@prefix dbo: .
@prefix dbr: .
dbr:Alan_Hovhaness dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:Gackt dbo:wikiPageWikiLink .
dbr:Edo_Lullaby dbo:wikiPageWikiLink .
dbr:Helena_Espvall dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:Isang_Yun dbo:wikiPageWikiLink .
dbr:Free_reed_aerophone dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
@prefix foaf: .
foaf:primaryTopic .
@prefix ns3: .
ns3:_F_to_H dbo:wikiPageWikiLink .
ns3:_T_to_Z dbo:wikiPageWikiLink .
dbr:Murasaki_Shikibu_Nikki_Emaki dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:Number_Pieces dbo:wikiPageWikiLink .
dbr:Gagaku dbo:wikiPageWikiLink .
dbr:Traditional_Japanese_music dbo:wikiPageWikiLink .
dbr:Korean_court_music dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:Tone_cluster dbo:wikiPageWikiLink .
dbr:Konoyo dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:Jun_Yamaguchi dbo:wikiPageWikiLink .
dbr:Last_Moon dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:Shigeo_Kishibe dbo:wikiPageWikiLink .
dbr:Minoru_Muraoka dbo:wikiPageWikiLink .
dbr:Mark_Izu dbo:wikiPageWikiLink .
dbr:Yashima_Gakutei dbo:wikiPageWikiLink .
dbr:Oboe dbo:wikiPageWikiLink .
dbr:Phil_Nyokai_James dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:Imperial_House_of_Japan dbo:wikiPageWikiLink .
dbr:Shou dbo:wikiPageWikiLink .
dbr:Accordion dbo:wikiPageWikiLink .
dbr:List_of_compositions_by_John_Cage dbo:wikiPageWikiLink .
dbr:List_of_musical_instruments dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:Traditional_Japanese_musical_instruments dbo:wikiPageWikiLink .
dbr:Music_of_Japan dbo:wikiPageWikiLink .
dbr:Kunitachi_College_of_Music dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:Munich_Chamber_Orchestra dbo:wikiPageWikiLink .
dbr:Basil_Athanasiadis dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:Curlew_River dbo:wikiPageWikiLink .
dbr:Sho dbo:wikiPageWikiLink .
dbr:Etenraku dbo:wikiPageWikiLink .
dbr:List_of_compositions_by_Toru_Takemitsu dbo:wikiPageWikiLink .
dbr:Toshi_Ichiyanagi dbo:wikiPageWikiLink .
dbr:Sarah_Peebles dbo:wikiPageWikiLink .
dbr:Mayumi_Miyata dbo:wikiPageWikiLink ;
dbo:instrument .
@prefix dbp: .
dbr:Mayumi_Miyata dbp:instrument .
dbr:Drawing_Restraint_9 dbo:wikiPageWikiLink .
dbr:Randy_Raine-Reusch dbo:wikiPageWikiLink .
dbr:Death_and_state_funeral_of_Hirohito dbo:wikiPageWikiLink .
dbr:Gourd_mouth_organ dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
dbr:John_Luther_Adams dbo:wikiPageWikiLink .
dbr:Toshio_Hosokawa dbo:wikiPageWikiLink .
dbo:wikiPageWikiLink .
@prefix rdf: .
@prefix yago: .
rdf:type yago:Device103183080 .
@prefix owl: .
rdf:type owl:Thing ,
yago:Instrumentality103575240 ,
yago:Object100002684 ,
yago:Whole100003553 ,
dbo:Agent ,
yago:Artifact100021939 ,
yago:MusicalInstrument103800933 ,
yago:PhysicalEntity100001930 ,
yago:WikicatJapaneseMusicalInstruments .
