Emo
Emocore
Емо
Эмо (музыкальный стиль)
Emo (hudba)
エモ
Emoo (muziko)
إيمو (نوع موسيقي)
이모 (음악)
Emo (muzyka)
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The melodic guitars, varied rhythms and personal lyrics of Rites of Spring changed the hardcore punk scene and helped launch the "emotional hardcore" or "emocore" style in the 1980s.
most-appreciated
"The Middle" topped Billboard Modern Rock Tracks chart and helped Bleed American to go platinum.
"Kiss the Bottle" is considered one of Jawbreaker's definitive and
"21 Guns" was released to commercial and critical acclaim in May 2009. The song was nominated for a Grammy for Best Rock Performance by a Duo or Group with Vocal and Best Rock Song in 2010. The makeup of "21 Guns" represents an emotional rock ballad, as opposed to Green Day's usual pop-punk sound.
The Promise Ring's Nothing Feels Good achieved wide success with an effective blend of pop and punk.
songs.
The Promise Ring - Why Did We Ever Meet.ogg
Rites of Spring - Remainder.ogg
Jimmy Eat World - The Middle.ogg
Mineral - If I Could.ogg
Jawbreaker - Kiss the Bottle.ogg
Emo means different things to different people. Actually, that's a massive understatement. Emo seems to solely mean different things to different people − like pig latin or books by Thomas Pynchon, confusion is one of its hallmark traits. [...] The word has survived and flourished in three decades, two milleniums, and two Bush administrations. [...] It's older than most of its fans. It's been a source of pride, a target of derision, a mark of confusion, and a sign of the times. It's been the next big thing twice, [and] the current big thing once. And yet, not only can no one agree on what it means, [but] there is not now, nor has there ever been, a single major band that admits to being emo. Not one.
This is such a funny time... I think just because so much of this language, it's like a youth code where heavy topics like suicide, depression, self-harm, things like that were like being grappled with in the music, but very rarely in a way that glorified it... Their music was a way out of it, or offering hope — a way that people could process these things and deal with it.
The one fact that no one seems to debate − or at least debate that loudly − is that emo emerged from hardcore.
In the early [2000s], bands from cultural hinterlands—Boca Raton, Las Vegas, the suburbs of New Jersey and Illinois, Long Island—took their predecessors’ interest in private emotion and the legacy of punk and added a new ingredient: pop ambition. There was fast, percussive guitar strumming; earworm riffs; frenetic drumming; and melodies full of stadium-ready sing-along moments, delivered in a nasal style that flirted with whining and sometimes crossed over into yelling.
emocore
Emotional hardcore
* Washington, D.C. * Midwestern U.S. * New Jersey
United States
Canada
Define the Great Line
In Love and Death
"If I Could" by Mineral
Tell All Your Friends
"Kiss the Bottle" by Jawbreaker
Watch Out!
XO Tour Llif3
"Remainder" by Rites of Spring
Old Crows / Young Cardinals
The Black Parade
Crisis
Where You Want To Be
"The Middle" by Jimmy Eat World
Pinkerton
Three Cheers for Sweet Revenge
"21 Guns" by Green Day
Decemberunderground
A Fever You Can't Sweat Out
Sing the Sorrow
Riot!
They're Only Chasing Safety
"Why Did We Ever Meet" by The Promise Ring
Smash
Louder Now
The Used
Dookie
Alexisonfire
album
single
Lil Uzi Vert
Green Day
Taking Back Sunday
AFI
Panic! at the Disco
Underoath
Paramore
Offspring
My Chemical Romance
Weezer
Chris Payne, author of Where Are Your Boys Tonight?: The Oral History of Emo's Mainstream Explosion, as quoted by Amelia Eqbal of CBC https://www.cbc.ca/arts/commotion/5-things-we-learned-about-the-legacy-of-emo-music-from-author-chris-payne-1.6881146
Theo Cateforis of Grove Music Dictionary https://www-oxfordmusiconline-com.wikipedialibrary.idm.oclc.org/grovemusic/display/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002240803?rskey=iJIYyI&result=1
Music critic Andy Greenwald in the book Nothing Feels Good: Punk Rock, Teenagers, and Emo. . St. Martins Griffin. pp. 1-2.
Music critic Andy Greenwald, in the book Nothing Feels Good: Punk Rock, Teenagers, and Emo
Peter C. Baker of The New Yorker https://www.newyorker.com/books/page-turner/when-emo-conquered-the-mainstream
Hardcore-Genre der Musik
музыкальный стиль, вид хардкорной музыки
izpeljanka punk rock glasbe s čustvenimi, introspektivnimi besedili
turunan dari musik punk rock dengan emosional, lirik introspektif
musik- och livsstil
género musical
музычны стыль
סגנון מוזיקאלי שהיה פופולרי בסוף המאה העשרים
derivative of post hardcore rock music with emotional, introspective lyrics
музичний жанр
math o gerddoriaeth pync
ロックの形態の一種
gatunek muzyki punkrockowej, z naciskiem na emocje
gênero musical
musiikkityyli
muziekgenre
sous-genre musical du punk hardcore
genere musicale
Musekgenre
;Subsequent
;Original:
* Emo pop * emo rap
;Subsequent:
* Screamo