@prefix rdf:	<http://www.w3.org/1999/02/22-rdf-syntax-ns#> .
@prefix dbpedia:	<http://dbpedia.org/resource/> .
@prefix ns2:	<http://dbpedia.org/class/yago/> .
dbpedia:Raphael_Rooms	rdf:type	ns2:IndividualRooms .
@prefix owl:	<http://www.w3.org/2002/07/owl#> .
dbpedia:Raphael_Rooms	owl:sameAs	<http://rdf.freebase.com/ns/guid.9202a8c04000641f800000000051bc7e> .
@prefix foaf:	<http://xmlns.com/foaf/0.1/> .
@prefix ns5:	<http://en.wikipedia.org/wiki/> .
dbpedia:Raphael_Rooms	foaf:page	ns5:Raphael_Rooms .
@prefix dbpprop:	<http://dbpedia.org/property/> .
dbpedia:Raphael_Rooms	dbpprop:reference	<http://www.beckydaroff.com/arthistory/raphael/raphaelrooms.html> ,
		<http://mv.vatican.va/3_EN/pages/SDR/SDR_00_Main.html> .
@prefix rdfs:	<http://www.w3.org/2000/01/rdf-schema#> .
dbpedia:Raphael_Rooms	rdfs:label	"\u0421\u0442\u0430\u043D\u0446\u044B \u0420\u0430\u0444\u0430\u044D\u043B\u044F"@ru ,
		"Stanza di Eliodoro"@nl ,
		"Stanze di Raffaello"@it ,
		"Stanzen des Raffael"@de ,
		"Raphael Rooms"@en ,
		"Stanze Watyka\u0144skie"@pl ,
		"Estancias de Rafael"@es ,
		"Stanze di Raffaello"@sv .
@prefix dbpedia-owl:	<http://dbpedia.org/ontology/> .
dbpedia:Raphael_Rooms	dbpedia-owl:thumbnail	<http://upload.wikimedia.org/wikipedia/commons/thumb/5/5b/Raffael_052.jpg/200px-Raffael_052.jpg> ;
	dbpprop:abstract	"Le Stanze di Raffaello fanno parte dei Musei Vaticani e sono cos\u00EC chiamate perch\u00E9 affrescate dal grande pittore urbinate o da allievi della sua scuola."@it ,
		"The four Stanze di Raffaello (\"Raphael's rooms\") in the Palace of the Vatican form a suite of reception rooms, the public part of the papal apartments. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's ceiling frescoes in the Sistine Chapel, these are the grand fresco sequences that mark the High Renaissance in Rome. The Stanze, as they are invariably called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, at the time a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartment. They are on the third floor, overlooking the south side of the Belvedere Courtyard. Running from east to west, as a visitor would have entered the apartment, but not following the sequence in which the stanze were frescoed, the rooms are the Sala di Costantino (\"Hall of Constantine\"), the Stanza di Eliodoro (\"Room of Heliodorus\"), the Stanza della Segnatura (\"Room of the Signatura\") and the Stanza dell'incendio del Borgo (\"The Room of the Fire in the Borgo\"). After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino."@en ,
