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dbpedia:Ezra_Pound ns2:movement dbpedia:Imagism .
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dbpedia:William_Carlos_Williams dbpedia-owl:movement dbpedia:Imagism ;
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dbpedia-owl:movement dbpedia:Imagism ;
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dbpedia:Imagist_movement dbpprop:redirect dbpedia:Imagism .
dbpedia:Luljeta_Lleshanaku dbpedia-owl:movement dbpedia:Imagism ;
ns2:movement dbpedia:Imagism ;
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dbpedia:Antoni_Lange dbpedia-owl:movement dbpedia:Imagism ;
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dbpedia:James_Joyce dbpedia-owl:movement dbpedia:Imagism ;
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@prefix ns4: .
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@prefix rdfs: .
dbpedia:Imagism rdfs:label "Imagisme"@fr ,
"Imagism"@en ,
"\u0418\u043C\u0430\u0436\u0438\u0437\u043C"@ru ,
"Imagismus"@de ,
"\u0406\u043C\u0430\u0436\u0438\u0437\u043C"@uk ,
"Imagisme"@no ,
"Imagizm"@pl ,
"Imagism"@sv ,
"Imagismo"@pt ,
"Imagismi"@fi ,
"Imagismo"@it ;
dbpprop:abstract "L'imagisme est un mouvement po\u00E9tique anglo-am\u00E9ricain apparu \u00E0 Londres vers 1912 et disparu apr\u00E8s la Premi\u00E8re Guerre mondiale. Les imagistes souhaitent s'affranchir de la tradition po\u00E9tique romantique et victorienne en choisissant un langage imag\u00E9, une expression pr\u00E9cise et directe. L'\u00E9crivain Thomas Ernest Hulme est l'un des premiers \u00E0 avoir propag\u00E9 ces id\u00E9es dans ses \u0153uvres. Les imagistes rejetaient l'artifice typique de beaucoup de po\u00E8tes romantiques de la p\u00E9riode victorienne. Ils se situaient en opposition aux po\u00E8tes g\u00E9orgiens beaucoup plus respectueux de la tradition. Les imagistes \u00E9taient originaires du Royaume-Uni, d'Irlande et des \u00C9tats-Unis. Certains \u00E9taient des femmes, ce qui \u00E9tait assez peu courant \u00E0 l'\u00E9poque. L'imagisme est le premier mouvement organis\u00E9 de la litt\u00E9rature anglaise moderne. Selon T.S. Eliot : \u00AB Le point de rep\u00E8re habituellement consid\u00E9r\u00E9 comme le point de d\u00E9part de la po\u00E9sie moderne est le groupe d\u00E9nomm\u00E9 imagistes \u00E0 Londres en 1910. \u00BB Les \u00E9crivains suivants sont consid\u00E9r\u00E9s comme imagistes : Richard Aldington John Cournos Hilda Doolittle (H.D. ) John Gould Fletcher Frank Stuart Flint Ford Madox Ford Thomas Ernest Hulme James Joyce D. H. Lawrence Amy Lowell Ezra Pound William Carlos Williams"@fr ,
"Em 1921, Pound lan\u00E7ou em Londres uma escola est\u00E9tica de vanguarda, a qual chamou de Imagismo, em que defendia o uso da linguagem coloquial, a cria\u00E7\u00E3o de novos ritmos sonoros ultrapassando a m\u00E9trica, liberdade na escolha do assunto, verso livre, poesia clara e apresenta\u00E7\u00E3o de imagens, procurando traduzir detalhes com precis\u00E3o. Seu temperamento, terminou por lev\u00E1-lo, em 1925, a fundar outra teoria est\u00E9tica, a qual denominava-se vorticismo, em que o escritor mant\u00E9m diversos aspectos do imagismo e adiciona uma determinada estiliza\u00E7\u00E3o gr\u00E1fica em seus poemas, que podem ser considerados como precursores da poesia concreta. Outra inova\u00E7\u00E3o est\u00E9tica \u00E9 o conceito de poesia como \"condensa\u00E7\u00E3o\"."@pt ,