@prefix rdfs: .
rdfs:label "Sho (strumento musicale)"@it ,
"Sh\u014D (instrumento musical)"@pt ,
"\u7B19"@ja ,
"Sho (muziekinstrument)"@nl ,
"Sh\u014D"@fr ,
"Sh\u014D (instrument muzyczny)"@pl ,
"Sh\u014D (Instrument)"@de ,
"\u7B19 (\u65E5\u672C)"@zh ,
"\u0421\u044C\u043E (\u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442)"@uk ,
"Sh\u014D (instrument)"@en ,
"Sh\u014D"@es ,
"Sh\u014D"@ca ;
rdfs:comment "El sh\u014D (\u7B19) \u00E9s un instrument musical de lleng\u00FCeta lliure tradicional japon\u00E8s constru\u00EFt a partir de canyes de bamb\u00FA. Va ser introdu\u00EFt al jap\u00F3 des de la Xina durant l'era Nara, tot i que algunes investigacions diuen que van ser durant el per\u00EDode Heian. \u00C9s un instrument descendent del Sheng. Consisteix en 17 tubs de bamb\u00FA, dos dels s\u00F3n silenciosos. Es diu que el so de l'instrument imita el crit del f\u00E8nix i \u00E9s per aquest motiu que es conserva el silenci en els dos \u00FAltims tubs del Sh\u014D, com un element est\u00E8tic, representen les ales de l'animal. Com passa amb el seu parent xin\u00E8s Sheng, els tubs estan curosament afinats amb una mica de cera. Ja que la humitat en els tubs es pot acumular i aix\u00F2 dificulta la netedat del seu so. El sho \u00E9s un dels tres principals instruments de vent utilitzats en el con"@ca ,
"Sh\u014D (jap. \u7B19) \u2013 japo\u0144ski aerofon, rodzaj harmonijki ustnej, powsta\u0142y w okresie Nara (VIII w.). Jego pierwowzorem by\u0142 chi\u0144ski sheng. Sk\u0142ada si\u0119 z 17 cienkich rurek bambusowych, z kt\u00F3rych ka\u017Cda zako\u0144czona jest u podstawy rurk\u0105 metalow\u0105. Dwie rurki pozostaj\u0105 niewykorzystane, chocia\u017C badania sugeruj\u0105, \u017Ce u\u017Cywano ich przy wykonywaniu niekt\u00F3rych utwor\u00F3w w okresie Heian. Istnieje r\u00F3wnie\u017C odmiana sh\u014D o wi\u0119kszych rozmiarach, nazywana u (pochodz\u0105ca od chi\u0144skiego instrumentu ), jest obecnie ma\u0142o u\u017Cywana, chocia\u017C niekt\u00F3rzy wykonawcy, jak np. , pr\u00F3bowali dokona\u0107 jego odrodzenia pod koniec XX w."@pl ,
"\u7B19\uFF08\u65E5\u8BED\uFF1A\u7B19\uFF1B\u81FA\u7063\u83EF\u8A9E\u8A9E\u5883\u591A\u7A31\u96C5\u6A02\u7B19\uFF09\u662F\u4E00\u7A2E\u65E5\u672C\u81EA\u7531\u7C27\u6A02\u5668\uFF0C\u5728\u5948\u826F\u6642\u4EE3\u81EA\u4E2D\u570B\u5F15\u9032\u3002\u5B83\u7684\u539F\u578B\u5C31\u662F\u4E2D\u570B\u7B19\uFF0C\u4E0D\u904E\u548C\u7B19\u5F80\u5F80\u8F03\u4E2D\u570B\u7B19\u5C0F\u865F\u4E00\u4E9B\u3002\u73FE\u5728\u5E7E\u4E4E\u53EA\u5728\u96C5\u6A02\u4F7F\u7528\u3002 \u7B19\u753117\u6839\u7AF9\u7BA1\u7D44\u6210\uFF0C\u6BCF\u6839\u7AF9\u7BA1\u4E0A\u90FD\u88DD\u6709\u4E00\u500B\u7C27\u7247\u3002\u6709\u5169\u6839\u7AF9\u7BA1\u4E26\u4E0D\u6703\u767C\u8072\u2014\u2014\u5118\u7BA1\u5728\u5E73\u5B89\u6642\u4EE3\uFF0C\u5B83\u5011\u5076\u723E\u6703\u61C9\u6A02\u66F2\u800C\u4F7F\u4E4B\u767C\u8072\u3002\u64DA\u8AAA\u7B19\u7684\u8072\u97F3\u662F\u6A21\u4EFF\u9CF3\u51F0\u541F\u562F\uFF0C\u6240\u4EE5\u4EE5\u7F8E\u89C0\u70BA\u8003\u91CF\u4FDD\u7559\u4E86\u5169\u6839\u7121\u8072\u7BA1\uFF0C\u6210\u70BA\u5169\u500B\u5C0D\u7A31\u7684\u201C\u7FC5\u8180\u201D\u3002\u6709\u4E00\u7A2E\u8F03\u5927\u7684\u7B19\u300C\u7AFD\u300D\uFF08\u6E90\u81EA\u4E2D\u570B\u7684\u7AFD\uFF09\u5DF2\u7D93\u5F88\u5C11\u88AB\u4F7F\u7528\u3002"@zh ,
"De sho (\u7B19,sh\u014D), ook bekend als \"het Japanse 'mondorgel' (cfr. 'fluit')\", is een muziekinstrument dat vanaf de vroege middeleeuwen (8e eeuw) een vaste waarde werd in de gagaku, de muziek aan het Japanse keizerlijke hof. Het instrument is tegenwoordig nog steeds onderdeel van ceremonie\u00EBn en theaters. Het instrument gaat in ontstaan terug op de Chinese ."@nl ,
"The sh\u014D (\u7B19) is a Japanese free reed musical instrument that was introduced from China during the Nara period (AD 710 to 794). It is descended from the Chinese sheng, of the Tang Dynasty era, although the sh\u014D tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape."@en ,
"\u7B19\uFF08\u3057\u3087\u3046\uFF09\u306F\u3001\u96C5\u697D\u306E\u7BA1\u697D\u5668\u306E\u4E00\u3064\u3002\u81EA\u7531\u7C27\u306B\u5C5E\u3059\u308B\u3002"@ja ,
"O Sh\u014D \u00E9 um aerofone de palheta livre japon\u00EAs. Sua origem \u00E9 chinesa e sua introdu\u00E7\u00E3o no Jap\u00E3o se deu no per\u00EDodo Nara (710 - 794). \u00C9 semelhante ao Sheng, mas de tamanho menor e constru\u00E7\u00E3o de rabos mais simples. Consiste em 17 tubos delgados de bambu, cada um com sua pr\u00F3pria palheta de metal na base. Dois dos tubos n\u00E3o produzem som, embora pesquisas sugiram que j\u00E1 tenham sido usados em m\u00FAsica durante o per\u00EDodo Heian. Um sh\u014D de tamanho maior, chamado u (derivado do Yu chin\u00EAs ), \u00E9 menos usado, embora alguns instrumentistas, como Hiromi Yoshida, o tenham trazido novamente ao uso no s\u00E9culo XX."@pt ,
"Lo sho, o nella pi\u00F9 corretta traslitterazione sh\u014D (\u7B19), \u00E8 uno strumento a fiato ad ancia libera. Esso rappresenta l'equivalente giapponese dello sheng (strumento musicale) cinese, dal quale deriva, ed \u00E8 composto da 17 canne di bamb\u00F9 di lunghezza diversa, con le quali si possono ottenere suoni di varie altezze. Appartiene alla famiglia degli organi a bocca."@it ,
