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dbpedia:Landscape_with_the_Fall_of_Icarus	rdfs:label	"\u0130karus'un D\u00FC\u015F\u00FC\u015F\u00FC S\u0131ras\u0131nda Bir Manzara"@tr ,
		"La Chute d'Icare"@fr ,
		"Paisaje con la ca\u00EDda de \u00CDcaro"@es ,
		"Der Sturz des Ikarus (Brueghel)"@de ,
		"Landscape with the Fall of Icarus"@en .
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dbpedia:Landscape_with_the_Fall_of_Icarus	dbpedia-owl:thumbnail	<http://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Bruegel%2C_Pieter_de_Oude_-_De_val_van_icarus_-_hi_res.jpg/200px-Bruegel%2C_Pieter_de_Oude_-_De_val_van_icarus_-_hi_res.jpg> ;
	dbpprop:abstract	"Paisaje con la ca\u00EDda de \u00CDcaro es un pintura al \u00F3leo sobre lienzo que durante mucho tiempo se pens\u00F3 que era obra de Pieter Brueghel el Viejo, aunque tras examinarla en 1996 se considera muy dudoso. Es probable que se trate de una versi\u00F3n de un original de Brueghel que se ha perdido. Basada en Ovidio, la pintura fue el tema de un poema con el mismo nombre de William Carlos Williams, y fue descrito en el poema de W. H. Auden Mus\u00E9e des Beaux-Arts, que recibe el nombre del museo en el que se encuentra la pintura en Bruselas. En la mitolog\u00EDa de la Antigua Grecia, \u00CDcaro consigui\u00F3 volar con alas hechas de plumas pegadas con cera, pero en su vuelo se acerc\u00F3 tanto al sol que se fundi\u00F3 la cera, cay\u00F3 al mar y se ahog\u00F3. Sus piernas se pueden ver en el agua, junto al barco m\u00E1s grande de la pintura. Aunque el arte de paisajes con el tema del t\u00EDtulo representado por peque\u00F1as figuras en la lontananza eran un motivo habitual en la Pintura flamenca de los siglos XV y XVI, el tener formas sin mucha relaci\u00F3n con el tema en primer plano es original, y representa una ruptura respecto a la jerarqu\u00EDa de los g\u00E9neros. Otros paisajes de Brueghel, como por ejemplo Los cazadores en la nieve (1565) muestran figuras en primer plano, pero no tan grandes y en ausencia de algo de una clase \u00ABsuperior\u00BB en el fondo. Se desconoc\u00EDa la existencia de esta pintura hasta que la compr\u00F3 el museo en 1912; a continuaci\u00F3n, otra versi\u00F3n en la que \u00CDcaro est\u00E1 a\u00FAn en el aire, generalmente considerada inferior, apareci\u00F3, y se encuentra en otro museo de Bruselas. Es la \u00FAnica pintura de Brueghel de tema mitol\u00F3gico, y ser\u00EDa su \u00FAnico \u00F3leo sobre lienzo\u2014pues sus otras obras sobre lienzo son t\u00E9mperas. La perspectiva del barco y las figuras no es totalmente correcta, aunque esto puede reforzar la composici\u00F3n. Tambi\u00E9n realiz\u00F3 un grabado con el bargo y las dos figuras que cayendo. El labrador del arador, el pastor y el pescador aparecen mencionados en el relato de Ovidio; est\u00E1n: \u00ABasombrados y creen ver a los dioses aproxim\u00E1ndose a trav\u00E9s del \u00E9ter\u00BB, lo que no cuadra precisamente con la impresi\u00F3n que da el cuadro. Tambi\u00E9n hay un proverbio flamenco que dice \u00ABNing\u00FAn arado se detiene porque un hombre muera\u00BB. La pintura puede, como el poema de Auden sugiere, mostrar la indiferencia de la humanidad al sufrimiento resaltando que los hombres siguen con sus quehaceres a pesar de la muerte de la figura mitol\u00F3gica."@es ,
		"La Chute d'Icare est un tableau de Pieter Bruegel l'Ancien expos\u00E9 aux Mus\u00E9es royaux d'art et d'histoire de Bruxelles."@fr ,
		"Landscape with the Fall of Icarus is a painting in oil on canvas (73.5 cm \u00D7 112 cm) long thought to be by Pieter Bruegel, although following technical examinations in 1996, that attribution is regarded as very doubtful. It is probably a version of a lost original by Bruegel, however. Largely derived from Ovid, the painting itself became the subject of a poem of the same name by William Carlos Williams, and is described in W. H. Auden's poem Mus\u00E9e des Beaux-Arts, named after the museum in which the painting is housed in Brussels. In Ancient Greek mythology, Icarus succeeded in flying, with wings made by his father Daedalus, using feathers secured with wax. Icarus chose to fly too close to the sun, melting the wax, and fell into the sea and drowned. His legs can be seen in the water, just below the ship. The sun, already half-set on the horizon, is