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About: Lodovico Dolce     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatRenaissancePeople, within Data Space : dbpedia.org associated with source document(s)

Type: Thingpersonyago:WikicatArtCriticsyago:WikicatTranslatorsFromGreekyago:WikicatTranslatorsFromLatinyago:WikicatTranslatorsToItalianyago:Adult109605289yago:ArtCritic109810867yago:CausalAgent100007347yago:Communicator109610660yago:Critic109979589yago:Grammarian110141364yago:Humanist110191192yago:Intellectual109621545yago:Linguist110264219yago:Linguist110264437yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Person100007846yago:PhysicalEntity100001930yago:Professional110480253yago:WikicatGrammariansFromItalyyago:WikicatGrammariansOfItalianyago:WikicatItalianRenaissanceHumanistsyago:WikicatItalianTranslatorsyago:WikicatItalianWritersyago:Writer110794014yago:YagoLegalActoryago:YagoLegalActorGeoyago:Scholar110557854yago:Scientist110560637yago:Translator110725280yago:Whole100003553yago:WikicatPeopleFromVenice(city)yago:WikicatRenaissancePeople New Facet based on Instances of this Class

Lodovico Dolce (1508/10–1568) was an Italian man of letters and theorist of painting. He was a broadly based Venetian humanist and prolific author, translator, and editor; he is now mostly remembered for his Dialogue on Painting or L'Aretino (1557), and for his involvement in artistic controversies of the day. He was a friend of Titian's, and often acted as in effect his public relations man.