"\u0421\u044C\u043E (\u044F\u043F. \u7B19) \u2014 \u0442\u0440\u0430\u0434\u0438\u0446\u0456\u0439\u043D\u0438\u0439 \u044F\u043F\u043E\u043D\u0441\u044C\u043A\u0438\u0439 \u0434\u0443\u0445\u043E\u0432\u0438\u0439 \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442, \u0449\u043E \u0431\u0443\u0432 \u0437\u0430\u0432\u0435\u0437\u0435\u043D\u0438\u0439 \u0456\u0437 \u041A\u0438\u0442\u0430\u044E \u0432 \u043F\u0435\u0440\u0456\u043E\u0434 \u041D\u0430\u0440\u0430 (710\u2014794). \u041F\u043E\u0445\u043E\u0434\u0438\u0442\u044C \u0432\u0456\u0434 \u043A\u0438\u0442\u0430\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u0448\u0435\u043D\u0430, \u0430\u043B\u0435 \u0437\u0430\u0437\u0432\u0438\u0447\u0430\u0439 \u0442\u0440\u043E\u0445\u0438 \u043C\u0435\u043D\u0448\u0438\u0439. \u0421\u044C\u043E \u0441\u043A\u043B\u0430\u0434\u0430\u0454\u0442\u044C\u0441\u044F \u0437\u0456 17 \u0442\u043E\u043D\u043A\u0438\u0445 \u0431\u0430\u043C\u0431\u0443\u043A\u043E\u0432\u0438\u0445 \u0442\u0440\u0443\u0431\u043E\u043A, \u0432\u0441\u0442\u0430\u043D\u043E\u0432\u043B\u0435\u043D\u0438\u0445 \u043D\u0430 \u0447\u0430\u0448\u043E\u043F\u043E\u0434\u0456\u0431\u043D\u0456\u0439 \u043C\u0435\u0442\u0430\u043B\u0435\u0432\u0456\u0439 \u043E\u0441\u043D\u043E\u0432\u0456 \u0437 \u043C\u0443\u043D\u0434\u0448\u0442\u0443\u043A\u043E\u043C. \u0414\u0432\u0456 \u0442\u0440\u0443\u0431\u043A\u0438 \u0433\u043B\u0443\u0445\u0456, \u0445\u043E\u0447\u0430 \u0440\u0430\u043D\u0456\u0448\u0435 \u0457\u0445 \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u043E\u0432\u0443\u0432\u0430\u043B\u0438 \u0432 \u043E\u043A\u0440\u0435\u043C\u0438\u0445 \u0436\u0430\u043D\u0440\u0430\u0445 \u043C\u0443\u0437\u0438\u043A\u0438 \u043F\u0435\u0440\u0456\u043E\u0434\u0443 \u0425\u0435\u0439\u0430\u043D."@uk ,
"El sh\u014D (\u7B19) es un instrumento musical tradicional japon\u00E9s construido con tallos huecos de bamb\u00FA."@es ,
"Le sh\u014D (\u7B19), du chinois archa\u00EFque : /*sre\u014B/) est le nom japonais de l'orgue \u00E0 bouche chinois, o\u00F9 il est appel\u00E9 en mandarin standard sheng (chinois : \u7B19 ; pinyin : sh\u0113ng). Il est \u00E9galement appel\u00E9 en vietnamien sanh ou s\u00EAnh (\u7B19), et la cor\u00E9enne est appel\u00E9e saenghwang[pas clair] (\uC0DD\uD669/\u7B19\u7C27, du nom ancien chinois shenghuang (\u7B19\u7C27, sh\u0113nghu\u00E1ng)."@fr ,
"Sh\u014D, auch scho, sy\u00F4 (jap. \u7B19), ist eine Mundorgel, die in der h\u00F6fischen japanischen Musik (gagaku) gespielt wird. Das Durchschlagzungeninstrument besitzt 17 kurze Bambuspfeifen, die mit einem Ende in einer h\u00F6lzernen Windkammer stecken, in die durch ein kurzes Mundst\u00FCck Luft geblasen wird."@de ;
foaf:depiction ,
,
,
.
@prefix dcterms: .
@prefix dbc: .