a long way away; the flight did not reach anywhere near it. Though landscape paintings with the title subject represented by small figures in the distance were an established type in Early Netherlandish painting, pioneered by Joachim Patiner, to have a much larger unrelated \"genre\" figure in the foreground is original, and represents something of a blow against the emerging hierarchy of genres. Other landscapes by Bruegel, for example The Hunters in the Snow (1565) and others in that series of paintings showing the seasons, show genre figures in a raised foreground, but not so large relative to the size of the image, nor with a subject from a \"higher\" class of painting in the background. The work was unknown until it was bought by the museum in 1912; subsequently another version, generally considered inferior, turned up, which is in another museum in Brussels (in this Icarus is still in the air). It is Bruegel's only painting of a mythological subject, and would be his only oil on canvas\u2014his other works on canvas were in tempera. The perspective of the ship and figures is not entirely consistent, although this may enhance the power of the composition. He also produced a design for an engraving with the ship and the two falling figures. The ploughman, shepherd and angler are mentioned in Ovid's account of the legend; they are: \"astonished and think to see gods approaching them through the aether\", which is not entirely the impression given in the painting. There is also a Flemish proverb (of the sort imaged in other works by Bruegel): \"And the farmer continued to plough... \" (\"En de boer ploegde verder... \") pointing out the ignorance of people to fellow men's suffering. The painting may, as Auden's poem suggests, depict humankind's indifference to suffering by highlighting the ordinary events which continue to occur, despite the unobserved death of Icarus."@en ,
		"\u0130karus'un D\u00FC\u015F\u00FC\u015F\u00FC S\u0131ras\u0131nda Bir Manzara (Hollandaca Landschap met de Val van Icarus ya da De Val van Icarus \u2014 \u0130karus'un D\u00FC\u015F\u00FC\u015F\u00FC), Flaman ressam Pieter Brueghel'e atfedilen tablodur. Tuval \u00FCzerine ya\u011Fl\u0131boya ile 1558'de \u00E7izilmi\u015Ftir. Tablo, Br\u00FCksel'deki Bel\u00E7ika Kraliyet G\u00FCzel Sanatlar M\u00FCzesi'nde sergilenmektedir."@tr ,
		"Der Sturz des Ikarus ist ein Pieter Bruegel dem \u00C4lteren zugeschriebenes Gem\u00E4lde und entstand um das Jahr 1558. Esbefindet sich heute im Mus\u00E9es royaux des Beaux-Arts de Belgique in Br\u00FCssel."@de ;
	rdfs:comment	"Der Sturz des Ikarus ist ein Pieter Bruegel dem \u00C4lteren zugeschriebenes Gem\u00E4lde und entstand um das Jahr 1558. Esbefindet sich heute im Mus\u00E9es royaux des Beaux-Arts de Belgique in Br\u00FCssel."@de ,
		"\u0130karus'un D\u00FC\u015F\u00FC\u015F\u00FC S\u0131ras\u0131nda Bir Manzara (Hollandaca Landschap met de Val van Icarus ya da De Val van Icarus \u2014 \u0130karus'un D\u00FC\u015F\u00FC\u015F\u00FC), Flaman ressam Pieter Brueghel'e atfedilen tablodur. Tuval \u00FCzerine ya\u011Fl\u0131boya ile 1558'de \u00E7izilmi\u015Ftir. Tablo, Br\u00FCksel'deki Bel\u00E7ika Kraliyet G\u00FCzel Sanatlar M\u00FCzesi'nde sergilenmektedir."@tr ,
		"Landscape with the Fall of Icarus is a painting in oil on canvas (73.5 cm \u00D7 112 cm) long thought to be by Pieter Bruegel, although following technical examinations in 1996, that attribution is regarded as very doubtful. It is probably a version of a lost original by Bruegel, however. Largely derived from Ovid, the painting itself became the subject of a poem of the same name by William Carlos Williams, and is described in W. H."@en ,
		"La Chute d'Icare est un tableau de Pieter Bruegel l'Ancien expos\u00E9 aux Mus\u00E9es royaux d'art et d'histoire de Bruxelles."@fr ,
		"Paisaje con la ca\u00EDda de \u00CDcaro es un pintura al \u00F3leo sobre lienzo que durante mucho tiempo se pens\u00F3 que era obra de Pieter Brueghel el Viejo, aunque tras examinarla en 1996 se considera muy dudoso. Es probable que se trate de una versi\u00F3n de un original de Brueghel que se ha perdido. Basada en Ovidio, la pintura fue el tema de un poema con el mismo nombre de William Carlos Williams, y fue descrito en el poema de W. H."@es ;
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