Steinberg, Michael. 1998. The Symphony: A Listener's Guide. Oxford: Oxford University Press.
Сериализм
Серіалізм
Babbitt, Milton. 1987. Words about Music, edited by Stephen Dembski and Joseph N. Straus. Madison: University of Wisconsin Press.
Bochner, Mel. 1967. "The Serial Attitude". Artforum 6, no. 4 : 28–33.
Seria muziko
Collot, Michelle. 2008. "Le génie des lieux". In Michel Butor: déménagements de la littérature, edited by Mireille Calle-Gruber, 73–84. Paris: Presses Sorbonne Nouvelle. .
Pousseur, Henri. 1959. "Forme et pratique musicales". Revue Belge de Musicologie 13:98–116. Slightly revised and expanded version, trans. into English as "Music, Form and Practice ". Die Reihe 6 : 77–93.
Stockhausen, Karlheinz, and Rudolf Frisius. 1998. "Es geht aufwärts". In: Karlheinz Stockhausen, Texte zur Musik 9, edited by Christoph von Blumröder, 391–512. Kürten: Stockhausen-Verlag.
Guderian, Dietmar. 1985. "Serielle Strukturen und harmonikale Systeme". In Vom Klang der Bilder: die Musik in der Kunst des 20. Jahrhunderts, edited by Karin von Maur, 434–437. Munich: Prestel-Verlag.
. 1983. Das Phänomen des Seriellen in der Kunst: Aspekte einer künstlerischen Methode von Monet bis zur amerikanischen Pop Art. Würzburg: Könighausen + Neumann.
метод композиторства
Serialismo
Shatzkin, Merton. 1977. "A Pre-Cantata Serialism in Stravinsky". Perspectives of New Music 16, no. 1 : 139–143.
Schoenberg, Arnold. 1975. Style and Idea: Selected Writings of Arnold Schoenberg. Edited by Leonard Stein, translated by Leo Black. Berkeley and Los Angeles: University of California Press. .
Tick, Judith. 2001. "Crawford , Ruth ". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
Walker, Alan. 1986. Franz Liszt, volume two: The Weimar Years 1848–1861. New York: Knopf. .
Felder, David. 1977. "An Interview with Karlheinz Stockhausen". Perspectives of New Music 16, no. 1 : 85–101.
Seriell musik
Jalowetz, Heinrich. 1944. "On the Spontaneity of Schoenberg's Music". The Musical Quarterly 30, no. 4 : 385–408.
Sherlaw Johnson, Robert. Messiaen, revised and updated edition. Berkeley and Los Angeles: University of California Press. .
technique de composition musicale fondée sur l'utilisation de séries d'éléments musicaux
Newlin, Dika. 1974. "Secret Tonality in Schoenberg's Piano Concerto". Perspectives of New Music 13, no. 1 :137–139.
muziekgenre
Griffiths, Paul. 1978. Boulez. Oxford Studies of Composers 16. London and New York: Oxford University Press. .
musiikin sävellys- ja analysointimenetelmä
Perle, George. 1977. Twelve-tone Tonality. Berkeley: University of California Press.
Serialism
Serialisme
Horn, Walter. 2015. "Tonality, Musical Form, and Aesthetic Value" . Perspectives of New Music 53, no. 2:201–235.
Maconie, Robin. 2005. Other Planets: The Music of Karlheinz Stockhausen. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press. .
Heinemann, Stephen. 1998. "Pitch-Class Set Multiplication in Theory and Practice". Music Theory Spectrum 20, no. 1:72–96.
Grant, Morag Josephine. 2006. Untitled review of Wege zum musikalischen Strukturalismus: René Leibowitz, Pierre Boulez, John Cage und die Webern-Rezeption in Paris um 1950, by Inge Kovács ; Die soziale Isolation der neuen Musik: Zum Kölner Musikleben nach 1945, by Michael Custodis ; Reihe und System: Signaturen des 20. Jahrhunderts. Symposiumsbericht, edited by Sabine Meine . Music & Letters 87, no. 2 : 346–352.
Grant, Morag Josephine. 2001. Serial Music Serial Aesthetics: Compositional Theory in Post-War Europe. Music in the Twentieth Century, Arnold Whittall, general editor. Cambridge: Cambridge University Press. .
método de composición musical
Cope, David. 1971. New Directions in Music. Dubuque, Iowa: W. C. Brown Co. .
Goeyvaerts, Karel. 1994. "Paris–Darmstadt 1947–1956: Excerpt from the Autobiographical Portrait", translated by Patrick Daly, Peter Vosch, and Roger Janssens. Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 48 : 35–54.
Bandur, Markus. 2001. Aesthetics of Total Serialism: Contemporary Research from Music to Architecture. Basel, Boston and Berlin: Birkhäuser.
Schoffman, Nachum. 1981. "Serialism in the Works of Charles Ives". Tempo 138: 21–32.
Musique sérielle
Serializm
セリエル音楽
Bosseur, Jean-Yves. 1989. "Votre Faust, miroir critique". Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap 43 : 57–70.
Pousseur, Henri. 1997. "Zeitmasze: série, périodicité, individuation". Chapter 12 of his Musiques croisées, preface by Jean-Yves Bosseur, 171–189. Collection Musique et Musicologie. Paris: L'Harmattan.
serieak erabiltzen dituen konposaketa teknika bat
Campbell, Edward. 2010. Boulez, Music and Philosophy. Music in the Twentieth Century 27. Cambridge and New York: Cambridge University Press. .
