Warren "Baby" Dodds was a jazz drummer born in New Orleans, Louisiana. "Baby" Dodds was the younger brother of clarinetist Johnny Dodds. He is regarded as one of the very best jazz drummers of the pre-big band era, and one of the most important early jazz drummers. Dodds was among the first drummers who improvised while performing to be recorded. He varied his drum patterns with accents and flourishes.

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  • Warren "Baby" Dodds was a jazz drummer born in New Orleans, Louisiana. "Baby" Dodds was the younger brother of clarinetist Johnny Dodds. He is regarded as one of the very best jazz drummers of the pre-big band era, and one of the most important early jazz drummers. Dodds was among the first drummers who improvised while performing to be recorded. He varied his drum patterns with accents and flourishes. Dodds gained reputation as a top young drummer in New Orleans, then worked on Mississippi River steamship bands with young Louis Armstrong. He moved to California in 1921 to work with Joe "King" Oliver there, and followed Oliver to Chicago, which would be his base of operations. Dodds recorded with Louis Armstrong, Jelly Roll Morton, Art Hodes, and his brother Johnny Dodds. In the late 1940s he worked at Jimmy Ryan's in New York City. On some of his trips back to New Orleans, he recorded with Bunk Johnson. Dodds died in Chicago at age 60. Dodds continues to be admired for the creativity of his playing. He believed in playing something different for every chorus of every tune.
  • Warren „Baby“ Dodds, der jüngere Bruder des Klarinettisten Johnny Dodds, war der erste bedeutende Jazz-Schlagzeuger. Als Kind lernte er schon Trommeln, mit 16 bekam er sein erstes Schlagzeug, spielte in der Frühzeit des Jazz bereits mit Kid Ory (kurzzeitig mit seinem Bruder, wegen seines mangelhaften Könnens musste er aber die Band verlassen, was ihn zu verstärktem Üben anspornte), Bunk Johnson, Papa Celestin, Jack Carey und Willie Hightower. 1918 war er bei Fate Marable's Band, die auf Mississippi-Dampfern spielte, u.a. mit Louis Armstrong. Mit King Oliver's Creole Jazz Band (ab 1921) ging er dann nach San Francisco und Chicago. Dort blieb er auch nach Auflösung von Olivers Band bis zu seinem Tod, häufig mit seinem Bruder zusammen spielend (so 1927 bis 1929 in dessen Band in Kelly´s Stables mit Freddie Keppard). Nebenbei war er an einem Taxi-Unternehmen beteiligt. In Chicago war er beteiligt an Aufnahmen mit Jelly Roll Morton´s Red Hot Peppers, Sidney Bechet und vor allem Louis Armstrong's berühmten Hot Five und Hot Seven. Nach dem Tod seines Bruders 1940 spielte er in den Bands von Jimmie Noone, Bunk Johnson, Art Hodes und Mezz Mezzrow. Nach George Wettling war er aber damals umstritten, da sein Begleitspiel sich eher wie ein Solo anhörte. 1949 erlitt er mehrerer Schlaganfälle, die ihn teilweise lähmten, er trat aber noch hin und wieder auf.
  • Baby era dotato di uno stile ancora fortemente influenzato dalle marce militari. Iniziò a suonare durante le parate di New Orleans e occasionalmente col fratello nella Kid Ory’s band. Di questo periodo si racconta che un giorno l’orchestra lo abbandonò sul palco a causa del suo suonare poco stimolante. Da questa traumatizzante esperienza Baby decise di diventare un musicista migliore. Nel 1918 si unì alla Fate Marable's Riverboat Band che suona sui traghetti fluviali dove ebbe modo di suonare tra gli altri con Louis Armstrong, Johnny St. Cyr e Pops Foster. Nel 1921 King Oliver gli chiese di entrare a far parte della sua orchestra, e Baby Dodds lo seguì a San Francisco e poi a Chicago dove divenne membro della King Oliver's Creole Jazz Band. Tra il 1927 e il 1929 comparve in molti storici dischi di jazz stile Chicago assieme ai Jerry Roll Morton's Red Hot Peppers e ai Louis Armstrong's Hot Seven. Baby dimostra un fine senso per le variazioni di accenti. Peculiari sono le sue intricate combinazioni di ottavi ad andamento jazzistico e binari. Durante gli anni della depressione economica suonò prevalentemente col fratello che aiutò nell’avviare una agenzia di taxi in Chicago. Il suo stile vivace è da sempre caratterizzato dall’utilizzo di molti aggeggi e accessori che completavano e arricchivano la sua batteria (trap drum). Dopo il 1949 una serie di acciacchi lo condusse alla quasi paralisi ma non gli impedì di suonare. Le sue prime registrazioni risalgono agli anni '20, con la King Oliver Creole Jazz Band.
