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In the musical system of ancient Greece, an octave species (εἶδος τοῦ διὰ πασῶν, or σχῆμα τοῦ διὰ πασῶν) is a specific sequence of intervals within an octave. In Elementa harmonica, Aristoxenus classifies the species as three different genera, distinguished from each other by the largest intervals in each sequence: the diatonic, chromatic, and enharmonic genera, whose largest intervals are, respectively, a whole tone, a minor third, and a ditone; quarter tones and semitones complete the tetrachords.

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rdf:type
rdfs:label
  • Octave species (en)
  • Вид консонанса (ru)
  • Вид консонансу (uk)
rdfs:comment
  • Вид (др.-греч. εἶδος, σχῆμα, лат. species) консонанса, подразумевается вид первого консонанса (лат. species primae consonantiae) — способ поступенного заполнения звукоряда, ограниченного консонансами кварты, квинты или октавы. Виды первых консонансов имели основополагающее значение в античности и средневековье для построения теории лада. (ru)
  • Вид (дав.-гр. εἶδος, σχῆμα, лат. species) консонансу, мається на увазі вид першого консонансу (лат. species primae consonantiae) — спосіб поступеневого заповнення звукоряду, обмеженого консонансами кварти, квінти або октави. Види перших консонансів мали основоположне значення в античності й середньовіччі для побудови теорії ладу. (uk)
  • In the musical system of ancient Greece, an octave species (εἶδος τοῦ διὰ πασῶν, or σχῆμα τοῦ διὰ πασῶν) is a specific sequence of intervals within an octave. In Elementa harmonica, Aristoxenus classifies the species as three different genera, distinguished from each other by the largest intervals in each sequence: the diatonic, chromatic, and enharmonic genera, whose largest intervals are, respectively, a whole tone, a minor third, and a ditone; quarter tones and semitones complete the tetrachords. (en)
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Dorian_diatonic.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Greek_Phrygian_enharmonic_genus.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Greek_Dorian_enharmonic_genus.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Greek_Dorian_chromatic_genus.png
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reference
  • Barker, Andrew . Greek Musical Writings. 2 vols. Cambridge & New York: Cambridge University Press. . (en)
  • Cleonides. 1965. "Harmonic Introduction," translated by Oliver Strunk. In Source Readings in Music History, vol. 1 , edited by Oliver Strunk, 34–46. New York: W. W. Norton. (en)
  • Atkinson, Charles M. 2009. The Critical Nexus:Tone-System, Modes, and Notation in Early Medieval Music. Oxford: Oxford University Press. (en)
  • Boethius. 1989. Fundamentals of Music, translated, with introduction and notes by Calvin M. Bower; edited by Claude V. Palisca. Music Theory Translation Series. New Haven and London: Yale University Press. . (en)
  • Herlinger, Jan . The Lucidarium of Marchetto of Padua. Chicago & London: The University of Chicago Press. . (en)
  • Barbera, André. 1984. "Octave Species". The Journal of Musicology 3, no. 3 : 229–241. (en)
  • Powers, Harold S. 2001. "Mode §II: Medieval Modal Theory". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. (en)
  • Ptolemy. 1930. Die Harmonielehre des Klaudios Ptolemaios, edited by Ingemar Düring. Göteborgs högskolas årsskrift 36, 1930:1. Göteborg: Elanders boktr. aktiebolag. Reprint, New York: Garland Publishing, 1980. (en)
  • Aristoxenus. 1954. Aristoxeni elementa harmonica, edited by Rosetta da Rios. Rome: Typis Publicae Officinae Polygraphicae. (en)
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