@prefix rdf:	<http://www.w3.org/1999/02/22-rdf-syntax-ns#> .
@prefix dbpedia:	<http://dbpedia.org/resource/> .
@prefix opencyc:	<http://sw.opencyc.org/2008/06/10/concept/> .
dbpedia:Bel_canto	rdf:type	opencyc:Mx4rh-u8uFDjQdeBaPZUJkeOdQ .
@prefix owl:	<http://www.w3.org/2002/07/owl#> .
dbpedia:Bel_canto	owl:sameAs	<http://rdf.freebase.com/ns/guid.9202a8c04000641f800000000072a846> ,
		opencyc:Mx4rvmvUkJwpEbGdrcN5Y29ycA .
@prefix foaf:	<http://xmlns.com/foaf/0.1/> .
@prefix ns5:	<http://en.wikipedia.org/wiki/> .
dbpedia:Bel_canto	foaf:page	ns5:Bel_canto .
@prefix dbpprop:	<http://dbpedia.org/property/> .
dbpedia:Bel_canto	dbpprop:reference	<http://digital.library.upenn.edu/women/eagle/congress/brown.html> ,
		<http://www.time.com/time/magazine/article/0,9171,843311-1,00.html> ,
		<http://www.operaamerica.org/Content/Audiences/Programs/Cornerstones/index.shtml> ,
		<http://www.lanacion.com.ar/nota.asp?nota_id=543840> .
@prefix rdfs:	<http://www.w3.org/2000/01/rdf-schema#> .
dbpedia:Bel_canto	rdfs:label	"Bel canto"@pl ,
		"Bel canto"@fr ,
		"Belcanto"@ca ,
		"Bel canto"@es ,
		"Belcanto"@it ,
		"Belcanto"@de ,
		"Belcanto"@nl ,
		"Belcanto"@cs ,
		"Bel canto"@fi ,
		"Bel canto"@en ,
		"\u0411\u0435\u043B\u044C\u043A\u0430\u043D\u0442\u043E"@ru ,
		"\u0411\u0435\u043B\u044C\u043A\u0430\u043D\u0442\u043E"@uk ,
		"Bel canto"@ro ,
		"Bel canto"@no ,
		"\u7F8E\u58F0\u5531\u6CD5"@zh ,
		"\u30D9\u30EB\u30AB\u30F3\u30C8"@ja ,
		"Belcanto"@tr ,
		"Bel canto"@pt ,
		"Bel canto"@hu ,
		"Bel canto"@sv .
@prefix dbpedia-owl:	<http://dbpedia.org/ontology/> .
dbpedia:Bel_canto	dbpedia-owl:thumbnail	<http://upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Rossini-portrait-0.jpg/200px-Rossini-portrait-0.jpg> ;
	dbpprop:abstract	"A bel canto egy olasz operai kifejez\u00E9s, amely olyan \u00E9nekl\u00E9si technik\u00E1t jelent, ami a t\u00F6k\u00E9letes dallamform\u00E1l\u00E1st helyezi az el\u0151ad\u00E1s k\u00F6z\u00E9ppontj\u00E1ba. A hang mozg\u00E9konys\u00E1g\u00E1n, a hangk\u00E9pz\u00E9s kiegyenl\u00EDtetts\u00E9g\u00E9n alapul. A zeneszerz\u0151k az \u00E9nekhangot m\u00E1r-m\u00E1r instrumentumk\u00E9nt haszn\u00E1lt\u00E1k. A bel canto oper\u00E1kban gy\u00F6ny\u00F6r\u0171 \u00E1ri\u00E1k sz\u00F3laltak meg. Hossz\u00FA id\u0151n \u00E1t mag\u00E1ba foglalta a r\u00F6gt\u00F6nz\u00E9s \u00E9s a d\u00EDsz\u00EDt\u00E9s m\u0171v\u00E9szet\u00E9t is, k\u00E9s\u0151bb az \u00E9nekes sz\u00F3lam r\u00F6gz\u00FClt, majd dr\u00E1mais\u00E1g is t\u00E1rsult hozz\u00E1. Verdin\u00E9l \u00E9s a francia nagyoper\u00E1kban az \u00E9nekl\u00E9s m\u00E1r jobban elt\u00E1volodott a dr\u00E1mai kifejez\u00E9s \u00E9s a deklam\u00E1ci\u00F3 ir\u00E1ny\u00E1ba. Az operai t\u00F6rt\u00E9netek dr\u00E1mais\u00E1g\u00E1nak kihangs\u00FAlyoz\u00E1s\u00E1t a v\u00E9g\u00FCl a zenei verizmus val\u00F3s\u00EDtotta meg. A bel canto 17-19. sz\u00E1zadban volt a legn\u00E9pszer\u0171bb, f\u0151leg az olasz oper\u00E1ban, kiv\u00E1ltk\u00E9ppen a n\u00E1polyi iskol\u00E1ban. H\u00EDres bel canto \u00E1ri\u00E1k p\u00E9ld\u00E1ul Norma cavatin\u00E1ja, Malatesta \u00E9s Don Pasquale kett\u0151se vagy Nemorino rom\u00E1nca a Szerelmi b\u00E1jitalb\u00F3l, a r\u00E1galom\u00E1ria Rossini A sevillai borb\u00E9ly c\u00EDm\u0171 oper\u00E1j\u00E1b\u00F3l. A bel canto aranykora 1805-1830 k\u00F6z\u00F6ttre tehet\u0151, amikor a st\u00EDlus legnevesebb zeneszerz\u0151i alkottak: Vincenzo Bellini Gaetano Donizetti Gioacchino Rossini"@hu ,
		"\u0411\u0435\u043B\u044C\u043A\u0430\u0301\u043D\u0442\u043E - \u0441\u0442\u0438\u043B\u044C \u0432\u043E\u043A\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0432\u0438\u043A\u043E\u043D\u0430\u043D\u043D\u044F, \u043E\u0441\u043E\u0431\u043B\u0438\u0432\u043E \u043F\u043E\u0448\u0438\u0440\u0435\u043D\u0438\u0439 \u0432 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u043E\u043C\u0443 \u043E\u043F\u0435\u0440\u043D\u043E\u043C\u0443 \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0456 XVII - XIX \u0441\u0442\u043E\u043B\u0456\u0442\u044C. \u0421\u0442\u0438\u043B\u044C \u0431\u0435\u043B\u044C\u043A\u0430\u043D\u0442\u043E \u0432\u0438\u043C\u0430\u0433\u0430\u0454 \u0432\u0456\u0434 \u0441\u043F\u0456\u0432\u0430\u043A\u0430 \u0434\u043E\u0441\u043A\u043E\u043D\u0430\u043B\u043E\u0457 \u0442\u0435\u0445\u043D\u0456\u043A\u0438 \u0432\u043E\u043B\u043E\u0434\u0456\u043D\u043D\u044F \u0433\u043E\u043B\u043E\u0441\u043E\u043C, \u0431\u0435\u0437\u0434\u043E\u0433\u0430\u043D\u043D\u043E\u0457 \u043A\u0430\u043D\u0442\u0438\u043B\u0435\u043D\u0438, \u0432\u0456\u0440\u0442\u0443\u043E\u0437\u043D\u043E\u0457 \u043A\u043E\u043B\u043E\u0440\u0430\u0442\u0443\u0440\u0438, \u043C\u0430\u0439\u0441\u0442\u0435\u0440\u043D\u043E\u0433\u043E \u0444\u0456\u043B\u0456\u0440\u0443\u0432\u0430\u043D\u043D\u044F, \u0442\u0440\u0438\u0432\u0430\u043B\u043E\u0433\u043E \u0434\u0438\u0445\u0430\u043D\u043D\u044F, \u0432\u0438\u043D\u044F\u0442\u043A\u043E\u0432\u043E\u0457 \u043C\u0435\u043B\u043E\u0434\u0456\u0439\u043D\u043E\u0457 \u0437\u0432'\u044F\u0437\u043D\u043E\u0441\u0442\u0456, \u043B\u0435\u0433\u043A\u043E\u0441\u0442\u0456 \u0442\u0430 \u0432\u0438\u0448\u0443\u043A\u0430\u043D\u043E\u0441\u0442\u0456 \u0433\u043E\u043B\u043E\u0441\u043E\u0443\u0442\u0432\u043E\u0440\u0435\u043D\u043D\u044F, \u0435\u043C\u043E\u0446\u0456\u0439\u043D\u043E\u0457 \u043D\u0430\u0441\u0438\u0447\u0435\u043D\u043E\u0441\u0442\u0456 \u0441\u043F\u0456\u0432\u0443. \u0414\u0435\u043A\u043E\u043B\u0438 \u0431\u0435\u043B\u044C\u043A\u0430\u043D\u0442\u043E \u0441\u0442\u0430\u0432\u0430\u043B\u043E \u0441\u0430\u043C\u043E\u0446\u0456\u043B\u043B\u044E. \u0417 \u043F\u043E\u044F\u0432\u043E\u044E \u043E\u043F\u0435\u0440 \u0414\u0436. \u0412\u0435\u0440\u0434\u0456 \u0431\u0435\u043B\u044C\u043A\u0430\u043D\u0442\u043E \u0432\u0442\u0440\u0430\u0442\u0438\u043B\u043E \u043A\u043E\u043B\u0438\u0448\u043D\u0454 \u0437\u043D\u0430\u0447\u0435\u043D\u043D\u044F, \u0437\u043E\u0441\u0435\u0440\u0435\u0434\u0438\u0432\u0448\u0438\u0441\u044C \u043D\u0430 \u0434\u043E\u0441\u043A\u043E\u043D\u0430\u043B\u043E\u043C\u0443 \u0432\u043E\u043B\u043E\u0434\u0456\u043D\u043D\u0456 \u0434\u0456\u0430\u043F\u0430\u0437\u043E\u043D\u043E\u043C \u0442\u0430 \u0437\u0432\u0443\u0447\u043D\u0456\u0441\u0442\u044E \u0433\u043E\u043B\u043E\u0441\u0443, \u043A\u0430\u043D\u0442\u0438\u043B\u0435\u043D\u043E\u044E. \u041D\u0435\u0437\u0432\u0430\u0436\u0430\u044E\u0447\u0438 \u043D\u0430 \u0435\u0432\u043E\u043B\u044E\u0446\u0456\u044E \u043E\u043F\u0435\u0440\u043D\u043E\u0433\u043E \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430, \u0431\u0435\u043B\u044C\u043A\u0430\u043D\u0442\u043E \u0456 \u0437\u0430\u0440\u0430\u0437 \u0437\u0430\u043B\u0438\u0448\u0430\u0454\u0442\u044C\u0441\u044F \u043D\u0435\u043F\u0435\u0440\u0435\u0432\u0435\u0440\u0448\u0435\u043D\u0438\u043C \u0437\u0440\u0430\u0437\u043A\u043E\u043C \u043A\u0440\u0430\u0441\u0438 \u0456 \u0434\u043E\u0441\u043A\u043E\u043D\u0430\u043B\u043E\u0441\u0442\u0456 \u0441\u043F\u0456\u0432\u043E\u0447\u043E\u0457 \u043C\u0430\u0439\u0441\u0442\u0435\u0440\u043D\u043E\u0441\u0442\u0456."@uk ,
		"Bel canto, adesea Bel-Canto sau Bel Canto, (din italian\u0103, \"interpretare frumoas\u0103\"), este un termen muzical italian care se refer\u0103 la arta \u015Fi \u015Ftiin\u0163a tehnicii vocale care a originat \u00EEn Italia secolului al \u015Faptesprezecelea ating\u0103nd un muzical \u015Fi artistic \u00EEn decursul secolului al nou\u0103sprezecelea \u00EEn epoca muzical\u0103 numit\u0103 Epoca Bel Canto. Operele italienilor Gioacchino Rossini, Vincenzo Bellini \u015Fi Gaetano Donizetti pot exemplifica la superlativ acest stil interpretativ, care a cunoscut un maximum maximorum \u00EEntre 1805 \u015Fi 1830. De\u015Fi exist\u0103 unii speciali\u015Fti care \u00EEl crediteaz\u0103 pe compozitorul secolului al 17-lea Pietro Cavalli cu introducerea stilului bel canto, o analiz\u0103 atent\u0103 indic\u0103 c\u0103 liniile melodice ale acestuia, line \u015Fi fluente, apar\u0163in unei alte epoci \u015Fi, evident, unui alt stil muzical \u015Fi interpretativ."@ro ,
		"Bel canto (Bel-Canto), along with a number of similar constructions (\u2018bellezze del canto\u2019, \u2018bell\u2019arte del canto\u2019), is an Italian opera term with several possible different meanings that is subject to a wide array of interpretations. The earliest usage of the term bel canto emerged in late 17th-century Italy to refer to the Italian model of singing that was developing there. However, the phrase did not become widely used until the mid 18th century and the term did not take on a more specified meaning until the mid-19th century. In fact \"neither musical nor general dictionaries saw fit to attempt definition until after 1900. \" Even so, the term bel canto remains ambiguous and is often used nostalgically in its application to a lost singing tradition."@en ,
