@prefix dbpprop: .
@prefix dbpedia: .
dbpedia:F_major dbpprop:relative dbpedia:D_minor .
@prefix rdf: .
@prefix ns3: .
dbpedia:D_minor rdf:type ns3:MusicalKeys ,
ns3:Scale113850304 .
@prefix owl: .
@prefix ns5: .
dbpedia:D_minor owl:sameAs ns5:D_minor ,
.
@prefix foaf: .
@prefix ns7: .
dbpedia:D_minor foaf:page ns7:D_minor .
@prefix rdfs: .
dbpedia:D_minor rdfs:label "\u0420\u0435 \u043C\u0456\u043D\u043E\u0440"@uk ,
"D-Moll"@de ,
"R\u00E9 menor"@pt ,
"D\u5C0F\u8ABF"@zh ,
"\u30CB\u77ED\u8ABF"@ja ,
"D-moll"@pl ,
"Re menor"@es ,
"D minor"@en ,
"Re menor"@ca ,
"\u0420\u0435 \u043C\u0438\u043D\u043E\u0440"@ru .
@prefix dbpedia-owl: .
dbpedia:D_minor dbpedia-owl:thumbnail ;
dbpprop:abstract "\u30CB\u77ED\u8ABF\uFF08\u306B\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30CB (D) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3067\u3042\u308B\u3002\u8ABF\u53F7\u306F\u30D5\u30E9\u30C3\u30C81\u3064\u3067\u3042\u308B\u3002"@ja ,
"D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B♭, and C. In the harmonic minor, the C is raised to C♯. Its key signature has one flat. Its relative major is F major, and its parallel major is D major. D minor is one of the two flat-signature keys whose melodic and harmonic scale variations require the addition of a written sharp; the other is G minor. Some consider it the flattest key that is practical for a guitar to play. Of Domenico Scarlatti's 555 keyboard sonatas, which often borrow mannerisms from guitar music of the period, 151 are in minor keys, and D minor is the most often chosen minor key, with 32 sonatas. J. S. Bach's entire The Art of Fugue is in D minor and, jokingly, so is P. D. Q. Bach's Musical Sacrifice. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Mozart's chromatic Fugue in D minor. Mozart's Requiem is also written primarily in D minor. Of the two piano concertos that Mozart wrote in a minor key, one of them is in D minor, No. 20, K. 466. Sibelius's Violin Concerto is in D minor as is Schumann's, although many of the best-known violin concertos are written in D major. Michael Haydn wrote only one symphony in a minor key, in D minor, Perger 20, MH 393. Since D minor is the key of Beethoven's Symphony No. 9, Bruckner felt apprehensive about writing his own Ninth Symphony in the same key. Works in the classical music era and later beginning in minor typically end in major, or at least on a major chord, but there are a few notable examples of works in D minor ending in much sharper keys. Two symphonies that begin in D minor and end in E major are Havergal Brian's Gothic Symphony and Nielsen's Symphony No. 4 (The Inextinguishable). Bruckner's Ninth Symphony, which is often performed without the finale, is another example of a symphony beginning in D minor and ending in E major. Liszt's Dante Symphony opens in D minor and ends in B major. Similar to a D minor symphony ending in D major, a D major symphony can have for its allegro first movement a slow introduction in D minor. \"Tonic minor Adagio introductions, especially in the key of D minor, were very popular with English composers of the year 1794,\" and Joseph Haydn copied this procedure for the D major symphonies he wrote in London. The first choice of clarinet for orchestral music in D minor is the clarinet in B♭, and the clarinet part is then written with an E minor key signature. This choice, however, becomes problematic for multi-movement works that begin in D minor and end in D major. The B-flat clarinet parts would be written with an E major key signature, indicating an increased reliance on side keys and thus uncomfortable fingerings. A clarinet in A playing in D major would be written with an F major key signature, but in D minor would be written in F minor. One solution is to write the first movement for clarinet