@prefix dbpprop: .
@prefix dbpedia: .
dbpedia:A-flat_minor dbpprop:relative dbpedia:C-flat_major .
dbpedia:C-flat dbpprop:disambiguates dbpedia:C-flat_major .
@prefix owl: .
dbpedia:C-flat_major owl:sameAs .
@prefix foaf: .
@prefix ns4: .
dbpedia:C-flat_major foaf:page ns4:C-flat_major ;
dbpprop:reference .
@prefix rdfs: .
dbpedia:C-flat_major rdfs:label "\u0414\u043E-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0430\u0436\u043E\u0440"@uk ,
"Ces-Dur"@de ,
"\u5909\u30CF\u9577\u8ABF"@ja ,
"C-flat major"@en ,
"Ces-dur"@pl ,
"Do bemol mayor"@es ,
"\u964DC\u5927\u8ABF"@zh .
@prefix dbpedia-owl: .
dbpedia:C-flat_major dbpedia-owl:thumbnail ;
dbpprop:abstract "Do bemol mayor (abreviatura en sistema europeo Do♭M y en sistema americano C♭) es la tonalidad que consiste en la escala mayor de do bemol, y contiene las notas do bemol, re bemol, mi bemol, fa bemol, sol bemol, la bemol, si bemol y do bemol. Su armadura contiene 7 bemoles. Su relativo menor es La bemol menor, y su tonalidad paralela es Si menor, su enarm\u00F3nica, pues Do bemol menor es muy raramente usada."@es ,
"\u0414\u043E-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0430\u0436\u043E\u0440 (Ces-dur) \u2014 \u043C\u0430\u0436\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u0434\u043E-\u0431\u0435\u043C\u043E\u043B\u044C. \u0413\u0430\u043C\u0430 \u0434\u043E-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0430\u0436\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: ces - des - es ^ fes - ges - as - bes ^ ces. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u043B\u044F-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0456\u043D\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0456\u043D\u043E\u0440 (\u0435\u043D\u0433\u0430\u0440\u043C\u043E\u043D\u0456\u0447\u043D\u043E \u0440\u0456\u0432\u043D\u0438\u0439) \u2014 \u0441\u0456 \u043C\u0456\u043D\u043E\u0440. \u0414\u043E-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0430\u0436\u043E\u0440 \u043C\u0430\u0454 \u0441\u0456\u043C \u0431\u0435\u043C\u043E\u043B\u0456\u0432 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0441\u0456-, \u043C\u0456-, \u043B\u044F-, \u0440\u0435-, \u0441\u043E\u043B\u044C-, \u0434\u043E-, \u0444\u0430-). \u0424\u0430\u0439\u043B:C-flat Major key signature. png"@uk ,
"C♭ major is a major scale based on C♭, consisting of the pitches C♭, D♭, E♭, F♭, G♭, A♭, and B♭. Its key signature has seven flats \u2014 the enharmonically equivalent key signature B major (five sharps) is usually used instead.. C♭ major is the only major or minor key, other than theoretical keys, which has \"flat\" or \"sharp\" in its name, but whose tonic note is the enharmonic equivalent of a natural note (a white key on a keyboard instrument). Its relative minor is A♭ minor, and its parallel minor is C♭ minor, usually replaced by B minor, since C♭ minor's three double-flats make it impractical to use. However, there is a brief passage in the first movement, \"Evocaci\u00F3n\", of Iberia by Isaac Alb\u00E9niz which suggests the key of C♭ minor by adding the necessary double-flats as accidentals. The surrounding passages are in C♭ major, with a 7-flat key signature. C♭ major is the home key of the harp, with all its pedals in the top position, and it is considered the most resonant key for the instrument. Thus, in Richard Strauss's Ein Heldenleben, the first cue for the harps is written in C♭ major even though the rest of the orchestra, having previously played in E♭ major, retains a 3-flat key signature and is now playing in B major, marked with the necessary sharps as