		"\u0411\u0435\u043B\u044C\u043A\u0430\u043D\u0442\u043E (\u0438\u0442\u0430\u043B. bel canto \u2014 \u00AB\u043A\u0440\u0430\u0441\u0438\u0432\u043E\u0435 \u043F\u0435\u043D\u0438\u0435\u00BB) \u2014 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u0438\u0439 \u0441\u0442\u0438\u043B\u044C \u043F\u0435\u043D\u0438\u044F, \u043A\u043E\u0442\u043E\u0440\u044B\u0439 \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u0438\u0437\u0443\u0435\u0442\u0441\u044F \u043F\u043B\u0430\u0432\u043D\u043E\u0441\u0442\u044C\u044E \u043F\u0435\u0440\u0435\u0445\u043E\u0434\u0430 \u043E\u0442 \u0437\u0432\u0443\u043A\u0430 \u043A \u0437\u0432\u0443\u043A\u0443, \u043D\u0435\u043F\u0440\u0438\u043D\u0443\u0436\u0434\u0435\u043D\u043D\u044B\u043C \u0437\u0432\u0443\u043A\u043E\u0438\u0437\u0432\u043B\u0435\u0447\u0435\u043D\u0438\u0435\u043C, \u043A\u0440\u0430\u0441\u0438\u0432\u043E\u0439 \u0438 \u043D\u0430\u0441\u044B\u0449\u0435\u043D\u043D\u043E\u0439 \u043E\u043A\u0440\u0430\u0441\u043A\u043E\u0439 \u0437\u0432\u0443\u043A\u0430, \u0432\u044B\u0440\u043E\u0432\u043D\u0435\u043D\u043D\u043E\u0441\u0442\u044C\u044E \u0433\u043E\u043B\u043E\u0441\u0430 \u0432\u043E \u0432\u0441\u0435\u0445 \u0440\u0435\u0433\u0438\u0441\u0442\u0440\u0430\u0445, \u043B\u0435\u0433\u043A\u043E\u0441\u0442\u044C\u044E \u0437\u0432\u0443\u043A\u043E\u0432\u0435\u0434\u0435\u043D\u0438\u044F, \u043A\u043E\u0442\u043E\u0440\u0430\u044F \u0441\u043E\u0445\u0440\u0430\u043D\u044F\u0435\u0442\u0441\u044F \u0432 \u0442\u0435\u0445\u043D\u0438\u0447\u0435\u0441\u043A\u0438 \u043F\u043E\u0434\u0432\u0438\u0436\u043D\u044B\u0445 \u0438 \u0438\u0437\u043E\u0449\u0440\u0435\u043D\u043D\u044B\u0445 \u043C\u0435\u0441\u0442\u0430\u0445 \u043C\u0435\u043B\u043E\u0434\u0438\u0447\u0435\u0441\u043A\u043E\u0433\u043E \u0440\u0438\u0441\u0443\u043D\u043A\u0430. \u0421\u0442\u0438\u043B\u044C \u0432\u043E\u0437\u043D\u0438\u043A \u0432 \u0418\u0442\u0430\u043B\u0438\u0438 \u0438 \u0431\u044B\u043B \u0441\u0432\u044F\u0437\u0430\u043D \u0441 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435\u043C \u0432 \u0441\u0435\u0440\u0435\u0434\u0438\u043D\u0435 XVII \u0432\u0435\u043A\u0430 \u043D\u0430\u0446\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u043E\u043F\u0435\u0440\u043D\u043E\u0433\u043E \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430 \u0438 \u0432\u043E\u043A\u0430\u043B\u044C\u043D\u043E\u0439 \u0448\u043A\u043E\u043B\u044B. \u0412\u044B\u0440\u0430\u0437\u0438\u0442\u0435\u043B\u044C\u043D\u044B\u0435 \u0441\u0440\u0435\u0434\u0441\u0442\u0432\u0430 \u0411\u0435\u043B\u044C\u043A\u0430\u043D\u0442\u043E \u0444\u043E\u0440\u043C\u0438\u0440\u043E\u0432\u0430\u043B\u0438\u0441\u044C \u043D\u0430 \u043E\u0441\u043D\u043E\u0432\u0435 \u0444\u043E\u043D\u0435\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u043E\u0441\u043E\u0431\u0435\u043D\u043D\u043E\u0441\u0442\u0435\u0439 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u0433\u043E \u044F\u0437\u044B\u043A\u0430 \u0438 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0439 \u043D\u0430\u0440\u043E\u0434\u043D\u043E\u0433\u043E \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u0435\u043B\u044C\u0441\u0442\u0432\u0430. \u0412 \u043F\u0440\u043E\u0446\u0435\u0441\u0441\u0435 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044F \u0441\u0442\u0438\u043B\u044C \u0411\u0435\u043B\u044C\u043A\u0430\u043D\u0442\u043E \u044D\u0432\u043E\u043B\u044E\u0446\u0438\u043E\u043D\u0438\u0440\u043E\u0432\u0430\u043B, \u043E\u0431\u043E\u0433\u0430\u0449\u0430\u044F\u0441\u044C \u043D\u043E\u0432\u044B\u043C\u0438 \u0432\u044B\u0440\u0430\u0437\u0438\u0442\u0435\u043B\u044C\u043D\u044B\u043C\u0438 \u0442\u0435\u0445\u043D\u0438\u0447\u0435\u0441\u043A\u0438\u043C\u0438 \u043F\u0440\u0438\u0451\u043C\u0430\u043C\u0438 \u0438 \u044D\u043C\u043E\u0446\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u044B\u043C\u0438 \u0447\u0435\u0440\u0442\u0430\u043C\u0438. \u0421\u0442\u0438\u043B\u044C \u043E\u043A\u0430\u0437\u0430\u043B \u0432\u043B\u0438\u044F\u043D\u0438\u0435 \u043D\u0430 \u0431\u043E\u043B\u044C\u0448\u0438\u043D\u0441\u0442\u0432\u043E \u0435\u0432\u0440\u043E\u043F\u0435\u0439\u0441\u043A\u0438\u0445 \u0432\u043E\u043A\u0430\u043B\u044C\u043D\u044B\u0445 \u0448\u043A\u043E\u043B."@ru ,
		"Bel canto [b\u025Bl \u02C8kanto] on italiaa ja tarkoittaa kaunista laulua. Termi kuvailee varsinkin italialaisessa oopperassa 1800-luvulla kukoistanutta laulutyyli\u00E4, joka korostaa mahdollisimman kaunista \u00E4\u00E4nens\u00E4vy\u00E4 ja vokaalista virtuositeettia. Bel-canto -laululle ovat tyypillisi\u00E4 korukuviot, juoksutukset, koko \u00E4\u00E4nialueen hallinta ja dynaamiset tehokeinot. Ahtaimmassa merkityksess\u00E4\u00E4n bel canto on ainoastaan lyyrisen laulun taidetta, siis laulua, jota laulusolistit ovat harjoittaneet oopperassa aina 1600-luvulta 1900-luvulle saakka. Bel canto antoi arvon tulkitsijoiden vokaalisille kyvyille useinkin n\u00E4yttelemistaidon kustannuksella. Bel canto -laulajan tuli esitell\u00E4 h\u00E4mm\u00E4stytt\u00E4v\u00E4\u00E4 