in B♭ and the last movement for clarinet in A (this is, for example, what Robert Volkmann does in his Symphony No. 1 in D minor). However, this burdens the player with having to warm up the A instrument in time for the switch. Ralph Vaughan Williams in his Symphony No. 8 in D minor and Dmitri Shostakovich in his Symphony No. 12 simply keep on using clarinets in B♭ even after switching to D major (written in E major). Mily Balakirev, in his Symphony No. 2 in D minor, opts to have three clarinets, two in B♭, one in A, playing throughout the whole piece. Nigel Tufnel of the fictitious band Spinal Tap facetiously believes that D minor is \"really the saddest of all keys,\" and that when a musician begins to play in D minor, \"everyone instantly starts weeping\". The film music composer Hans Zimmer is noted for writing much of his music in D minor"@en ,
"d-moll \u2013 molowa gama muzyczna, kt\u00F3rej tonik\u0105 jest d. Jej d\u017Awi\u0119ki w odmianie naturalnej to: d, e, f, g, a, b, c. Rown\u00F3leg\u0142\u0105 do niej gam\u0105 durow\u0105 jest F-dur. Znane dzie\u0142a w tonacji d-moll: Ludwig van Beethoven - IX symfonia op. 125 Wolfgang Amadeusz Mozart - Requiem KV 626 Wolfgang Amadeusz Mozart - XX koncert fortepianowy KV 466 Robert Schumann - IV symfonia Gustav Mahler - III symfonia Johann Sebastian Bach - Toccata i fuga Felix Mendelssohn-Bartholdy - Trio fortepianowe op. 49 Franz Schubert - Serenada Zobacz te\u017C: S\u0142owniczek terminologii muzycznej"@pl ,
"\u0420\u0435 \u043C\u0456\u043D\u043E\u0440 (d-moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u0440\u0435. \u0413\u0430\u043C\u0430 \u0440\u0435 \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: d - e ^ f - g - a ^ b - c - d. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0444\u0430 \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 \u0440\u0435 \u043C\u0430\u0436\u043E\u0440. \u0420\u0435 \u043C\u0456\u043D\u043E\u0440 \u043C\u0430\u0454 \u043E\u0434\u0438\u043D \u0431\u0435\u043C\u043E\u043B\u044C \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0441\u0456-). \u0424\u0430\u0439\u043B:F Major key signature. png"@uk ,
"R\u00E9 menor (abreviada no sistema europeu como R\u00E9 m, e como Dm no sistema norte-americano) \u00E9 a tonalidade em que consiste a escala menor de R\u00E9, e cont\u00E9m as notas R\u00E9, Mi, F\u00E1, Sol, L\u00E1, Si bemol, D\u00F3 e R\u00E9. Sua armadura cont\u00E9m, pois, um bemol. Sua tonalidade relativa \u00E9 F\u00E1 maior e a tonalidade hom\u00F4nima \u00E9 R\u00E9 menor."@pt ,
"\u0420\u0435 \u043C\u0438\u043D\u043E\u0440\u00A0\u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u0440\u0435, \u0442\u043E \u0436\u0435, \u0447\u0442\u043E d-moll. \u0418\u043C\u0435\u0435\u0442 \u043E\u0434\u0438\u043D \u0431\u0435\u043C\u043E\u043B\u044C \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435."@ru ,
"D\u5C0F\u8ABF\u662F\u4E00\u500B\u65BCD\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u7684\u5C0F\u8ABF\uFF0C\u7D44\u6210\u7684\u97F3\u6709D\u3001E\u3001F\u3001G\u3001A\u3001\u964DB\u3001\u5347C\u53CAD\uFF08\u548C\u8072\u5C0F\u8ABF\uFF09\u3002D\u5C0F\u8ABF\u662F\u4E00\u500B\u6709\u4E00\u500B\u964D\u865F\u7684\u8ABF\u3002 \u5B83\u7684\u76F8\u5C0D\u5927\u8ABF\u662FF\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662FD\u5927\u8ABF\u3002"@zh ,