"Imagismen (av engelska image) var en anglosaxisk riktning inom poesin under det tidiga 1900-talet. Skolan str\u00E4vade efter klarhet genom ett exakt poetiskt bildspr\u00E5k. Poeten Ezra Pound lanserade skolan \u00E5r 1912 som en reaktion mot den romantiska optimism och bekymmersl\u00F6sa tankes\u00E4tt han s\u00E5g i samtiden. Han definierade imagismen, i till exempel antologin Des imagistes fr\u00E5n 1915, som en antiromantisk poesiform som skulle vara koncentrerad och exakt med nya rytmer och fritt \u00E4mnesval. Poeten Richard Aldington menade att den imagistiska poesin skulle vara \"h\u00E5rd och klar\"."@sv ,
"L'Imagismo \u00E8 una corrente letteraria nata e diffusasi negli USA e nel Regno Unito nei primi anni del Novecento. In rottura con la tradizione poetica tardo romantica, l'imagismo sosteneva la necessit\u00E0 di un linguaggio poetico conciso e chiaro, basato sulla precisione e l'immediatezza con cui si presentano le immagini (the \"things\", le \"cose\"). Il linguaggio adottato dagli imagisti, che ebbero in Ezra Pound la figura di maggior rilievo, \u00E8 semplice, essenziale, scarno, finalizzato al trattamento diretto della cosa senza divagazioni e mezzi termini. Gli imaginisti fondarono la rivista \"Poetry\" e pubblicarono un volume programmatico Some Imagist Poets . La narrazione non segue un filo cronologico ma procede attraverso continui spostamenti nel tempo. In un secondo tempo l'interesse si spost\u00F2 sul verso libero e sulla sperimentazione ritmica e metrica: l'adozione del verso libero rese la poesia imagista molto pi\u00F9 simile alla prosa e il linguaggio sempre pi\u00F9 vicino a quello parlato nella quotidianit\u00E0."@it ,
"\u0406\u043C\u0430\u0436\u0438\u0301\u0437\u043C \u2014 \u043C\u043E\u0434\u0435\u0440\u043D\u0456\u0441\u0442\u044C\u0441\u043A\u0430 \u0442\u0435\u0447\u0456\u044F \u0432 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0456\u0439 \u043F\u043E\u0435\u0437\u0456\u0457 1910-\u0438\u0445- \u043F\u043E\u0447\u0430\u0442\u043A\u0443 1920-\u0438\u0445. \u0419\u043E\u0433\u043E \u0437\u0430\u0441\u043D\u043E\u0432\u043D\u0438\u043A\u0438 \u0442\u0430 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A\u0438 \u2014 \u0430\u043D\u0433\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u0444\u0456\u043B\u043E\u0441\u043E\u0444 \u0422\u043E\u043C\u0430\u0441 \u0425'\u044E\u043C \u0442\u0430 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u043F\u043E\u0435\u0442 \u0415\u0437\u0440\u0430 \u041B\u0443\u043C\u0456\u0441 \u041F\u0430\u0443\u043D\u0434. \u0406\u043C\u0430\u0436\u0438\u0441\u0442\u0438, \u043F\u043E\u0454\u0434\u043D\u0443\u044E\u0447\u0438 \u0444\u0456\u043B\u043E\u0441\u043E\u0444\u0456\u044E \u0456\u043D\u0442\u0443\u0457\u0442\u0438\u0437\u043C\u0443 \u0442\u0430 \u0444\u043E\u0440\u043C\u0430\u043B\u044C\u043D\u0456 \u0442\u0435\u043E\u0440\u0456\u0457 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0433\u043E \u0441\u0438\u043C\u0432\u043E\u043B\u0456\u0437\u043C\u0443, \u043A\u0443\u043B\u044C\u0442\u0438\u0432\u0443\u0432\u0430\u043B\u0438 \u0441\u0430\u043C\u043E\u0434\u043E\u0441\u0442\u0430\u0442\u043D\u0456\u0439 \u00AB\u0447\u0438\u0441\u0442\u0438\u0439\u00BB \u043E\u0431\u0440\u0430\u0437, \u0432\u0456\u043B\u044C\u043D\u0438\u0439 \u0432\u0456\u0440\u0448. \u041D\u0430\u0439\u0432\u0438\u0434\u0430\u0442\u043D\u0456\u0448\u0456 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043D\u0438\u043A\u0438 \u0456\u043C\u0430\u0436\u0438\u0437\u043C\u0443: \u0430\u043D\u0433\u043B\u0456\u0439\u0441\u044C\u043A\u0456 \u043F\u043E\u0435\u0442\u0438 \u0422\u043E\u043C\u0430\u0441 \u0421\u0442\u0435\u0440\u043D\u0437 \u0415\u043B\u0456\u043E\u0442 \u0414\u0435\u0439\u0432\u0456\u0434 \u0413\u0435\u0440\u0431\u0435\u0440\u0442 \u041B\u043E\u0443\u0440\u0435\u043D\u0441 \u0420\u0456\u0447\u0430\u0440\u0434 \u041E\u043B\u0434\u0456\u043D\u0433\u0442\u043E\u043D \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0456 \u043F\u043E\u0435\u0442\u0438 \u0415\u043C\u0456 \u041B\u043E\u0443\u0435\u043B\u043B \u0425\u0456\u043B\u0434\u0430 \u0414\u0443\u043B\u0456\u0442\u043B \u0414\u0436\u043E\u043D \u0424\u043B\u0435\u0442\u0447\u0435\u0440 \u0406\u043C\u0430\u0436\u0438\u0437\u043C \u0437\u043D\u0430\u043C\u0435\u043D\u0443\u0432\u0430\u0432 \u0441\u043E\u0431\u043E\u044E \u0432\u0456\u0434\u0440\u0438\u0432 \u0432\u0456\u0434 \u0440\u043E\u043C\u0430\u043D\u0442\u0438\u0437\u043C\u0443 \u0456 \u043F\u0435\u0440\u0435\u0445\u0456\u0434 \u0434\u043E \u0444\u043E\u0440\u043C \u0441\u0443\u0447\u0430\u0441\u043D\u043E\u0457 \u0430\u043D\u0433\u043B\u043E-\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u043E\u0457 \u043F\u043E\u0435\u0437\u0456\u0457."@uk ,
"Imagizm (imaginizm) \u2013 ruch poetycki w poezji angielskiej i ameryka\u0144skiej w latach 1910-1918. Kierunek ten przeciwstawia\u0142 si\u0119 romantyzmowi oraz idealizmowi jak r\u00F3wnie\u017C kierunkom wsp\u00F3\u0142czesnym. Najwa\u017Cniejszy dla imagist\u00F3w by\u0142 obraz poetycki \u2013 charakteryzuj\u0105cy si\u0119 jasno\u015Bci\u0105 i dok\u0142adno\u015Bci\u0105 detali \u2013 opieraj\u0105cy si\u0119 na metaforze. Wielu tw\u00F3rc\u00F3w wzorowa\u0142o si\u0119 na dalekowschodniej poezji (japo\u0144skiej i chi\u0144skiej). Najs\u0142ynniejsi przedstawiciele: Ezra Pound Hilda Doolittle Amy Lowell Richard Aldington James Joyce Na j\u0119zyk polski wiersze i manifesty imagist\u00F3w t\u0142umaczyli g\u0142\u00F3wnie Leszek Engelking i Andrzej Szuba. W literaturze polskiej wp\u0142ywy imagist\u00F3w i, pokrewnych im, ima\u017Cynist\u00F3w z rewolucyjnej Rosji mo\u017Cna zauwa\u017Cy\u0107 w tw\u00F3rczo\u015Bci J\u00F3zefa Czechowicza i Stanis\u0142awa Pi\u0119taka."@pl ,
"Imagismi oli 1900-luvun alussa alkanut runon tyylisuunta, jolle tyypillist\u00E4 olivat mielikuvituksellisuus sek\u00E4 selke\u00E4 ja ter\u00E4v\u00E4 kielenk\u00E4ytt\u00F6. Se muodostui Britanniassa runoilijaryhm\u00E4ksi, joka vaikutti 1908\u20131917. Imagismi antoi runsaasti vaikutteita yhdysvaltalaiselle beat-runoudelle ja modernismille. Tunnettuja imagisteja olivat muun muassa Ezra Pound, T. E. Hulme ja Ford Madox Ford. Sen piiriin kuuluivat my\u00F6s Hilda Doolittle, Richard Aldington, Frank Stuart Flint sek\u00E4 yhdysvaltalainen Amy Lowell.. Imagismi hylk\u00E4si mitallisuuden ja j\u00E4lkiromantiikan tunnustuksellisuuden, ja runon perusyksikk\u00F6 oli kuva (imago). Ezra Pound julkaisi imagismin ohjelman 1914 Poetry-lehdess\u00E4. Poundin julkaisema antologia Des Imagistes on kooste tyylisuunnan runoilijoiden tuotantoa. Tyylisuunta antoi vaikutteita laajemmallekin kuin koulukunnan j\u00E4seniin. Esimerkiksi T. S. Eliot ja James Joyce, Suomessa Elmer Diktonius on nimetty sen vaikutteita omaksuneiksi kirjailijoiksi. Ven\u00E4j\u00E4ll\u00E4 syntynyt runokoulukunta imaginismi on saattanut saada nimens\u00E4 suuntaukselta."@fi ,
