@prefix dbpprop:	<http://dbpedia.org/property/> .
@prefix dbpedia:	<http://dbpedia.org/resource/> .
dbpedia:Mumblecore	dbpprop:influences	dbpedia:Dogme_95 .
dbpedia:Oulipo	dbpprop:list	dbpedia:Dogme_95 .
dbpedia:Oberiu	dbpprop:list	dbpedia:Dogme_95 .
@prefix rdf:	<http://www.w3.org/1999/02/22-rdf-syntax-ns#> .
@prefix ns3:	<http://dbpedia.org/class/yago/> .
dbpedia:Dogme_95	rdf:type	ns3:MovementsInCinema .
@prefix foaf:	<http://xmlns.com/foaf/0.1/> .
dbpedia:Dogme_95	foaf:homepage	<http://www.nimbusfilm.dk> ;
	dbpprop:name	"Dogme 95"@en .
@prefix owl:	<http://www.w3.org/2002/07/owl#> .
dbpedia:Dogme_95	owl:sameAs	<http://rdf.freebase.com/ns/guid.9202a8c04000641f8000000000013a25> .
@prefix ns6:	<http://en.wikipedia.org/wiki/> .
dbpedia:Dogme_95	foaf:page	ns6:Dogme_95 ;
	dbpprop:reference	<http://www.thepervertsguide.com/trailers_lars1-10.html> ,
		<http://www.dogpile95.com/> ,
		<http://www.greencine.com/static/primers/dogme95.jsp> ,
		<http://www.brokenprojector.com/wordpress/?p=31> ,
		<http://zakka.dk/euroscreenwriters/articles/mogens_rukov_532.htm> ,
		<http://www.nimbusfilm.dk> ,
		<http://www.newleftreview.org/?page=article&view=2224> .
@prefix rdfs:	<http://www.w3.org/2000/01/rdf-schema#> .
dbpedia:Dogme_95	rdfs:label	"\u0414\u043E\u0433\u043C\u0430 95"@ru ,
		"\u30C9\u30B0\u30DE95"@ja ,
		"Dogma 95"@it ,
		"Dogma 95"@nl ,
		"Dogma 95"@tr ,
		"Dogma 95"@fi ,
		"Dogme 95"@sv ,
		"Dogma 95"@es ,
		"Dogme 95"@cs ,
		"Dogma 95"@de ,
		"Dogme95"@fr ,
		"\u9053\u683C\u739B95"@zh ,
		"Dogmefilm"@no ,
		"Dogma 95"@ca ,
		"Dogma 95"@pl ,
		"Dogme 95"@en ,
		"Dogma 95"@pt ,
		"Dogma-filmek"@hu ;
	dbpprop:abstract	"Dogma 95 - manifest artystyczny du\u0144skiej awangardowej grupy tw\u00F3rc\u00F3w filmowych, podpisany 13 marca 1995. Dogma 95 to rodzaj deklaracji, kt\u00F3r\u0105 z\u0142o\u017Cyli w pubie w Kopenhadze: Thomas Vinterberg, Lars von Trier, Kristian Levring i Soren Kragh-Jacobsen. Jej naczeln\u0105 my\u015Bl\u0105 s\u0105 s\u0142owa: \"Kino to cz\u0142owiek wobec samego siebie, a nie tylko aktor przed kamer\u0105\"."@pl ,
		"Dogme 95 is an avant-garde filmmaking movement started in 1995 by the Danish directors Lars von Trier and Thomas Vinterberg with the signing of the Dogme 95 Manifesto and the \"Vow of Chastity\". They were later joined by fellow Danish directors Kristian Levring and S\u00F8ren Kragh-Jacobsen, to form a group sometimes known as the Dogme 95 Collective or the Dogme Brethren. Dogme is the Danish word for dogma. The genre gained international appeal partly because of its accessibility. It sparked off an interest in unknown filmmakers by suggesting that one can make a recognised film without being dependent on commissions or huge Hollywood budgets, depending on European government subsidies and television stations instead. The movement has been criticised for being a disguised attempt to gain media attention. Dogme was initiated to cause a stir and to make filmmakers and audiences re-think the art, effect and essence of filmmaking."@en ,
		"Dogme 95 (\u010Desky Dogma 95, ve sv\u011Bt\u011B se \u010Dasto ponech\u00E1v\u00E1 d\u00E1nsk\u00E1 podoba) je filma\u0159sk\u00E9 hnut\u00ED, kter\u00E9 v roce 1995 zalo\u017Eili (resp. sepsali jeho manifest) d\u00E1n\u0161t\u00ED re\u017Eis\u00E9\u0159i Lars von Trier, Thomas Vinterberg, Kristian Levring a S\u00F8ren Kragh-Jacobsen. Deklarovan\u00FDm c\u00EDlem hnut\u00ED je n\u00E1vrat k jednoduchosti filmu, zbaven\u00ED se produk\u010Dn\u00EDch \u00FAprav a soust\u0159ed\u011Bn\u00ED se na postavy a p\u0159\u00EDb\u011Bh. K dosa\u017Een\u00ED t\u011Bchto ide\u00E1l\u016F stanovili von Trier a Vinterberg deset bod\u016F, kter\u00E9 mus\u00ED filmy spl\u0148ovat, naz\u00FDvan\u00FDch Slib \u010Distoty (Vow of Chastity): Nat\u00E1\u010Den\u00ED mus\u00ED prob\u00EDhat v re\u00E1lu, na m\u00EDst\u011B d\u011Bje. Dov\u00E1\u017Een\u00ED rekvizit nen\u00ED p\u0159\u00EDpustn\u00E9. (Pokud je n\u011Bjak\u00E1 rekvizita nezbytn\u00E1 pro p\u0159\u00EDb\u011Bh, mus\u00ED b\u00FDt zvoleno takov\u00E9 m\u00EDsto nat\u00E1\u010Den\u00ED, kde se rekvizita nach\u00E1z\u00ED. ) Zvuk a obraz nesm\u00ED b\u00FDt nahr\u00E1v\u00E1ny odd\u011Blen\u011B. (Nesm\u00ED b\u00FDt pou\u017E\u00EDv\u00E1na hudba, pokud nehraje v nat\u00E1\u010Den\u00E9 sc\u00E9n\u011B. ) Kamera mus\u00ED b\u00FDt dr\u017Eena v ruce. Je povolen jak\u00FDkoli pohyb nebo nehybnost dosa\u017Eiteln\u00E1 v ruce. (Film se nesm\u00ED odehr\u00E1vat tam, kde stoj\u00ED kamera; kamera mus\u00ED nat\u00E1\u010Det tam, kde se odehr\u00E1v\u00E1 film. ) Film mus\u00ED b\u00FDt barevn\u00FD. Speci\u00E1ln\u00ED osv\u011Btlen\u00ED je nep\u0159\u00EDpustn\u00E9. (Pokud nedostatek sv\u011Btla nedovoluje nat\u00E1\u010Det, je t\u0159eba sc\u00E9nu vypustit nebo na kameru p\u0159ipevnit jednu lampu. ) Optick\u00E9 efekty a filtry jsou zak\u00E1z\u00E1ny. Film nesm\u00ED obsahovat povrchn\u00ED akci. (Vra\u017Edy, zbran\u011B apod. se nesm\u00ED vyskytovat. ) \u010Casov\u00FD a geografick\u00FD posun je zak\u00E1z\u00E1n. (Film se odehr\u00E1v\u00E1 tady a te\u010F. ) \u017D\u00E1nrov\u00E9 filmy nejsou akceptovateln\u00E9. Form\u00E1t filmu mus\u00ED b\u00FDt Academy 35mm, s pom\u011Brem stran 4:3 (tj. ne \u0161iroko\u00FAhl\u00FDm). (Tento po\u017Eadavek byl pozd\u011Bji zm\u00EDrn\u011Bn pouze na fin\u00E1ln\u00ED kopii, aby umo\u017Enil i n\u00EDzkorozpo\u010Dtov\u00E9 produkce. ) Re\u017Eis\u00E9r nesm\u00ED b\u00FDt uveden v titulc\u00EDch."@cs ,