accidentals. This use of C♭ major in harp parts when the rest of the orchestra is playing in B major is not exceptional: it is standard practice in orchestral music written in B major for harp parts to be notated in C♭ major. In Arnold Bax's symphonic poem Tintagel, the key is B major and again the harp part is always notated in C♭ major; but in this case the harp's key signature contains only 6 flats, and the necessary F♭s are notated with accidentals. Sometimes harp parts are also written in G♭ major when the rest of the orchestra is notated in F♯ major. This style of enharmonic notation for harp parts is somewhat less common when the principal key involved is a minor one. The middle section of Chopin's Contredanse in G♭ major is written in C♭ major. So also is the second theme of \"Evocaci\u00F3n\", the first movement of Isaac Alb\u00E9niz's 12-movement suite Iberia. The movement is in Sonata form, in the key of A♭ minor, so this places the second theme in the orthodox relative major key (and in the also-orthodox tonic major key of A♭ major when it reappears near the end of the piece). In some scores, the C♭ major key signature in the bass clef is written with the flat for the F on the second line from the top."@en ,
"Ces-Dur ist eine Tonart des Tongeschlechts Dur, die auf dem Grundton Ces aufbaut. Die Tonart Ces-Dur wird in der Notenschrift mit sieben ♭ geschrieben (b, es, as, des, ges, ces, fes). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart, werden mit dem Begriff Ces-Dur bezeichnet. Aufgrund der sieben Vorzeichen (man k\u00F6nnte Ces-Dur \u2013 enharmonisch umgedeutet \u2013 einfacher mit H-Dur darstellen) wird diese Tonart nur selten verwendet."@de ,
"\u964DC\u5927\u8ABF\u662F\u4E00\u500B\u57FA\u65BCC\u266D\u97F3\u7684\u5927\u8ABF\uFF0C\u7531C\u266D\u3001D\u266D\u3001E\u266D\u3001F\u266D\u3001G\u266D\u3001A\u266D\u3001B\u266D\u548CC\u266D\u7D44\u6210\uFF0C\u8ABF\u865F\u6709\u4E03\u500B\u964D\u865F\uFF0C\u5373\u6240\u6709\u7684\u97F3\u4E5F\u6709\u964D\u865F\u3002\u76F8\u5C0D\u5C0F\u8ABF\u662F\u964Da\u5C0F\u8ABF\uFF0C\u4E26\u884C\u5C0F\u8ABF\u662F\u964Dc\u5C0F\u8ABF\uFF0C\u8207B\u5927\u8ABF\u7570\u7B26\u540C\u97F3\u3002"@zh ,
"Ces-dur - gama muzyczna oparta na skali durowej, kt\u00F3rej tonik\u0105 jest Ces. Gama Ces-dur zawiera d\u017Awi\u0119ki: ces, des, es, fes, ges, as, b. Pokrewn\u0105 jej gam\u0105 molow\u0105 jest as-moll. Tonacja w praktyce muzycznej bardzo rzadko u\u017Cywana z uwagi na trudno\u015B\u0107 w odczytywaniu zapisu z 7 bemolami. Jednobrzmi\u0105c\u0105 tonacj\u0105 jest H-dur, \u0142atwiejsza w odczycie. Ces-dur jest stosunkowo cz\u0119sto u\u017Cywana w utworach harfowych z uwagi na specyfik\u0119 tego instrumentu (harfa jest strojona w\u0142a\u015Bnie w Ces-dur i w tej tonacji najlepiej brzmi\u0105 jej struny; H-dur za\u015B wymaga podw\u00F3jnego skr\u00F3cenia strun i \u017Ale brzmi)."@pl ,
"\u5909\u30CF\u9577\u8ABF\uFF08\u3078\u3093\u306F\u3061\u3087\u3046\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u5909\u30CF (C) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u9577\u8ABF\u3067\u3042\u308B\u3002\u8ABF\u53F7\u306F\u30D5\u30E9\u30C3\u30C87\u3064\u3067\u3042\u308B\u3002"@ja ;