		"Las Estancias de Rafael (en italiano, Stanze di Raffaello) son cuatro habitaciones o salas situadas en el segundo piso del Palacio Apost\u00F3lico. Fueron decoradas con frescos del pintor renacentista italiano Rafael y sus disc\u00EDpulos en el periodo entre 1508 y 1524. Se conoce el nombre de los principales disc\u00EDpulos y colaboradores de Rafael, en esta y otras obras: Giulio Romano, Giovanni da Udine, Gianfrancesco Penni y Perin del Vaga. Junto a los frescos de la Capilla Sixtina, obra de Miguel \u00C1ngel, constituyen el ciclo de frescos que marcan el Alto Renacimiento en Roma. En agosto de 1508 Donato d'Angelo Bramante llam\u00F3 a su paisano de Urbino, Rafael, para que realizara trabajos de decoraci\u00F3n en Roma. El papa Julio II situ\u00F3 sus dependencias privadas sobre lo que hab\u00EDan sido las habitaciones del papa Borgia, Alejandro VI. Dichas salas estaban decoradas con frescos de Pietro Perugino, de Sodoma y otros. Julio II orden\u00F3 que los rasparan y encarg\u00F3 a Rafael que decorase las cuatro estancias. Se encuentran en la tercera planta, sobre el lado meridional del patio del Belvedere. F\u00EDsicamente, el orden de las cuatro salas, desde el este hacia el oeste, tal como un visitante entrar\u00EDa en el apartamento es: Sala de Constantino, Sala de Heliodoro, Sala de la Signatura y Sala del Incendio del Borgo. No obstante, otro es el orden cronol\u00F3gico en que se pintaron los frescos. Despu\u00E9s de la muerte del papa Julio II en 1513, con dos habitaciones ya decoradas, el papa Le\u00F3n X continu\u00F3 el programa. A la muerte de Rafael, en 1520, sus ayudantes Gianfrancesco Penni, Giulio Romano y Raffaellino del Colle acabaron el proyecto con los frescos de la Sala de Constantino."@es ,
		"De Stanza di Eliodoro is een van de vier kamers in het Apostolisch paleis van het Vaticaan, die zijn bekendheid geniet door de fresco\u2019s van Rafa\u00EBl Santi en zijn assistenten/leerlingen. De opdracht voor de decoratie van de vier kamers werd door paus Julius II verleend aan de schilder Rafa\u00EBl onder meer op voordracht van Donato Bramante. Samen met de plafondschilderingen in de Sixtijnse kapel van Michelangelo worden Rafa\u00EBls fresco\u2019s beschouwd als de hoogtepunten in de schilderkunst tijdens de periode van de Hoog-Renaissance. De naam van de kamer is gebaseerd op het onderwerp van \u00E9\u00E9n van de vier aanwezige fresco\u2019s, \u201CDe verdrijving van Heliodorus uit de tempel\u201D. Thema van de schilderingen in de kamer is de bescherming die Christus verleent aan de Rooms-katholieke Kerk. Als dank voor zijn mecenas beeldde Rafa\u00EBl Julius II oorspronkelijk af op drie van de vier aanwezige fresco\u2019s, hoewel op het fresco \u201CDe ontmoeting van paus Leo de Grote en Attila\u201D het gezicht van de paus overgeschilderd werd en daarvoor in de plaats de beeltenis van paus Leo X gebruikt werd ."@nl ,