"Imagismen var en retning innafor s\u00E6rlig anglo-amerikansk litteratur tidlig p\u00E5 1900-tallet. Imagistene avviste det f\u00F8lelses- og symbolladete uttrykket i den eldre poesien, og satte presise bilder i et klart og skarpt spr\u00E5k i stedet. Imagistene tr\u00E5dte fram som gruppe i den litter\u00E6re offentligheten i tidsskrifter og i fire antologier mellom 1914 og 1917. De slo til lyd for en tilbakevending til mer klassiske kvaliteter i det poetiske spr\u00E5ket, samtidig som de var villige til \u00E5 eksperimentere med utradisjonelle former. De ville fokusere p\u00E5 tingen som ting, og ikke tingen som symbol for abstrakte forhold. I mars 1913 ble imagismens program offentliggjort i tidsskriftet Poetry av Ezra Pound og F.S. Flint, som kom med f\u00F8lgende krav til lyrikken: Direkte befatning med tingen, enten subjektivt eller objektivt. Ikke bruke noe ord som ikke bidrar til presentasjonen. N\u00E5r det gjelder rytme: \u00E5 komponere etter rytmen til den musikalske frasen, ikke etter metronomen. I aprilnummeret stod imagismens kanskje mest ber\u00F8mte dikt p\u00E5 trykk - Ezra Pounds In a Station of the Metro: The apparition of these faces in the crowd Petals on a wet, black bough. I norsk litteratur fikk imagismen ikke noe synlig gjennomslag f\u00F8r omkring 1965, da Profil-gruppen kom med et liknende program, tydeligst formulert i Dag Solstads tekst Vi vil ikke gi kaffekjelen vinger. Av lyrikerne er Jan Erik Vold den som framfor alt har bidratt til en imagistisk diktning p\u00E5 norsk."@no ,
"Imagism was a movement in early 20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. The Imagists rejected the sentiment and discursiveness typical of much Romantic and Victorian poetry. This was in contrast to their contemporaries, the Georgian poets, who were by and large content to work within that tradition. Group publication of work under the Imagist name appearing between 1914 and 1917 featured writing by many of the most significant figures in Modernist poetry in English, as well as a number of other Modernist figures prominent in fields other than poetry. Based in London, the Imagists were drawn from Great Britain, Ireland and the United States. Somewhat unusually for the time, the Imagists featured a number of women writers among their major figures. Imagism is also significant historically as the first organised Modernist English language literary movement or group. In the words of T. S. Eliot: \"The point de rep\u00E8re usually and conveniently taken as the starting-point of modern poetry is the group denominated 'imagists' in London about 1910. \" At the time Imagism emerged, Longfellow and Tennyson were considered the paragons of poetry, and the public valued the sometimes moralising tone of their writings. In contrast, Imagism called for a return to what were seen as