teknist\u00E4 valmiutta sek\u00E4 erilaisia huippusuorituksia: korkeita \u00E4\u00E4ni\u00E4, trillej\u00E4, pitki\u00E4 kadensseja, improvisaatioita jne. N\u00E4m\u00E4 olivat bel canton tyylipiirteit\u00E4 v\u00E4hint\u00E4\u00E4nkin 1600-luvulta aina 1700-luvulle asti. Tyypillisin bel canto -oopperoiden aika lienee 1800-luvun alkupuoli, vaikka itse termi tuli yleiseen k\u00E4ytt\u00F6\u00F6n vasta 1800-luvun puoliv\u00E4liss\u00E4. T\u00E4m\u00E4n bel canton huippukauden s\u00E4velt\u00E4j\u00E4nimet ovat Gioacchino Rossini, Gaetano Donizetti ja Vincenzo Bellini, my\u00F6hemmin traditiota kehittiv\u00E4t omaan suuntaansa muun muassa Giuseppe Verdi, Giacomo Puccini, Ruggero Leoncavallo ja Pietro Mascagni. Sopraanot Maria Callas ja Joan Sutherland ovat ehk\u00E4 kaikkein tunnetuimmat sodanj\u00E4lkeisen ajan bel canto -laulajat. Tunnettuja nykyisi\u00E4 bel canto -tenoreja ovat mm. Raul Gimenez, Juan Diego Fl\u00F3rez ja William Matteuzzi."@fi ,
		"\u7F8E\u8072\u5531\u6CD5\uFF08\u610F\u5927\u5229\u8A9E\uFF1ABel Canto\uFF09\u662F\u59CB\u65BC16\u4E16\u7D00\u610F\u5927\u5229\uFF0C\u5B8C\u6210\u65BC19\u4E16\u7D00\u7684\u85DD\u8853\u6027\u5F88\u9AD8\u7684\u5531\u6CD5\uFF0C\u7528\u4E8E\u610F\u5927\u5229\u6B4C\u5287\u3002"@zh ,
		"Bel canto (\"belo canto\" em italiano) denomina toda uma tradi\u00E7\u00E3o vocal, t\u00E9cnica e interpretativa da \u00D3pera italiana a qual originou no fim do S\u00E9culo XVII e alcan\u00E7ou seu auge no in\u00EDcio do S\u00E9culo XIX durante a era da \u00F3pera de bel canto. Os maiores representantes dessa escola de canto foram Gioacchino Rossini, Gaetano Donizetti e Vicenzo Bellini, mas tamb\u00E9m aparecem em obras de Giuseppe Verdi, Gaetano Spontini, Giacomo Meyerbeer, Saverio Mercadante, Giovanni Pacini e outros."@pt ,
		"Dans la musique classique, le bel canto ou belcanto \u2014 en italien, le \u00AB beau chant \u00BB \u2014 d\u00E9signe un style de chant fond\u00E9 sur la beaut\u00E9 du timbre et la recherche d'une certaine virtuosit\u00E9 vocale \u2014 vocalises, ornements, extension de la tessiture, etc. L'origine italienne de cette expression t\u00E9moigne de l'empreinte durable qu'ont laiss\u00E9e dans ce domaine, les musiciens italiens, chanteurs et compositeurs, d\u00E8s le XVII si\u00E8cle."@fr ,
		"Belcanto bezeichnet in der Musik die Gesangstechnik, die in Italien zu Beginn des 17. Jahrhunderts im Zusammenhang mit der Monodie und der Oper entstand. Bis etwa 1840 war der Belcanto die bevorzugte Technik f\u00FCr den Gesang in der europ\u00E4ischen Oper. Elemente des Belcanto sind das Legato, das Messa di voce, die Appoggiaturen und Portamenti sowie die virtuose Ausschm\u00FCckung durch Koloraturen und Fiorituren. Mit den Opern von Giuseppe Verdi und des Verismo wurde der Belcanto verdr\u00E4ngt, weil die S\u00E4nger sich gegen einen vergr\u00F6\u00DFerten Orchesterapparat durchzusetzen hatten. Der Begriff wird auch als Sammelbegriff f\u00FCr die Opernkomposition von etwa 1810 bis 1845 in Italien verwendet. Die wichtigsten Vertreter dieser Schule waren Gioacchino Rossini, Vincenzo Bellini und Gaetano Donizetti. J\u00FCrgen Kesting definiert Belcanto als \u201E[\u2026] (Gesangs)stil, der einer bestimmten Technik bedarf oder als Technik f\u00FCr einen Stil\u201C. Der Begriff Belcanto wird oft f\u00E4lschlicherweise auf S\u00E4nger angewendet, die lediglich \u00FCber eine sch\u00F6ne Stimme und eine klassische Gesangstechnik verf\u00FCgen, ohne dass sie Werke der Belcanto-Epoche oder im Belcanto-Stil singen."@de ,
		"Bel canto, belcanto to termin muzyczny u\u017Cywany w dw\u00F3ch znaczeniach: dla okre\u015Blenia w\u0142oskiej techniki \u015Bpiewu oraz stylu we w\u0142oskiej muzyce wokalnej. Istot\u0105 stylu Bel canto jest przywi\u0105zywanie najwi\u0119kszego znaczenia w utworach \u015Bpiewanych do pi\u0119kna g\u0142osu i wirtuozerii. Technika Bel canto skupia si\u0119 na opanowaniu oddechu i w\u0142a\u015Bciwym postawieniu g\u0142osu. Styl bel canto powsta\u0142 w I po\u0142owie XVII wieku, jego g\u0142\u00F3wnymi przedstawicielami byli Luigi Rossi i Francesco Cavalli. By\u0142 on skierowany przeciwko Cameracie florenckiej, nawi\u0105zuj\u0105cej do greckich wzorc\u00F3w prymatu s\u0142owa nad melodi\u0105. Rozw\u00F3j bel canta nast\u0105pi\u0142 w XVIII wieku, p\u00F3\u017Aniej kontynuatorami jego byli mistrzowie XIX-wiecznej opery w\u0142oskiej: Gioacchino Rossini, Gaetano Donizetti i Vincenzo Bellini. Styl bel canto wypracowa\u0142 du\u017Ce zr\u00F3\u017Cnicowanie mi\u0119dzy ari\u0105, recytatywem i arioso, dzi\u0119ki czemu mo\u017Cliwe sta\u0142o si\u0119 podkre\u015Blenie charakteru lirycznego, narracyjnego czy dramatycznego utworu lub w\u0105tku."@pl ,
