@prefix rdf: . @prefix dbpedia: . @prefix opencyc: . dbpedia:Image rdf:type opencyc:Mx4rvVitN5wpEbGdrcN5Y29ycA , opencyc:Mx4rzw1ZKqTuQdiLqrjLEubYWg , opencyc:Mx4rx7wvYmJsQdiBX8mvosF8Og . @prefix owl: . dbpedia:Image owl:sameAs , opencyc:Mx4rvVkL2pwpEbGdrcN5Y29ycA . @prefix foaf: . @prefix ns5: . dbpedia:Image foaf:page ns5:Image . @prefix dbpprop: . dbpedia:Image dbpprop:reference , , . @prefix rdfs: . dbpedia:Image rdfs:label "Immagine"@it , "Imagem"@pt , "Abbild"@de , "Obraz"@cs , "Image"@fr , "K\u00E9p"@hu , "Bilde"@no , "\u56FE\u50CF"@zh , "\u753B\u50CF"@ja , "Kuva"@fi , "Image"@en . @prefix dbpedia-owl: . dbpedia:Image dbpedia-owl:thumbnail ; dbpprop:abstract "Das Wort Abbild bezeichnet ein Bild und seine \u2013 nachvollziehbare \u2013 Beziehung zu einem abgebildeten (auf ihm wieder erkennbar werdenden) Gegenstand. Ein Abbild kann einen nat\u00FCrlichen Ursprung haben (Schatten, Spiegelbild) oder k\u00FCnstlich geschaffen sein (Gem\u00E4lde, symbolisches Zeichen). In fr\u00FChen Gesellschaften wurden mit Abbildern magische Bedeutungen verbunden, wie die Anwesenheit eines dargestellten Gottes. Im Kampf gegen diese Vorstellungswelten und zur Sicherung der eigenen Dominanz erlie\u00DFen die monotheistischen Religionen Bilderverbote, die im Verlaufe der europ\u00E4ischen Geschichte immer wieder zu Auseinandersetzungen f\u00FChrten. Die Beziehung zwischen Gegenstand und Abbild kann in der Philosophie als Abbildrelation bezeichnet werden, durch die das Verh\u00E4ltnis zwischen Sache und Bild beschrieben wird. So stellt sich in der Messtheorie die grundlegende Aufgabe, in der Abbildung die empirischen Relationen aufrecht zu erhalten oder angemessene Analogien herzustellen. In der Mathematik werden durch mathematische Abbildungsregeln genaue Zuordnungen geschaffen. \u00C4hnliches gilt f\u00FCr Pr\u00E4dikate in der Logik. Aufgrund moderner Techniken und Ger\u00E4te erm\u00F6glichen bildgebende Verfahren die systematische Erzeugung von Abbildern. Man spricht von isomorphen Abbildern, wenn zu dem Urbild zumindest strukturell eine 1:1 \u2013 Beziehung besteht . Homomorph sind Abbilder hingegen, wenn ihnen eine Mehrzahl von Gegenst\u00E4nden zugeordnet werden kann. Materielle Abbilder werden auch in der Bildwissenschaft abgehandelt. Gleichzeitig zum unkritischen Gebrauch des Wortes \u201EAbbild\u201C im Alltag hat sich die Philosophie immer wieder dar\u00FCber Gedanken gemacht, in welchem Verh\u00E4ltnis Urbild und Abbild zueinander stehen, und aus unterschiedlichen Perspektiven Abbildtheorien entwickelt. Dies insbesondere im Rahmen der Erkenntnistheorie mit der Frage, inwiefern menschliche Erkenntnis ein Abbild der Wirklichkeit sei. Als Abbilder gedeutet werden Sinneseindr\u00FCcke, Wahrnehmungen oder Vorstellungen sowie auf der sprachlichen Ebene Begriffe, Urteile und Schlussfolgerungen bis hin zu ganzen Theorien. Im 20. Jahrhundert wurde im Rahmen der Sprachphilosophie verst\u00E4rkt die Frage aufgeworfen, inwiefern eine Aussage oder die Beschreibung eines Sachverhalts die Tatsachen in der Welt abbilden kann. Dabei hat der bereits in der Antike entstandene Meinungsunterschied zwischen Idealismus und Realismus Fortbestand bis in die Gegenwart."