  • ウォーレン・“ベイビー”・ドッズ（Warren "Baby" Dodds、1898年12月24日 - 1959年2月14日）は、ルイジアナ州ニューオーリンズに生まれたジャズ・ドラム奏者である。 “ベイビー”・ドッズはクラリネット奏者、ジョニー・ドッズの弟である。“ベイビー”・ドッズはビッグ・バンド時代以前の最上のジャズ・ドラマーたちのひとりとみなされ、またとりわけ重要な初期のジャズのドラマーだと見なされた。ドッズは、録音のための演奏中に即興演奏を行う最初のドラマー達のひとりであった。ドッズはアクセントや華麗な身振りでドラム・パターンに変化を添えた。 ドッズは、ニューオーリンズで最高の若手ドラマーとしての名声を得て、まもなく若かりしルイ・アームストロングとミシシッピー川の蒸気船バンドでともに演奏をするようになった。ドッズはキング・オリヴァーと演奏をするため、1921年にオリヴァーのいるカリフォルニア州へ移り、オリヴァーについてシカゴへ移り、そこがドッズの仕事の本拠地となることとなった。 ドッズは、ルイ・アームストロング、ジェリー・ロール・モートン、アート・ホーディス en:Art Hodes、それに兄のジョニー・ドッズらと録音をした。1940年代の後期には、ドッズはニューヨーク市でジミー・ライアン Jimmy Ryanのバンドで演奏をした。ドッズがニューオーリンズへ帰郷した時は、バンク・ジョンソン en:Bunk Johnson と録音することもあった。ドッズは 60 歳の時にシカゴで死去した。 ドッズは、彼の演奏の創造性を賞賛され続けた。ドッズは、どの曲もコーラスごとに何かしら違った演奏をすることを信条としていた。 ドッズはまた、フロア・バスや「キック・ドラム」を追加することにより、ドラム・キットに大きな変革をもたらした。
  • Warren "Baby" Dodds foi um baterista de jazz. "Baby" Dodds foi o irmão caçula do clarinetista Johnny Dodds. Ele é considerado um dos melhores bateristas de jazz da época pré-big band, e um dos mais importantes bateristas precoces de jazz. Dodds foi um dos primeiros bateristas a improvisar durante as gravações.
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  • Warren "Baby" Dodds was a jazz drummer born in New Orleans, Louisiana. "Baby" Dodds was the younger brother of clarinetist Johnny Dodds. He is regarded as one of the very best jazz drummers of the pre-big band era, and one of the most important early jazz drummers. Dodds was among the first drummers who improvised while performing to be recorded. He varied his drum patterns with accents and flourishes.
  • Warren „Baby“ Dodds, der jüngere Bruder des Klarinettisten Johnny Dodds, war der erste bedeutende Jazz-Schlagzeuger. Als Kind lernte er schon Trommeln, mit 16 bekam er sein erstes Schlagzeug, spielte in der Frühzeit des Jazz bereits mit Kid Ory (kurzzeitig mit seinem Bruder, wegen seines mangelhaften Könnens musste er aber die Band verlassen, was ihn zu verstärktem Üben anspornte), Bunk Johnson, Papa Celestin, Jack Carey und Willie Hightower.
  • Baby era dotato di uno stile ancora fortemente influenzato dalle marce militari. Iniziò a suonare durante le parate di New Orleans e occasionalmente col fratello nella Kid Ory’s band. Di questo periodo si racconta che un giorno l’orchestra lo abbandonò sul palco a causa del suo suonare poco stimolante. Da questa traumatizzante esperienza Baby decise di diventare un musicista migliore.
  • Warren "Baby" Dodds foi um baterista de jazz. "Baby" Dodds foi o irmão caçula do clarinetista Johnny Dodds. Ele é considerado um dos melhores bateristas de jazz da época pré-big band, e um dos mais importantes bateristas precoces de jazz. Dodds foi um dos primeiros bateristas a improvisar durante as gravações.
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