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dbpedia:Hell-Fire dbpprop:publishedIn dbpedia:Amazing_Stories .
dbpedia:Amazing_Science-Fiction dbpprop:redirect dbpedia:Amazing_Stories .
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dbpedia:Marooned_Off_Vesta dbpprop:publishedIn dbpedia:Amazing_Stories .
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dbpprop:abstract "A revista estadunidense Amazing Stories, por vezes rebatizada de Amazing Science Fiction, foi publicada pela primeira vez em abril de 1926, tornando-se assim a primeira revista dedicada exclusivamente a publicar hist\u00F3rias do g\u00EAnero conhecido hoje por fic\u00E7\u00E3o cient\u00EDfica (FC). \u00C9 considerada tamb\u00E9m como a primeira revista de fic\u00E7\u00E3o cient\u00EDfica em todo o mundo. Criada por Hugo Gernsback, com muitas de suas capas desenhadas pelo legend\u00E1rio Frank R. Paul, apresentava um logo inovador que seria bastante copiado, com o nome da revista escrito em letras que iam progressivamente diminuindo de tamanho. Amazing Stories apresentava hist\u00F3rias de \"romance cient\u00EDfico\". Gernsback cunhou o termo \"scientifiction\" (ou \"ciencific\u00E7\u00E3o\", abreviado \"STF\") para designar o g\u00EAnero, o qual, com o passar dos anos, acabou por tornar-se \"fic\u00E7\u00E3o cient\u00EDfica\"."@pt ,
"Amazing Stories, paru pour la premi\u00E8re fois en avril 1926, est le premier magazine de science-fiction am\u00E9ricain. Il est appel\u00E9 parfois Amazing Science Fiction. Cr\u00E9\u00E9 par Hugo Gernsback, il appara\u00EEt aujourd'hui comme un pulp classique, avec son papier de qualit\u00E9 m\u00E9diocre et la page couverture criarde. Hugo fut influenc\u00E9 par les \u00E9crit de Percival Lowell pour cr\u00E9er Amazing Stories. \u00C0 ses d\u00E9buts, il propose des histoires dites \u00AB romances scientifiques \u00BB. Gernback cr\u00E9e le terme \u00ABscientifiction\u00BB (abr\u00E9g\u00E9 en stf) pour cat\u00E9goriser le genre. Apr\u00E8s quelques ann\u00E9es, le terme s'est transform\u00E9 en science-fiction. Malgr\u00E9 le fait qu'il soit un pulp, Gernsback essaie d'en faire un produit de qualit\u00E9. Par exemple, les pulps avaient les c\u00F4t\u00E9s grossi\u00E8rement d\u00E9coup\u00E9s, alors qu'Amazing Stories avait les rebords bien tranch\u00E9s. Gernsback publie alors r\u00E9guli\u00E8rement les auteurs qu'il consid\u00E9rait comme les p\u00E8res de la science-fiction: H. G. Wells, Jules Verne et Edgar Allan Poe. Ce n'est qu'apr\u00E8s plusieurs ann\u00E9es que le magazine ne contiendra que des \u00E9crits originaux. Bien que le magazine soit le premier \u00E0 para\u00EEtre, il arrive \u00E0 point dans le monde de l'\u00E9dition. Gernsback s'occupe d\u00E9j\u00E0 de Modern Electrics depuis 1909, lequel met l'emphase sur la science et les inventions. Ce magazine publie \u00E9galement des histoires de science-fiction, populaires parmi ses lecteurs. Suite \u00E0 la Grande d\u00E9pression, Gernsback se retrouve en faillite et doit vendre Amazing Stories. Dans la m\u00EAme ann\u00E9e, il