@de , "An image is an artifact, for example a two-dimensional picture, that has a similar appearance to some subject—usually a physical object or a person. Images may be two-dimensional, such as a photograph, screen display, and as well as a three-dimensional, such as a statue. They may be captured by optical devices—such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water surfaces. The word image is also used in the broader sense of any two-dimensional figure such as a map, a graph, a pie chart, or an abstract painting. In this wider sense, images can also be rendered manually, such as by drawing, painting,, rendered automatically by printing or computer graphics technology, or developed by a combination of methods, especially in a pseudo-photograph. A volatile image is one that exists only for a short period of time. This may be a reflection of an object by a mirror, a projection of a camera obscura, or a scene displayed on a cathode ray tube. A fixed image, also called a hard copy, is one that has been recorded on a material object, such as paper or textile by photography or digital processes. A mental image exists in an individual's mind: something one remembers or imagines. The subject of an image need not be real; it may be an abstract concept, such as a graph, function, or \"imaginary\" entity. For example, Sigmund Freud claimed to have dreamt purely in aural-images of dialogues. The development of synthetic acoustic technologies and the creation of sound art have led to a consideration of the possibilities of a sound-image made up of irreducible phonic substance beyond linguistic or musicological analysis."@en , "Kuva on n\u00E4k\u00F6aistin avulla havaittava kaksi- tai kolmiulotteinen esitys. Sen havaitsemiseen k\u00E4ytet\u00E4\u00E4n silmi\u00E4, joiden kautta kuvan sis\u00E4lt\u00E4m\u00E4 visuaalinen informaatio v\u00E4littyy aivoihin, jossa katsoja tulkitsee sen itselleen ymm\u00E4rrett\u00E4v\u00E4ksi kokonaisuudeksi. Kuvaa verrataan joskus sanaan ja kieleen. Kuva on sek\u00E4 taiteen, ett\u00E4 viestinn\u00E4n kieli. Kuva on: konkreettinen, kaksi- tai kolmiulotteinen esitys jostakin jostakin heijastuva kuva, esim. projektorin kuva tai koivun kuva j\u00E4rven pinnassa sanan lyhenteenkaltainen k\u00E4ytt\u00F6 esimerkiksi elokuvasta (esim. k\u00E4vin kuvissa), mielikuvasta, k\u00E4sityksest\u00E4 (sain sellaisen kuvan puheistasi) tai yhdenn\u00E4k\u00F6isyydest\u00E4 (tytt\u00F6 on \u00E4itins\u00E4 kuva) ihanteellinen kuva eli ikoni (kreikk. \u03B5\u1F30\u03BA\u03CE\u03BD, eikon = kuva), jolla tarkoitetaan uskonnollisissa yhteyksiss\u00E4 k\u00E4ytett\u00E4v\u00E4\u00E4 kulttikuvaa (esimerkiksi Ortodoksisen kirkon ikoni), tietokoneen tai k\u00E4nnyk\u00E4n k\u00E4ytt\u00F6liittym\u00E4ss\u00E4 olevaa kuvaketta tai jonkin kulttuurin keulahahmoa (Jean Sibelius on suomalaisen musiikin Ikoni)."