more Classical values, such as directness of presentation and economy of language, as well as a willingness to experiment with non-traditional verse forms. The focus on the \"thing\" as \"thing\" (an attempt at isolating a single image to reveal its essence) also mirrors contemporary developments in avant-garde art, especially Cubism. Although Imagism isolates objects through the use of what Ezra Pound called \"luminous details\", Pound's Ideogrammic Method of juxtaposing concrete instances to express an abstraction is similar to Cubism's manner of synthesizing multiple perspectives into a single image."@en ,
"Die Imagisten (lat. imago Bild) waren eine anglo-amerikanische literarische Bewegung, die um 1912 entstand und nach dem Ersten Weltkrieg wieder verschwand. Der Schriftsteller Thomas Ernest Hulme war einer der Ersten, die in ihrem Werk diese Ideen propagierten. Die Imagisten wollten gerade in der Lyrik die Tradition der romantischen und viktorianischen Literatur hinter sich lassen, deren Gef\u00FChls\u00FCberschwang und K\u00FCnstlichkeit sie ablehnten, zugleich wandten sie sich gegen die so genannten Georgian poets. Stattdessen setzten die Imagisten auf die Einbeziehung von Umgangssprache, auf eine pr\u00E4zise Bildersprache und klaren, scharfen Ausdruck. Den Regeln von Rhetorik und Metrik sollte keine Bedeutung mehr zugestanden werden. Ein freier Rhythmus bis hin zur Prosa fand immer mehr Zuspruch. Die Gruppe hatte ihr Zentrum in London, wobei sie auch Dichter aus Irland und den Vereinigten Staaten in ihre Reihen aufnahm, \u00FCbrigens auch mehrere Frauen, was im damaligen Literaturbetrieb auffallend war. Die Bedeutung der Gruppe f\u00FCr die Literatur des fr\u00FChen 20. Jhs. kann kaum \u00FCbersch\u00E4tzt werden. Dies wird etwa durch den Ausspruch von T. S. Eliot deutlich, der sp\u00E4ter erkl\u00E4rte: \"Der point de rep\u00E8re (also der Angelpunkt, die Orientierungsmarke), den man normalerweise und der Gewohnheit nach als den Anfangspunkt moderner Dichtung verwendet, ist die Gruppe, die man im London der Zeit um 1910 \"Imagisten\" nannte. \" In einem literarischen Umfeld, das moralisierende Texte wie die von Longfellow und Tennyson wertsch\u00E4tzte, sprachen sich die Imagisten aus f\u00FCr eine R\u00FCckkehr zu in ihren Augen klassischen Werten wie der direkten Darstellung, der \u00D6konomie der Sprache und der Bereitschaft, auch mit nicht-traditionellen Formen zu experimentieren. Mit der Tendenz, das \"Ding\" als \"Ding\" zu betrachten, also ein einzelnes Bild zu isolieren, um dessen Wesen zu enth\u00FCllen, entspricht der Imagismus zeitgleichen Entwicklungen der Avantgarde-Kunst, besonders des Kubismus, wobei allerdings die Imagisten versuchen, diese Isolierung mittels \"erhellender Details\" durchzuf\u00FChren, wohingegen die Kubisten eine Synthese des einzelnen Bildes aus verschiedenen Perspektiven betreiben. Richard Aldington fungierte als Herausgeber der avantgardistischen Zeitschrift The Egoist. Sie galt u.a. als Sprachrohr der Imagisten. Nach 1917 blieben manche dieser Thesen aktuell und beeinflussten u.a. T. S. Eliot. Folgende Schriftsteller z\u00E4hlt man zu den Imagisten bzw. ihren Epigonen: Richard Aldington Richard Brautigan John Cournos H. D. (Hilda Doolittle) John Gould Fletcher Frank Stuart Flint Ford Madox Ford Thomas Ernest Hulme James Joyce D. H. Lawrence Amy Lowell John Masefield (Fr\u00FChe Werke) Ezra Pound William Carlos Williams"@de ,