"Re menor (tamb\u00E9 Rem en la notaci\u00F3 europea, i D en la notaci\u00F3 americana) \u00E9s la tonalitat que t\u00E9 l'escala menor natural a partir de la nota re; aix\u00ED est\u00E0 constitu\u00EFda per les notes re, mi, fa, sol, la, si i do. La seva armadura cont\u00E9 un bemoll, el si bemoll. El seu relatiu major \u00E9s fa major, i la tonalitat hom\u00F2nima \u00E9s re major. Com succeeix en totes les tonalitats menors, la sensaci\u00F3 general \u00E9s m\u00E9s \"fosca\" que la que produeix l'escolta d'una tonalitat major. Des de molt antic, aquesta tonalitat se la identifica com la tonalitat de la tristesa o la pena. Sembla que \u00E9s la tonalitat menor m\u00E9s usada en les obres per a guitarra; de les 555 sonates per a teclat de Domenico Scarlatti, que recullen molts dels manierismes de la m\u00FAsica per a guitarra, 151 estan en tonalitats menors, i la tonalitat m\u00E9s usada \u00E9s re menor, amb 32 sonates. Tot l'Art de la fuga de Johann Sebastian Bach est\u00E0 en re menor. D'acord amb Alfred Einstein, la hist\u00F2ria de l'afinaci\u00F3 ha donat lloc a que s'hagi associat re menor amb el contrapunt i el cromatisme (per exemple, la quarta crom\u00E0tica), i cita la Fuga crom\u00E0tica en re menor de Mozart. Tamb\u00E9 el R\u00E8quiem de Mozart est\u00E0 a re menor. Dels dos concerts per a piano que Mozart va escriure en menor, un d'ells, el Concert per a piano n\u00FAm. 20 K. 466, \u00E9s en re menor. Pel que fa a Michael Haydn, nom\u00E9s va escriure una simfonia en menor, i va ser en re menor (Perger 20, MH 393). Re menor \u00E9s la tonalitat de la Simfonia n\u00FAm. 9 \"Coral\" de Beethoven, i Bruckner va escriure la seva pr\u00F2pia Simfonia n\u00FAm. 9 en la mateixa tonalitat. Diverses obres del classicisme, i tamb\u00E9 posteriors, comencen t\u00EDpicament en menor i acaben en major, o almenys en un acord major (tercera picarda). La Simfonia n\u00FAm. 9 de Bruckner, que va quedar inconclusa i \u00E9s interpretada sense el final, \u00E9s un altre exemple d'una simfonia que comen\u00E7a a re menor i acaba mi major. La Simfonia Dante de Liszt comen\u00E7a en re menor i acaba en si major."@ca ,
"Re menor (abreviatura en sistema europeo Rem y en sistema americano Dm) es la tonalidad que consiste en la escala menor de re, y contiene las notas re, mi, fa, sol, la, si bemol, do y re. Su armadura contiene 1 bemol. Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias. Su tonalidad relativa es Fa mayor, y su tonalidad hom\u00F3nima es Re mayor."@es ,
"d-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton d aufbaut. Die Tonart d-Moll wird in der Notenschrift mit einem ♭ geschrieben. Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart, werden mit dem Begriff d-Moll bezeichnet. d-Moll gilt vielen traditionell als ernste, dem Jenseits verhaftete Tonart, vergleiche hierzu allerdings den Artikel Tonartencharakter."@de ;
rdfs:comment "d-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton d aufbaut. Die Tonart d-Moll wird in der Notenschrift mit einem ♭ geschrieben. Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart, werden mit dem Begriff d-Moll bezeichnet. d-Moll gilt vielen traditionell als ernste, dem Jenseits verhaftete Tonart, vergleiche hierzu allerdings den Artikel Tonartencharakter."@de ,
"R\u00E9 menor (abreviada no sistema europeu como R\u00E9 m, e como Dm no sistema norte-americano) \u00E9 a tonalidade em que consiste a escala menor de R\u00E9, e cont\u00E9m as notas R\u00E9, Mi, F\u00E1, Sol, L\u00E1, Si bemol, D\u00F3 e R\u00E9. Sua armadura cont\u00E9m, pois, um bemol. Sua tonalidade relativa \u00E9 F\u00E1 maior e a tonalidade hom\u00F4nima \u00E9 R\u00E9 menor."@pt ,
"\u0420\u0435 \u043C\u0438\u043D\u043E\u0440\u00A0\u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u0440\u0435, \u0442\u043E \u0436\u0435, \u0447\u0442\u043E d-moll. \u0418\u043C\u0435\u0435\u0442 \u043E\u0434\u0438\u043D \u0431\u0435\u043C\u043E\u043B\u044C \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435."@ru ,
"D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B♭, and C. In the harmonic minor, the C is raised to C♯. Its key signature has one flat. Its relative major is F major, and its parallel major is D major. D minor is one of the two flat-signature keys whose melodic and harmonic scale variations require the addition of a written sharp; the other is G minor. Some consider it the flattest key that is practical for a guitar to play."@en ,
