• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Luigi Zuccoli     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat19th-centuryItalianPainters, within Data Space : dbpedia.org associated with source document(s)

Type: Thingpersonyago:WikicatMilanesePaintersyago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553yago:Wikicat19th-centuryItalianPainters New Facet based on Instances of this Class

Luigi Zuccoli (1815 – January 5, 1876) was an Italian painter. He was a native of Milan, and a member of the Academy there. He had frequented the school of Pelagio Palagi, although his style became different In 1855, Zuccoli sent the painting "The First Christian Martyrs" to the exhibition of the Imperial Academy of Arts and was highly appreciated by the critic Vasily Botkin in terms of strength, light and color. Botkin accused Zuccoli of being too theatrical, but here there was the subjectivity of a critic who was carried away by the ideas of political reaction - he recognized the absolute perfection of only Russian art. His works, which were chiefly genre scenes or scenes from Italian domestic life, won considerable popularity beyond his native country. He traveled to England in 1860, a