		"Se ogs\u00E5 musikkgruppen Bel Canto Bel Canto er et italiensk begrep som refererer til kunsten og teorien bak sangteknikk som oppstod i Italia i l\u00F8pet av slutten p\u00E5 1500-tallet og n\u00E5dde h\u00F8ydepunktet sitt tidlig i 1800-tallet. Rossini, Bellini og Donizetti er de mest kjente eksponentene for denne stilarten."@no ,
		"Bel canto en la \u00F3pera es un estilo vocal que se desarroll\u00F3 en Italia hacia fines del siglo XVIII y comienzos del XIX."@es ,
		"En la m\u00FAsica cl\u00E0ssica, el belcanto (en itali\u00E0, el \u00ABcant bonic\u00BB) designa un estil de cant fundat en la bellesa del timbre i en la recerca d'una certa virtuositat vocal - vocalitzaci\u00F3, ornament, extensi\u00F3 de la tessitura, etc. S'originava a It\u00E0lia a finals del segle XVI i arribava al seu m\u00E0xim esplendor a la primera part del segle XIX durant l'\u00E8poca justament anomenada del Bel Canto. Rossini, Bellini, i Donizetti foren qui millor exemplifiquen aquest estil durant el per\u00EDode compr\u00E8s entre aproximadament el 1810 i el 1830. El bel canto se centra en la uniformitat perfecte a trav\u00E9s de la veu, el legato h\u00E0bil, un registre alt i clar, agilitat enorme i flexibilitat, i un cert timbre l\u00EDric, \"dol\u00E7\". Trinats, refilets, notes picades, llargues cad\u00E8ncies improvisades, etc. , s\u00F3n les principals caracter\u00EDstiques. El bel canto emfasitza m\u00E9s en la t\u00E8cnica que en el volum. Va significar una demostraci\u00F3 de les capacitats vocals dels int\u00E8rprets, amb la seva habilitat t\u00E8cnica virtuosa i proeses diverses, sovint en detriment de l'acci\u00F3 esc\u00E8nica. Trinats, refilets, notes picades, llargues cad\u00E8ncies improvisades, etc. , s\u00F3n les principals caracter\u00EDstiques del bel canto, almenys durant el segle XVII i el segle XVIII. Tanmateix, els int\u00E8rprets del bel canto, sovint estan m\u00E9s preocupats per la demostraci\u00F3 del seu tecnicisme personal que per la pertin\u00E8ncia de les seves intervencions en l'aspecte dram\u00E0tic, i molts compositors - Gluck, Mozart, Rossini, entre altres - van intentar, amb m\u00E9s o menys d'\u00E8xit, posar un dic als \u00ABdesbordaments\u00BB dels castrats i de les \u00ABprimas donnas\u00BB. D'altra banda, la virtuositat desenvolupada per aquests cantants ha contribu\u00EFt no nom\u00E9s a fer evolucionar la t\u00E8cnica del cant en g\u00E8neres molt allunyats de l'\u00F2pera - en la m\u00FAsica sacra per exemple -, sin\u00F3 que tamb\u00E9 ha estimulat igualment el desenvolupament de la t\u00E8cnica instrumental: per exemple, en el concert de solista, g\u00E8nere nascut al comen\u00E7ament del segle XVIII, les parts confiades als solistes no s\u00F3n en el fons res m\u00E9s que del \u00ABbel canto\u00BB adaptat a la m\u00FAsica instrumental. Derivat del procediment d'escriptura musical anomenada monodia acompanyada - t\u00E8cnica nascuda al mateix temps que l'\u00F2pera, i que l'\u00E9s indissociable -, el bel canto est\u00E0 naturalment centrat al voltant de la melodia: s'oposa doncs al cant polif\u00F2nic de la fi de l'edat mitjana i del Renaixement, i tamb\u00E9 al corrent musical encetat al segle XIX per certs compositors d'\u00F2peres, com Berlioz, Wagner o Debussy, per als quals els cantants, la veu i la m\u00FAsica, havien d'estar al servei del drama, i no el contrari. El segle XIX \u00E9s d'altra banda habitualment considerat com el per\u00EDode que marca el comen\u00E7ament del declivi del bel canto, fins arribar als \u00FAltims testimonis, ja entrat al segle XX, dels compositors italians Leoncavallo, Puccini o Mascagni."@ca ,
		"Belcanto m\u00FCzik terminolojisinde, m\u00FCzik par\u00E7as\u0131 i\u00E7erisindeki duygusal farkl\u0131l\u0131klar\u0131n vurgulanmas\u0131, notalar\u0131n daha cazibeli bir \u015Fekilde s\u00F6ylenmesi, melodi ve \u015Fark\u0131 s\u00F6zlerinin anlamland\u0131r\u0131lmas\u0131 \u015Feklinde bir \u015Fark\u0131 yorumlama tekni\u011Fidir. J\u00FCrgen Kesting Belcanto'yu \"belli bir teknikten do\u011Fan ihtiya\u00E7la ortaya \u00E7\u0131kan \u015Eark\u0131 s\u00F6yleme stili (\u015Ean) ya da bu \u015Eark\u0131 s\u00F6yleme stilinin (\u015Ean) tekni\u011Fi\" olarak tan\u0131mlamaktad\u0131r. Belcanto kelimesi maalesef s\u0131k\u00E7a Belcanto repertuar\u0131ndan olmaks\u0131z\u0131n klasik \u015Fark\u0131 s\u00F6yleme tekni\u011Fine sahip g\u00FCzel sesli \u015Fark\u0131c\u0131lar\u0131 tan\u0131mlamakta (ve olduk\u00E7a yanl\u0131\u015F anlamda) kullan\u0131lmaktad\u0131r."@tr ,