dcterms:subject dbc:Free_reed_aerophones ,
dbc:Gagaku ,
dbc:Japanese_musical_instruments ;
dbo:abstract "The sh\u014D (\u7B19) is a Japanese free reed musical instrument that was introduced from China during the Nara period (AD 710 to 794). It is descended from the Chinese sheng, of the Tang Dynasty era, although the sh\u014D tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape. The instrument's sound is said to imitate the call of a phoenix, and it is for this reason that the two silent pipes of the sh\u014D are kept\u2014as an aesthetic element, making two symmetrical \"wings\". Similar to the Chinese sheng, the pipes are tuned carefully with a drop of a dense resinous wax preparation containing fine lead shot. As (breath) moisture collected in the sh\u014D's pipes prevents it from sounding, performers can be seen warming the instrument over a small charcoal brazier or electric burner when they are not playing. The instrument produces sound when the player's breath is inhaled or exhaled, allowing long periods of uninterrupted play. The sh\u014D is one of the three primary woodwind instruments used in gagaku, Japan's imperial court music. Its traditional playing technique in gagaku involves the use of tone clusters called aitake (\u5408\u7AF9), which move gradually from one to the other, providing accompaniment to the melody. A larger size of sh\u014D, called u (derived from the Chinese yu), is little used, although some performers, such as Hiromi Yoshida and Ko Ishikawa, began to revive it in the late 20th century."@en ,
"Le sh\u014D (\u7B19), du chinois archa\u00EFque : /*sre\u014B/) est le nom japonais de l'orgue \u00E0 bouche chinois, o\u00F9 il est appel\u00E9 en mandarin standard sheng (chinois : \u7B19 ; pinyin : sh\u0113ng). Il est \u00E9galement appel\u00E9 en vietnamien sanh ou s\u00EAnh (\u7B19), et la cor\u00E9enne est appel\u00E9e saenghwang[pas clair] (\uC0DD\uD669/\u7B19\u7C27, du nom ancien chinois shenghuang (\u7B19\u7C27, sh\u0113nghu\u00E1ng). Il est \u00E9galement proche du kh\u00EAn laotien et tha\u00EFlandais, bien que ce dernier diff\u00E8re dans sa forme. Il accompagne la musique gagaku. C'est un instrument \u00E0 vent qui fonctionne sur le principe de l'anche libre, celle-ci \u00E9tant tr\u00E8s fine donc tr\u00E8s sensible. Les tuyaux qui le composent sont perpendiculaires \u00E0 l'embouchure."@fr ,
"\u7B19\uFF08\u3057\u3087\u3046\uFF09\u306F\u3001\u96C5\u697D\u306E\u7BA1\u697D\u5668\u306E\u4E00\u3064\u3002\u81EA\u7531\u7C27\u306B\u5C5E\u3059\u308B\u3002"@ja ,
"\u7B19\uFF08\u65E5\u8BED\uFF1A\u7B19\uFF1B\u81FA\u7063\u83EF\u8A9E\u8A9E\u5883\u591A\u7A31\u96C5\u6A02\u7B19\uFF09\u662F\u4E00\u7A2E\u65E5\u672C\u81EA\u7531\u7C27\u6A02\u5668\uFF0C\u5728\u5948\u826F\u6642\u4EE3\u81EA\u4E2D\u570B\u5F15\u9032\u3002\u5B83\u7684\u539F\u578B\u5C31\u662F\u4E2D\u570B\u7B19\uFF0C\u4E0D\u904E\u548C\u7B19\u5F80\u5F80\u8F03\u4E2D\u570B\u7B19\u5C0F\u865F\u4E00\u4E9B\u3002\u73FE\u5728\u5E7E\u4E4E\u53EA\u5728\u96C5\u6A02\u4F7F\u7528\u3002 \u7B19\u753117\u6839\u7AF9\u7BA1\u7D44\u6210\uFF0C\u6BCF\u6839\u7AF9\u7BA1\u4E0A\u90FD\u88DD\u6709\u4E00\u500B\u7C27\u7247\u3002\u6709\u5169\u6839\u7AF9\u7BA1\u4E26\u4E0D\u6703\u767C\u8072\u2014\u2014\u5118\u7BA1\u5728\u5E73\u5B89\u6642\u4EE3\uFF0C\u5B83\u5011\u5076\u723E\u6703\u61C9\u6A02\u66F2\u800C\u4F7F\u4E4B\u767C\u8072\u3002\u64DA\u8AAA\u7B19\u7684\u8072\u97F3\u662F\u6A21\u4EFF\u9CF3\u51F0\u541F\u562F\uFF0C\u6240\u4EE5\u4EE5\u7F8E\u89C0\u70BA\u8003\u91CF\u4FDD\u7559\u4E86\u5169\u6839\u7121\u8072\u7BA1\uFF0C\u6210\u70BA\u5169\u500B\u5C0D\u7A31\u7684\u201C\u7FC5\u8180\u201D\u3002\u6709\u4E00\u7A2E\u8F03\u5927\u7684\u7B19\u300C\u7AFD\u300D\uFF08\u6E90\u81EA\u4E2D\u570B\u7684\u7AFD\uFF09\u5DF2\u7D93\u5F88\u5C11\u88AB\u4F7F\u7528\u3002"@zh ,
"De sho (\u7B19,sh\u014D), ook bekend als \"het Japanse 'mondorgel' (cfr. 'fluit')\", is een muziekinstrument dat vanaf de vroege middeleeuwen (8e eeuw) een vaste waarde werd in de gagaku, de muziek aan het Japanse keizerlijke hof. Het instrument is tegenwoordig nog steeds onderdeel van ceremonie\u00EBn en theaters. Het instrument gaat in ontstaan terug op de Chinese . Het is gemaakt uit 17 smalle bamboepijpen die in de basis (mondstuk) corresponderen met vrijstaande metalen tongetjes. Het instrument werd geacht de roep van de feniks na te bootsen. Qua vorm ziet het eruit als een vogel met twee opstaande vleugels. De sh\u014D staat binnen de gagaku in voor de harmonie, de akkoordondersteuning. Opmerkelijk is dat het instrument wordt opgewarmd voor het spelen, in vroegere tijden was dat boven een houtskoolvuurtje. Dit heeft te maken met de metalen tongetjes en dient om de mogelijk aanwezige vochtigheid - aanslaande condensatie - wegens temperatuurverschillen en wegens de bespeling, te verwijderen zodat de tongetjes niet 'kleven'. Verscheidene hedendaagse componisten zoals Toru Takemitsu en Toshio Hosokawa hebben speciaal werken geschreven voor de sh\u014D. Maar ook westerse componisten werden erdoor gefascineerd: o.a. John Cage componeerde voor (de eerste sh\u014D-speler in de hedendaagse muziek). Ook Helmut Lachenmann bedacht het instrument met een partij in zijn opera Das M\u00E4dchen mit den Schwefelh\u00F6lzern."@nl ,
"El sh\u014D (\u7B19) es un instrumento musical tradicional japon\u00E9s construido con tallos huecos de bamb\u00FA."@es ,
"Sh\u014D (jap. \u7B19) \u2013 japo\u0144ski aerofon, rodzaj harmonijki ustnej, powsta\u0142y w okresie Nara (VIII w.). Jego pierwowzorem by\u0142 chi\u0144ski sheng. Sk\u0142ada si\u0119 z 17 cienkich rurek bambusowych, z kt\u00F3rych ka\u017Cda zako\u0144czona jest u podstawy rurk\u0105 metalow\u0105. Dwie rurki pozostaj\u0105 niewykorzystane, chocia\u017C badania sugeruj\u0105, \u017Ce u\u017Cywano ich przy wykonywaniu niekt\u00F3rych utwor\u00F3w w okresie Heian. D\u017Awi\u0119k instrumentu ma przypomina\u0107 g\u0142os mitycznego feniksa, i z tego wzgl\u0119du zachowano dwie nieme rurki, jako element estetyczny, tworz\u0105cy dwa symetryczne \u201Eskrzyd\u0142a\u201D. Podobnie jak przy shengu strojenie odbywa si\u0119 przy u\u017Cyciu kropli wosku. Poniewa\u017C wilgo\u0107 wewn\u0105trz instrumentu zaburza prawid\u0142owy d\u017Awi\u0119k, muzycy cz\u0119sto ogrzewaj\u0105 go nad w\u0119glowym piecykiem, gdy w danym momencie nie graj\u0105. Instrument ten pozwala na gr\u0119 zar\u00F3wno na wdechu, jak i na wydechu. Sh\u014D jest jednym z trzech g\u0142\u00F3wnych instrument\u00F3w