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dbpedia:Ciro_Ferri	rdfs:label	"Ciro Ferri"@de ,
		"Ciro Ferri"@it ,
		"Ciro Ferri"@en ,
		"Ciro Ferri"@fr ,
		"Ciro Ferri"@pt .
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dbpedia:Ciro_Ferri	dbpprop:abstract	"Nato a Rome, dove inzi\u00F2 a lavorare sotto la guida di Cortona agli affreschi del Palazzo del Quirinale (1656-1659). in seguito sempre insieme a Cortona prese parte alla serie di decorazioni di Palazzo Pitti, a Firenze (1659-1665). Il suo capolavoro \u00E8 la serie di affreschi alla Basilica di Santa Maria Maggiore (Bergamo). Famosa \u00E8 anche la pala d'altare in Sant'Ambrogio della Massima a Roma. Nel 1670, inizi\u00F2 a dipingere la cupola di Sant'Agnese in Agone al Roma, in uno stile che si rif\u00E0 alla cupola di Sant'Andrea della Valle affrescata daGiovanni Lanfranco; in seguito alla morte di Ferri gli affreschi della cupola furono completati nel 1693 dal suo successore Sebastiano Corbellini."@it ,
		"Ciro Ferri (Rome, 1634 - Rome, 13 septembre 1689) est un sculpteur, un graveur et un peintre italien du baroque romain, qui a \u00E9t\u00E9 le meilleur \u00E9l\u00E8ve de Pietro da Cortona et aussi son successeur."@fr ,
		"Ciro Ferri war ein italienischer Maler, Zeichner, Bildhauer und Architekt. Ferri war Sch\u00FCler von Pietro da Cortona und vollendete nach dem Weggang seines Meisters aus Florenz dessen Fresken im Palazzo Pitti. Sp\u00E4ter kehrte er nach Rom zur\u00FCck, wo er als Maler und Architekt t\u00E4tig war. Dort starb er 1689. Seine Manier ist der des Cortona verwandt; rundliche Typen, oberfl\u00E4chliche Farbengebung und eine verwegene Hand charakterisieren ihn. Sein umfangreichstes Werk sind die biblischen Darstellungen in der Kirche Santa Maria Maggiore in Bergamo. Au\u00DFerdem sind der Heilige Ambrosius in Sant' Ambrogio und die Kuppelmalereien in Sant' Agnese zu Rom erw\u00E4hnenswert, die Corbellini nach Ferris Tod vollendete."@de ,
		"Ciro Ferri foi um pintor do Barroco italiano, principal disc\u00EDpulo e sucessor de Pietro da Cortona. Ciro Ferri nasceu em Roma, em 1634, filho de Giovanni Stefano Ferri, um marceneiro genov\u00EAs que o introduz no ateli\u00EA de Pietro da Cortona, provavelmente logo ap\u00F3s 1647, ano em que este regressa definitivamente de Floren\u00E7a. Em 1657, Ferri \u00E9 admitido na Accademia di San Lucca, o que reflete um renome j\u00E1 estabelecido, mas \u00E9 como auxiliar de Cortona que o artista participa dos grandes ciclos decorativos barrocos, na c\u00FApula de Santa Maria Nuova (Santa Maria in Vallicella, 1647-1651), no Pal\u00E1cio Pamphili (1651-1654), no Pal\u00E1cio do Quirinal (1656), no Pal\u00E1cio Pitti (1659-1661 e 1663-1665) e nos cart\u00F5es para os mosaicos de S\u00E3o Pedro (1669). Em 1665, Ciro parte para B\u00E9rgamo, onde \u00E9 incumbido de decorar com telas as diversas se\u00E7\u00F5es do forro da Bas\u00EDlica de Santa Maria Maior, segundo um princ\u00EDpio que n\u00E3o se coadunava com suas expectativas de uma vasta decora\u00E7\u00E3o barroca. Trata-se, apesar disso, de uma das mais aut\u00EAnticas cria\u00E7\u00F5es de sua carreira, ao lado das Quatro Esta\u00E7\u00F5es, no Pal\u00E1cio Falconieri em Frascati. Possivelmente, \u00E9 a morte de Cortona em 1669, que trar\u00E1 o disc\u00EDpulo de volta a Roma, onde assuma a responsabilidade pelos trabalhos deixados pelo mestre. Ferri alcan\u00E7a ent\u00E3o o \u00E1pice de seu prest\u00EDgio, de que s\u00E3o express\u00F5es a encomenda maior de sua vida, a decora\u00E7\u00E3o da c\u00FApula da igreja de S. Agnese in Agone, na Piazza Navona, bem como sua nomea\u00E7\u00E3o \u00E0 frente da Academia dos M\u00E9dici em Roma, estabelecida em 1673 pelo gr\u00E3o-duque Cosimo III. Nos anos finais de sua vida, dedica-se progressivamente \u00E0 arquitetura e \u00E0 escultura, muitas vezes em colabora\u00E7\u00E3o com o escultor e estucador E. Ferrata. Ainda em 1686, o artista assina e data um Matrim\u00F4nio M\u00EDstico de Santa Catarina, hoje no Museo di Palazzo Venezia, que atesta uma imperturb\u00E1vel fidelidade ao mais estrito cortonismo. Barroco Pintura"@pt ,
