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Living My Life is the 993-page autobiography of Lithuanian-born anarchist Emma Goldman, published in two volumes in 1931 (Alfred A. Knopf) and 1934 (Garden City Publishing Company). Goldman wrote it in Saint-Tropez, France, following her disillusionment with the Bolshevik role in the Russian revolution. The text thoroughly covers her personal and political life from early childhood through to 1927, and has constantly remained in print since, in original and abridged editions. Since the autobiography was published nine years before Goldman died in 1940, it does not record her role in the Spanish Civil War.

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  • Living My Life
  • Viviendo mi vida
  • Vivendo Minha Vida
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  • Living My Life is the 993-page autobiography of Lithuanian-born anarchist Emma Goldman, published in two volumes in 1931 (Alfred A. Knopf) and 1934 (Garden City Publishing Company). Goldman wrote it in Saint-Tropez, France, following her disillusionment with the Bolshevik role in the Russian revolution. The text thoroughly covers her personal and political life from early childhood through to 1927, and has constantly remained in print since, in original and abridged editions. Since the autobiography was published nine years before Goldman died in 1940, it does not record her role in the Spanish Civil War.
  • Viviendo mi vida (título original: Living My Life) es la autobiografía de 993 páginas de la anarquista y feminista estadounidense de origen lituano Emma Goldman, publicado originalmente en Estados Unidos en dos volúmenes en 1931, por Alfred A. Knopf, y en 1934 por Garden City Publishing Company. Goldman la escribió en Saint-Tropez, Francia, a partir de su desilusión de la revolución rusa debido a la influencia bolchevique.
  • Vivendo Minha Vida (Living My Life) é a autobiografia da ativista libertária Emma Goldman escrita entre os anos de 1928 e 1930 na cidade de Saint-Tropez, litoral da França. Goldman conseguiu recursos para escrever este livro graças ao apoio de admiradores e amigos, entre eles o jornalista H. L. Mencken, a poeta Edna St. Vincent Millay, o escritor Theodore Dreiser e a colecionadora de arte Peggy Guggenheim, que lhe doaram quatro mil dólares. Alexander Berkman também ofereceu apoio crítico agudo, que Emma Goldman eventualmente incorporou com o ônus da tensão aumentada entre os dois.
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