@fi , "\u753B\u50CF\uFF08\u304C\u305E\u3046\uFF09\u306F\u30012\u6B21\u5143\u5E73\u9762\u4E0A\u306B\u63CF\u304B\u308C\u305F\u7D75\u3092\u6307\u3059\u3002\u753B\u50CF\u306B\u306F\u9759\u6B62\u753B (\u9759\u6B62\u753B\u50CF) \u3068\u52D5\u753B (\u52D5\u753B\u50CF) \u3068\u304C\u3042\u308B\u304C\u3001\u52D5\u753B\u50CF\u306F\u6620\u50CF\u3068\u547C\u3070\u308C\u308B\u3053\u3068\u304C\u591A\u304F\u3001\u3053\u306E\u9805\u76EE\u3067\u306F\u9759\u6B62\u753B\u50CF\u306B\u3064\u3044\u3066\u8A18\u8FF0\u3059\u308B\u3002 \u30B3\u30F3\u30D4\u30E5\u30FC\u30BF\u4E0A\u306E\u9759\u6B62\u753B\u50CF\u306F\u30C7\u30B8\u30BF\u30EB\u30AB\u30E1\u30E9\u306E\u5199\u771F\u3084\u3001\u30B3\u30F3\u30D4\u30E5\u30FC\u30BF\u30B0\u30E9\u30D5\u30A3\u30C3\u30AF\u30B9\u306A\u3069\u304B\u3089\u751F\u6210\u3055\u308C\u305F\u3082\u306E\u304C\u3042\u308A\u3001\u81EA\u52D5\u7684\u3001\u534A\u81EA\u52D5\u7684\u306A\u753B\u50CF\u51E6\u7406\u3084\u753B\u50CF\u8A8D\u8B58\u306B\u5411\u304F\u3068\u3044\u3046\u7279\u5FB4\u304C\u3042\u308B\u3002\u307E\u305F\u3001\u30B3\u30F3\u30D4\u30E5\u30FC\u30BF\u4E0A\u306E\u753B\u50CF\u306F\u8907\u88FD\u304C\u5BB9\u6613\u3067\u3001\u8457\u4F5C\u6A29\u304C\u72AF\u3055\u308C\u3084\u3059\u3044\u3002 \u753B\u50CF\u306E\u8272\u3092\u5408\u6210\u3059\u308B\u65B9\u6CD5\u306B\u306F\u52A0\u6CD5\u6DF7\u8272\uFF08\u900F\u904E\u5149\u306E\u4E09\u539F\u8272\uFF09\u3001\u6E1B\u6CD5\u6DF7\u8272\uFF08\u53CD\u5C04\u5149\u306E\u4E09\u539F\u8272\uFF09\u306A\u3069\u3044\u304F\u3064\u304B\u304C\u3042\u308B\u3002\u307E\u305F\u3001\u30B3\u30F3\u30D4\u30E5\u30FC\u30BF\u30B0\u30E9\u30D5\u30A3\u30C3\u30AF\u30B9\u306E\u30C7\u30FC\u30BF\u5F62\u5F0F\u306F\u30D3\u30C3\u30C8\u30DE\u30C3\u30D7\u5F62\u5F0F\u3068\u30D9\u30AF\u30BF\u5F62\u5F0F\u3068\u306B\u5927\u304D\u304F\u5206\u3051\u308B\u3053\u3068\u304C\u3067\u304D\u308B\u3002\u65E5\u672C\u56FD\u5185\u306B\u304A\u3044\u3066\u901A\u5E38\u300C\u753B\u50CF\u300D\u3068\u547C\u3076\u5834\u5408\u3001\u753B\u7D20\u5358\u4F4D\u306E\u60C5\u5831\u3092\u4FDD\u6301\u3059\u308B\u30D3\u30C3\u30C8\u30DE\u30C3\u30D7\u5F62\u5F0F\u3092\u6307\u3059\u3002\u30D9\u30AF\u30BF\u5F62\u5F0F\u306E\u30A4\u30E1\u30FC\u30B8\u306F\u300C\u56F3\u5F62\u300D\u3068\u547C\u3070\u308C\u308B\u3053\u3068\u304C\u591A\u3044\u3002\u300Cimage\uFF1D\u753B\u50CF\u300D\u3068\u3044\u3046\u7FFB\u8A33\u306F\u5FC5\u305A\u3057\u3082\u9069\u5207\u3067\u306A\u3044\u3002"@ja , "Une image est une repr\u00E9sentation visuelle voire mentale de quelque chose (objet, \u00EAtre vivant et/ou concept). Elle peut \u00EAtre naturelle ou artificielle, visuelle ou non, tangible ou conceptuelle, elle peut entretenir un rapport de ressemblance directe avec son mod\u00E8le ou au contraire y \u00EAtre li\u00E9e par un rapport plus symbolique. Pour la s\u00E9miologie ou s\u00E9miotique, qui a d\u00E9velopp\u00E9 tout un secteur de s\u00E9miotique visuelle, l'image est con\u00E7ue comme produite par un langage sp\u00E9cifique. Une des plus anciennes d\u00E9finitions de l'image est celle de Platon: \"j'appelle image d'abord les ombres ensuite les reflets qu'on voit dans les eaux, ou \u00E0 la surface des