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About: King Oliver     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatDixielandJazzMusicians, within Data Space : dbpedia.org associated with source document(s)

Type: Thingyago:WikicatAmericanJazzBandleadersyago:WikicatAmericanJazzCornetistsyago:WikicatAmericanJazzSongwritersathleteyago:WikicatVocalionRecordsArtistsyago:WikicatOkehRecordsArtistsyago:Artist109812338yago:Bandleader109837201yago:CausalAgent100007347yago:Composer109947232yago:Conductor109952539yago:Creator109614315yago:Entertainer109616922yago:JazzMusician110220486yago:LivingThing100004258yago:Musician110339966yago:Musician110340312yago:Object100002684yago:Organism100004475yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:WikicatJazzMusiciansFromNewOrleans,Louisianayago:YagoLegalActoryago:YagoLegalActorGeomusical artistyago:Songwriter110624540yago:Trumpeter110732010yago:Whole100003553yago:WikicatAfrican-AmericanMusiciansyago:WikicatDixielandJazzMusicians New Facet based on Instances of this Class

Joseph Nathan "King" Oliver (December 19, 1881 – April 8/10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today."