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Aus den sieben Tagen (From the Seven Days) is a collection of 15 text compositions by Karlheinz Stockhausen, composed in May 1968, in reaction to a personal crisis, and characterized as "Intuitive music"—music produced primarily from the intuition rather than the intellect of the performer(s). It is Work Number 26 in the composer's catalog of works.

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  • Aus den sieben Tagen (en)
  • Aus den sieben Tagen (fr)
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  • Aus den sieben Tagen (From the Seven Days) is a collection of 15 text compositions by Karlheinz Stockhausen, composed in May 1968, in reaction to a personal crisis, and characterized as "Intuitive music"—music produced primarily from the intuition rather than the intellect of the performer(s). It is Work Number 26 in the composer's catalog of works. (en)
  • Aus den sieben Tagen (Des sept jours) est un ensemble de quinze compositions de Karlheinz Stockhausen écrites en mai 1968 en réaction à une crise personnelle et caractérisées par la « musique intuitive » plutôt que produite par l'intellect de l'interprète. C'est l'œuvre numéro 26 dans le catalogue du compositeur. Souvent considérés comme des exercices de méditation, tous ces textes sauf deux décrivent en mots des événements musicaux spécifiques. L'approche de Stockhausen demeure essentiellement sérielle. Les quinze morceaux sont : (fr)
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  • Griffiths, Paul. 1974. "Aus den Sieben Tagen by Stockhausen". The Musical Times 115, no. 1573 : 225–226. (en)
  • Stockhausen, Karlheinz. 1971. Texte zur Musik 3. Edited by Dieter Schnebel. Cologne: Verlag M. DuMont Schauberg. . (en)
  • . 1997. "Festlegen, Umreißen, Andeuten, Hervorrufen: Analytisches zu den Textkompositionen von Karlheinz Stockhausen." : Zeitschrift für Neue Musik, no. 72 : 13-16. Reprint. English translation by the author, as "Fixing/Circumscribing/Suggesting/Evoking: An Analysis of Stockhausen's Text Pieces", [www.stockhausensociety.org Stockhausen Society website], 2006. . (en)
  • Kohl, Jerome. 1978. "Intuitive Music and Serial Determinism: An Analysis of Stockhausen's Aus den sieben Tagen." In Theory Only 3, no. 2 : 7–19. Revised reprint (en)
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