		"\u30D9\u30EB\u30AB\u30F3\u30C8\uFF08\u30A4\u30BF\u30EA\u30A2\u8A9E Bel Canto\u3001\u300C\u7F8E\u3057\u3044\u6B4C\u300D\u300C\u7F8E\u3057\u3044\u6B4C\u5531\u300D\u306E\u610F\uFF09\u306F\u3001\u58F0\u697D\u7528\u8A9E\u306E\u3072\u3068\u3064\u3002\u4EE5\u4E0B\u306B\u8FF0\u3079\u308B\u3088\u3046\u306B\u5B9A\u7FA9\u4ED8\u3051\u306E\u4E4F\u3057\u3044\u7528\u8A9E\u3067\u3042\u308B\u304C\u3001\u5927\u4F53\u306B\u304A\u3044\u3066\u30A4\u30BF\u30EA\u30A2\u30FB\u30AA\u30DA\u30E9\u306B\u304A\u3051\u308B\u3042\u308B\u7A2E\u306E\u7406\u60F3\u7684\u306A\u6B4C\u5531\u6CD5\u3092\u6307\u3059\u3002"@ja ,
		"bel canto' har tv\u00E5 betydelser: Opera - Bel canto \u00E4r italiensk vokalteknik utvecklad p\u00E5 1700- och 1800-talet, som lyfter p\u00E5 f\u00F6rsta plats vacker klang och teknisk s\u00E5ngskicklighet. Viktigaste bidrag kom fr\u00E5n den s\u00E5 kallade neapelskolan. Under senare tid anv\u00E4ndes tekniken av framf\u00F6r allt: Vincenzo Bellini Gaetano Donizetti Gioacchino Rossini Den sistn\u00E4mne har utvecklat o\u00F6vertr\u00E4ffade halsbrytande snabba koloraturer, som till exempel i Barberaren i Sevilla. Alla tre hade i flera av sina operor avancerad ensembles\u00E5ng. Venedigskolan - Bel canto \u00E4r italiensk vokalstil utvecklad under 1630-1640 i Venedig, med viktigaste f\u00F6retr\u00E4dare hos Luigi Rossi och Francesco Cavalli. Tekniken anv\u00E4ndes \u00E4ven vid kastrats\u00E5ng."@sv ,
		"\u00C8 definita belcanto, bel canto o belcantismo una tecnica di canto virtuosistico caratterizzata dal passaggio omogeneo dalle note gravi alle acute, da agilit\u00E0 nell'ornamentazione e nel fraseggio e dalla concezione della voce come strumento. Si tratta di un termine musicale di origine italiana, riferito in modo pi\u00F9 generale all'arte e alla scienza della tecnica vocale, affermatosi nel tardo XVI secolo. La diffusione della melodia composta per una sola voce, diede la possibilit\u00E0 anche ai compositori, oltrech\u00E9 ai cantanti, di curare maggiormente la disciplina del canto, che si concretizz\u00F2 con la stesura di vari esercizi, chiamati solfeggi, atti ad allenare la voce ad una migliore esecuzione delle opere. Tale stile di canto \u00E8 caratterizzato dalla perfetta uniformit\u00E0 della voce, da un eccellente legato, da un registro lievemente pi\u00F9 alto, da un'incredibile agilit\u00E0 e flessibilit\u00E0 e da un timbro morbido. La maggiore enfasi posta sulla tecnica, rispetto al volume, ha fatto s\u00EC che lo stile del belcanto sia stato a lungo associato ad un esercizio atto a dimostrare la bravura dell'esecutore: questo tipo di cantante sarebbe in grado di reggere una candela accesa davanti alla bocca e di cantare senza far oscillare la fiamma. La tecnica belcantistica \u00E8 stata coltivata da molti geniali operisti, fra cui Alessandro Scarlatti, Giambattista Pergolesi, Georg Friedrich H\u00E4ndel e Johann Adolf Hasse. A molti solfeggi di Scarlatti sarebbe sufficiente inserire un testo per trasformarli in arie e viceversa. Nei primi decenni del XIX secolo viene gradualmente abbandonata, fino a scomparire quasi del tutto attorno alla met\u00E0 dell'Ottocento (se ne trova ancora traccia nella produzione giovanile di Giuseppe Verdi)."@it ,
		"Belcanto \u010Di bel canto (italsky kr\u00E1sn\u00FD zp\u011Bv) je p\u011Bveck\u00E1 technika, kter\u00E1 vznikla v It\u00E1lii po\u010D\u00E1tkem 17. stolet\u00ED spolu s vznikem monodie a opery a byla a\u017E asi do roku 1840 p\u0159evl\u00E1daj\u00EDc\u00ED technikou evropsk\u00E9 opery. Vyzna\u010Duje se leg\u00E1tov\u00FDm veden\u00EDm hlasu, pou\u017Eit\u00EDm techniky messa di voce (zm\u011Bnou s\u00EDly hlasu p\u0159i zp\u00EDv\u00E1n\u00ED jednoho t\u00F3nu) a pou\u017E\u00EDv\u00E1n\u00EDm r\u016Fzn\u00FDch ozdob. Belcanto vy\u0161lo z m\u00F3dy s n\u00E1stupem Verdiho a verismu; bylo to i z praktick\u00FDch d\u016Fvod\u016F, proto\u017Ee belcantov\u00FD zp\u011Bv se nemohl prosadit proti roz\u0161\u00ED\u0159en\u00E9mu orchestr\u00E1ln\u00EDmu apar\u00E1tu."@cs ,
		"Belcanto is een zangstijl waarin de aandacht voor de klankkleur van de stem een bijzonder grote rol speelt. Vibrato is daarbij van relatief groot belang. De tekst van het gezongene staat daarbij op het tweede plan. Enkele componisten van het typische belcanto-repertoire zijn: Gaetano Donizetti Gioacchino Rossini Vincenzo Bellini De praktijk van het belcanto herleefde na de Tweede Wereldoorlog dankzij met name de sopranen Maria Callas en Joan Sutherland, die in staat waren om niet alleen aan de technische eisen van speciaal de coloraturen - melismatische versieringen - te voldoen, maar deze ook inhoud en diepgang te geven. Van deze vorm van ornamentiek, vaak aangezien voor onnodige opsmuk en misplaatste virtuositeit, maakten zij een wezenlijk muzikaal bestanddeel. Het succes dat zij behaalden in dit repertoire leidde