lance une publication rivale, Science Wonder Stories. Les nouveaux propri\u00E9taires d'Amazing Stories installent T. O'Conor Sloane comme \u00E9diteur. Il occupe ce si\u00E8ge jusqu'en 1938, quand le magazine est vendu \u00E0 Ziff Davis. Sous la houlette du nouvel \u00E9diteur Raymond A. Palmer, le magazine devient un succ\u00E8s commercial, mais la d\u00E9rision des critiques pour les histoires farfelues (par exemple, il existerait vraiment des cr\u00E9atures intelligentes sous Terre) le rendent suspect. Ziff Davis ajoute ensuite le magazine Fantastic Adventures \u00E0 sa collection, toujours sous la conduite de Palmer, lequel est plus orient\u00E9 vers le fantasy. En 1954, ce magazine fusionne avec Fantastic puis, apr\u00E8s plusieurs changements de noms, avec Amazing Stories en 1980. Durant les ann\u00E9es suivantes, Amazing Stories conna\u00EEt plusieurs probl\u00E8mes. En 2000, sa publication est arr\u00EAt\u00E9e, puis relanc\u00E9e en 2004 par Paizo Publishing. Cependant, en d\u00E9cembre 2004, la compagnie annonce que la publication est suspendue ind\u00E9finiment \u00E0 partir d'avril 2005. Pendant les premi\u00E8res ann\u00E9es de publication, une publication hors s\u00E9rie \u00E9tait faite sous le nom d'Amazing Stories Quarterly. Il existe un magazine de science-fiction britannique, Amazing Science Stories, qui n'a aucun lien avec Amazing Stories. Steven Spielberg a produit une s\u00E9rie t\u00E9l\u00E9vis\u00E9e de 1985 \u00E0 1987 qui portait le m\u00EAme nom, Amazing Stories, en m\u00E9moire de son p\u00E8re qui lisait ce magazine."@fr ,
"\u30D5\u30A1\u30A4\u30EB:Amazbuck. jpg 1928\u5E748\u6708\u53F7\u8868\u7D19\u3002\u300E\u5B87\u5B99\u306E\u30B9\u30AB\u30A4\u30E9\u30FC\u30AF\u300F\u306E\u4E00\u30B7\u30FC\u30F3\u3092\u63CF\u3044\u3066\u3044\u308B\uFF08\u753B\u30FB\u30D5\u30E9\u30F3\u30AF\u30FBR\u30FB\u30D1\u30A6\u30EB\uFF09 \u300E\u30A2\u30E1\u30FC\u30B8\u30F3\u30B0\u30FB\u30B9\u30C8\u30FC\u30EA\u30FC\u30BA\u300F (Amazing Stories) \u306F\u30011926\u5E74\u306B\u30A2\u30E1\u30EA\u30AB\u5408\u8846\u56FD\u3067\u5275\u520A\u3055\u308C\u305F\u4E16\u754C\u521D\u306E\u30B5\u30A4\u30A8\u30F3\u30B9\u30FB\u30D5\u30A3\u30AF\u30B7\u30E7\u30F3\u5C02\u9580\u8A8C\u3002\u30A2\u30E1\u30EA\u30ABSF\u306E\u8349\u5206\u3051\u3068\u306A\u3063\u305F\u3002\u8A8C\u540D\u306F\u300E\u30A2\u30E1\u30FC\u30B8\u30F3\u30B0\u30FB\u30B5\u30A4\u30A8\u30F3\u30B9\u30FB\u30D5\u30A3\u30AF\u30B7\u30E7\u30F3\u30FB\u30B9\u30C8\u30FC\u30EA\u30FC\u30BA\u300F\u306B\u4F55\u5EA6\u304B\u5909\u66F4\u3055\u308C\u305F\u3002 1926\u5E744\u6708\u306B\u30D2\u30E5\u30FC\u30B4\u30FC\u30FB\u30AC\u30FC\u30F3\u30BA\u30D0\u30C3\u30AF\u306B\u3088\u308A\u5275\u520A\u3002\u4ECA\u65E5\u306E\u76EE\u304B\u3089\u898B\u308B\u3068\u3001\u7D19\u8CEA\u304C\u5B89\u3063\u307D\u304F\u3066\u8868\u7D19\u7D75\u304C\u3051\u3070\u3051\u3070\u3057\u3044\u3001\u53E4\u5178\u7684\u306A\u30D1\u30EB\u30D7\u30DE\u30AC\u30B8\u30F3\u3067\u3042\u308B\u3002\u8868\u7D19\u7D75\u306E\u591A\u304F\u306F\u6709\u540D\u306ASF\u753B\u5BB6\u30D5\u30E9\u30F3\u30AF\u30FBR\u30FB\u30D1\u30A6\u30EB\u