		"\u30C9\u30B0\u30DE95\uFF08Dogme95\uFF09\u306F\u3001\u30C7\u30F3\u30DE\u30FC\u30AF\u306B\u304A\u3051\u308B\u6620\u753B\u904B\u52D5\u3067\u3042\u308B\u30021995\u5E74\u3001\u30E9\u30FC\u30B9\u30FB\u30D5\u30A9\u30F3\u30FB\u30C8\u30EA\u30A2\u30FC\u3089\u306B\u3088\u3063\u3066\u59CB\u3081\u3089\u308C\u305F\u3002\u30C9\u30B0\u30DE95\u306B\u306F\u300C\u7D14\u6F54\u306E\u8A93\u3044\u300D\u3068\u547C\u3070\u308C\u308B\u3001\u6620\u753B\u3092\u88FD\u4F5C\u3059\u308B\u4E0A\u306710\u500B\u306E\u91CD\u8981\u306A\u30EB\u30FC\u30EB\u304C\u3042\u308B\u30022008\u5E74\u73FE\u5728\u307E\u3067270\u4F5C\u3092\u6570\u3048\u308B\u3002"@ja ,
		"Dogmefilm er et konsept som ble introdusert under Cannes filmfestival i 1995 av et dansk kollektiv av filmregiss\u00F8rer som kalte seg Dogme 95. Kollektivet ble startet av Lars von Trier og Thomas Vinterberg for \u00E5 v\u00E6re en motvekt mot kommersialiseringen av filmen og det store fokuset p\u00E5 effektmakeri. Dogme 95 \u00F8nsket \u00E5 flytte fokuset over p\u00E5 den gode fortelling ved \u00E5 utfordre den etablerte m\u00E5ten \u00E5 tenke filmproduksjon p\u00E5. Derfor laget de et kyskhetsl\u00F8fte som regiss\u00F8rene m\u00E5tte skrive under p\u00E5. Noen synes disse filmene ser sv\u00E6rt d\u00E5rlige ut, og at de later til \u00E5 v\u00E6re laget av amat\u00F8rer med sv\u00E6rt d\u00E5rlig utstyr; p\u00E5 den annen side mener andre at filmene er blitt mesterverker. De har ogs\u00E5 vunnet sv\u00E6rt mange internasjonale priser. De mest kjente dogmefilmene er Festen (Vinterberg) og Idiotene (Trier)."@no ,
		"Dogma 95 (Dogme 95) \u00E8 il nome di un movimento cinematografico particolare, perch\u00E9 creato e fondato su precise regole espresse in un manifesto pubblicato nel 1995 (da cui il nome) dal regista danese Lars von Trier, e quindi non nato ed evoluto spontaneamente come nella maggior parte dei casi nella storia del cinema. Il decalogo, a cui hanno aderito diversi registi danesi, oltre allo stesso von Trier: Thomas Vinterberg, Kristian Levring e S\u00F8ren Kragh-Jacobsen, \u00E8 spesso definito anche con il significativo nome di Voto di Castit\u00E0, che lascia intendere lo spirito del movimento, ed \u00E8 stato stilato e firmato ufficialmente a Copenaghen, luned\u00EC 13 marzo 1995. L'obiettivo, ambizioso, era quello di \"purificare\" il cinema dalla \"cancrena\" degli effetti speciali e dagli investimenti miliardari. Niente luci, nessuna scenografia, assenza di colonna sonora, rifiuto di ogni espediente al di fuori di quello della camera a mano... Le regole da seguire per raggiungere questo obiettivo sono state espresse in un manifesto scritto. C'\u00E8 da dire che gi\u00E0 dal primo film le regole sono state violate, ed ogni regista, chi pi\u00F9 chi meno, ha ricorso a degli espedienti (musica, luci, scenografie) vietati nei propri film. Come detto sul sito ufficiale, in realt\u00E0 ogni regista pu\u00F2 interpretare il decalogo a suo modo. Il 20 marzo 2005, a Copenaghen, i registi hanno firmato il documento che, dieci anni dopo, ha sancito la fine del patto. I dieci anni di esperienza della Dogma 95 hanno portato alla produzione di circa 40 film. Spesso questi erano riferiti solamente con un numero (Dogma 1, Dogma 2, ecc. ) anzich\u00E9 con il titolo vero e proprio."@it ,
		"Dogma 95 ist ein von den d\u00E4nischen Filmregisseuren Lars von Trier, Thomas Vinterberg, Kristian Levring und S\u00F8ren Kragh-Jacobsen am 13. M\u00E4rz 1995 unterzeichnetes und am 20. M\u00E4rz 1995 in Paris vorgestelltes Manifest f\u00FCr die Produktion von Filmen."@de ,
		"Dogma 95 (en dan\u00E9s Dogme 95) es un movimiento f\u00EDlmico desarrollado en 1995 por los directores daneses Lars von Trier, Thomas Vinterberg, Kristian Levring y Soren Kragh-Jacobsen. Su meta es producir pel\u00EDculas simples, sin modificaciones en la post-producci\u00F3n, poniendo \u00E9nfasis en el desarrollo dram\u00E1tico."@es ,