		"Ciro Ferri was an Italian Baroque sculptor and painter, the chief pupil and successor of Pietro da Cortona He was born in Rome, where he began working under Cortona and with a team of artists in the extensive fresco decorations of the Quirinal Palace (1656-1659) He collaborated with Cortona and completed for him the extensive frescoed ceilings and other internal decorations begun in the Pitti Palace, Florence (1659-1665) His independent masterpiece is considered an extensive series of scriptural frescoes in the church of Basilica di Santa Maria Maggiore (Bergamo) In addition, also well known is his an altarpiece of St Ambrose Healing the Sick in the church of Sant'Ambrogio della Massima in Rome In 1670, he began the painting of the cupola of Sant'Agnese in Agone in central Rome, in a style recalling of Lanfranco's work in the dome of Sant'Andrea della Valle; but died before it was completed in 1693 by his successor Sebastiano Corbellini He executed also a large amount of miscellaneous designs, such as etchings and frontispieces for books; and served as an architect as well Ferri was appointed to direct the Florentine students in Rome, and Gabbiani was one of his leading pupils As regards style, Ferri ranks as chief of the grand manner of Cortona, as opposed to the more sober and spare style promulgated by Andrea Sacchi, and continued by Carlo Maratta and others The 1911 Britannica refers to this as the so-called Machinists movement Among the many pupils and assistants were Ambrogio Besozzi, Camillo Gabrielli, Martiale Carpioni, Filippo Maria Galetti, Benedetto Luti, Giovanni Battista Marmi, Pietro Montanini, Giuseppe Nasini, Giovanni Odazzi, Tommaso Redi, and Urbano Romanelli Ciro Ferri became a member of the Accademia di San Luca on 3 June 1657 His ciborium for the high altar of Santa Maria in Vallicella is a masterpieces of 17th-century bronze decorative sculpture He continued under the patronage of the Medici, when together with the sculptor Ercole Ferrata, Ferri the painter led the Medici Academy in Rome, established in 1673 by Grand Duke Cosimo III of Tuscany Among the pupils sent there from Florence were Anton Domenico Gabbiani, Giovanni Battista Foggini, Atanasio Bimbacci, Carlo Marcellini, and Massimiliano Soldani Benzi Ferri was also responsible for the Reliquary of the Arm of St John the Baptist which is found in the St John's Co-Cathedral in Malta He died in Rome in 1689"@en ;
	rdfs:comment	"Ciro Ferri war ein italienischer Maler, Zeichner, Bildhauer und Architekt. Ferri war Sch\u00FCler von Pietro da Cortona und vollendete nach dem Weggang seines Meisters aus Florenz dessen Fresken im Palazzo Pitti. Sp\u00E4ter kehrte er nach Rom zur\u00FCck, wo er als Maler und Architekt t\u00E4tig war. Dort starb er 1689. Seine Manier ist der des Cortona verwandt; rundliche Typen, oberfl\u00E4chliche Farbengebung und eine verwegene Hand charakterisieren ihn."@de ,
		"Ciro Ferri foi um pintor do Barroco italiano, principal disc\u00EDpulo e sucessor de Pietro da Cortona. Ciro Ferri nasceu em Roma, em 1634, filho de Giovanni Stefano Ferri, um marceneiro genov\u00EAs que o introduz no ateli\u00EA de Pietro da Cortona, provavelmente logo ap\u00F3s 1647, ano em que este regressa definitivamente de Floren\u00E7a."@pt ,
		""@en ,
		"Nato a Rome, dove inzi\u00F2 a lavorare sotto la guida di Cortona agli affreschi del Palazzo del Quirinale (1656-1659). in seguito sempre insieme a Cortona prese parte alla serie di decorazioni di Palazzo Pitti, a Firenze (1659-1665). Il suo capolavoro \u00E8 la serie di affreschi alla Basilica di Santa Maria Maggiore (Bergamo). Famosa \u00E8 anche la pala d'altare in Sant'Ambrogio della Massima a Roma."@it ,
		"Ciro Ferri (Rome, 1634 - Rome, 13 septembre 1689) est un sculpteur, un graveur et un peintre italien du baroque romain, qui a \u00E9t\u00E9 le meilleur \u00E9l\u00E8ve de Pietro da Cortona et aussi son successeur."@fr ;
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