corps opaques, polis et brillants et toutes les repr\u00E9sentations de ce genre\". Le mot image vient du latin imago, qui d\u00E9signait les masques mortuaires. Selon Olivier Boulnois : \u00AB\u00A0Qu'entend-on par image? Dans le monde romain, l'imago d\u00E9signait un portrait de l'anc\u00EAtre en cire, plac\u00E9 dans l'atrium et port\u00E9 aux fun\u00E9railles. Le droit d'images, r\u00E9serv\u00E9 aux personnes nobles, leur permettait d'\u00E9tablir et de conserver leur lignage. \u00C9tymologiquement, l'image figure donc le portrait d'un mort. (p.13) L'image est le langage commun de l'humanit\u00E9. Elle appara\u00EEt sur les vo\u00FBtes des grottes pr\u00E9historiques bien avant que l'homme songe \u00E0 \u00E9difier des temples et des tombeaux. Des mill\u00E9naires la s\u00E9pare de l'\u00E9criture, projection abstraite de la pens\u00E9e. L'image abolit le temps et l'espace. Elle est lecture instantan\u00E9e et pr\u00E9sence imm\u00E9diate du monde. A travers elle l'homme se reconna\u00EEt; pourtant sa richesse est ambigu\u00EB et son pouvoir d'ali\u00E9nation extr\u00EAme. L'image sert de v\u00E9rit\u00E9. Elle s'offre \u00E0 tous et se refuse \u00E0 chacun. La mythologie moderne consacre le r\u00E8gne de l'image. Pour mieux imposer ses fables et ses slogans, elle r\u00E9voque l'esprit qui anime la lettre (la publicit\u00E9, aujourd'hui, fait de la lettre une image). \u00A0\u00BB"@fr , "\u56FE\u50CF\u662F\u4EBA\u5BF9\u89C6\u89C9\u611F\u77E5\u7684\u7269\u8D28\u518D\u73B0\u3002\u56FE\u50CF\u53EF\u4EE5\u7531\u5149\u5B66\u8BBE\u5907\u83B7\u53D6\uFF0C\u5982\u7167\u76F8\u673A\u3001\u955C\u5B50\u3001\u671B\u8FDC\u955C\u3001\u663E\u5FAE\u955C\u7B49\uFF1B\u4E5F\u53EF\u4EE5\u4EBA\u4E3A\u521B\u4F5C\uFF0C\u5982\u624B\u5DE5\u7ED8\u753B\u3002\u56FE\u50CF\u53EF\u4EE5\u8BB0\u5F55\u3001\u4FDD\u5B58\u5728\u7EB8\u8D28\u5A92\u4ECB\u3001\u80F6\u7247\u7B49\u7B49\u5BF9\u5149\u4FE1\u53F7\u654F\u611F\u7684\u4ECB\u8D28\u4E0A\u3002\u968F\u7740\u6570\u5B57\u91C7\u96C6\u6280\u672F\u548C\u4FE1\u53F7\u5904\u7406\u7406\u8BBA\u7684\u53D1\u5C55\uFF0C\u8D8A\u6765\u8D8A\u591A\u7684\u56FE\u50CF\u4EE5\u6570\u5B57\u5F62\u5F0F\u5B58\u50A8\u3002\u56E0\u800C\uFF0C\u6709\u4E9B\u60C5\u51B5\u4E0B\u201C\u56FE\u50CF\u201D\u4E00\u8BCD\u5B9E\u9645\u4E0A\u662F\u6307\u6570\u5B57\u56FE\u50CF\u3002 \u4E0E\u56FE\u50CF\u76F8\u5173\u7684\u8BDD\u9898\u5305\u62EC\u56FE\u50CF\u91C7\u96C6\u3001\u56FE\u50CF\u5236\u4F5C\u3001\u56FE\u50CF\u5206\u6790\u548C\u56FE\u50CF\u5904\u7406\u7B49\u3002 \u56FE\u50CF\u901A\u5E38\u5305\u62EC\u9759\u6B62\u56FE\u50CF\u548C\u8FD0\u52A8\u56FE\u50CF\uFF0C\u8FD0\u52A8\u56FE\u50CF\u53C8\u79F0\u4E3A\u89C6\u9891\u3002"@zh , "Un'immagine \u00E8 una metodica di rappresentazione secondo coordinate spaziali indipendenti di un oggetto o di una scena. Contiene informazioni descrittive riferite all'oggetto, alla scena che rappresenta: un'immagine \u00E8 quindi una distribuzione di un'entit\u00E0 fisica. Il linguaggio delle immagini \u00E8 intrinsecamente indeterminato, evocativo, dotato di segni che assumono valore simbolico in relazione