		"Dogma 95 is een oorspronkelijk Deens verbond van Elias Dargakis en een aantal regisseurs dat in 1995 in Kopenhagen is opgericht. De Deense naam is Dogme 95. De deelnemers hebben afgesproken zich bij het filmmaken aan tien strikte regels (dogma's) te zullen houden. Deze regels worden opgesomd in het manifest van Dogma 95, en vormen samen De eed van zuiverheid. De oprichters van Dogma 95 zijn de Deense regisseurs Thomas Vinterberg, Lars von Trier, Kristian Levring, en S\u00F8ren Kragh-Jacobsen. De eerste en tevens bekendste Dogma 95-film is Festen (The Celebration) uit 1998, geregisseerd door Thomas Vinterberg."@nl ,
		"O Dogma 95 \u00E9 um movimento cinematogr\u00E1fico internacional lan\u00E7ado a partir de um manifesto publicado em 13 de mar\u00E7o de 1995 em Copenhague, na Dinamarca. Os autores foram os cineastas dinamarqueses, Thomas Vinterberg e Lars von Trier. Segundo o relato de Vinterberg, os dois levaram apenas 45 minutos para formular as regras. Elas foram apresentadas uma semana depois no Od\u00E9on - Th\u00E9atre de L\u2019Europe, em Paris, em 20 de mar\u00E7o de 1995, onde von Trier foi chamado para celebrar o centen\u00E1rio do nascimento do Cinema."@pt ,
		"Dogma 95 (en dan\u00E8s Dogme 95) \u00E9s un moviment f\u00EDlmic desenvolupat al 1995 pels directors danesos Lars von Trier, Thomas Vinterberg, Kristian Levring i Soren Kragh-Jacobsen. La seva meta \u00E9s produir pel\u00B7l\u00EDcules simples, sense modificacions en la post-producci\u00F3, posant \u00E8mfasi en el desenvolupament dram\u00E0tic."@ca ,
		"\u0414\u043E\u0301\u0433\u043C\u0430 95\u00A0\u2014 \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u0435 \u0432 \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u043E\u043C \u043A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0435. \u0414\u0430\u0442\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440 \u041B\u0430\u0440\u0441 \u0444\u043E\u043D \u0422\u0440\u0438\u0435\u0440, \u0432\u043E \u0432\u0440\u0435\u043C\u044F \u0440\u0430\u0431\u043E\u0442\u044B \u043D\u0430\u0434 \u0444\u0438\u043B\u044C\u043C\u0430\u043C\u0438 \u00AB\u041A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u0442\u0432\u043E\u00BB \u0438 \u00AB\u041A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u0442\u0432\u043E II\u00BB, \u043F\u0440\u0438\u0445\u043E\u0434\u0438\u0442 \u043A \u0443\u043C\u043E\u0437\u0430\u043A\u043B\u044E\u0447\u0435\u043D\u0438\u044E, \u0447\u0442\u043E \u0442\u0435\u0445\u043D\u0438\u043A\u0430 \u0438 \u0441\u0442\u0438\u043B\u0438\u0441\u0442\u0438\u043A\u0430 \u043C\u0435\u043D\u0435\u0435 \u0432\u0430\u0436\u043D\u044B \u0438 \u0438\u043D\u0442\u0435\u0440\u0435\u0441\u043D\u044B \u0437\u0440\u0438\u0442\u0435\u043B\u044F\u043C, \u0447\u0435\u043C \u0441\u044E\u0436\u0435\u0442 \u0438 \u043F\u0435\u0440\u0441\u043E\u043D\u0430\u0436\u0438. \u00AB\u041A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u0442\u0432\u043E\u00BB \u043E\u043D \u0441\u043D\u0438\u043C\u0430\u043B \u0431\u043E\u043B\u044C\u0448\u0435\u0439 \u0447\u0430\u0441\u0442\u044C\u044E \u0440\u0443\u0447\u043D\u043E\u0439 \u043A\u0430\u043C\u0435\u0440\u043E\u0439, \u043F\u0440\u0435\u043D\u0435\u0431\u0440\u0435\u0433\u0430\u044F \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043E\u043D\u043D\u044B\u043C\u0438 \u043F\u0440\u0430\u0432\u0438\u043B\u0430\u043C\u0438 \u043E\u0441\u0432\u0435\u0449\u0435\u043D\u0438\u044F \u0438 \u043C\u043E\u043D\u0442\u0430\u0436\u0430, \u0440\u0435\u0437\u0443\u043B\u044C\u0442\u0430\u0442\u043E\u043C \u0447\u0435\u0433\u043E \u044F\u0432\u0438\u043B\u0441\u044F \u0441\u043C\u0430\u0437\u0430\u043D\u043D\u044B\u0439 \u0446\u0432\u0435\u0442 \u0438 \u0437\u0435\u0440\u043D\u0438\u0441\u0442\u043E\u0441\u0442\u044C \u043A\u0430\u0434\u0440\u0430. \u042D\u0442\u043E\u0442 \u043C\u0438\u043D\u0438-\u0441\u0435\u0440\u0438\u0430\u043B \u0441\u0442\u0430\u043B \u043F\u0435\u0440\u0432\u044B\u043C \u043A\u043E\u043C\u043C\u0435\u0440\u0447\u0435\u0441\u043A\u0438\u043C \u0443\u0441\u043F\u0435\u0445\u043E\u043C \u0444\u043E\u043D \u0422\u0440\u0438\u0435\u0440\u0430. \u041D\u0430\u0439\u0434\u0435\u043D\u043D\u044B\u0439 \u0438\u043D\u0442\u0443\u0438\u0442\u0438\u0432\u043D\u043E, \u044D\u0442\u043E\u0442 \u0441\u0442\u0438\u043B\u044C \u0431\u044B\u043B \u043F\u043E\u043B\u043E\u0436\u0435\u043D \u0432 \u043E\u0441\u043D\u043E\u0432\u0443 \u0438\u0434\u0435\u0439 \u043A\u043E\u043D\u0446\u0435\u043F\u0442\u0443\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u043C\u0430\u043D\u0438\u0444\u0435\u0441\u0442\u0430 \u0438 10 \u043F\u0440\u0430\u0432\u0438\u043B \u0433\u0440\u0443\u043F\u043F\u044B \u00AB\u0414\u043E\u0433\u043C\u0430 95\u00BB, \u0441\u043E\u0437\u0434\u0430\u043D\u043D\u043E\u0439 \u0432 1995 \u0433\u043E\u0434\u0443. \u041C\u0430\u043D\u0438\u0444\u0435\u0441\u0442 \u00AB\u0414\u043E\u0433\u043C\u044B\u00BB \u043F\u043E\u0434\u043F\u0438\u0441\u0430\u043B\u0438 \u041B\u0430\u0440\u0441 \u0444\u043E\u043D \u0422\u0440\u0438\u0435\u0440, \u0422\u043E\u043C\u0430\u0441 \u0412\u0438\u043D\u0442\u0435\u0440\u0431\u0435\u0440\u0433, \u043F\u043E\u043B\u0443\u0447\u0438\u0432\u0448\u0438\u0439 \u0437\u0430 \u0444\u0438\u043B\u044C\u043C \u00AB\u0422\u043E\u0440\u0436\u0435\u0441\u0442\u0432\u043E\u00BB \u0421\u043F\u0435\u0446\u0438\u0430\u043B\u044C\u043D\u044B\u0439 \u043F\u0440\u0438\u0437 \u0436\u044E\u0440\u0438 \u041A\u0430\u043D\u043D\u0441\u043A\u043E\u0433\u043E \u043A\u0438\u043D\u043E\u0444\u0435\u0441\u0442\u0438\u0432\u0430\u043B\u044F, \u041A\u0440\u0438\u0441\u0442\u0438\u0430\u043D \u041B\u0435\u0432\u0440\u0438\u043D\u0433 (\u00AB\u041A\u043E\u0440\u043E\u043B\u044C \u0436\u0438\u0432\u00BB), \u0421\u0451\u0440\u0435\u043D \u041A\u0440\u0430\u0433-\u042F\u043A\u043E\u0431\u0441\u0435\u043D (\u00AB\u041F\u043E\u0441\u043B\u0435\u0434\u043D\u044F\u044F \u043F\u0435\u0441\u043D\u044C \u041C\u0438\u0444\u0443\u043D\u0435\u00BB, \u0421\u0435\u0440\u0435\u0431\u0440\u044F\u043D\u044B\u0439 \u043C\u0435\u0434\u0432\u0435\u0434\u044C \u043D\u0430 \u0411\u0435\u0440\u043B\u0438\u043D\u0441\u043A\u043E\u043C \u043A\u0438\u043D\u043E\u0444\u0435\u0441\u0442\u0438\u0432\u0430\u043B\u0435)."@ru ,
		"Le Dogme 95 est un mouvement cin\u00E9matographique lanc\u00E9 en 1995 par des r\u00E9alisateurs danois sous l'impulsion de Lars von Trier et de Thomas Vinterberg."@fr ,
		"Dogme 95, \u00E4ven Dogma 95, \u00E4r en filmr\u00F6relse som startades 1995 av de danska regiss\u00F6rerna Lars von Trier, Thomas Vinterberg, Kristian Levring och S\u00F8ren Kragh-Jacobsen. R\u00F6relsen byggde p\u00E5 en rad regler (dogmer) som filmskaparna skulle lova att f\u00F6lja. Bland reglerna fanns att inget ljud fick l\u00E4ggas p\u00E5 i efterhand, att inga kulisser fick anv\u00E4ndas och att alla kameror skulle vara handh\u00E5llna. Dessa dogmer sammanfattades i \"The Vow of Chastity\" Kyskhetsl\u00F6ftet som bestod av 10 bud. Den f\u00F6rsta dogmafilmen var Thomas Vinterbergs Festen och den andra var Idioterna av Lars von Trier."@sv ,
		"Dogma 95 1995te danimarkal\u0131 y\u00F6netmenler Lars von Trier, Thomas Vinterberg, Kristian Levring, ve S\u00F8ren Kragh-Jacobsen taraf\u0131ndan ba\u015Flat\u0131rm\u0131\u015F avantgarde film yap\u0131m ak\u0131m\u0131d\u0131r. Bu ak\u0131m bazen Dogme 95 Collective veya the Dogme Brethren olarak da bilinir."@tr ,
		"Dogma 95 on elokuvan taiteellinen suuntaus. Sen aloittivat vuonna 1995 tanskalaiset elokuvaohjaajat Lars von Trier, Thomas Vinterberg, Kristian Levring ja S\u00F8ren Kragh-Jacobsen. Dogma-suuntauksen tarkoituksena on kasvattaa elokuvanteon \"puhtautta\" pyrkim\u00E4ll\u00E4 eroon kaikista tekij\u00F6ist\u00E4 jotka tuovat elokuvaan ylim\u00E4\u00E4r\u00E4ist\u00E4 pintakiiltoa ja kikkailua, ja keskittym\u00E4ll\u00E4 vain elokuvan sis\u00E4ll\u00F6n kannalta olennaisiin asioihin. Tarkoituksena on, ett\u00E4 elokuvan ohjaaja ei ota \"taiteellista\" n\u00E4k\u00F6kantaa, vaan kertoo totuuden hahmoista, paikoista ja tilanteista. Trier ja Vinterberg keksiv\u00E4t t\u00E4t\u00E4 silm\u00E4ll\u00E4 pit\u00E4en s\u00E4\u00E4nn\u00F6st\u00F6n, \"siveyslupauksen\", johon kuuluvat seuraavat kohdat: Elokuva tulee kuvata kokonaan kuvauspaikoilla. Esineit\u00E4 ja lavasteita ei saa tuoda paikalle. (Jos tietty\u00E4 esinett\u00E4 tarvitaan juonen kannalta, sellainen pit\u00E4\u00E4 l\u00F6yty\u00E4 valmiiksi kuvauspaikalta. ) \u00C4\u00E4nt\u00E4 ei saa tuottaa kuvista irrallaan, tai p\u00E4invastoin. (Musiikkia ei saa lis\u00E4t\u00E4 elokuvaan j\u00E4lkeenp\u00E4in, vaan sit\u00E4 saa kuulua elokuvassa vain, jos sit\u00E4 sattuu kuulumaan kuvaustilanteessa taustalla. ) Kameran kuuluu olla k\u00E4sivaralla. Kaikki k\u00E4siliikkeill\u00E4 teht\u00E4v\u00E4 kameran liike on sallittua. (Ei ole sallittua kuvata kameran ollessa jalustalla tai muulla tuella. On kuvattava paikassa, jossa kuvattavat tapahtumat tapahtuvat. ) On k\u00E4ytett\u00E4v\u00E4 v\u00E4rifilmi\u00E4. Erikoisvalaistusta ei saa k\u00E4ytt\u00E4\u00E4. (Alivalottuneet kohtaukset on leikattava pois. Yhden kameraan liitetyn valaisimen k\u00E4ytt\u00F6 on sallittu. ) Optiset tehosteet ja suotimet ovat kiellettyj\u00E4. Elokuvassa ei saa olla pinnallista toimintaa. (Murhat, aseet, jne. ovat kiellettyj\u00E4. ) Ajallinen ja paikallinen siirt\u00E4minen ei ole sallittua. (Elokuvan on tapahduttava t\u00E4ss\u00E4 ja nyt. ) Genre-elokuvat eiv\u00E4t ole sallittuja. Elokuva pit\u00E4\u00E4 siirt\u00E4\u00E4 35mm filmille, k\u00E4ytt\u00E4en normaalia 4:3 kuvasuhdetta. (Aiemmin s\u00E4\u00E4nt\u00F6 vaati ett\u00E4 elokuva on my\u00F6s kuvattava 35 mm filmille, mutta s\u00E4\u00E4nt\u00F6\u00E4 l\u00F6ys\u00E4ttiin pienen budjetin elokuvien tekemisen helpottamiseksi. ) Ohjaajaa ei saa mainita krediiteiss\u00E4. Pit\u00E4\u00E4 huomata, ett\u00E4 nykyisin n\u00E4ist\u00E4 asioista ei pidet\u00E4 tarkkaa kirjaa eik\u00E4 niiden noudattamista valvota tarkasti, koska tekij\u00E4t eiv\u00E4t koe Dogmaa \"br\u00E4ndiksi\" eik\u00E4 