d\u0119tych wykorzystywanych w klasycznej japo\u0144skiej muzyce dworskiej, zwanej gagaku. Tradycyjna technika obejmuje stosowanie grup ton\u00F3w, zwanych aitake (\u5408\u7AF9), przechodz\u0105c stopniowo od jednego do drugiego. Istnieje r\u00F3wnie\u017C odmiana sh\u014D o wi\u0119kszych rozmiarach, nazywana u (pochodz\u0105ca od chi\u0144skiego instrumentu ), jest obecnie ma\u0142o u\u017Cywana, chocia\u017C niekt\u00F3rzy wykonawcy, jak np. , pr\u00F3bowali dokona\u0107 jego odrodzenia pod koniec XX w."@pl ,
"\u0421\u044C\u043E (\u044F\u043F. \u7B19) \u2014 \u0442\u0440\u0430\u0434\u0438\u0446\u0456\u0439\u043D\u0438\u0439 \u044F\u043F\u043E\u043D\u0441\u044C\u043A\u0438\u0439 \u0434\u0443\u0445\u043E\u0432\u0438\u0439 \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442, \u0449\u043E \u0431\u0443\u0432 \u0437\u0430\u0432\u0435\u0437\u0435\u043D\u0438\u0439 \u0456\u0437 \u041A\u0438\u0442\u0430\u044E \u0432 \u043F\u0435\u0440\u0456\u043E\u0434 \u041D\u0430\u0440\u0430 (710\u2014794). \u041F\u043E\u0445\u043E\u0434\u0438\u0442\u044C \u0432\u0456\u0434 \u043A\u0438\u0442\u0430\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u0448\u0435\u043D\u0430, \u0430\u043B\u0435 \u0437\u0430\u0437\u0432\u0438\u0447\u0430\u0439 \u0442\u0440\u043E\u0445\u0438 \u043C\u0435\u043D\u0448\u0438\u0439. \u0421\u044C\u043E \u0441\u043A\u043B\u0430\u0434\u0430\u0454\u0442\u044C\u0441\u044F \u0437\u0456 17 \u0442\u043E\u043D\u043A\u0438\u0445 \u0431\u0430\u043C\u0431\u0443\u043A\u043E\u0432\u0438\u0445 \u0442\u0440\u0443\u0431\u043E\u043A, \u0432\u0441\u0442\u0430\u043D\u043E\u0432\u043B\u0435\u043D\u0438\u0445 \u043D\u0430 \u0447\u0430\u0448\u043E\u043F\u043E\u0434\u0456\u0431\u043D\u0456\u0439 \u043C\u0435\u0442\u0430\u043B\u0435\u0432\u0456\u0439 \u043E\u0441\u043D\u043E\u0432\u0456 \u0437 \u043C\u0443\u043D\u0434\u0448\u0442\u0443\u043A\u043E\u043C. \u0414\u0432\u0456 \u0442\u0440\u0443\u0431\u043A\u0438 \u0433\u043B\u0443\u0445\u0456, \u0445\u043E\u0447\u0430 \u0440\u0430\u043D\u0456\u0448\u0435 \u0457\u0445 \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u043E\u0432\u0443\u0432\u0430\u043B\u0438 \u0432 \u043E\u043A\u0440\u0435\u043C\u0438\u0445 \u0436\u0430\u043D\u0440\u0430\u0445 \u043C\u0443\u0437\u0438\u043A\u0438 \u043F\u0435\u0440\u0456\u043E\u0434\u0443 \u0425\u0435\u0439\u0430\u043D."@uk ,
"El sh\u014D (\u7B19) \u00E9s un instrument musical de lleng\u00FCeta lliure tradicional japon\u00E8s constru\u00EFt a partir de canyes de bamb\u00FA. Va ser introdu\u00EFt al jap\u00F3 des de la Xina durant l'era Nara, tot i que algunes investigacions diuen que van ser durant el per\u00EDode Heian. \u00C9s un instrument descendent del Sheng. Consisteix en 17 tubs de bamb\u00FA, dos dels s\u00F3n silenciosos. Es diu que el so de l'instrument imita el crit del f\u00E8nix i \u00E9s per aquest motiu que es conserva el silenci en els dos \u00FAltims tubs del Sh\u014D, com un element est\u00E8tic, representen les ales de l'animal. Com passa amb el seu parent xin\u00E8s Sheng, els tubs estan curosament afinats amb una mica de cera. Ja que la humitat en els tubs es pot acumular i aix\u00F2 dificulta la netedat del seu so. El sho \u00E9s un dels tres principals