al significato che attribuiamo a ci\u00F2 che osserviamo o al valore pragmatico degli scopi della comunicazione. La computabilit\u00E0 delle immagini invece risulta ben definita e formalizzata Analisi di immagini Sintesi di immagini Nell'analisi \u00E8 necessario avere dispositivi in grado di creare una rappresentazione numerica della distribuzione di luminosit\u00E0 di una scena. Nella sintesi, invece, \u00E8 necessario disporre di rappresentazioni geometrico-matematiche di forme cos\u00EC da ricavare delle distribuzioni di luminosit\u00E0 che appaiano sullo schermo di un computer."@it , "A mindennapi nyelvhaszn\u00E1latban a k\u00E9p (latinul imago, jelent\u00E9se \u201Ehasonm\u00E1s\u201D) olyan alkot\u00E1s, amely valamilyen test, rendszerint egy fizikai t\u00E1rgy vagy egy szem\u00E9ly hasonl\u00F3s\u00E1g\u00E1t megmutatja, \u201Evisszaadja\u201D. A k\u00E9pek rendszerint k\u00E9tdimenzi\u00F3sak, mint a f\u00E9nyk\u00E9p, de van aki a szobrot is hasonm\u00E1snak tekinti. A k\u00E9pet t\u00F6bbnyire optikai eszk\u00F6z\u00F6kkel hozz\u00E1k l\u00E9tre, mint p\u00E9ld\u00E1ul a f\u00E9nyk\u00E9pez\u0151g\u00E9p, t\u00FCk\u00F6r, lencse, t\u00E1vcs\u0151, mikroszk\u00F3p stb. , illetve term\u00E9szeti t\u00E1rgyak \u00E9s jelens\u00E9gek is alkotnak k\u00E9pet, mint p\u00E9ld\u00E1ul az emberi szem \u00E9s a v\u00EDz felsz\u00EDne. Sz\u00E9lesebb \u00E9rtelemben k\u00E9pnek sz\u00E1m\u00EDt egy illusztr\u00E1ci\u00F3, t\u00E9rk\u00E9p, \u00E1bra, festm\u00E9ny stb. K\u00E9pek k\u00E9sz\u00FClhetnek k\u00E9zzel, sz\u00E1m\u00EDt\u00F3g\u00E9ppel \u00E9s vegyes k\u00E9palkot\u00F3 technik\u00E1kkal is. Nem tart\u00F3s, tov\u00E1bb\u00E1 sokszor nem val\u00F3s, nem val\u00F3s\u00E1got t\u00FCkr\u00F6z\u0151 k\u00E9p az, amelyet vet\u00EDtenek. A tudatban kialakul\u00F3 k\u00E9p az eml\u00E9kezet (eml\u00E9kk\u00E9p) vagy a k\u00E9pzelet (k\u00E9pzet) term\u00E9ke, amelynek t\u00E1rgya nem okvetlen\u00FCl azonos a k\u00FCls\u0151 val\u00F3s\u00E1g valamely r\u00E9sz\u00E9vel, a valamihez val\u00F3 hasonl\u00F3s\u00E1g azonban mindig fenn\u00E1ll, ugyanis mindent, amit elk\u00E9pzel\u00FCnk, automatikusan valamivel \u2013 legt\u00F6bbsz\u00F6r a m\u00E1r ismerttel \u2013 \u00F6sszehasonl\u00EDtjuk. \u00DAjabban a m\u00E9rhetetlen sz\u00E1mban jelenl\u00E9v\u0151 k\u00E9pek kezdik hat\u00E1raikat vesz\u00EDteni, ez\u00E9rt a m\u0171v\u00E9szett\u00F6rt\u00E9n\u00E9szek \u00E1trendezik a 20. sz\u00E1zad m\u0171v\u00E9szet\u00E9ben a k\u00E9pkateg\u00F3ri\u00E1kat \u00E9s \u00FAj fogalmi behat\u00E1rol\u00E1sokat k\u00EDs\u00E9relnek meg, illetve sz\u00FCks\u00E9gess\u00E9 v\u00E1lt, mert nem megoldott a k\u00E9pek, p\u00E9ld\u00E1ul t\u00E9ma szerinti r\u00E9szletesebb oszt\u00E1lyoz\u00E1sa. \u00C1tvitt \u00E9rtelemben: a matematik\u00E1ban adott tetsz\u0151leges f\u00FCggv\u00E9ny \u00E9rt\u00E9kk\u00E9szlet\u00E9nek az \u00E9rtelmez\u00E9si tartom\u00E1nyhoz rendelt elemeit nevezz\u00FCk az \u00E9rtelmez\u00E9si tartom\u00E1ny elemeinek k\u00E9peinek."