heill\u00E4 ole tarkistuksiin resursseja. S\u00E4\u00E4nt\u00F6jen noudattaminen on t\u00E4ysin elokuvan tekij\u00F6iden omantunnon varassa. Elokuvan tekij\u00E4t kiert\u00E4v\u00E4t tai v\u00E4\u00E4nt\u00E4v\u00E4t my\u00F6s s\u00E4\u00E4nt\u00F6j\u00E4 jonkin verran. Joskus tekij\u00E4t my\u00F6s my\u00F6nt\u00E4v\u00E4t rikkoneensa s\u00E4\u00E4nt\u00F6j\u00E4; esimerkiksi Thomas Vinterberg tunnusti verhonneensa er\u00E4\u00E4n ikkunan elokuvaa Juhlat teht\u00E4ess\u00E4, mik\u00E4 rikkoo lavastes\u00E4\u00E4nt\u00F6\u00E4 ja erikoisvalaistuss\u00E4\u00E4nt\u00F6\u00E4. Kaikilla s\u00E4\u00E4nn\u00F6ill\u00E4 ei edes ole tarkkaa m\u00E4\u00E4ritelm\u00E4\u00E4; on vaikeaa sanoa, mik\u00E4 on \"genre-elokuva\" (Dogma-elokuvathan ovat sin\u00E4ll\u00E4\u00E4n jo oma genrens\u00E4) tai mit\u00E4 on \"pinnallinen toiminta\". Lis\u00E4ksi on huomattava, ett\u00E4 vaikka ohjaajaa ei saa mainita krediiteiss\u00E4, he osallistuvat kyll\u00E4 usein elokuvan markkinointiin ja elokuvan ulkopuolella heid\u00E4t useimmiten korotetaan ohjaajiksi."@fi ,
		"F\u00E1jl:LarsVonTrier. jpg Lars Von Trier Az 1990-es \u00E9vekt\u0151l kezdve egyre t\u00F6bbsz\u00F6r mer\u00FClt fel egy bizonyos Lars von Triernek a neve, aki d\u00E1n haz\u00E1j\u00E1nak hat\u00E1rait kezdi \u00E1th\u00E1gni, \u00E9s n\u00E9mi friss\u00FCl\u00E9st hoz Eur\u00F3p\u00E1nak. Haz\u00E1j\u00E1ban m\u00E1r elismert rendez\u0151 volt, miel\u0151tt vil\u00E1gh\u00EDrn\u00E9vre tett volna szert, a d\u00E1n k\u00F6z\u00F6ns\u00E9g m\u00E9gis az 1994\u20131995-ben k\u00E9sz\u00EDtett rendhagy\u00F3 t\u00E9v\u00E9sorozata, a Birodalom (Riget) vet\u00EDt\u00E9sekor z\u00E1rta sz\u00EDv\u00E9be. Az egyes r\u00E9szekben egy\u00E9bk\u00E9nt m\u00E1r f\u00F6llelhet\u0151ek bizonyos formabont\u00F3 elemek; k\u00FCl\u00F6n\u00F6sen a v\u00E1g\u00E1s, k\u00E9pszerkeszt\u00E9s ter\u00E9n. A sorozat enyhe hasonl\u00F3s\u00E1got mutat az amerikai David Lynch kultikus thriller folyam\u00E1val, a Twin Peaks-szel, de Trier sokkal t\u00F6bb humorral f\u0171szerezi saj\u00E1t misztikus t\u00F6rt\u00E9net\u00E9t. Egyfel\u0151l izgalmas szellemt\u00F6rt\u00E9net, m\u00E1sfel\u0151l a k\u00F3rh\u00E1zsorozatok, s ezzel egy\u00FCtt a d\u00E1n orvosok par\u00F3di\u00E1ja a Birodalom. A sorozattal egy\u00E9bk\u00E9nt a d\u00E1n nemzeti telev\u00EDzi\u00F3 b\u00EDzta meg a rendez\u0151t, mely olyan sikert aratott a d\u00E1n k\u00F6z\u00F6ns\u00E9g k\u00F6r\u00E9ben, hogy a vet\u00EDt\u00E9sek alkalm\u00E1val gyakorlatilag ki\u00FCr\u00FCltek az utc\u00E1k."@hu ,
		"\u9053\u683C\u739B95\uFF08Dogma 95\u6216\u8005Dogme 95\uFF09\u662F\u4E00\u573A\u7531\u4E39\u9EA6\u5BFC\u6F14\u62C9\u65AF\u00B7\u51AF\u00B7\u63D0\u5C14\uFF08Lars von Trier\uFF09\uFF0C\u6258\u9A6C\u65AF\u00B7\u6E29\u7279\u4F2F\u683C\uFF08Thomas Vinterberg\uFF09\uFF0C\u514B\u91CC\u65AF\u6C40\u00B7\u83B1\u6587\uFF08 Kristian Levring\uFF09\u548CSoren Kragh-Jacobsen\u4E8E1995\u5E74\u53D1\u8D77\u7684\u7535\u5F71\u8FD0\u52A8\uFF0C\u8FD9\u4E2A\u8FD0\u52A8\u6709\u65F6\u88AB\u79F0\u4E3A\u9053\u683C\u739B95\u5171\u540C\u4F53\u3002\u8FD9\u4E2A\u5171\u540C\u4F53\u7684\u76EE\u6807\u662F\u5728\u7535\u5F71\u6444\u5236\u4E2D\u704C\u8F93\u6734\u7D20\u611F\u89C9\uFF0C\u548C\u540E\u671F\u5236\u4F5C\u4FEE\u6539\u53CA\u5176\u4ED6\u53D1\u660E\u7684\u81EA\u7531\u3002\u5F3A\u8C03\u7535\u5F71\u6784\u6210\u7684\u7EAF\u7CB9\u6027\u5E76\u805A\u7126\u4E8E\u771F\u5B9E\u7684\u6545\u4E8B\u548C\u6F14\u5458\u7684\u8868\u6F14\u672C\u8EAB\u3002\u5BF9\u4E8E\u6B23\u8D4F\u8FD9\u4E2A\u7535\u5F71\u7684\u4EBA\u6765\u8BF4\uFF0C\u56E0\u4E3A\u610F\u8BC6\u5230\u6CA1\u6709\u8FC7\u5EA6\u7684\u4EBA\u5DE5\u75D5\u8FF9\u800C\u6700\u7EC8\u66F4\u52A0\u5173\u5FC3\u6545\u4E8B\u672C\u8EAB\u7684\u60C5\u8282\u548C\u53D1\u5C55\u3002\u4E3A\u4E86\u8FDB\u4E00\u6B65\u5B9E\u73B0\u8FD9\u4E2A\u76EE\u6807\uFF0C\u51AF\u00B7\u63D0\u5C14\u548C\u6E29\u7279\u4F2F\u683C\u53D1\u5C55\u51FA\u4E86\u9053\u683C\u739B\u7535\u5F71\u5FC5\u987B\u9075\u5FAA\u7684\u5341\u6761\u89C4\u5219\uFF0C\u8FD9\u4E9B\u89C4\u5219\u88AB\u79F0\u4E3A\u7EAF\u6D01\u8A93\u8A00\uFF08Vow of Chastity\u53C8\u79F0\u9053\u683C\u739B\u5BA3\u8A00\uFF09\u5168\u6587\u5982\u4E0B: \u7EAF\u6D01\u8A93\u8A00 \u6211\u5BA3\u8A93\u670D\u4ECE\u4E0B\u5217\u9053\u683C\u739B95\u8D77\u8349\u548C\u901A\u8FC7\u7684\u89C4\u5219\uFF1A \u6444\u5236\u5FC5\u987B\u5728\u6545\u4E8B\u7684\u53D1\u751F\u5730\u5B8C\u6210\u3002\u9053\u5177\u548C\u5E03\u666F\u4E0D\u53EF\u4EE5\u662F\u540E\u52A0\u7684\uFF0C\uFF08\u5982\u679C\u4E00\u4E2A\u7279\u5B9A\u7684\u9053\u5177\u5BF9\u6545\u4E8B\u662F\u5FC5\u9700\u7684\uFF0C\u5FC5\u987B\u9009\u62E9\u4E00\u4E2A\u8FD9\u4E2A\u9053\u5177\u53EF\u4EE5\u88AB\u627E\u5230\u7684\u5730\u70B9\uFF09 \u97F3\u8F68\u6C38\u8FDC\u4E0D\u80FD\u4E0E\u56FE\u50CF\u5206\u5F00\u5F55\u5236\uFF0C\u53CD\u4E4B\u4EA6\u7136\u3002\uFF08\u914D\u4E50\u4E0D\u53EF\u4EE5\u4F7F\u7528\uFF0C\u9664\u975E\u97F3\u4E50\u662F\u6444\u5236\u7684\u573A\u666F\u91CC\u51FA\u73B0\u7684\uFF09\u3002 \u6444\u50CF\u673A\u5FC5\u987B\u662F\u624B\u6301\u7684\u3002\u4EFB\u4F55\u6643\u52A8\u6216\u8005\u624B\u6301\u6240\u80FD\u8FBE\u5230\u7684\u7A33\u5B9A\u7A0B\u5EA6\u90FD\u662F\u88AB\u5141\u8BB8\u7684\u3002\uFF08\u7535\u5F71\u4E0D\u80FD\u53D1\u751F\u5728\u6444\u50CF\u673A\u5B58\u5728\u7684\u5730\u65B9; \u6444\u50CF\u5FC5\u9700\u662F\u5728\u7535\u5F71\u53D1\u751F\u7684\u5730\u65B9\uFF09 \u7535\u5F71\u5FC5\u987B\u662F\u5F69\u8272\u7684\u3002\u7279\u6B8A\u6253\u5149\u662F\u4E0D\u53EF\u63A5\u53D7\u7684\u3002\uFF08\u5149\u7EBF\u8FC7\u6697\u81F3\u4E0D\u8DB3\u4EE5\u66DD\u5149\u7684\u573A\u666F\u5FC5\u9700\u780D\u6389\u6216\u8005\u53EA\u4F7F\u7528\u9644\u52A0\u5230\u6444\u50CF\u673A\u4E0A\u7684\u5355\u4E00\u5149\u6E90\uFF09 \u5149\u5B66\u5904\u7406\u548C\u6EE4\u955C\u662F\u88AB\u7981\u6B62\u7684\u3002 \u7535\u5F71\u4E0D\u80FD\u5305\u542B\u80A4\u6D45\u884C\u4E3A\u3002\uFF08\u8C0B\u6740\uFF0C\u6B66\u5668\u7B49\u4E0D\u53EF\u4EE5\u51FA\u73B0\uFF09 \u65F6\u7A7A\u4E0A\u76F8\u8DDD\u8F83\u8FDC\u662F\u4E0D\u53EF\u4EE5\u63A5\u53D7\u7684\u3002\uFF08\u4E5F\u5C31\u662F\u8BF4\u7535\u5F71\u5FC5\u9808\u767C\u751F\u5728\u73B0\u5728\u7684\u4E16\u754C\uFF09\u3002 \u7C7B\u578B\u7247\u662F\u4E0D\u53EF\u63A5\u53D7\u7684\u3002 \u80F6\u7247\u683C\u5F0F\u5FC5\u987B\u662F35mm\u7684\u3002 \u5BFC\u6F14\u662F\u4E0D\u80FD\u7F72\u540D\u7684\u3002 \u6B64\u5916\uFF0C\u6211\u53D1\u8A93\u4F5C\u4E3A\u5BFC\u6F14\u8981\u514B\u5236\u81EA\u5DF1\u7684\u79C1\u4EBA\u54C1\u5473\uFF01\u6211\u4E0D\u518D\u662F\u827A\u672F\u5BB6\u3002\u6211\u53D1\u8A93\u514B\u5236\u53BB\u521B\u9020\u4E00\u4EF6\"\u4F5C\u54C1\"\uFF0C\u56E0\u4E3A\u6211\u628A\"\u76F4\u63A5\"\u770B\u6210\u662F\u6700\u91CD\u8981\u7684\u3002\u6211\u7684\u7EC8\u6781\u76EE\u7684\u662F\u628A\u771F\u7406\u4ECE\u89D2\u8272\u548C\u573A\u666F\u4E2D\u903C\u51FA\u6765\u3002\u6211\u53D1\u8A93\u4EE5\u727A\u7272\u54C1\u5473\u548C\u4E00\u5207\u5BA1\u7F8E\u8003\u8651\u4E3A\u4EE3\u4EF7\u4E0D\u987E\u4E00\u5207\u53BB\u8FD9\u6837\u505A\u3002 \u56E0\u6B64\u6211\u505A\u4E86\u6211\u7684\u7EAF\u6D01\u5BA3\u8A00 \u54E5\u672C\u54C8\u6839 1995\u5E743\u670813\u65E5 \u661F\u671F\u4E00 \u4EE3\u8868\u9053\u683C\u739B95\u5171\u540C\u4F53\u6240\u6709\u6210\u5458 \u62C9\u65AF\u00B7\u51AF\u00B7\u63D0\u5C14 \u6258\u9A6C\u65AF\u00B7\u6E29\u7279\u4F2F\u683C \u5E94\u8BE5\u6307\u51FA\u4ECE\u7B2C\u4E00\u90E8\u9053\u683C\u739B\u5F71\u7247\u5F00\u59CB\uFF0C\u8FD9\u4E9B\u89C4\u5219\u5C31\u6709\u7684\u88AB\u9075\u5FAA\u6709\u7684\u88AB\u6253\u7834\u4E86\u3002\u4F8B\u5982\u5728\u767D\u75F4\uFF08The Idiots\uFF09\u4E2D\uFF0C\u4E00\u4F4D\u97F3\u4E50\u4EBA\u53E6\u5916\u63D0\u4F9B\u4E86\u80CC\u666F\u97F3\u4E50\u3002\u6258\u9A6C\u65AF\u00B7\u6E29\u7279\u4F2F\u683C\u4E5F\u627F\u8BA4\u62CD\u6444\"\u5E86\u795D\"\uFF08Festen\uFF0C\u53E6\u8BD1\"\u90A3\u4E00\u4E2A\u665A\u4E0A\"\u6216\"\u5BB6\u53D8\"\uFF09\u7684\u4E00\u4E2A\u573A\u666F\u65F6\u63A9\u76D6\u4E86\u4E00\u4E2A\u7A97\u6237\uFF0C\u5E76\u4E14\u7528\u4E86\u9053\u5177\u548C\u7279\u6B8A\u7684\u706F\u5149\u3002\u6B63\u5982\u9053\u683C\u739B95\u7684\u5B98\u65B9\u7F51\u7AD9\u6240\u8BF4\uFF0C\u8FD9\u5F97\u770B\u7535\u5F71\u5BFC\u6F14\u5982\u4F55\u89E3\u91CA\u8FD9\u4E9B\u89C4\u5219\u3002 \u5728\u4E00\u4E9B\u4F8B\u5B50\u4E2D\uFF0C\u9053\u683C\u739B\u7535\u5F71\u7684\u540D\u5B57\u662F\u591A\u4F59\u7684\uFF0C\u56E0\u4E3A\u5B83\u4EEC\u4E5F\u662F\u7528\u7F16\u53F7\u6765\u79F0\u547C\u7684\u3002\u9053\u683C\u739B\u7CBE\u795E\u5728\u62C9\u65AF\u00B7\u51AF\u00B7\u63D0\u5C14\u7684\u4E58\u98CE\u7834\u6D6A\u4E2D\u6709\u6240\u4F53\u73B0\u3002\u7B2C\u4E00\u90E8\u9053\u683C\u739B\u7535\u5F71\u662F\u6258\u9A6C\u65AF\u00B7\u6E29\u7279\u4F2F\u683C1998\u5E74\u6444\u5236\u7684\"\u5E86\u795D\"\u3002\u4E5F\u88AB\u79F0\u4E3A\u9053\u683C\u739B1\u53F7\u3002\"\u5E86\u795D\"\u8D62\u5F97\u4E86\u8BC4\u8BBA\u754C\u7684\u4E00\u7247\u559D\u5F69\uFF0C\u5E76\u8D62\u5F97\u4E86\u5E74\u5EA6\u621B\u7EB3\u7535\u5F71\u8282\u8BC4\u5BA1\u56E2\u5927\u5956\u3002\u62C9\u65AF\u00B7\u51AF\u00B7\u63D0\u5C14\u7684\u7B2C\u4E00\u90E8\u9053\u683C\u739B\u7535\u5F71\u767D\u75F4\uFF08Idioterne\uFF0CThe Idiots\u6216\u8005\u9053\u683C\u739B2\u53F7\uFF09\u4E0D\u662F\u5F88\u6210\u529F\u3002\u4ECE\u8FD9\u4E24\u90E8\u7535\u5F71\u9762\u4E16\u5F00\u59CB\uFF0C\u5176\u4ED6\u5BFC\u6F14\u4E5F\u53C2\u4E0E\u5230\u4E86\u9053\u683C\u739B\u7535\u5F71\u7684\u521B\u4F5C\u4E2D\u3002\u4F8B\u5982\u7F8E\u56FD\u5BFC\u6F14Harmony Korine\u521B\u4F5C\u4E86Julien Donkey-Boy\u4E5F\u79F0\u4E3A\u9053\u683C\u739B6\u53F7\u3002 \u4E00\u4E2A\u4E0E\u6B64\u6709\u5173\u7684\u53EB\u4F5C\u65B0\u6E05\u6559\u5F92\uFF08New Puritans\uFF09\u7684\u82F1\u56FD\u6587\u5B66\u8FD0\u52A8\uFF0C\u5728\u5C0F\u8BF4\u521B\u4F5C\u4E0A\u4E3B\u5F20\u76F8\u8FD1\u7684\u4EF7\u503C\u53D6\u5411\u3002"@zh ;
