided diagonally into two triangles, one of blue sky (using the expensive lapis lazuli pigment) and still but for the two lovers caught in movement, the other a riot of movement and predominantly green/brown in colour. The follower of Bacchus who struggles with a snake was influenced by the antique sculpture of Laocoön and his Sons which had recently been discovered in Rome. The King Charles spaniel that barks at the boy satyr is a common motif in Titian's work and was probably a court pet. The gold urn inscribed with the artist's signature may also have been familiar to the Duke as one of the antiquities in his collection.
- Baco y Ariadna (Bacco e Arianna, en italiano) es un lienzo al óleo de Tiziano, pintado alrededor de 1520-23. Es una de un ciclo de pinturas de temas mitológicos producidos para Alfonso I de Este, el Duque de Ferrara, para el Camerino d'Alabastro, una habitación privada en su palacio de Ferrara decorado con pinturas basadas en textos clásicos. Se le dio un adelanto a Rafael, quien originariamente recibió el encargo para el tema de un Triunfo de Baco. Cuando murió Rafael en el año 1520, sólo se había completado un esbozo preliminar y el encargo entonces pasó a Tiziano. En el caso de Baco y Ariadna, el tema deriva de los poetas romanos Catulo y Ovidio. La pintura, considerada una de las obras maestras de Tiziano, se encuentra actualmente en la National Gallery de Londres. Las otras grandes pinturas en el ciclo son El festín de los dioses (en gran medida obra de Giovanni Bellini, hoy en la Galería Nacional de Arte de Washington DC, Bacanal de los Andrios y La Ofrenda a Venus (ambas actualmente en el Museo del Prado de Madrid. El centro del cuadro lo ocupa el dios Baco que se dirige hacia Ariadna que está a la izquierda del cuadro, con el cuerpo dirigido hacia el mar, por donde se ha ido Teseo, pero que gira la cabeza hacia el dios que viene a buscarla. Detrás de Baco aparece su cortejo de sátiros y ninfas en desorden, entre los cuales se ve a un dormido Sileno.
- Bacchus ja Ariadne on Tizianin maalaama maalaus. Teos valmistui vuonna 1523, kun sitä oli työstetty kaksi vuotta. Maalauksen tilasi italialainen herttua Alfonso d’Este. Herttua tilasi Tizianilta suuren kokoelman, jonka aiheena olisi antiikin tarut. Teos sijoittuu tapahtumaan, jossa Ariadne on juuri hyvästellyt rakkaansa, ja törmää sattumalta viinin ja hedelmällisyyden jumalaan Bacchukseen, joka rakastuu häneen. Yläkulmassa siintää tähtitaivas, joka viittaa tarinan loppuun, jossa Bacchus muuttaa Ariadnen tähtikuvioksi.
- Bacco e Arianna è un dipinto di Tiziano, ad olio su tela (175 x 190 cm), realizzata tra il 1520 ed il 1523. È conservata alla National Gallery di Londra. Arianna sulla spiaggia di Naxos si aggira disperata per la partenza dell'amante Teseo, quando una variopinta processione le si fa incontro: un carro trainato da ghepardi avanza seguito da satiri, baccanti, animali e fauni: è il corteo trionfante di Bacco che, dal carro, balza incontro ad Arianna per difenderla dai suoi ghepardi. In cielo splende la costellazione della Corona.
- ファイル:Titian Bacchus and Ariadne. jpg 『バッカスとアリアドネ Bacchus and Ariadne』） 『バッカスとアリアドネ』 はイタリアルネサンス期の巨匠ティツィアーノが1520年から1523年にかけて描いた、ロンドン・ナショナル・ギャラリー所蔵の絵画。
- Bachus i Ariadna – mitologiczny obraz renesansowego, włoskiego malarza Tycjana, powstały w latach 1520–1523.
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- Bacchus and Ariadne (1520-23) is an oil painting by Titian. It is one of a cycle of paintings on mythological subjects produced for Alfonso d'Este, the Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts. An advance payment was given to Raphael, who originally held the commission for the subject of a Triumph of Bacchus.
- Baco y Ariadna (Bacco e Arianna, en italiano) es un lienzo al óleo de Tiziano, pintado alrededor de 1520-23. Es una de un ciclo de pinturas de temas mitológicos producidos para Alfonso I de Este, el Duque de Ferrara, para el Camerino d'Alabastro, una habitación privada en su palacio de Ferrara decorado con pinturas basadas en textos clásicos. Se le dio un adelanto a Rafael, quien originariamente recibió el encargo para el tema de un Triunfo de Baco.
- Bacchus ja Ariadne on Tizianin maalaama maalaus. Teos valmistui vuonna 1523, kun sitä oli työstetty kaksi vuotta. Maalauksen tilasi italialainen herttua Alfonso d’Este. Herttua tilasi Tizianilta suuren kokoelman, jonka aiheena olisi antiikin tarut. Teos sijoittuu tapahtumaan, jossa Ariadne on juuri hyvästellyt rakkaansa, ja törmää sattumalta viinin ja hedelmällisyyden jumalaan Bacchukseen, joka rakastuu häneen.
- Bacco e Arianna è un dipinto di Tiziano, ad olio su tela (175 x 190 cm), realizzata tra il 1520 ed il 1523. È conservata alla National Gallery di Londra. Arianna sulla spiaggia di Naxos si aggira disperata per la partenza dell'amante Teseo, quando una variopinta processione le si fa incontro: un carro trainato da ghepardi avanza seguito da satiri, baccanti, animali e fauni: è il corteo trionfante di Bacco che, dal carro, balza incontro ad Arianna per difenderla dai suoi ghepardi.
- ファイル:Titian Bacchus and Ariadne. jpg 『バッカスとアリアドネ Bacchus and Ariadne』） 『バッカスとアリアドネ』 はイタリアルネサンス期の巨匠ティツィアーノが1520年から1523年にかけて描いた、ロンドン・ナショナル・ギャラリー所蔵の絵画。
- Bachus i Ariadna – mitologiczny obraz renesansowego, włoskiego malarza Tycjana, powstały w latach 1520–1523.
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