@hu , "Obraz je obecn\u011B jak\u00E9koli grafick\u00E9 vyj\u00E1d\u0159en\u00ED zpravidla ve dvou rozm\u011Brech. Slovo m\u00E1 i p\u0159enesen\u00E9 v\u00FDznamy. Konkr\u00E9tn\u011B m\u016F\u017Eeme m\u00EDt na mysli: v\u00FDtvarn\u00E9 um\u011Bleck\u00E9 d\u00EDlo - viz Mal\u00ED\u0159stv\u00ED zd\u00E1nliv\u00E1 poloha p\u0159edm\u011Btu - viz Optick\u00E9 zobrazen\u00ED v p\u0159enesen\u00E9m smyslu se m\u016F\u017Ee jednat i o archivn\u00ED soubor obsahuj\u00EDc\u00ED digit\u00E1ln\u00ED kopii dat souborov\u00E9ho syst\u00E9mu - viz ISO obraz"@cs , "Et bilde er et synsinntrykk, alts\u00E5 det vi ser. Ordet brukes s\u00E6rlig om avbildninger, det vil si gjengivelser eller etterlikninger av den synlige virkeligheten eller av uvirkelige eller tenkte visuelle forestillinger. Slike bilder gjengis vanligvis p\u00E5 et plant, to-dimensjonalt underlag, enten det er et papir, en vegg, en TV-skjerm eller dataskjerm. Bilder kan alts\u00E5 omfatte alt fra abstrakte symboler og enkle tegninger til malerier, fotografier og levende filmbilder, men det kan ogs\u00E5 v\u00E6re sterke synsopplevelser eller imagin\u00E6re stjernebilder p\u00E5 nattehimmelen."@no , "Imagem significa a representa\u00E7\u00E3o visual de um objecto. Em grego antigo corresponde ao termo eidos, raiz etimol\u00F3gica do termo idea ou eidea, cujo conceito foi desenvolvido por Plat\u00E3o. \u00C0 teoria de Plat\u00E3o, o idealismo, considerava a ideia da coisa, a sua imagem, como sendo uma projec\u00E7\u00E3o da mente. Arist\u00F3teles, pelo contr\u00E1rio, considerava a imagem como sendo uma aquisi\u00E7\u00E3o pelos sentidos, a representa\u00E7\u00E3o mental de um objecto / objeto real, fundando a teoria do realismo. A controv\u00E9rsia estava lan\u00E7ada e chegaria aos nosso dias, mantendo-se viva em praticamente todos os dom\u00EDnios do conhecimento. Em senso comum, envolve tanto o conceito de imagem adquirida como a gerada pelo ser humano, em muitos dom\u00EDnios, quer na cria\u00E7\u00E3o pela arte, quer como simples registro foto-mec\u00E2nico, na pintura, no desenho, na gravura, em qualquer forma visual de express\u00E3o da id\u00E9ia. Nas ci\u00EAncias exactas. como em matem\u00E1tica, o termo \"imagem\" \u00E9 entendido como representa\u00E7\u00E3o de um objecto / objeto especializado, que exige t\u00E9cnicas e ferramentas especiais. Em senso comum, hoje em dia, entre outras, imagens s\u00E3o as ve\u00EDculadas pelos an\u00FAncios publicit\u00E1rios impressos em p\u00E1ginas de revistas ou expostos nas paredes de edif\u00EDcios; os cartazes afixados em muros e murais; a pr\u00F3pria arquitetura dos edif\u00EDcios e das obras de engenharia; os utens\u00EDlios dom\u00E9sticos e todas as ferramentas; as vestimentas; os ve\u00EDculos de transporte; as representa\u00E7\u00F5es sagradas; todo material impresso e finalmente toda exibi\u00E7\u00E3o em telas de cinema e de televis\u00E3o."@pt ; rdfs:comment "Un'immagine \u00E8 una metodica di rappresentazione secondo coordinate spaziali indipendenti di un oggetto o di una scena. Contiene informazioni descrittive riferite all'oggetto, alla scena che rappresenta: un'immagine \u00E8 quindi una distribuzione di un'entit\u00E0 fisica."