304C\u624B\u639B\u3051\u305F\u3002\u30BF\u30A4\u30C8\u30EB\u30ED\u30B4\u306F\u3001\u8A8C\u540D\u306E1\u6587\u5B57\u76EE\u306EA\u304B\u3089\u6700\u5F8C\u306ES\u307E\u3067\u3092\u6BB5\u3005\u3068\u5C0F\u3055\u304F\u63CF\u3044\u305F\u3082\u306E\u3002\u5F53\u6642\u306E\u30D1\u30EB\u30D7\u30DE\u30AC\u30B8\u30F3\u3067\u4E3B\u6D41\u3060\u3063\u305F\u63A2\u5075\u3001\u897F\u90E8\u5287\u3001\u30D1\u30A4\u30ED\u30C3\u30C8\u3001\u5C11\u5973\u3001\u6CBC\u5730\u306E\u602A\u7269\u3084\u3001\u8907\u5408\u30B8\u30E3\u30F3\u30EB\u306F\u6271\u308F\u305A\u3001\u5143\u6765\u300C\u30B5\u30A4\u30A8\u30F3\u30C6\u30A3\u30D5\u30A3\u30C3\u30AF\u30FB\u30ED\u30DE\u30F3\u30B9\u300D\u3068\u547C\u3070\u308C\u3066\u3044\u305F\u30B9\u30BF\u30A4\u30EB\u306E\u7269\u8A9E\u3070\u304B\u308A\u3092\u63B2\u8F09\u3057\u305F\u3002\u30AC\u30FC\u30F3\u30BA\u30D0\u30C3\u30AF\u306F\u300C\u30B5\u30A4\u30A8\u30F3\u30C6\u30A3\u30D5\u30A3\u30AF\u30B7\u30E7\u30F3\u300D\uFF08\u7565\u3057\u3066stf/\u30B9\u30C6\u30D5\uFF09\u3068\u3044\u3046\u5408\u6210\u8A9E\u3092\u4F5C\u3063\u3066\u3053\u306E\u30B8\u30E3\u30F3\u30EB\u3092\u8868\u3057\u305F\u3002\u3053\u308C\u304C\u5F8C\u5E74\u300C\u30B5\u30A4\u30A8\u30F3\u30B9\u30FB\u30D5\u30A3\u30AF\u30B7\u30E7\u30F3\u300D\uFF08\u7565\u3057\u3066SF/\u30A8\u30B9\u30A8\u30D5\uFF09\u3068\u3057\u3066\u77E5\u3089\u308C\u308B\u3088\u3046\u306B\u306A\u308B\u30B8\u30E3\u30F3\u30EB\u3067\u3042\u308B\u3002 \u3051\u3070\u3051\u3070\u3057\u3044\u5916\u89B3\u306B\u3082\u95A2\u308F\u3089\u305A\u3001\u30AC\u30FC\u30F3\u30BA\u30D0\u30C3\u30AF\u306F\u9AD8\u7D1A\u306A\u5546\u54C1\u306B\u3057\u3088\u3046\u3068\u3057\u3066\u3044\u305F\u3002\u307B\u3068\u3093\u3069\u306E\u30D1\u30EB\u30D7\u30DE\u30AC\u30B8\u30F3\u306F\u304A\u3088\u305D180 x 250 mm\u306E\u5927\u304D\u3055\u3067\u3001\u7AEF\u3092\u5207\u308A\u305D\u308D\u3048\u3066\u3044\u306A\u3044\u30A2\u30F3\u30AB\u30C3\u30C8\u672C\u3060\u3063\u305F\u306E\u306B\u5BFE\u3057\u3001\u300E\u30A2\u30E1\u30FC\u30B8\u30F3\u30B0\u300F\u306F\u5C11\u3057\u5927\u304D\u304F200 x 280 mm\u306B\u3057\u3066\u3001\u304D\u308C\u3044\u306B\u88C1\u65AD\u3057\u3001\u5C11\u3057\u9AD8\u3081\u306E\u5B9A\u4FA1\u3092\u3064\u3051\u305F\u3002\u30AC\u30FC\u30F3\u30BA\u30D0\u30C3\u30AF\u304C SF \u306E\u7236\u3068\u307F\u306A\u3057\u305F\u30A6\u30A7\u30EB\u30BA\u3001\u30F4\u30A7\u30EB\u30CC\u3001\u30DD\u30FC\u306E\u4F5C\u54C1\u3092\u983B\u7E41\u306B\u63B2\u8F09\u3057\u305F\u3002\u66F8\u304D\u4E0B\u308D\u3057\u4F5C\u54C1\u3092\u5897\u3084\u3059\u306B\u306F\u65E2\u5B58\u306E\u4F5C\u5BB6\u306E\u6C34\u6E96\u304C\u307E\u3060\u5341\u5206\u3067\u306A\u304B\u3063\u305F\u306E\u3067\u3001\u6570\u5E74\u9593\u306F\u4ED6\u306E\u4F5C\u5BB6\u306E\u904E\u53BB\u306E\u4F5C\u54C1\u3082\u63B2\u8F09\u3057\u305F\u3002"@ja ,
