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- Andrew Sarris is a U.S. film critic and a leading proponent of the auteur theory of criticism. He is generally credited with popularizing this theory in the Americas and coining the term "auteur theory" in his essay, "Notes on the Auteur Theory," which was inspired by critics writing in Cahiers du Cinéma. He wrote the highly influential book The American Cinema: Directors and Directions 1929-1968 (1968), an opinionated assessment of films of the sound era, organized by director. The book was influential on other critics and helped raise an awareness of the role of the film director and, in particular, of the Auteur theory. In The American Cinema, Sarris lists what he terms the 'Pantheon' of the fourteen greatest film directors who had worked in the United States. The list includes the Americans Robert Flaherty, John Ford, D. W. Griffith, Howard Hawks, Buster Keaton, and Orson Welles, the Germans Fritz Lang, Ernst Lubitsch, F. W. Murnau, Max Ophuls, and Josef von Sternberg, the British Charles Chaplin, Alfred Hitchcock, and the French Jean Renoir. He also created second and third tiers of directors, downplaying the work of some such as Billy Wilder, David Lean, and Stanley Kubrick. In his 1998 book, You Ain't Heard Nothing Yet: The American Talking Film, History and Memory 1927-1949 Sarris upgraded the status of Billy Wilder to pantheon level and apologized for his earlier harsh opinion of the director in The American Cinema. For many years he wrote for The Village Voice, and it was during this part of his career that he was often seen as a rival to Pauline Kael, who had originally attacked the auteur theory in her essay, "Circles and Squares". He continued to write film criticism regularly until 2009 for The New York Observer, and is currently a professor of film at Columbia University, his alma mater, teaching courses in International Film History, American Cinema, and Auteur Studies of Alfred Hitchcock and Philip Kaufman. Sarris was a co-founder of the National Society of Film Critics. He is married to fellow film critic, Molly Haskell. In the film Galaxy Quest, Sarris' name is given to the character of an evil warlord.
- Andrew Sarris ist ein amerikanischer Filmkritiker.
- Andrew Sarris on yhdysvaltalainen elokuvakriitikko. Hän popularisoi maassaan auteurteorian. Sarris julkaisi esimerkiksi teoksen The American Cinema: Directors and Directions 1929-1968. Hän on kirjoittanut The New York Observeriin sekä The Village Voiceen ja työskennellyt professorina Columbian yliopistossa. Sarris on naimisissa kriitikkokollegansa Molly Haskellin kanssa.
- アンドリュー・サリス（Andrew Sarris、1928年10月31日 ブルックリン - ）は、アメリカ合衆国の映画批評家であり、アメリカ批評界における作家主義理論の指導的支持者である。アメリカにおける同理論のポピュラー化、およびフランスの映画批評誌『カイエ・デュ・シネマ』の論文にインスパイアされたサリスの試論『作家主義理論についてのノート Notes on the Auteur Theory』において彼が発明した、半英語・半仏語の新語「オトゥール・セオリー auteur theory」（「作家主義理論」の意）とともに、一般にクレジットされる。
- Andrew Sarris, născut la 31 octombrie 1928 în Brooklyn, New York, Statele Unite este un critic de film.
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- Andrew Sarris is a U.S. film critic and a leading proponent of the auteur theory of criticism. He is generally credited with popularizing this theory in the Americas and coining the term "auteur theory" in his essay, "Notes on the Auteur Theory," which was inspired by critics writing in Cahiers du Cinéma. He wrote the highly influential book The American Cinema: Directors and Directions 1929-1968 (1968), an opinionated assessment of films of the sound era, organized by director.
- Andrew Sarris ist ein amerikanischer Filmkritiker.
- Andrew Sarris on yhdysvaltalainen elokuvakriitikko. Hän popularisoi maassaan auteurteorian. Sarris julkaisi esimerkiksi teoksen The American Cinema: Directors and Directions 1929-1968. Hän on kirjoittanut The New York Observeriin sekä The Village Voiceen ja työskennellyt professorina Columbian yliopistossa. Sarris on naimisissa kriitikkokollegansa Molly Haskellin kanssa.
- Andrew Sarris, născut la 31 octombrie 1928 în Brooklyn, New York, Statele Unite este un critic de film.
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