@it , "Et bilde er et synsinntrykk, alts\u00E5 det vi ser. Ordet brukes s\u00E6rlig om avbildninger, det vil si gjengivelser eller etterlikninger av den synlige virkeligheten eller av uvirkelige eller tenkte visuelle forestillinger. Slike bilder gjengis vanligvis p\u00E5 et plant, to-dimensjonalt underlag, enten det er et papir, en vegg, en TV-skjerm eller dataskjerm."@no , "Imagem significa a representa\u00E7\u00E3o visual de um objecto. Em grego antigo corresponde ao termo eidos, raiz etimol\u00F3gica do termo idea ou eidea, cujo conceito foi desenvolvido por Plat\u00E3o. \u00C0 teoria de Plat\u00E3o, o idealismo, considerava a ideia da coisa, a sua imagem, como sendo uma projec\u00E7\u00E3o da mente. Arist\u00F3teles, pelo contr\u00E1rio, considerava a imagem como sendo uma aquisi\u00E7\u00E3o pelos sentidos, a representa\u00E7\u00E3o mental de um objecto / objeto real, fundando a teoria do realismo."@pt , "Kuva on n\u00E4k\u00F6aistin avulla havaittava kaksi- tai kolmiulotteinen esitys. Sen havaitsemiseen k\u00E4ytet\u00E4\u00E4n silmi\u00E4, joiden kautta kuvan sis\u00E4lt\u00E4m\u00E4 visuaalinen informaatio v\u00E4littyy aivoihin, jossa katsoja tulkitsee sen itselleen ymm\u00E4rrett\u00E4v\u00E4ksi kokonaisuudeksi. Kuvaa verrataan joskus sanaan ja kieleen. Kuva on sek\u00E4 taiteen, ett\u00E4 viestinn\u00E4n kieli. Kuva on: konkreettinen, kaksi- tai kolmiulotteinen esitys jostakin jostakin heijastuva kuva, esim."@fi , ""@zh , "Obraz je obecn\u011B jak\u00E9koli grafick\u00E9 vyj\u00E1d\u0159en\u00ED zpravidla ve dvou rozm\u011Brech. Slovo m\u00E1 i p\u0159enesen\u00E9 v\u00FDznamy. Konkr\u00E9tn\u011B m\u016F\u017Eeme m\u00EDt na mysli: v\u00FDtvarn\u00E9 um\u011Bleck\u00E9 d\u00EDlo - viz Mal\u00ED\u0159stv\u00ED zd\u00E1nliv\u00E1 poloha p\u0159edm\u011Btu - viz Optick\u00E9 zobrazen\u00ED v p\u0159enesen\u00E9m smyslu se m\u016F\u017Ee jednat i o archivn\u00ED soubor obsahuj\u00EDc\u00ED digit\u00E1ln\u00ED kopii dat souborov\u00E9ho syst\u00E9mu - viz ISO obraz"@cs , ""@ja , "Une image est une repr\u00E9sentation visuelle voire mentale de quelque chose (objet, \u00EAtre vivant et/ou concept). Elle peut \u00EAtre naturelle ou artificielle, visuelle ou non, tangible ou conceptuelle, elle peut entretenir un rapport de ressemblance directe avec son mod\u00E8le ou au contraire y \u00EAtre li\u00E9e par un rapport plus symbolique. Pour la s\u00E9miologie ou s\u00E9miotique, qui a d\u00E9velopp\u00E9 tout un secteur de s\u00E9miotique visuelle, l'image est con\u00E7ue comme produite par un langage sp\u00E9cifique."@fr , "Das Wort Abbild bezeichnet ein Bild und seine \u2013 nachvollziehbare \u2013 Beziehung zu einem abgebildeten (auf ihm wieder erkennbar werdenden) Gegenstand. Ein Abbild kann einen nat\u00FCrlichen Ursprung haben (Schatten, Spiegelbild) oder k\u00FCnstlich geschaffen sein (Gem\u00E4lde, symbolisches Zeichen). In fr\u00FChen Gesellschaften wurden mit Abbildern magische Bedeutungen verbunden, wie die Anwesenheit eines dargestellten Gottes."