rdfs:comment "\u0414\u043E-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0430\u0436\u043E\u0440 (Ces-dur) \u2014 \u043C\u0430\u0436\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u0434\u043E-\u0431\u0435\u043C\u043E\u043B\u044C. \u0413\u0430\u043C\u0430 \u0434\u043E-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0430\u0436\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: ces - des - es ^ fes - ges - as - bes ^ ces. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u043B\u044F-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0456\u043D\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0456\u043D\u043E\u0440 (\u0435\u043D\u0433\u0430\u0440\u043C\u043E\u043D\u0456\u0447\u043D\u043E \u0440\u0456\u0432\u043D\u0438\u0439) \u2014 \u0441\u0456 \u043C\u0456\u043D\u043E\u0440."@uk ,
"\u5909\u30CF\u9577\u8ABF\uFF08\u3078\u3093\u306F\u3061\u3087\u3046\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u5909\u30CF (C) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u9577\u8ABF\u3067\u3042\u308B\u3002\u8ABF\u53F7\u306F\u30D5\u30E9\u30C3\u30C87\u3064\u3067\u3042\u308B\u3002"@ja ,
"Ces-Dur ist eine Tonart des Tongeschlechts Dur, die auf dem Grundton Ces aufbaut. Die Tonart Ces-Dur wird in der Notenschrift mit sieben ♭ geschrieben (b, es, as, des, ges, ces, fes). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart, werden mit dem Begriff Ces-Dur bezeichnet. Aufgrund der sieben Vorzeichen (man k\u00F6nnte Ces-Dur \u2013 enharmonisch umgedeutet \u2013 einfacher mit H-Dur darstellen) wird diese Tonart nur selten verwendet."@de ,
"Do bemol mayor (abreviatura en sistema europeo Do♭M y en sistema americano C♭) es la tonalidad que consiste en la escala mayor de do bemol, y contiene las notas do bemol, re bemol, mi bemol, fa bemol, sol bemol, la bemol, si bemol y do bemol. Su armadura contiene 7 bemoles. Su relativo menor es La bemol menor, y su tonalidad paralela es Si menor, su enarm\u00F3nica, pues Do bemol menor es muy raramente usada."@es ,
"C♭ major is a major scale based on C♭, consisting of the pitches C♭, D♭, E♭, F♭, G♭, A♭, and B♭. Its key signature has seven flats \u2014 the enharmonically equivalent key signature B major (five sharps) is usually used instead.."@en ,
"\u964DC\u5927\u8ABF\u662F\u4E00\u500B\u57FA\u65BCC\u266D\u97F3\u7684\u5927\u8ABF\uFF0C\u7531C\u266D\u3001D\u266D\u3001E\u266D\u3001F\u266D\u3001G\u266D\u3001A\u266D\u3001B\u266D\u548CC\u266D\u7D44\u6210\uFF0C\u8ABF\u865F\u6709\u4E03\u500B\u964D\u865F\uFF0C\u5373\u6240\u6709\u7684\u97F3\u4E5F\u6709\u964D\u865F\u3002\u76F8\u5C0D\u5C0F\u8ABF\u662F\u964Da\u5C0F\u8ABF\uFF0C\u4E26\u884C\u5C0F\u8ABF\u662F\u964Dc\u5C0F\u8ABF\uFF0C\u8207B\u5927\u8ABF\u7570\u7B26\u540C\u97F3\u3002"@zh ,
"Ces-dur - gama muzyczna oparta na skali durowej, kt\u00F3rej tonik\u0105 jest Ces. Gama Ces-dur zawiera d\u017Awi\u0119ki: ces, des, es, fes, ges, as, b. Pokrewn\u0105 jej gam\u0105 molow\u0105 jest as-moll. Tonacja w praktyce muzycznej bardzo rzadko u\u017Cywana z uwagi na trudno\u015B\u0107 w odczytywaniu zapisu z 7 bemolami. Jednobrzmi\u0105c\u0105 tonacj\u0105 jest H-dur, \u0142atwiejsza w odczycie."@pl ;
foaf:depiction .
@prefix skos: .
@prefix ns8: .
dbpedia:C-flat_major skos:subject ns8:Musical_keys .
@prefix ns9: .
dbpedia:C-flat_major dbpprop:wikiPageUsesTemplate ns9:infobox_scale ;
dbpprop:fourthPitch "F"@en ;
dbpprop:imageName "C-flat_Major_key_signature.png"@en ;
dbpprop:scaleName "C major"@en ;
dbpprop:firstPitch "C"@en ;
dbpprop:secondPitch "D"@en ;
dbpprop:thirdPitch "E"@en ;
dbpprop:fifthPitch "G"@en ;
dbpprop:sixthPitch "A"@en ;
dbpprop:enharmonic dbpedia:B_major ;
dbpprop:relative dbpedia:A-flat_minor ;
dbpprop:parallel "C minor
enharmonic:
B minor"@en ;
dbpprop:seventhPitch "B"@en .
@prefix ns10: .
dbpedia:C-flat_major dbpprop:hasPhotoCollection ns10:C-flat_major .
dbpedia:B_major dbpprop:enharmonic dbpedia:C-flat_major .
dbpedia:C_flat_major dbpprop:redirect dbpedia:C-flat_major .
dbpedia:C_flat dbpprop:redirect dbpedia:C-flat_major .