		"\u0421\u0442\u0430\u043D\u0446\u044B \u0420\u0430\u0444\u0430\u044D\u043B\u044F \u0432 \u0434\u0432\u043E\u0440\u0446\u043E\u0432\u043E\u043C \u043A\u043E\u043C\u043F\u043B\u0435\u043A\u0441\u0435 \u0412\u0430\u0442\u0438\u043A\u0430\u043D\u0430 (Stanze di Raffaello)\u00A0\u2014 \u043F\u043E\u043C\u0435\u0449\u0435\u043D\u0438\u044F (\u0441\u0442\u0430\u043D\u0446\u0430\u00A0\u2014 \u043A\u043E\u043C\u043D\u0430\u0442\u0430) \u0432 \u043F\u0430\u043F\u0441\u043A\u043E\u043C \u0434\u0432\u043E\u0440\u0446\u0435 \u0412\u0430\u0442\u0438\u043A\u0430\u043D\u0430. \u041E\u043D\u0438 \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u043E\u0432\u0430\u043B\u0438 \u0443\u0436\u0435 \u043F\u0440\u0438 \u043F\u0430\u043F\u0435 \u041D\u0438\u043A\u043E\u043B\u0430\u0435 V (1447\u20141455 \u0433\u043E\u0434\u044B). \u041F\u0430\u043F\u0430 \u042E\u043B\u0438\u0439 II \u0438\u0437\u0431\u0440\u0430\u043B \u0438\u0445 \u0434\u043B\u044F \u0441\u0432\u043E\u0438\u0445 \u0430\u043F\u0430\u0440\u0442\u0430\u043C\u0435\u043D\u0442\u043E\u0432, \u043D\u0435 \u0436\u0435\u043B\u0430\u044F \u0436\u0438\u0442\u044C \u0442\u0430\u043C, \u0433\u0434\u0435 \u0432\u0441\u0451 \u0435\u0449\u0451 \u0432\u0438\u0442\u0430\u043B\u0430 \u0442\u0435\u043D\u044C \u043D\u0435\u043D\u0430\u0432\u0438\u0441\u0442\u043D\u044B\u0445 \u0411\u043E\u0440\u0434\u0436\u0438\u0430, \u0442\u043E \u0435\u0441\u0442\u044C \u0432 \u0430\u043F\u0430\u0440\u0442\u0430\u043C\u0435\u043D\u0442\u0430\u0445 \u0410\u043B\u0435\u043A\u0441\u0430\u043D\u0434\u0440\u0430 VI. \u041F\u043E \u0441\u043E\u0432\u0435\u0442\u0443 \u0411\u0440\u0430\u043C\u0430\u043D\u0442\u0435 \u042E\u043B\u0438\u0439 II \u043F\u043E\u0440\u0443\u0447\u0438\u043B \u0441\u0434\u0435\u043B\u0430\u0442\u044C \u0440\u043E\u0441\u043F\u0438\u0441\u0438 \u0441\u0442\u0430\u043D\u0446 \u0441\u043E\u0432\u0441\u0435\u043C \u043C\u043E\u043B\u043E\u0434\u043E\u043C\u0443 \u0420\u0430\u0444\u0430\u044D\u043B\u044E (\u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u0443 \u0431\u044B\u043B\u043E \u0442\u043E\u043B\u044C\u043A\u043E \u0434\u0432\u0430\u0434\u0446\u0430\u0442\u044C \u043F\u044F\u0442\u044C \u043B\u0435\u0442). \u0421\u0442\u0430\u043D\u0446\u044B \u0420\u0430\u0444\u0430\u044D\u043B\u044F\u00A0\u2014 \u044D\u0442\u043E \u0447\u0435\u0442\u044B\u0440\u0435 \u0441\u0440\u0430\u0432\u043D\u0438\u0442\u0435\u043B\u044C\u043D\u043E \u043D\u0435\u0431\u043E\u043B\u044C\u0448\u0438\u0445 \u043F\u043E\u043C\u0435\u0449\u0435\u043D\u0438\u044F (\u043F\u0440\u0438\u043C\u0435\u0440\u043D\u043E 9 \u043D\u0430 6\u00A0\u043C. ), \u0440\u0430\u0441\u043F\u0438\u0441\u0430\u043D\u043D\u044B\u0435 \u0432 1508\u20141517 \u0433\u043E\u0434\u0430\u0445 \u0420\u0430\u0444\u0430\u044D\u043B\u0435\u043C \u0432\u043C\u0435\u0441\u0442\u0435 \u0441 \u0443\u0447\u0435\u043D\u0438\u043A\u0430\u043C\u0438, \u0438 \u0437\u0430\u043B, \u0440\u043E\u0441\u043F\u0438\u0441\u0438 \u043A\u043E\u0442\u043E\u0440\u043E\u0433\u043E \u0431\u044B\u043B\u0438 \u0432\u044B\u043F\u043E\u043B\u043D\u0435\u043D\u044B \u0443\u0447\u0435\u043D\u0438\u043A\u0430\u043C\u0438 \u043F\u043E \u044D\u0441\u043A\u0438\u0437\u0430\u043C \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0446\u0430 \u043F\u043E\u0441\u043B\u0435 \u0435\u0433\u043E \u0441\u043C\u0435\u0440\u0442\u0438. \u0427\u0435\u0442\u0432\u0451\u0440\u0442\u043E\u0435 \u043F\u043E\u043C\u0435\u0449\u0435\u043D\u0438\u0435\u00A0\u2014 \u0417\u0430\u043B \u041A\u043E\u043D\u0441\u0442\u0430\u043D\u0442\u0438\u043D\u0430\u00A0\u2014 \u0431\u044B\u043B\u043E \u0440\u0430\u0441\u043F\u0438\u0441\u0430\u043D\u043E \u0443\u0447\u0435\u043D\u0438\u043A\u0430\u043C\u0438 \u0420\u0430\u0444\u0430\u044D\u043B\u044F, \u043F\u043E\u044D\u0442\u043E\u043C\u0443 \u043C\u0435\u043D\u0435\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u043E. \u041A\u0430\u0436\u0434\u0443\u044E \u0438\u0437 \u0441\u0442\u0435\u043D \u0446\u0435\u043B\u0438\u043A\u043E\u043C \u0437\u0430\u043D\u0438\u043C\u0430\u0435\u0442 \u0444\u0440\u0435\u0441\u043A\u043E\u0432\u0430\u044F \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0438\u044F, \u0442\u0430\u043A\u0438\u043C \u043E\u0431\u0440\u0430\u0437\u043E\u043C \u0432 \u043A\u0430\u0436\u0434\u043E\u0439 \u0438\u0437 \u0441\u0442\u0430\u043D\u0446 \u0438\u0445 \u043F\u043E \u0447\u0435\u0442\u044B\u0440\u0435. \u0420\u043E\u0441\u043F\u0438\u0441\u0438 \u043F\u043E\u0440\u0430\u0436\u0430\u044E\u0442 \u0433\u043B\u0443\u0431\u0438\u043D\u043E\u0439 \u0437\u0430\u043C\u044B\u0441\u043B\u0430, \u043E\u0431\u0440\u0430\u0437\u043D\u043E\u0439 \u043D\u0430\u0441\u044B\u0449\u0435\u043D\u043D\u043E\u0441\u0442\u044C\u044E, \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0438\u043E\u043D\u043D\u043E\u0439 \u044F\u0441\u043D\u043E\u0441\u0442\u044C\u044E \u0438 \u0443\u043F\u043E\u0440\u044F\u0434\u043E\u0447\u0435\u043D\u043D\u043E\u0441\u0442\u044C\u044E, \u043E\u0431\u0449\u0435\u0439 \u0433\u0430\u0440\u043C\u043E\u043D\u0438\u0435\u0439."@ru ,
		"De fyra Stanze di Raffaello (\"Rafaels rum\") i Palazzi Pontifici i Vatikanpalatset utg\u00F6r ett f\u00F6lje av mottagningsrum, den publika delen av de p\u00E5vliga l\u00E4genheterna. De \u00E4r k\u00E4nda f\u00F6r sina fresker, m\u00E5lade av Rafael och hans verkstad. Tillsammans med Michelangelos takfresker i Sixtinska kapellet tillh\u00F6r dessa de stora fresker som markerar H\u00F6gren\u00E4ssansens Rom. Rummen var ursprungligen t\u00E4nkta som ett f\u00F6lje l\u00E4genheter f\u00F6r p\u00E5ve Julius II. Han f\u00F6rordnade att Rafael, en vid tidpunkten relativt ung konstn\u00E4r fr\u00E5n Urbino, och dennes verkstad \u00E5r 1508 eller 1509 helt skulle omm\u00E5la och renovera den befintliga inredningen i rummen. Det var m\u00F6jligen Julius avsikt att \u00F6vergl\u00E4nsa de l\u00E4genheter som hans f\u00F6reg\u00E5ngare och rival, Alexander VI, hade byggt. Rummen ligger p\u00E5 tredje v\u00E5ningen, med utsikt \u00F6ver den s\u00F6dra sidan av Cortile del Belvedere. Fr\u00E5n \u00F6st till v\u00E4st, som en bes\u00F6kare skulle kommit in i l\u00E4genheten, men inte f\u00F6ljt den sekvens i vilken rummen blev freskm\u00E5lade, \u00E4r rummen Sala di Costantino, Stanza di Eliodoro, Stanza della Segnatura och Stanza dell'incendio del Borgo. Efter Julius d\u00F6d \u00E5r 1513, med de tv\u00E5 rummen freskm\u00E5lade, fortsatte p\u00E5ve Leo X med projektet. D\u00E5 Rafael dog \u00E5r 1520 fick hans medhj\u00E4lpare Gianfrancesco Penni, Giulio Romano och Raffaellino del Colle avsluta muralm\u00E5lningarna i Sala di Costantino."@sv ,
