@prefix foaf: .
foaf:page .
@prefix rdfs: .
rdfs:label "Teslis (Andrei Rublev)"@tr ,
"\u81F3\u8056\u4E09\u8005 (\u30EB\u30D6\u30EA\u30E7\u30D5\u306B\u3088\u308B\u30A4\u30B3\u30F3)"@ja ,
"\u0422\u0440\u043E\u0438\u0446\u0430 (\u0438\u043A\u043E\u043D\u0430 \u0420\u0443\u0431\u043B\u0451\u0432\u0430)"@ru ,
"Tr\u00F3jca \u015Awi\u0119ta (ikona Rublowa)"@pl ,
"Trinity (Andrei Rublev)"@en .
@prefix dbpedia-owl: .
dbpedia-owl:thumbnail .
@prefix dbpprop: .
dbpprop:abstract "Teslis Rus ressam Andrei Rublev taraf\u0131ndan 15. y\u00FCzy\u0131lda yap\u0131ld\u0131\u011F\u0131 d\u00FC\u015F\u00FCn\u00FClen bir Teslis ikonas\u0131. Sanat\u00E7\u0131n\u0131n en \u00FCnl\u00FC \u00E7al\u0131\u015Fmas\u0131 oldu\u011Fu gibi Rus sanat\u0131n\u0131n da doruk noktalar\u0131ndan biri olarak kabul edilir. Eserde Mamre'de \u0130brahimi ziyaret eden \u00FC\u00E7 melek tasvir edilse de eser sembolizm doludur ve genelde Teslis ikonas\u0131 olarak yorumlan\u0131r. Eserin tarih\u00E7esi hakk\u0131nda pek fazla bilgi bulunmamaktad\u0131r; bu sebeple uzmanlar sadece \u00E7e\u015Fitli varsay\u0131mlarda bulunmu\u015Flard\u0131r. Nitekim eserin sahibinin ger\u00E7ekten Rublev olup olmad\u0131\u011F\u0131 bile tart\u0131\u015F\u0131lm\u0131\u015Ft\u0131r. Farkl\u0131 kaynaklar eserin yap\u0131l\u0131\u015F tarihini 1408-1425, 1422-1423 veya 1420-1427 dolaylar\u0131na atfetmektedirler. Resm\u00EE tahmin 1411 veya 1425-1427 y\u00F6n\u00FCndedir. Eser 1575 y\u0131l\u0131nda \u00C7ar Korkun\u00E7 \u0130van'\u0131n emriyle alt\u0131nla s\u00FCslenmi\u015Ftir ki bu da 1600 y\u0131l\u0131nda, Boris Godunov'un \u00E7arl\u0131\u011F\u0131 s\u0131ras\u0131nda, yenilenmi\u015Ftir. \u00D6zg\u00FCn eser h\u00E2len Moskova'daki Tretyakov Galerisi'nde bulunmaktad\u0131r. Biri 1598-1600, di\u011Feri ise 1926-1928 dolaylar\u0131nda yap\u0131lm\u0131\u015F olan iki kopyas\u0131 ise Troitse-Sergiyeva Lavra'n\u0131n ikonostaz\u0131nda bulunmaktad\u0131r."@tr ,
"Trinity is a Holy Trinity Icon, believed to be created by Russian painter Andrei Rublev in the XV century. It is his most famous work, as well regarded as one of the highest achievements of Russian art. Trinity depicts the three angels who visited Abraham at the oak of Mamre, but the painting is full of symbolism and often interpreted as an icon of the Holy Trinity. Little is known about Trinity's history, scientists can only make suppositions. Even the authorship of Rublev is questioned sometimes. Different sources conjecture the date of creation as 1408-1425, 1422-1423 or 1420-1427. The official version states 1411 or 1425-27. In 1575 Ivan the Terrible ordered to decorate it with gold, which was renewed in 1600 during the tsardom of Boris Godunov. The original is currently held in the Tretyakov Gallery in Moscow. It was commissioned in honor of the abbot Sergius of the Troitse-Sergiyeva Lavra, near Moscow. Two copies were made (in 1598-1600 and in 1926-28), both kept in Troitse-Sergiyeva Lavra's Cathedral iconostasis."@en ,
