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dbpedia:The_Distribution_of_the_Eagle_Standards	rdfs:label	"La Distribution des aigles"@fr ,
		"The Distribution of the Eagle Standards"@en ,
		"La distribuci\u00F3n de las \u00E1guilas"@es .
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	dbpprop:abstract	"The Distribution of the Eagle Standards is an 1810 painting by Jacques-Louis David depicting a ceremony arranged by Napoleon after his assumption of power as emperor. In it he sought to revive the military ethos of the Roman empire. However, the ceremony, and the painting that commemorated it, also provided an important model for the use of the Roman salute and its revival at public ceremonies organised by fascists and the Nazis during the 20th century. The event took place on December 5 1804, three days after his coronation. Napoleon distributed standards based on the \"eagles\" of the legions of Rome. The standards represented the regiments raised by the various Departments of France, and were intended to institute feelings of pride and loyalty among the troops who would be the backbone of Napoleon's new regime. Napoleon gave an emotional speech in which he insisted that troops should defend the standards with their lives. In early sketches of the painting David included a winged figure of Nike, the goddess of victory, floating over the troops, but Napoleon objected to such an unrealistic feature. He also insisted that his wife Josephine be removed from the composition. He was preparing to divorce her, since she had failed to provide his heir. The final painting depicted the moment when Napoleon blessed the standards being held out towards him. Napoleon has his arm raised in imitation of ancient \"adlocutio\" scenes, which depict Classical heroes addressing troops. David's composition was heavily influenced by the friezes on Trajan's column"@en ,
		"La Distribution des Aigles est un tableau r\u00E9alis\u00E9 par Jacques Louis David en 1810. \u00C0 l'origine, David avait re\u00E7u la commande de quatre tableaux \u00E0 l'occasion du sacre de Napol\u00E9on : Le Sacre, L'Intronisation, L'Arriv\u00E9e \u00E0 l'h\u00F4tel de ville et La distribution des aigles. Mais seuls Le Sacre de Napol\u00E9on et La Distribution des Aigles sont r\u00E9alis\u00E9s. La Distribution est une reprise des coutumes des l\u00E9gions imp\u00E9riales romaines. L'Empereur remet ici le nouveau drapeau qui porte le symbole de l'empire aux chefs de ses arm\u00E9es. Cette remise des drapeaux est accompagn\u00E9e d'un serment de fid\u00E9lit\u00E9 des chefs \u00E0 l'Empereur. Cette \u0153uvre est assez dynamique, en particulier la droite de la composition. Cette partie, en forme pyramidale, s'oppose avec la partie gauche, beaucoup plus tranquille. Napol\u00E9on est moins mis en valeur que dans Le Sacre car les aigles le surplombent. En d\u00E9pit de cette organisation spatiale, la lumi\u00E8re favorise tr\u00E8s largement Napol\u00E9on. Le centre de la sc\u00E8ne semble \u00E9trangement vide car \u00E0 l'origine David avait repr\u00E9sent\u00E9 une all\u00E9gorie de la \u00AB Victoire qui jette des lauriers aux officiers brandissant drapeaux et \u00E9tendards \u00BB, ce dont Napol\u00E9on ne voulait pas car la sc\u00E8ne devait \u00EAtre historique. David avait donc d\u00FB effacer cette partie. Cependant, \u00E0 la demande de Napol\u00E9on, David pris certaines libert\u00E9s avec la v\u00E9rit\u00E9 historique. En effet, Jos\u00E9phine de Beauharnais est absente de ce tableau alors qu'elle \u00E9tait pr\u00E9sente \u00E0 la distribution; celle-ci ayant divorc\u00E9e en 1809, elle devenait donc ind\u00E9sirable. On remarque d'ailleurs qu'Eug\u00E8ne de Beauharnais poss\u00E8de une cuisse disproportionn\u00E9e pour combler le vide cr\u00E9\u00E9 par l'absence de Jos\u00E9phine."@fr ,
		"La distribuci\u00F3n de las \u00E1guilas es un cuadro del pintor neocl\u00E1sico franc\u00E9s Jacques Louis David finalizado el a\u00F1o 1810. En principio, David recibi\u00F3 el encargo de cuatro telas en ocasi\u00F3n de la coronaci\u00F3n de Napole\u00F3n. Pero solo dos se realizaron: La coronaci\u00F3n de Napole\u00F3n y La distribuci\u00F3n de las \u00E1guilas. La distribuci\u00F3n retoma las costumbres de las legiones romanas. El emperador distribuye aqu\u00ED la nueva bandera con el s\u00EDmbolo imperial a los jefes de su ej\u00E9rcito. Esta entrega de banderas es acompa\u00F1ada de un juramento por parte de los oficiales hacia su emperador. Es una obra bastante din\u00E1mica, en particular la derecha de la composici\u00F3n. Esta parte, en forma piramidal, se opone a la parte izquierda, mucho m\u00E1s tranquila. Napole\u00F3n destaca menos que en la coronaci\u00F3n, ya que las \u00E1guilas destacan m\u00E1s. A pesar de esta organizaci\u00F3n espacial, la luz favorece mucho al emperador. El centro de la escena est\u00E1 extra\u00F1amente vac\u00EDa; David al principio habr\u00EDa incluido una alegor\u00EDa de la victoria, que lanzaba laureles a los oficiales y bland\u00EDa banderas y estandartes, pero Napole\u00F3n no quiso, alegando que la escena deb\u00EDa mostrar veracidad hist\u00F3rica. David tuvo que rehacer esa secci\u00F3n. Sin embargo, a la demanda de Napole\u00F3n, David se tom\u00F3 ciertas libertades con la veracidad hist\u00F3rica. Josefina de Beauharnais est\u00E1 ausente en el cuadro, cuando se sabe que estuvo presente en la distribuci\u00F3n."@es ;
	rdfs:comment	"La Distribution des Aigles est un tableau r\u00E9alis\u00E9 par Jacques Louis David en 1810. \u00C0 l'origine, David avait re\u00E7u la commande de quatre tableaux \u00E0 l'occasion du sacre de Napol\u00E9on : Le Sacre, L'Intronisation, L'Arriv\u00E9e \u00E0 l'h\u00F4tel de ville et La distribution des aigles. Mais seuls Le Sacre de Napol\u00E9on et La Distribution des Aigles sont r\u00E9alis\u00E9s. La Distribution est une reprise des coutumes des l\u00E9gions imp\u00E9riales romaines."@fr ,
		"La distribuci\u00F3n de las \u00E1guilas es un cuadro del pintor neocl\u00E1sico franc\u00E9s Jacques Louis David finalizado el a\u00F1o 1810. En principio, David recibi\u00F3 el encargo de cuatro telas en ocasi\u00F3n de la coronaci\u00F3n de Napole\u00F3n. Pero solo dos se realizaron: La coronaci\u00F3n de Napole\u00F3n y La distribuci\u00F3n de las \u00E1guilas. La distribuci\u00F3n retoma las costumbres de las legiones romanas. El emperador distribuye aqu\u00ED la nueva bandera con el s\u00EDmbolo imperial a los jefes de su ej\u00E9rcito."@es ,
		"The Distribution of the Eagle Standards is an 1810 painting by Jacques-Louis David depicting a ceremony arranged by Napoleon after his assumption of power as emperor. In it he sought to revive the military ethos of the Roman empire. However, the ceremony, and the painting that commemorated it, also provided an important model for the use of the Roman salute and its revival at public ceremonies organised by fascists and the Nazis during the 20th century."@en ;
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