instruments de vent utilitzats en el conjunt de gagaku, la m\u00FAsica cortesa del Jap\u00F3 imperial. El sho ha estat popularitzat recentment per artistes com l'alemany (als \u00E0lbums Implosions, Life i Ocean) i la islandesa Bj\u00F6rk, qui l'utilitza com a instrument principal en les seves tres can\u00E7ons del seu \u00E0lbum \"Drawing Restraint 9\", banda sonora de la pel\u00B7l\u00EDcula del mateix nom de l'artista multim\u00E8dia Matthew Barney, sobre la cultura japonesa i contra la ca\u00E7a de les balenes. Les tres can\u00E7ons s\u00F3n interpretades per , una de les m\u00E9s destacades int\u00E8rprets japoneses del sho. Tamb\u00E9 el compositor americ\u00E0 John Cage va crear diverses obres de m\u00FAsica per ser interpretades amb el sho per Mayumi Miyata, poc temps abans de la seva mort."@ca ,
"Sh\u014D, auch scho, sy\u00F4 (jap. \u7B19), ist eine Mundorgel, die in der h\u00F6fischen japanischen Musik (gagaku) gespielt wird. Das Durchschlagzungeninstrument besitzt 17 kurze Bambuspfeifen, die mit einem Ende in einer h\u00F6lzernen Windkammer stecken, in die durch ein kurzes Mundst\u00FCck Luft geblasen wird."@de ,
"Lo sho, o nella pi\u00F9 corretta traslitterazione sh\u014D (\u7B19), \u00E8 uno strumento a fiato ad ancia libera. Esso rappresenta l'equivalente giapponese dello sheng (strumento musicale) cinese, dal quale deriva, ed \u00E8 composto da 17 canne di bamb\u00F9 di lunghezza diversa, con le quali si possono ottenere suoni di varie altezze. Appartiene alla famiglia degli organi a bocca."@it ,
"O Sh\u014D \u00E9 um aerofone de palheta livre japon\u00EAs. Sua origem \u00E9 chinesa e sua introdu\u00E7\u00E3o no Jap\u00E3o se deu no per\u00EDodo Nara (710 - 794). \u00C9 semelhante ao Sheng, mas de tamanho menor e constru\u00E7\u00E3o de rabos mais simples. Consiste em 17 tubos delgados de bambu, cada um com sua pr\u00F3pria palheta de metal na base. Dois dos tubos n\u00E3o produzem som, embora pesquisas sugiram que j\u00E1 tenham sido usados em m\u00FAsica durante o per\u00EDodo Heian. Diz-se que o som do instrumento imita o canto da F\u00EAnix e por esta raz\u00E3o os tubos do sh\u014D s\u00E3o esteticamente dispostos de modo a forma duas \"asas\" sim\u00E9tricas. Como no sheng chin\u00EAs, os tubos s\u00E3o cuidamente afinados com cera. Como a umidade no interior do sh\u014D impede a emiss\u00E3o do som, os instrumentistas s\u00E3o frequentemente vistos a aquec\u00EA-lo sobre um pequeno braseiro a carv\u00E3o enquanto n\u00E3o est\u00E3o tocando. O instrumento produz som quando o instrumentista exala ou inala atrav\u00E9s do instrumento, o que permite tocar por longos per\u00EDodos sem interrup\u00E7\u00F5es. O sh\u014D \u00E9 um dos tr\u00EAs principais instrumentos de sopro utilizados no gagaku, a m\u00FAsica da corte imperial japonesa. Sua t\u00E9cnica tradicional no gagaku envole o uso de clusters chamados aitake, que se movem gradualmente de um para o outro, acompanhando a melodia. Um sh\u014D de tamanho maior, chamado u (derivado do Yu chin\u00EAs ), \u00E9 menos usado, embora alguns instrumentistas, como Hiromi Yoshida, o tenham trazido novamente ao uso no s\u00E9culo XX."@pt ;
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