"\u00AB\u0422\u0440\u043E\u0438\u0446\u0430\u00BB\u00A0\u2014 \u0438\u043A\u043E\u043D\u0430 \u0421\u0432\u044F\u0442\u043E\u0439 \u0422\u0440\u043E\u0438\u0446\u044B, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u0430\u044F \u0410\u043D\u0434\u0440\u0435\u0435\u043C \u0420\u0443\u0431\u043B\u0451\u0432\u044B\u043C \u0432 XV \u0432\u0435\u043A\u0435, \u0441\u0430\u043C\u043E\u0435 \u0437\u043D\u0430\u043C\u0435\u043D\u0438\u0442\u043E\u0435 \u0438\u0437 \u0435\u0433\u043E \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u0438 \u043E\u0434\u043D\u0430 \u0438\u0437 \u0434\u0432\u0443\u0445 \u043F\u0440\u0438\u043F\u0438\u0441\u044B\u0432\u0430\u0435\u043C\u044B\u0445 \u0435\u0433\u043E \u043A\u0438\u0441\u0442\u0438 \u0440\u0430\u0431\u043E\u0442, \u0447\u044C\u0451 \u0430\u0432\u0442\u043E\u0440\u0441\u0442\u0432\u043E, \u043A\u0430\u043A \u0441\u0447\u0438\u0442\u0430\u044E\u0442 \u0443\u0447\u0451\u043D\u044B\u0435, \u0434\u043E\u0441\u0442\u043E\u0432\u0435\u0440\u043D\u043E \u043F\u0440\u0438\u043D\u0430\u0434\u043B\u0435\u0436\u0438\u0442 \u0435\u043C\u0443. \u042F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043E\u0434\u043D\u043E\u0439 \u0438\u0437 \u0441\u0430\u043C\u044B\u0445 \u043F\u0440\u043E\u0441\u043B\u0430\u0432\u043B\u0435\u043D\u043D\u044B\u0445 \u0440\u0443\u0441\u0441\u043A\u0438\u0445 \u0438\u043A\u043E\u043D."@ru ,
"\u672C\u9805\u3067\u306F\u30A2\u30F3\u30C9\u30EC\u30A4\u30FB\u30EB\u30D6\u30EA\u30E7\u30D5\u306B\u3088\u308B\u3082\u306E\u3068\u3055\u308C\u308B15\u4E16\u7D00\u306E\u30A4\u30B3\u30F3\u300E\u81F3\u8056\u4E09\u8005\u300F \u3092\u6271\u3046\u3002\u3053\u306E\u4F5C\u54C1\u306F\u30EB\u30D6\u30EA\u30E7\u30D5\u306B\u3088\u308B\u30A4\u30B3\u30F3\u306E\u4E2D\u3067\u3082\u6700\u3082\u6709\u540D\u3067\u3042\u308A\u3001\u30ED\u30B7\u30A2\u82B8\u8853\u306E\u5230\u9054\u70B9\u306E\u4E00\u3064\u3068\u3082\u770B\u505A\u3055\u308C\u3066\u3044\u308B\u3002\u300E\u81F3\u8056\u4E09\u8005\u300F\u306F\u3001\u30DE\u30E0\u30EC\u306E\u30CA\u30E9\u306E\u6728\u306E\u4E0B\u306E\u30A2\u30A6\u30E9\u30A2\u30E0\uFF08\u30A2\u30D6\u30E9\u30CF\u30E0\uFF09\u3092\u8A2A\u308C\u305F\u4E09\u5929\u4F7F\u3092\u63CF\u3044\u3066\u3044\u308B\u304C\u3001\u3053\u308C\u306F\u8C61\u5FB4\u8868\u73FE\u306B\u6E80\u3061\u3066\u304A\u308A\u3001\u81F3\u8056\u4E09\u8005\u306E\u30A4\u30B3\u30F3\u3067\u3042\u308B\u3068\u89E3\u91C8\u3055\u308C\u308B\u3002"@ja ,
"Tr\u00F3jca \u015Awi\u0119ta \u2013 ikona Andrieja Rublowa, powsta\u0142a ok. 1410 albo 1425-1427 dla \u0142awry Troicko-Siergijewskiej - klasztoru za\u0142o\u017Conego przez \u015Bw. Sergiusza z Radone\u017Ca. Wymiary 142x114 cm, tempera na desce; obecnie znajduje si\u0119 w Galerii Trietiakowskiej w Moskwie. Obraz ten niekiedy zwany \"Tr\u00F3jc\u0105 Starotestamentow\u0105\" lub \"Go\u015Bcinno\u015Bci\u0105 Abrahama\", oparty jest na historii biblijnej: wizycie u Abrahama trzech anio\u0142\u00F3w, kt\u00F3rzy przepowiedzieli narodziny pierworodnego syna (Por. Rdz 18,1-15). Rublow oczy\u015Bci\u0142 scen\u0119 z w\u0105tk\u00F3w