"\u0420\u0435 \u043C\u0456\u043D\u043E\u0440 (d-moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u0440\u0435. \u0413\u0430\u043C\u0430 \u0440\u0435 \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: d - e ^ f - g - a ^ b - c - d. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0444\u0430 \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 \u0440\u0435 \u043C\u0430\u0436\u043E\u0440. \u0420\u0435 \u043C\u0456\u043D\u043E\u0440 \u043C\u0430\u0454 \u043E\u0434\u0438\u043D \u0431\u0435\u043C\u043E\u043B\u044C \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0441\u0456-). \u0424\u0430\u0439\u043B:F Major key signature. png"@uk ,
"Re menor (tamb\u00E9 Rem en la notaci\u00F3 europea, i D en la notaci\u00F3 americana) \u00E9s la tonalitat que t\u00E9 l'escala menor natural a partir de la nota re; aix\u00ED est\u00E0 constitu\u00EFda per les notes re, mi, fa, sol, la, si i do. La seva armadura cont\u00E9 un bemoll, el si bemoll. El seu relatiu major \u00E9s fa major, i la tonalitat hom\u00F2nima \u00E9s re major. Com succeeix en totes les tonalitats menors, la sensaci\u00F3 general \u00E9s m\u00E9s \"fosca\" que la que produeix l'escolta d'una tonalitat major."@ca ,
"D\u5C0F\u8ABF\u662F\u4E00\u500B\u65BCD\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u7684\u5C0F\u8ABF\uFF0C\u7D44\u6210\u7684\u97F3\u6709D\u3001E\u3001F\u3001G\u3001A\u3001\u964DB\u3001\u5347C\u53CAD\uFF08\u548C\u8072\u5C0F\u8ABF\uFF09\u3002D\u5C0F\u8ABF\u662F\u4E00\u500B\u6709\u4E00\u500B\u964D\u865F\u7684\u8ABF\u3002 \u5B83\u7684\u76F8\u5C0D\u5927\u8ABF\u662FF\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662FD\u5927\u8ABF\u3002"@zh ,
"d-moll \u2013 molowa gama muzyczna, kt\u00F3rej tonik\u0105 jest d. Jej d\u017Awi\u0119ki w odmianie naturalnej to: d, e, f, g, a, b, c. Rown\u00F3leg\u0142\u0105 do niej gam\u0105 durow\u0105 jest F-dur. Znane dzie\u0142a w tonacji d-moll: Ludwig van Beethoven - IX symfonia op. 125 Wolfgang Amadeusz Mozart - Requiem KV 626 Wolfgang Amadeusz Mozart - XX koncert fortepianowy KV 466 Robert Schumann - IV symfonia Gustav Mahler - III symfonia Johann Sebastian Bach - Toccata i fuga Felix Mendelssohn-Bartholdy - Trio fortepianowe op."@pl ,
"Re menor (abreviatura en sistema europeo Rem y en sistema americano Dm) es la tonalidad que consiste en la escala menor de re, y contiene las notas re, mi, fa, sol, la, si bemol, do y re. Su armadura contiene 1 bemol. Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias. Su tonalidad relativa es Fa mayor, y su tonalidad hom\u00F3nima es Re mayor."@es ,
"\u30CB\u77ED\u8ABF\uFF08\u306B\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30CB (D) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3067\u3042\u308B\u3002\u8ABF\u53F7\u306F\u30D5\u30E9\u30C3\u30C81\u3064\u3067\u3042\u308B\u3002"@ja ;
foaf:depiction .
@prefix skos: .
@prefix ns11: .
dbpedia:D_minor skos:subject ns11:Musical_keys .
@prefix ns12: .
dbpedia:D_minor dbpprop:wikiPageUsesTemplate ns12:infobox_scale ;
dbpprop:fourthPitch "G"@en ;
dbpprop:imageName "F_Major_key_signature.png"@en ;
dbpprop:scaleName "D minor"@en ;
dbpprop:firstPitch "D"@en ;
dbpprop:secondPitch "E"@en ;
dbpprop:thirdPitch "F"@en ;
dbpprop:fifthPitch "A"@en ;
dbpprop:sixthPitch "B"@en ;
dbpprop:relative dbpedia:F_major ;
dbpprop:parallel dbpedia:D_major ;
dbpprop:seventhPitch "C"@en .
@prefix ns13: .
dbpedia:D_minor dbpprop:hasPhotoCollection ns13:D_minor .
dbpedia:D_major dbpprop:parallel dbpedia:D_minor .
dbpedia:D-minor dbpprop:redirect dbpedia:D_minor .
dbpedia:D_Minor dbpprop:redirect dbpedia:D_minor .
@prefix yago: .
yago:D_minor owl:sameAs dbpedia:D_minor .