tot hernieuwde belangstelling voor dit genre. De Nederlandse zangeres Cristina Deutekom bouwde een wereldcarri\u00E8re op met dit repertoire. Bekende zangers en prima donna's, vermaard om hun belcanto zijn of waren Alessandro Bonci, Giacomo Lauri-Volpi, Luisa Tetrazzini, Tito Schipa, Ferruccio Tagliavini, Rosa Ponselle, Maria Callas, Joan Sutherland, Marilyn Horne, Alfredo Kraus, Edita Gruberov\u00E1, Luciano Pavarotti, Renato Bruson, Montserrat Caball\u00E9, Joseph Schmidt, Cecilia Bartoli, Richard Tauber en Frederica von Stade. Guido Belcanto is een Vlaamse chansonnier . Het Belcanto Festival Dordrecht was een groot opera-evenement dat jaarlijks in september in Dordrecht werd georganiseerd."@nl ;
	rdfs:comment	"Belcanto bezeichnet in der Musik die Gesangstechnik, die in Italien zu Beginn des 17. Jahrhunderts im Zusammenhang mit der Monodie und der Oper entstand. Bis etwa 1840 war der Belcanto die bevorzugte Technik f\u00FCr den Gesang in der europ\u00E4ischen Oper. Elemente des Belcanto sind das Legato, das Messa di voce, die Appoggiaturen und Portamenti sowie die virtuose Ausschm\u00FCckung durch Koloraturen und Fiorituren."@de ,
		"A bel canto egy olasz operai kifejez\u00E9s, amely olyan \u00E9nekl\u00E9si technik\u00E1t jelent, ami a t\u00F6k\u00E9letes dallamform\u00E1l\u00E1st helyezi az el\u0151ad\u00E1s k\u00F6z\u00E9ppontj\u00E1ba. A hang mozg\u00E9konys\u00E1g\u00E1n, a hangk\u00E9pz\u00E9s kiegyenl\u00EDtetts\u00E9g\u00E9n alapul. A zeneszerz\u0151k az \u00E9nekhangot m\u00E1r-m\u00E1r instrumentumk\u00E9nt haszn\u00E1lt\u00E1k. A bel canto oper\u00E1kban gy\u00F6ny\u00F6r\u0171 \u00E1ri\u00E1k sz\u00F3laltak meg."@hu ,
		"\u30D9\u30EB\u30AB\u30F3\u30C8\uFF08\u30A4\u30BF\u30EA\u30A2\u8A9E Bel Canto\u3001\u300C\u7F8E\u3057\u3044\u6B4C\u300D\u300C\u7F8E\u3057\u3044\u6B4C\u5531\u300D\u306E\u610F\uFF09\u306F\u3001\u58F0\u697D\u7528\u8A9E\u306E\u3072\u3068\u3064\u3002\u4EE5\u4E0B\u306B\u8FF0\u3079\u308B\u3088\u3046\u306B\u5B9A\u7FA9\u4ED8\u3051\u306E\u4E4F\u3057\u3044\u7528\u8A9E\u3067\u3042\u308B\u304C\u3001\u5927\u4F53\u306B\u304A\u3044\u3066\u30A4\u30BF\u30EA\u30A2\u30FB\u30AA\u30DA\u30E9\u306B\u304A\u3051\u308B\u3042\u308B\u7A2E\u306E\u7406\u60F3\u7684\u306A\u6B4C\u5531\u6CD5\u3092\u6307\u3059\u3002"@ja ,
		"En la m\u00FAsica cl\u00E0ssica, el belcanto (en itali\u00E0, el \u00ABcant bonic\u00BB) designa un estil de cant fundat en la bellesa del timbre i en la recerca d'una certa virtuositat vocal - vocalitzaci\u00F3, ornament, extensi\u00F3 de la tessitura, etc. S'originava a It\u00E0lia a finals del segle XVI i arribava al seu m\u00E0xim esplendor a la primera part del segle XIX durant l'\u00E8poca justament anomenada del Bel Canto."@ca ,
		"\u00C8 definita belcanto, bel canto o belcantismo una tecnica di canto virtuosistico caratterizzata dal passaggio omogeneo dalle note gravi alle acute, da agilit\u00E0 nell'ornamentazione e nel fraseggio e dalla concezione della voce come strumento. Si tratta di un termine musicale di origine italiana, riferito in modo pi\u00F9 generale all'arte e alla scienza della tecnica vocale, affermatosi nel tardo XVI secolo."@it ,
		"\u0411\u0435\u043B\u044C\u043A\u0430\u0301\u043D\u0442\u043E - \u0441\u0442\u0438\u043B\u044C \u0432\u043E\u043A\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0432\u0438\u043A\u043E\u043D\u0430\u043D\u043D\u044F, \u043E\u0441\u043E\u0431\u043B\u0438\u0432\u043E \u043F\u043E\u0448\u0438\u0440\u0435\u043D\u0438\u0439 \u0432 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u043E\u043C\u0443 \u043E\u043F\u0435\u0440\u043D\u043E\u043C\u0443 \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0456 XVII - XIX \u0441\u0442\u043E\u043B\u0456\u0442\u044C."@uk ,
		"\u7F8E\u8072\u5531\u6CD5\uFF08\u610F\u5927\u5229\u8A9E\uFF1ABel Canto\uFF09\u662F\u59CB\u65BC16\u4E16\u7D00\u610F\u5927\u5229\uFF0C\u5B8C\u6210\u65BC19\u4E16\u7D00\u7684\u85DD\u8853\u6027\u5F88\u9AD8\u7684\u5531\u6CD5\uFF0C\u7528\u4E8E\u610F\u5927\u5229\u6B4C\u5287\u3002"@zh ,
		"Dans la musique classique, le bel canto ou belcanto \u2014 en italien, le \u00AB beau chant \u00BB \u2014 d\u00E9signe un style de chant fond\u00E9 sur la beaut\u00E9 du timbre et la recherche d'une certaine virtuosit\u00E9 vocale \u2014 vocalises, ornements, extension de la tessiture, etc. L'origine italienne de cette expression t\u00E9moigne de l'empreinte durable qu'ont laiss\u00E9e dans ce domaine, les musiciens italiens, chanteurs et compositeurs, d\u00E8s le XVII si\u00E8cle."@fr ,
		"Bel canto en la \u00F3pera es un estilo vocal que se desarroll\u00F3 en Italia hacia fines del siglo XVIII y comienzos del XIX."@es ,