"\u0418\u043C\u0430\u0436\u0438\u0437\u043C\u00A0\u2014 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043D\u043E\u0435 \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u0435, \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u043E\u0432\u0430\u0432\u0448\u0435\u0435 \u0432 \u0430\u043D\u0433\u043B\u043E\u044F\u0437\u044B\u0447\u043D\u044B\u0445 \u0441\u0442\u0440\u0430\u043D\u0430\u0445 \u043D\u0430\u0447\u0438\u043D\u0430\u044F \u0441 1908 \u0433\u043E\u0434\u0430 \u0438 \u0432\u043E \u043C\u043D\u043E\u0433\u043E\u043C \u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0438\u0432\u0448\u0435\u0435 \u0445\u043E\u0434 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044F \u043C\u0438\u0440\u043E\u0432\u043E\u0439 \u043F\u043E\u044D\u0437\u0438\u0438 \u0432 XX \u0432\u0435\u043A\u0435."@ru ;
rdfs:comment "Imagismen (av engelska image) var en anglosaxisk riktning inom poesin under det tidiga 1900-talet. Skolan str\u00E4vade efter klarhet genom ett exakt poetiskt bildspr\u00E5k. Poeten Ezra Pound lanserade skolan \u00E5r 1912 som en reaktion mot den romantiska optimism och bekymmersl\u00F6sa tankes\u00E4tt han s\u00E5g i samtiden. Han definierade imagismen, i till exempel antologin Des imagistes fr\u00E5n 1915, som en antiromantisk poesiform som skulle vara koncentrerad och exakt med nya rytmer och fritt \u00E4mnesval."@sv ,
"\u0406\u043C\u0430\u0436\u0438\u0301\u0437\u043C \u2014 \u043C\u043E\u0434\u0435\u0440\u043D\u0456\u0441\u0442\u044C\u0441\u043A\u0430 \u0442\u0435\u0447\u0456\u044F \u0432 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0456\u0439 \u043F\u043E\u0435\u0437\u0456\u0457 1910-\u0438\u0445- \u043F\u043E\u0447\u0430\u0442\u043A\u0443 1920-\u0438\u0445. \u0419\u043E\u0433\u043E \u0437\u0430\u0441\u043D\u043E\u0432\u043D\u0438\u043A\u0438 \u0442\u0430 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A\u0438 \u2014 \u0430\u043D\u0433\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u0444\u0456\u043B\u043E\u0441\u043E\u0444 \u0422\u043E\u043C\u0430\u0441 \u0425'\u044E\u043C \u0442\u0430 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u043F\u043E\u0435\u0442 \u0415\u0437\u0440\u0430 \u041B\u0443\u043C\u0456\u0441 \u041F\u0430\u0443\u043D\u0434."@uk ,
"Imagismi oli 1900-luvun alussa alkanut runon tyylisuunta, jolle tyypillist\u00E4 olivat mielikuvituksellisuus sek\u00E4 selke\u00E4 ja ter\u00E4v\u00E4 kielenk\u00E4ytt\u00F6. Se muodostui Britanniassa runoilijaryhm\u00E4ksi, joka vaikutti 1908\u20131917. Imagismi antoi runsaasti vaikutteita yhdysvaltalaiselle beat-runoudelle ja modernismille. Tunnettuja imagisteja olivat muun muassa Ezra Pound, T. E. Hulme ja Ford Madox Ford."@fi ,
"Die Imagisten (lat. imago Bild) waren eine anglo-amerikanische literarische Bewegung, die um 1912 entstand und nach dem Ersten Weltkrieg wieder verschwand. Der Schriftsteller Thomas Ernest Hulme war einer der Ersten, die in ihrem Werk diese Ideen propagierten."@de ,