	rdfs:comment	"Dogma 95 - manifest artystyczny du\u0144skiej awangardowej grupy tw\u00F3rc\u00F3w filmowych, podpisany 13 marca 1995. Dogma 95 to rodzaj deklaracji, kt\u00F3r\u0105 z\u0142o\u017Cyli w pubie w Kopenhadze: Thomas Vinterberg, Lars von Trier, Kristian Levring i Soren Kragh-Jacobsen. Jej naczeln\u0105 my\u015Bl\u0105 s\u0105 s\u0142owa: \"Kino to cz\u0142owiek wobec samego siebie, a nie tylko aktor przed kamer\u0105\"."@pl ,
		"Dogma 95 on elokuvan taiteellinen suuntaus. Sen aloittivat vuonna 1995 tanskalaiset elokuvaohjaajat Lars von Trier, Thomas Vinterberg, Kristian Levring ja S\u00F8ren Kragh-Jacobsen. Dogma-suuntauksen tarkoituksena on kasvattaa elokuvanteon \"puhtautta\" pyrkim\u00E4ll\u00E4 eroon kaikista tekij\u00F6ist\u00E4 jotka tuovat elokuvaan ylim\u00E4\u00E4r\u00E4ist\u00E4 pintakiiltoa ja kikkailua, ja keskittym\u00E4ll\u00E4 vain elokuvan sis\u00E4ll\u00F6n kannalta olennaisiin asioihin."@fi ,
		"Dogma 95 (en dan\u00E9s Dogme 95) es un movimiento f\u00EDlmico desarrollado en 1995 por los directores daneses Lars von Trier, Thomas Vinterberg, Kristian Levring y Soren Kragh-Jacobsen. Su meta es producir pel\u00EDculas simples, sin modificaciones en la post-producci\u00F3n, poniendo \u00E9nfasis en el desarrollo dram\u00E1tico."@es ,
		"Dogma 95 is een oorspronkelijk Deens verbond van Elias Dargakis en een aantal regisseurs dat in 1995 in Kopenhagen is opgericht. De Deense naam is Dogme 95. De deelnemers hebben afgesproken zich bij het filmmaken aan tien strikte regels (dogma's) te zullen houden. Deze regels worden opgesomd in het manifest van Dogma 95, en vormen samen De eed van zuiverheid. De oprichters van Dogma 95 zijn de Deense regisseurs Thomas Vinterberg, Lars von Trier, Kristian Levring, en S\u00F8ren Kragh-Jacobsen."@nl ,
		"Dogma 95 (Dogme 95) \u00E8 il nome di un movimento cinematografico particolare, perch\u00E9 creato e fondato su precise regole espresse in un manifesto pubblicato nel 1995 (da cui il nome) dal regista danese Lars von Trier, e quindi non nato ed evoluto spontaneamente come nella maggior parte dei casi nella storia del cinema."@it ,
		"Dogme 95, \u00E4ven Dogma 95, \u00E4r en filmr\u00F6relse som startades 1995 av de danska regiss\u00F6rerna Lars von Trier, Thomas Vinterberg, Kristian Levring och S\u00F8ren Kragh-Jacobsen. R\u00F6relsen byggde p\u00E5 en rad regler (dogmer) som filmskaparna skulle lova att f\u00F6lja. Bland reglerna fanns att inget ljud fick l\u00E4ggas p\u00E5 i efterhand, att inga kulisser fick anv\u00E4ndas och att alla kameror skulle vara handh\u00E5llna. Dessa dogmer sammanfattades i \"The Vow of Chastity\" Kyskhetsl\u00F6ftet som bestod av 10 bud."@sv ,
		"Dogme 95 is an avant-garde filmmaking movement started in 1995 by the Danish directors Lars von Trier and Thomas Vinterberg with the signing of the Dogme 95 Manifesto and the \"Vow of Chastity\". They were later joined by fellow Danish directors Kristian Levring and S\u00F8ren Kragh-Jacobsen, to form a group sometimes known as the Dogme 95 Collective or the Dogme Brethren. Dogme is the Danish word for dogma. The genre gained international appeal partly because of its accessibility."@en ,
		"Dogme 95 (\u010Desky Dogma 95, ve sv\u011Bt\u011B se \u010Dasto ponech\u00E1v\u00E1 d\u00E1nsk\u00E1 podoba) je filma\u0159sk\u00E9 hnut\u00ED, kter\u00E9 v roce 1995 zalo\u017Eili (resp. sepsali jeho manifest) d\u00E1n\u0161t\u00ED re\u017Eis\u00E9\u0159i Lars von Trier, Thomas Vinterberg, Kristian Levring a S\u00F8ren Kragh-Jacobsen. Deklarovan\u00FDm c\u00EDlem hnut\u00ED je n\u00E1vrat k jednoduchosti filmu, zbaven\u00ED se produk\u010Dn\u00EDch \u00FAprav a soust\u0159ed\u011Bn\u00ED se na postavy a p\u0159\u00EDb\u011Bh."@cs ,
		"F\u00E1jl:LarsVonTrier. jpg Lars Von Trier Az 1990-es \u00E9vekt\u0151l kezdve egyre t\u00F6bbsz\u00F6r mer\u00FClt fel egy bizonyos Lars von Triernek a neve, aki d\u00E1n haz\u00E1j\u00E1nak hat\u00E1rait kezdi \u00E1th\u00E1gni, \u00E9s n\u00E9mi friss\u00FCl\u00E9st hoz Eur\u00F3p\u00E1nak. Haz\u00E1j\u00E1ban m\u00E1r elismert rendez\u0151 volt, miel\u0151tt vil\u00E1gh\u00EDrn\u00E9vre tett volna szert, a d\u00E1n k\u00F6z\u00F6ns\u00E9g m\u00E9gis az 1994\u20131995-ben k\u00E9sz\u00EDtett rendhagy\u00F3 t\u00E9v\u00E9sorozata, a Birodalom (Riget) vet\u00EDt\u00E9sekor z\u00E1rta sz\u00EDv\u00E9be."@hu ,
		"\u30C9\u30B0\u30DE95\uFF08Dogme95\uFF09\u306F\u3001\u30C7\u30F3\u30DE\u30FC\u30AF\u306B\u304A\u3051\u308B\u6620\u753B\u904B\u52D5\u3067\u3042\u308B\u30021995\u5E74\u3001\u30E9\u30FC\u30B9\u30FB\u30D5\u30A9\u30F3\u30FB\u30C8\u30EA\u30A2\u30FC\u3089\u306B\u3088\u3063\u3066\u59CB\u3081\u3089\u308C\u305F\u3002\u30C9\u30B0\u30DE95\u306B\u306F\u300C\u7D14\u6F54\u306E\u8A93\u3044\u300D\u3068\u547C\u3070\u308C\u308B\u3001\u6620\u753B\u3092\u88FD\u4F5C\u3059\u308B\u4E0A\u306710\u500B\u306E\u91CD\u8981\u306A\u30EB\u30FC\u30EB\u304C\u3042\u308B\u30022008\u5E74\u73FE\u5728\u307E\u3067270\u4F5C\u3092\u6570\u3048\u308B\u3002"@ja ,