		"bel canto' har tv\u00E5 betydelser: Opera - Bel canto \u00E4r italiensk vokalteknik utvecklad p\u00E5 1700- och 1800-talet, som lyfter p\u00E5 f\u00F6rsta plats vacker klang och teknisk s\u00E5ngskicklighet. Viktigaste bidrag kom fr\u00E5n den s\u00E5 kallade neapelskolan. Under senare tid anv\u00E4ndes tekniken av framf\u00F6r allt: Vincenzo Bellini Gaetano Donizetti Gioacchino Rossini Den sistn\u00E4mne har utvecklat o\u00F6vertr\u00E4ffade halsbrytande snabba koloraturer, som till exempel i Barberaren i Sevilla."@sv ,
		"\u0411\u0435\u043B\u044C\u043A\u0430\u043D\u0442\u043E (\u0438\u0442\u0430\u043B."@ru ,
		"Bel canto [b\u025Bl \u02C8kanto] on italiaa ja tarkoittaa kaunista laulua. Termi kuvailee varsinkin italialaisessa oopperassa 1800-luvulla kukoistanutta laulutyyli\u00E4, joka korostaa mahdollisimman kaunista \u00E4\u00E4nens\u00E4vy\u00E4 ja vokaalista virtuositeettia. Bel-canto -laululle ovat tyypillisi\u00E4 korukuviot, juoksutukset, koko \u00E4\u00E4nialueen hallinta ja dynaamiset tehokeinot."@fi ,
		"Bel canto, adesea Bel-Canto sau Bel Canto, (din italian\u0103, \"interpretare frumoas\u0103\"), este un termen muzical italian care se refer\u0103 la arta \u015Fi \u015Ftiin\u0163a tehnicii vocale care a originat \u00EEn Italia secolului al \u015Faptesprezecelea ating\u0103nd un muzical \u015Fi artistic \u00EEn decursul secolului al nou\u0103sprezecelea \u00EEn epoca muzical\u0103 numit\u0103 Epoca Bel Canto."@ro ,
		"Se ogs\u00E5 musikkgruppen Bel Canto Bel Canto er et italiensk begrep som refererer til kunsten og teorien bak sangteknikk som oppstod i Italia i l\u00F8pet av slutten p\u00E5 1500-tallet og n\u00E5dde h\u00F8ydepunktet sitt tidlig i 1800-tallet. Rossini, Bellini og Donizetti er de mest kjente eksponentene for denne stilarten."@no ,
		"Bel canto (Bel-Canto), along with a number of similar constructions (\u2018bellezze del canto\u2019, \u2018bell\u2019arte del canto\u2019), is an Italian opera term with several possible different meanings that is subject to a wide array of interpretations. The earliest usage of the term bel canto emerged in late 17th-century Italy to refer to the Italian model of singing that was developing there."@en ,
		"Bel canto (\"belo canto\" em italiano) denomina toda uma tradi\u00E7\u00E3o vocal, t\u00E9cnica e interpretativa da \u00D3pera italiana a qual originou no fim do S\u00E9culo XVII e alcan\u00E7ou seu auge no in\u00EDcio do S\u00E9culo XIX durante a era da \u00F3pera de bel canto. Os maiores representantes dessa escola de canto foram Gioacchino Rossini, Gaetano Donizetti e Vicenzo Bellini, mas tamb\u00E9m aparecem em obras de Giuseppe Verdi, Gaetano Spontini, Giacomo Meyerbeer, Saverio Mercadante, Giovanni Pacini e outros."@pt ,
		"Belcanto \u010Di bel canto (italsky kr\u00E1sn\u00FD zp\u011Bv) je p\u011Bveck\u00E1 technika, kter\u00E1 vznikla v It\u00E1lii po\u010D\u00E1tkem 17. stolet\u00ED spolu s vznikem monodie a opery a byla a\u017E asi do roku 1840 p\u0159evl\u00E1daj\u00EDc\u00ED technikou evropsk\u00E9 opery. Vyzna\u010Duje se leg\u00E1tov\u00FDm veden\u00EDm hlasu, pou\u017Eit\u00EDm techniky messa di voce (zm\u011Bnou s\u00EDly hlasu p\u0159i zp\u00EDv\u00E1n\u00ED jednoho t\u00F3nu) a pou\u017E\u00EDv\u00E1n\u00EDm r\u016Fzn\u00FDch ozdob."@cs ,
		"Bel canto, belcanto to termin muzyczny u\u017Cywany w dw\u00F3ch znaczeniach: dla okre\u015Blenia w\u0142oskiej techniki \u015Bpiewu oraz stylu we w\u0142oskiej muzyce wokalnej. Istot\u0105 stylu Bel canto jest przywi\u0105zywanie najwi\u0119kszego znaczenia w utworach \u015Bpiewanych do pi\u0119kna g\u0142osu i wirtuozerii. Technika Bel canto skupia si\u0119 na opanowaniu oddechu i w\u0142a\u015Bciwym postawieniu g\u0142osu. Styl bel canto powsta\u0142 w I po\u0142owie XVII wieku, jego g\u0142\u00F3wnymi przedstawicielami byli Luigi Rossi i Francesco Cavalli."@pl ,
		"Belcanto m\u00FCzik terminolojisinde, m\u00FCzik par\u00E7as\u0131 i\u00E7erisindeki duygusal farkl\u0131l\u0131klar\u0131n vurgulanmas\u0131, notalar\u0131n daha cazibeli bir \u015Fekilde s\u00F6ylenmesi, melodi ve \u015Fark\u0131 s\u00F6zlerinin anlamland\u0131r\u0131lmas\u0131 \u015Feklinde bir \u015Fark\u0131 yorumlama tekni\u011Fidir. J\u00FCrgen Kesting Belcanto'yu \"belli bir teknikten do\u011Fan ihtiya\u00E7la ortaya \u00E7\u0131kan \u015Eark\u0131 s\u00F6yleme stili (\u015Ean) ya da bu \u015Eark\u0131 s\u00F6yleme stilinin (\u015Ean) tekni\u011Fi\" olarak tan\u0131mlamaktad\u0131r."@tr ,
		"Belcanto is een zangstijl waarin de aandacht voor de klankkleur van de stem een bijzonder grote rol speelt. Vibrato is daarbij van relatief groot belang. De tekst van het gezongene staat daarbij op het tweede plan."@nl ;
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