Mead, Andrew. 1985. "Large-Scale Strategy in Arnold Schoenberg's Twelve-Tone Music". Perspectives of New Music 24, no. 1 : 120–157.
Cott, Jonathan. 1973. Stockhausen; Conversations with the Composer, New York: Simon & Schuster.
Morgan, Robert. 1975. "Stockhausen's Writings on Music". The Musical Quarterly 61, no. 1 : 1–16. Reprinted in The Musical Quarterly 75, no. 4 : 194–206.
Krumhansl, Carol., Sandell, Gregory, and Sergeant, Desmond. 1987. "The perception of tone hierarchies and mirror forms in twelve-tone music", Music Perception 5, no. 1: 31–78.
음렬주의
Mosch, Ulrich. 2004. Musikalisches Hören serieller Musik: Untersuchungen am Beispiel von Pierre Boulez' "Le Marteau sans maître". Saarbrücken: Pfau-Verlag.
Whittall, Arnold. 2008. The Cambridge Introduction to Serialism. Cambridge Introductions to Music. New York: Cambridge University Press. .
musical method or technique of composition
Serialismus
Koenig, Gottfied Michael. 1999. Ästhetische Praxis: Texte zur Musik, Supplement I, edited by Stefan Fricke, Wolf Frobenius, and Sigrid Konrad. Quellentexte der Musik des 20. Jahrhunderts 1.4. Saarbrücken: Pfau-Verlag, 1999. .
序列主义
音樂方法或作曲技巧
mètode de composició musical
Lerdahl, Fred. 1988. "Cognitive Constraints on Compositional Systems". In Generative Processes in Music, ed. John Sloboda. Oxford: Oxford University Press. Reprinted in Contemporary Music Review 6, no. 2 :97–121.
Locanto, Massimiliano. 2010. "Karel Goeyvaerts – Henry Pousseur: deux compositeurs belges au cœur de la Nouvelle Musique". In Album Belgique, edited by Annamaria Laserra, 151–164. Brussels: P. I. E. Peter Lang. .
Kohl, Jerome. 2002. "Serial Composition, Serial Form, and Process in Karlheinz Stockhausen's Telemusik." In Electroacoustic Music: Analytical Perspectives, ed. Thomas Licata, 91–118. Westport, Conn. and London: Greenwood Press. .
muzika metodo
Leray, Pascal. 2008. Portrait de la série en jeune mot. Mazères: Le chasseur abstrait éditeur. .
Sabbe, Herman. 1977. Het muzikale serialisme als techniek en als denkmethode: Een onderzoek naar de logische en historische samenhang van de onderscheiden toepassingen van het seriërend beginsel in de muziek van de periode 1950–1975. Ghent: Rijksuniversiteit te Gent.
Keller, Hans. 1955. "Strict Serial Technique in Classical Music". Tempo no. 37 : 12–16, 21–24.
Ruwet, Nicolas. 1959. "Contradictions du langage sériel". Revue Belge de Musicologie 13 , 83–97. English trans., as "Contradictions within the Serial Language". Die Reihe 6 : 65–76.
Delahoyde, Michael. n.d. "20th-Century Music". Author's website, Washington State University.
metoda komponování hudby
Waelti-Walters, Jennifer R. 1992. Michel Butor. Collection monographique Rodopi en littérature française contemporaine 15. Amsterdam and Atlanta: Rodopi. .
طريقة موسيقية
Frisius, Rudolf. 1998. Serielle Musik. In: Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik. Second, newly compiled edition, edited by musicologists Ludwig Finscher, part 1 , vol. 8 : 1327–1354. Kassel & New York: Bärenreiter; Stuttgart: Metzler. .
Serielle Musik
technika kompozytorska w muzyce współczesnej
Griffiths, Paul. 2001. "Serialism". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell, 23:116–123. London: Macmillan.
سيرياليزم
Boulez, Pierre. 1954. "… auprès et au loin". Cahiers de la Compagnie Madeleine Renaud–Jean-Louis Barrault 2, no. 3:7–27. Reprinted in Relevés d’apprenti, edited by Paule Thévenin. Collection "Tel quel". Paris: Éditions du Seuil, 1966, 183–203. Also reprinted in Points de repère, third edition, 1:287–314. Paris: Christian Bourgois, 1995. English version, as ". . .Auprès et au loin", in Pierre Boulez, Notes of an Apprenticeship, texts collected and presented by Paule Thévenin, translated by Herbert Weinstock, 182–204. New York: Alfred A. Knopf, 1968. Another English version, as "Near and Far", in Pierre Boulez, Stocktakings from an Apprenticeship, translated by Stephen Walsh, with an introduction by Robert Piencikowski, 141–157. Oxford: Clarendon Press; New York: Oxford University Press, 1991. .
Leibowitz, René. 1947. Schoenberg et son école: l'étape contemporaine du langage musical. [Paris]: J.B. Janin. .
Gerstner, Karl. 1964. Designing Programmes: Four Essays and an Introduction, with an introduction to the introduction by Paul Gredinger. English version by D. Q. Stephenson. Teufen, Switzerland: Arthur Niggli. Enlarged, new edition 1968.
שיטה לכתיבת מוזיקה
Pousseur, Henri. 1970. "En guise de conclusion: Pour une Périodicitée generalisée". In his Fragments théoriques I: Sur la musique expérimentale, 241–290. Études de sociologie de la musique. Brussels: Editions de l’Institut de Sociologie Université Libre de Bruxelles.