@de , "An image is an artifact, for example a two-dimensional picture, that has a similar appearance to some subject—usually a physical object or a person. Images may be two-dimensional, such as a photograph, screen display, and as well as a three-dimensional, such as a statue. They may be captured by optical devices—such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water surfaces."@en , "A mindennapi nyelvhaszn\u00E1latban a k\u00E9p (latinul imago, jelent\u00E9se \u201Ehasonm\u00E1s\u201D) olyan alkot\u00E1s, amely valamilyen test, rendszerint egy fizikai t\u00E1rgy vagy egy szem\u00E9ly hasonl\u00F3s\u00E1g\u00E1t megmutatja, \u201Evisszaadja\u201D. A k\u00E9pek rendszerint k\u00E9tdimenzi\u00F3sak, mint a f\u00E9nyk\u00E9p, de van aki a szobrot is hasonm\u00E1snak tekinti. A k\u00E9pet t\u00F6bbnyire optikai eszk\u00F6z\u00F6kkel hozz\u00E1k l\u00E9tre, mint p\u00E9ld\u00E1ul a f\u00E9nyk\u00E9pez\u0151g\u00E9p, t\u00FCk\u00F6r, lencse, t\u00E1vcs\u0151, mikroszk\u00F3p stb."@hu ; foaf:depiction . @prefix skos: . @prefix ns10: . dbpedia:Image skos:subject ns10:Digital_photography , ns10:Photography , ns10:Vision , ns10:Computer_graphics , ns10:Graphic_design . @prefix ns11: . dbpedia:Image dbpprop:hasPhotoCollection ns11:Image . dbpedia:DevIL dbpedia-owl:genre dbpedia:Image . @prefix ns12: . dbpedia:DevIL ns12:genre dbpedia:Image ; dbpprop:genre dbpedia:Image . @prefix ns13: . dbpedia:Roper_Industries ns13:product dbpedia:Image ; dbpedia-owl:product dbpedia:Image ; dbpprop:products dbpedia:Image . @prefix ns14: . ns14:_The_Book_of_Shadows dbpedia-owl:label dbpedia:Image . @prefix ns15: . ns14:_The_Book_of_Shadows ns15:label dbpedia:Image . dbpedia:ESVG dbpedia-owl:genre dbpedia:Image ; ns12:genre dbpedia:Image ; dbpprop:genre dbpedia:Image . dbpedia:GDCM dbpedia-owl:genre dbpedia:Image ; ns12:genre dbpedia:Image ; dbpprop:genre dbpedia:Image . dbpedia:Libpng dbpedia-owl:genre dbpedia:Image ; ns12:genre dbpedia:Image ; dbpprop:genre dbpedia:Image . dbpedia:Christian_Walker dbpprop:publisher dbpedia:Image . dbpedia:Google_image_search dbpedia-owl:type dbpedia:Image ; ns12:type dbpedia:Image ; dbpprop:type dbpedia:Image . dbpedia:Librsvg dbpedia-owl:genre dbpedia:Image ; ns12:genre dbpedia:Image ; dbpprop:genre dbpedia:Image . dbpedia:Picture dbpprop:redirect dbpedia:Image . dbpprop:redirect dbpedia:Image . dbpedia:Pictorial dbpprop:redirect dbpedia:Image . dbpprop:redirect dbpedia:Image ; dbpedia-owl:label dbpedia:Image ; ns15:label dbpedia:Image ; dbpprop:label dbpedia:Image . @prefix ns16: . ns16:_Live dbpedia-owl:label dbpedia:Image ; ns15:label dbpedia:Image . dbpedia:Pictures dbpprop:redirect dbpedia:Image . dbpedia:Pikturs dbpprop:redirect dbpedia:Image . dbpedia:Pitcure dbpprop:redirect dbpedia:Image . dbpedia:Images dbpprop:redirect dbpedia:Image . dbpprop:redirect dbpedia:Image . dbpedia:Piccas dbpprop:redirect dbpedia:Image . dbpedia:Pictures_are_closer dbpprop:redirect dbpedia:Image . dbpprop:redirect dbpedia:Image .