historycznych eliminuj\u0105c wszelkie postaci i pozostawiaj\u0105c tylko anio\u0142\u00F3w i nada\u0142 znaczenie ponadczasowe. Nierozdzielno\u015B\u0107 i niesko\u0144czono\u015B\u0107 uzyska\u0142 artysta przez umieszczenie kompozycji g\u0142\u00F3wnej w delikatnym \u0142uku, kt\u00F3ry \u0142\u0105czy postaci. Trony, na kt\u00F3rych siedz\u0105, stopnie o\u0142tarza, zwroty g\u0142\u00F3w anio\u0142\u00F3w, kierunek u\u0142o\u017Cenia cia\u0142 i st\u00F3p wpisuj\u0105 si\u0119 w okr\u0119g, kt\u00F3rego centralne miejsce zajmuje kielich z g\u0142ow\u0105 Baranka, symbolu Eucharystii. W niej znajduje si\u0119 symbol ofiary, kt\u00F3r\u0105 w Tr\u00F3jcy B\u00F3g sk\u0142ada na odkupienie grzech\u00F3w ludzkich. Dominuje tu wra\u017Cenie jedno\u015Bci, nawet ga\u0142\u0105\u017A znad g\u0142owy pochylona jest tak, by by\u0107 integraln\u0105 cz\u0119\u015Bci\u0105 ca\u0142o\u015Bci. Ka\u017Cdy z anio\u0142\u00F3w trzyma lask\u0119, symbol jednakowej Boskiej w\u0142adzy, kt\u00F3r\u0105 posiada ka\u017Cda z Trzech Os\u00F3b Boskich. Przypisanie konkretnych Os\u00F3b Tr\u00F3jcy do postaci anio\u0142\u00F3w nie jest jednoznacznie rozstrzygni\u0119te. Wg niekt\u00F3rych centralnie umieszczony anio\u0142 to B\u00F3g Ojciec inni za\u015B widz\u0105 w nim Chrystusa wskazuj\u0105cego d\u0142oni\u0105 na Eucharysti\u0119. Za t\u0105 interpretacj\u0105 przemawia kolor szat, bowiem Chrystusa w \u015Bredniowieczu przedstawiano w wi\u015Bniowym chitonie ze z\u0142otym pasem i niebieskim himationem. Zgodnie z t\u0105 interpretacj\u0105 Os\u00F3b, po prawej stronie Syna siedzi Ojciec, kt\u00F3rego prawa r\u0119ka jest wzniesiona i b\u0142ogos\u0142awi Syna w jego misji zbawienia \u015Bwiata. Szata Ojca jest prze\u017Aroczysta, jakby utkana z niedost\u0119pnej dla ludzkiego do\u015Bwiadczenia \u015Bwiat\u0142o\u015Bci. Anio\u0142 siedz\u0105cy po lewej stronie Syna symbolizuje Ducha \u015Awi\u0119tego, praw\u0105 d\u0142oni\u0105 wskazuj\u0105cego na prostok\u0105t, b\u0119d\u0105cy symbolicznym przedstawieniem przestrzeni \u015Bwiata, w kt\u00F3rej ma si\u0119 dokona\u0107 Ofiara. U\u0142o\u017Cenie bocznych postaci wpisuje si\u0119 w kszta\u0142t kielicha, w kt\u00F3rym zanurzony jest Chrystus-Baranek."@pl ;
rdfs:comment "\u00AB\u0422\u0440\u043E\u0438\u0446\u0430\u00BB\u00A0\u2014 \u0438\u043A\u043E\u043D\u0430 \u0421\u0432\u044F\u0442\u043E\u0439 \u0422\u0440\u043E\u0438\u0446\u044B, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u0430\u044F \u0410\u043D\u0434\u0440\u0435\u0435\u043C \u0420\u0443\u0431\u043B\u0451\u0432\u044B\u043C \u0432 XV \u0432\u0435\u043A\u0435, \u0441\u0430\u043C\u043E\u0435 \u0437\u043D\u0430\u043C\u0435\u043D\u0438\u0442\u043E\u0435 \u0438\u0437 \u0435\u0433\u043E \u043F\u0440\u043E\u0438\u0437\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u0438 \u043E\u0434\u043D\u0430 \u0438\u0437 \u0434\u0432\u0443\u0445 \u043F\u0440\u0438\u043F\u0438\u0441\u044B\u0432\u0430\u0435\u043C\u044B\u0445 \u0435\u0433\u043E \u043A\u0438\u0441\u0442\u0438 \u0440\u0430\u0431\u043E\u0442, \u0447\u044C\u0451 \u0430\u0432\u0442\u043E\u0440\u0441\u0442\u0432\u043E, \u043A\u0430\u043A \u0441\u0447\u0438\u0442\u0430\u044E\u0442 \u0443\u0447\u0451\u043D\u044B\u0435, \u0434\u043E\u0441\u0442\u043E\u0432\u0435\u0440\u043D\u043E \u043F\u0440\u0438\u043D\u0430\u0434\u043B\u0435\u0436\u0438\u0442 \u0435\u043C\u0443. \u042F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043E\u0434\u043D\u043E\u0439 \u0438\u0437 \u0441\u0430\u043C\u044B\u0445 \u043F\u0440\u043E\u0441\u043B\u0430\u0432\u043B\u0435\u043D\u043D\u044B\u0445 \u0440\u0443\u0441\u0441\u043A\u0438\u0445 \u0438\u043A\u043E\u043D."@ru ,
"Teslis Rus ressam Andrei Rublev taraf\u0131ndan 15. y\u00FCzy\u0131lda yap\u0131ld\u0131\u011F\u0131 d\u00FC\u015F\u00FCn\u00FClen bir Teslis ikonas\u0131. Sanat\u00E7\u0131n\u0131n en \u00FCnl\u00FC \u00E7al\u0131\u015Fmas\u0131 oldu\u011Fu gibi Rus sanat\u0131n\u0131n da doruk noktalar\u0131ndan biri olarak kabul edilir. Eserde Mamre'de \u0130brahimi ziyaret eden \u00FC\u00E7 melek tasvir edilse de eser sembolizm doludur ve genelde Teslis ikonas\u0131 olarak yorumlan\u0131r. Eserin tarih\u00E7esi hakk\u0131nda pek fazla bilgi bulunmamaktad\u0131r; bu sebeple uzmanlar sadece \u00E7e\u015Fitli varsay\u0131mlarda bulunmu\u015Flard\u0131r."@tr ,
""@ja ,
"Tr\u00F3jca \u015Awi\u0119ta \u2013 ikona Andrieja Rublowa, powsta\u0142a ok. 1410 albo 1425-1427 dla \u0142awry Troicko-Siergijewskiej - klasztoru za\u0142o\u017Conego przez \u015Bw. Sergiusza z Radone\u017Ca. Wymiary 142x114 cm, tempera na desce; obecnie znajduje si\u0119 w Galerii Trietiakowskiej w Moskwie. Obraz ten niekiedy zwany \"Tr\u00F3jc\u0105 Starotestamentow\u0105\" lub \"Go\u015Bcinno\u015Bci\u0105 Abrahama\", oparty jest na historii biblijnej: wizycie u Abrahama trzech anio\u0142\u00F3w, kt\u00F3rzy przepowiedzieli narodziny pierworodnego syna (Por."@pl ,
"Trinity is a Holy Trinity Icon, believed to be created by Russian painter Andrei Rublev in the XV century. It is his most famous work, as well regarded as one of the highest achievements of Russian art. Trinity depicts the three angels who visited Abraham at the oak of Mamre, but the painting is full of symbolism and often interpreted as an icon of the Holy Trinity. Little is known about Trinity's history, scientists can only make suppositions."@en ;
foaf:depiction .
@prefix skos: .
@prefix ns5: .
skos:subject ns5:Eastern_Orthodox_icons .
@prefix ns6: .
dbpprop:wikiPageUsesTemplate ns6:infobox_painting .
@prefix dbpedia: .
dbpprop:type dbpedia:Tempera ;
dbpprop:city dbpedia:Moscow ;
dbpprop:year "1411 or 1425-27"@en ;
dbpprop:title "Trinity"@en ;
dbpprop:imageSize "300px"@en ;
dbpprop:dimensions "142 x 114 cm"@en ;
dbpprop:imageFile "Angelsatmamre-trinity-rublev-1410.jpg"@en ;
dbpprop:backcolor "FBF5DF"@en ;
dbpprop:artist dbpedia:Andrei_Rublev ;
dbpprop:museum dbpedia:Tretyakov_Gallery ;
dbpprop:paintingAlignment "right"@en ;
dbpprop:redirect .
dbpedia:Trinity_by_Andrei_Rublyev dbpprop:redirect .