		"Stanze Watyka\u0144skie - tym terminem s\u0105 okre\u015Blane reprezentacyjne apartamenty papieskie w p\u00F3\u0142nocnym skrzydle Pa\u0142acu Watyka\u0144skiego. S\u0105 one udekorowane freskami Rafaela oraz jego pomocnik\u00F3w i uczni\u00F3w. W pa\u0142acu watyka\u0144skim s\u0105 cztery stanze, kt\u00F3re s\u0105 umieszczone na drugim pi\u0119trze i s\u0105 to: Stanza dell'Incendio di Borgo (Po\u017Caru Borgo), Stanza della Segnatura, Stanza di Eliodoro, Stanza di Constantino (Konstantyna). Polecenie udekorowania stanz wyda\u0142 Rafaelowi papie\u017C Juliusz II, kt\u00F3ry to zdecydowa\u0142 przenie\u015B\u0107 si\u0119 do nich, opuszczaj\u0105c komnaty zamieszkiwane wcze\u015Bniej przez jego poprzednik\u00F3w. Rafael rozpocz\u0105\u0142 prace w 1508 roku. Autorstwo artysty jest w pe\u0142ni potwierdzone, za wyj\u0105tkiem kilku fragment\u00F3w. Ponadto nie do ko\u0144ca rozstrzygni\u0119to problem, kt\u00F3re z prac s\u0105 dzie\u0142em mistrza, a kt\u00F3re jego uczni\u00F3w."@pl ,
		"Die Stanzen des Raffael (von ital. stanza f\u00FCr Zimmer) sind Gem\u00E4cher im Apostolischen Palast, die von Raffael und seiner Schule ausgemalt wurden. Urspr\u00FCnglich von Julius II. (1503\u20131513) ab 1508 f\u00FCr seine Gem\u00E4cher im zweiten Stock des Vatikanspalast in Auftrag gegeben, wurden die Fresken von Raffael und seinen Mitarbeitern unter dem Patronat des Papst Leo X. (1513\u20131521) bis 1524 weitergef\u00FChrt. Die vier R\u00E4ume werden heute nach ihren Hauptthemen bezeichnet: die Sala di Costantino, die Stanza di Eliodoro, die Stanza della Segnatura und die Stanza dell&rdquo;incendio di Borgo."@de ;
	rdfs:comment	"De fyra Stanze di Raffaello (\"Rafaels rum\") i Palazzi Pontifici i Vatikanpalatset utg\u00F6r ett f\u00F6lje av mottagningsrum, den publika delen av de p\u00E5vliga l\u00E4genheterna. De \u00E4r k\u00E4nda f\u00F6r sina fresker, m\u00E5lade av Rafael och hans verkstad. Tillsammans med Michelangelos takfresker i Sixtinska kapellet tillh\u00F6r dessa de stora fresker som markerar H\u00F6gren\u00E4ssansens Rom. Rummen var ursprungligen t\u00E4nkta som ett f\u00F6lje l\u00E4genheter f\u00F6r p\u00E5ve Julius II."@sv ,
		"De Stanza di Eliodoro is een van de vier kamers in het Apostolisch paleis van het Vaticaan, die zijn bekendheid geniet door de fresco\u2019s van Rafa\u00EBl Santi en zijn assistenten/leerlingen. De opdracht voor de decoratie van de vier kamers werd door paus Julius II verleend aan de schilder Rafa\u00EBl onder meer op voordracht van Donato Bramante."@nl ,