"L'Imagismo \u00E8 una corrente letteraria nata e diffusasi negli USA e nel Regno Unito nei primi anni del Novecento. In rottura con la tradizione poetica tardo romantica, l'imagismo sosteneva la necessit\u00E0 di un linguaggio poetico conciso e chiaro, basato sulla precisione e l'immediatezza con cui si presentano le immagini (the \"things\", le \"cose\")."@it ,
"Em 1921, Pound lan\u00E7ou em Londres uma escola est\u00E9tica de vanguarda, a qual chamou de Imagismo, em que defendia o uso da linguagem coloquial, a cria\u00E7\u00E3o de novos ritmos sonoros ultrapassando a m\u00E9trica, liberdade na escolha do assunto, verso livre, poesia clara e apresenta\u00E7\u00E3o de imagens, procurando traduzir detalhes com precis\u00E3o."@pt ,
"Imagismen var en retning innafor s\u00E6rlig anglo-amerikansk litteratur tidlig p\u00E5 1900-tallet. Imagistene avviste det f\u00F8lelses- og symbolladete uttrykket i den eldre poesien, og satte presise bilder i et klart og skarpt spr\u00E5k i stedet. Imagistene tr\u00E5dte fram som gruppe i den litter\u00E6re offentligheten i tidsskrifter og i fire antologier mellom 1914 og 1917."@no ,
"Imagism was a movement in early 20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. The Imagists rejected the sentiment and discursiveness typical of much Romantic and Victorian poetry. This was in contrast to their contemporaries, the Georgian poets, who were by and large content to work within that tradition."@en ,
"Imagizm (imaginizm) \u2013 ruch poetycki w poezji angielskiej i ameryka\u0144skiej w latach 1910-1918. Kierunek ten przeciwstawia\u0142 si\u0119 romantyzmowi oraz idealizmowi jak r\u00F3wnie\u017C kierunkom wsp\u00F3\u0142czesnym. Najwa\u017Cniejszy dla imagist\u00F3w by\u0142 obraz poetycki \u2013 charakteryzuj\u0105cy si\u0119 jasno\u015Bci\u0105 i dok\u0142adno\u015Bci\u0105 detali \u2013 opieraj\u0105cy si\u0119 na metaforze. Wielu tw\u00F3rc\u00F3w wzorowa\u0142o si\u0119 na dalekowschodniej poezji (japo\u0144skiej i chi\u0144skiej)."@pl ,
"L'imagisme est un mouvement po\u00E9tique anglo-am\u00E9ricain apparu \u00E0 Londres vers 1912 et disparu apr\u00E8s la Premi\u00E8re Guerre mondiale. Les imagistes souhaitent s'affranchir de la tradition po\u00E9tique romantique et victorienne en choisissant un langage imag\u00E9, une expression pr\u00E9cise et directe. L'\u00E9crivain Thomas Ernest Hulme est l'un des premiers \u00E0 avoir propag\u00E9 ces id\u00E9es dans ses \u0153uvres. Les imagistes rejetaient l'artifice typique de beaucoup de po\u00E8tes romantiques de la p\u00E9riode victorienne."@fr ,
"\u0418\u043C\u0430\u0436\u0438\u0437\u043C\u00A0\u2014 \u043B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043D\u043E\u0435 \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u0435, \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u043E\u0432\u0430\u0432\u0448\u0435\u0435 \u0432 \u0430\u043D\u0433\u043B\u043E\u044F\u0437\u044B\u0447\u043D\u044B\u0445 \u0441\u0442\u0440\u0430\u043D\u0430\u0445 \u043D\u0430\u0447\u0438\u043D\u0430\u044F \u0441 1908 \u0433\u043E\u0434\u0430 \u0438 \u0432\u043E \u043C\u043D\u043E\u0433\u043E\u043C \u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0438\u0432\u0448\u0435\u0435 \u0445\u043E\u0434 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044F \u043C\u0438\u0440\u043E\u0432\u043E\u0439 \u043F\u043E\u044D\u0437\u0438\u0438 \u0432 XX \u0432\u0435\u043A\u0435."@ru .
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