		"Dogmefilm er et konsept som ble introdusert under Cannes filmfestival i 1995 av et dansk kollektiv av filmregiss\u00F8rer som kalte seg Dogme 95. Kollektivet ble startet av Lars von Trier og Thomas Vinterberg for \u00E5 v\u00E6re en motvekt mot kommersialiseringen av filmen og det store fokuset p\u00E5 effektmakeri. Dogme 95 \u00F8nsket \u00E5 flytte fokuset over p\u00E5 den gode fortelling ved \u00E5 utfordre den etablerte m\u00E5ten \u00E5 tenke filmproduksjon p\u00E5."@no ,
		"Le Dogme 95 est un mouvement cin\u00E9matographique lanc\u00E9 en 1995 par des r\u00E9alisateurs danois sous l'impulsion de Lars von Trier et de Thomas Vinterberg."@fr ,
		"\u0414\u043E\u0301\u0433\u043C\u0430 95\u00A0\u2014 \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u0435 \u0432 \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u043E\u043C \u043A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0435. \u0414\u0430\u0442\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440 \u041B\u0430\u0440\u0441 \u0444\u043E\u043D \u0422\u0440\u0438\u0435\u0440, \u0432\u043E \u0432\u0440\u0435\u043C\u044F \u0440\u0430\u0431\u043E\u0442\u044B \u043D\u0430\u0434 \u0444\u0438\u043B\u044C\u043C\u0430\u043C\u0438 \u00AB\u041A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u0442\u0432\u043E\u00BB \u0438 \u00AB\u041A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u0442\u0432\u043E II\u00BB, \u043F\u0440\u0438\u0445\u043E\u0434\u0438\u0442 \u043A \u0443\u043C\u043E\u0437\u0430\u043A\u043B\u044E\u0447\u0435\u043D\u0438\u044E, \u0447\u0442\u043E \u0442\u0435\u0445\u043D\u0438\u043A\u0430 \u0438 \u0441\u0442\u0438\u043B\u0438\u0441\u0442\u0438\u043A\u0430 \u043C\u0435\u043D\u0435\u0435 \u0432\u0430\u0436\u043D\u044B \u0438 \u0438\u043D\u0442\u0435\u0440\u0435\u0441\u043D\u044B \u0437\u0440\u0438\u0442\u0435\u043B\u044F\u043C, \u0447\u0435\u043C \u0441\u044E\u0436\u0435\u0442 \u0438 \u043F\u0435\u0440\u0441\u043E\u043D\u0430\u0436\u0438."@ru ,
		"Dogma 95 ist ein von den d\u00E4nischen Filmregisseuren Lars von Trier, Thomas Vinterberg, Kristian Levring und S\u00F8ren Kragh-Jacobsen am 13. M\u00E4rz 1995 unterzeichnetes und am 20. M\u00E4rz 1995 in Paris vorgestelltes Manifest f\u00FCr die Produktion von Filmen."@de ,
		"Dogma 95 (en dan\u00E8s Dogme 95) \u00E9s un moviment f\u00EDlmic desenvolupat al 1995 pels directors danesos Lars von Trier, Thomas Vinterberg, Kristian Levring i Soren Kragh-Jacobsen. La seva meta \u00E9s produir pel\u00B7l\u00EDcules simples, sense modificacions en la post-producci\u00F3, posant \u00E8mfasi en el desenvolupament dram\u00E0tic."@ca ,
		"O Dogma 95 \u00E9 um movimento cinematogr\u00E1fico internacional lan\u00E7ado a partir de um manifesto publicado em 13 de mar\u00E7o de 1995 em Copenhague, na Dinamarca. Os autores foram os cineastas dinamarqueses, Thomas Vinterberg e Lars von Trier. Segundo o relato de Vinterberg, os dois levaram apenas 45 minutos para formular as regras."@pt ,
		"Dogma 95 1995te danimarkal\u0131 y\u00F6netmenler Lars von Trier, Thomas Vinterberg, Kristian Levring, ve S\u00F8ren Kragh-Jacobsen taraf\u0131ndan ba\u015Flat\u0131rm\u0131\u015F avantgarde film yap\u0131m ak\u0131m\u0131d\u0131r. Bu ak\u0131m bazen Dogme 95 Collective veya the Dogme Brethren olarak da bilinir."@tr ,
		""@zh .
@prefix skos:	<http://www.w3.org/2004/02/skos/core#> .
@prefix ns9:	<http://dbpedia.org/resource/Category:> .
dbpedia:Dogme_95	skos:subject	ns9:Cinema_of_Denmark ,
		ns9:Dogme_95_films ,
		ns9:Film_and_video_terminology ,
		ns9:Movements_in_cinema ,
		ns9:Danish_culture .
@prefix ns10:	<http://dbpedia.org/resource/Template:> .
dbpedia:Dogme_95	dbpprop:wikiPageUsesTemplate	ns10:infobox_film_movement ;
	dbpprop:influenced	dbpedia:Mumblecore ,
		dbpedia:New_Puritans ;
	dbpprop:influences	dbpedia:French_New_Wave ,
		<http://dbpedia.org/resource/Realism_%28arts%29> ;
	dbpprop:majorfigures	<http://dbpedia.org/resource/S%C3%B8ren_Kragh-Jacobsen> ,
		dbpedia:Thomas_Vinterberg ,
		dbpedia:Lars_von_Trier ,
		dbpedia:Kristian_Levring ,
		dbpedia:Jean-Marc_Barr ;
	dbpprop:country	"international, started in Denmark"@en ;
	dbpprop:yearsactive	"1995 - present"@en .
@prefix ns11:	<http://www4.wiwiss.fu-berlin.de/flickrwrappr/photos/> .
dbpedia:Dogme_95	dbpprop:hasPhotoCollection	ns11:Dogme_95 .
dbpedia:Dogme	dbpprop:redirect	dbpedia:Dogme_95 .
<http://dbpedia.org/resource/Dogme_%2795>	dbpprop:redirect	dbpedia:Dogme_95 .
dbpedia:Dogme_group	dbpprop:redirect	dbpedia:Dogme_95 .
dbpedia:Dogma_95	dbpprop:redirect	dbpedia:Dogme_95 .
dbpedia:Dogme95	dbpprop:redirect	dbpedia:Dogme_95 .
<http://dbpedia.org/resource/Dogme_%2795_Manifesto>	dbpprop:redirect	dbpedia:Dogme_95 .
@prefix yago:	<http://mpii.de/yago/resource/> .
yago:Dogme_95	owl:sameAs	dbpedia:Dogme_95 .