		"Stanze Watyka\u0144skie - tym terminem s\u0105 okre\u015Blane reprezentacyjne apartamenty papieskie w p\u00F3\u0142nocnym skrzydle Pa\u0142acu Watyka\u0144skiego. S\u0105 one udekorowane freskami Rafaela oraz jego pomocnik\u00F3w i uczni\u00F3w. W pa\u0142acu watyka\u0144skim s\u0105 cztery stanze, kt\u00F3re s\u0105 umieszczone na drugim pi\u0119trze i s\u0105 to: Stanza dell'Incendio di Borgo (Po\u017Caru Borgo), Stanza della Segnatura, Stanza di Eliodoro, Stanza di Constantino (Konstantyna)."@pl ,
		"Die Stanzen des Raffael (von ital. stanza f\u00FCr Zimmer) sind Gem\u00E4cher im Apostolischen Palast, die von Raffael und seiner Schule ausgemalt wurden. Urspr\u00FCnglich von Julius II. (1503\u20131513) ab 1508 f\u00FCr seine Gem\u00E4cher im zweiten Stock des Vatikanspalast in Auftrag gegeben, wurden die Fresken von Raffael und seinen Mitarbeitern unter dem Patronat des Papst Leo X. (1513\u20131521) bis 1524 weitergef\u00FChrt."@de ,
		"Le Stanze di Raffaello fanno parte dei Musei Vaticani e sono cos\u00EC chiamate perch\u00E9 affrescate dal grande pittore urbinate o da allievi della sua scuola."@it ,
		"\u0421\u0442\u0430\u043D\u0446\u044B \u0420\u0430\u0444\u0430\u044D\u043B\u044F \u0432 \u0434\u0432\u043E\u0440\u0446\u043E\u0432\u043E\u043C \u043A\u043E\u043C\u043F\u043B\u0435\u043A\u0441\u0435 \u0412\u0430\u0442\u0438\u043A\u0430\u043D\u0430 (Stanze di Raffaello)\u00A0\u2014 \u043F\u043E\u043C\u0435\u0449\u0435\u043D\u0438\u044F (\u0441\u0442\u0430\u043D\u0446\u0430\u00A0\u2014 \u043A\u043E\u043C\u043D\u0430\u0442\u0430) \u0432 \u043F\u0430\u043F\u0441\u043A\u043E\u043C \u0434\u0432\u043E\u0440\u0446\u0435 \u0412\u0430\u0442\u0438\u043A\u0430\u043D\u0430. \u041E\u043D\u0438 \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u043E\u0432\u0430\u043B\u0438 \u0443\u0436\u0435 \u043F\u0440\u0438 \u043F\u0430\u043F\u0435 \u041D\u0438\u043A\u043E\u043B\u0430\u0435 V (1447\u20141455 \u0433\u043E\u0434\u044B)."@ru ,
		"The four Stanze di Raffaello (\"Raphael's rooms\") in the Palace of the Vatican form a suite of reception rooms, the public part of the papal apartments. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's ceiling frescoes in the Sistine Chapel, these are the grand fresco sequences that mark the High Renaissance in Rome. The Stanze, as they are invariably called, were originally intended as a suite of apartments for Pope Julius II."@en ,
		"Las Estancias de Rafael (en italiano, Stanze di Raffaello) son cuatro habitaciones o salas situadas en el segundo piso del Palacio Apost\u00F3lico. Fueron decoradas con frescos del pintor renacentista italiano Rafael y sus disc\u00EDpulos en el periodo entre 1508 y 1524. Se conoce el nombre de los principales disc\u00EDpulos y colaboradores de Rafael, en esta y otras obras: Giulio Romano, Giovanni da Udine, Gianfrancesco Penni y Perin del Vaga."@es ;
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