"Amazing Stories was an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Before Amazing, science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction. Amazing was published, with some interruptions, for almost eighty years. The title first changed hands in 1929, when Gernsback was forced into bankruptcy and lost control of the magazine. Amazing became unprofitable during the 1930s and in 1938 was purchased by Ziff-Davis, who hired Raymond A. Palmer as editor. Palmer made the magazine successful though it was not regarded as a quality magazine within the science fiction community. In the late 1940s Amazing began to print stories about the Shaver Mystery, a lurid mythos which explained accidents and disaster as the work of robots named \"deros\"; the stories were presented as fact, and led to dramatically increased circulation but also widespread ridicule. Palmer was replaced by Howard Browne in 1949, who briefly entertained plans of taking Amazing upmarket. These plans came to nothing, though Amazing did switch to a digest format in 1953, shortly before the end of the pulp-magazine era. A brief period under the editorship of Paul W. Fairman was followed, at the end of 1958, by the leadership of Cele Goldsmith. Despite her lack of experience she was able to bring new life to the magazine, and her years are regarded as one of Amazing's most creative eras. She was unable to arrest the declining circulation, though, and the magazine was sold to Sol Cohen's Universal Publishing Company in 1965. Under Cohen Amazing was filled almost entirely with reprinted stories. Cohen did not pay a reprint fee to the authors of these stories, and this brought him into conflict with the newly-formed Science Fiction Writers of America. The conflict cost Amazing two successive editors in a short period at the end of the 1960s. Ted White took over as editor after Malzberg, eliminated the reprints and made the magazine a respected name again: Amazing was nominated for the prestigious Hugo award three times during his tenure. White left at the end of the 1970s. The 1980s saw Amazing pass into the hands of TSR in 1983 and Wizards of the Coast (who purchased TSR in 1997), who made intermittent attempts over the next twenty years to create a successful modern incarnation of the magazine. A last attempt was made by Paizo Publishing at the end of 2004, but publication was suspended after the March 2005 issue and never resumed. Gernsback's initial editorial approach was to blend instruction with entertainment; he believed science fiction could educate readers. His audience rapidly showed a preference for implausible adventures, however, and the movement away from Gernsback's idealism accelerated when the magazine changed hands in 1929. Despite this, Gernsback had an enormous impact on the field: the creation of a specialist magazine for science fiction spawned an entire genre publishing industry. The letter columns in Amazing, where fans could make contact with each other, led to the formation of science fiction fandom, which in turn had a strong influence on the development of the field. Writers whose first story was published in the magazine include Howard Fast, Ursula K. Le Guin, Roger Zelazny, and Thomas M. Disch. Overall, though, Amazing itself was rarely an influential magazine within the genre. Some critics have commented that by \"ghettoizing\" science fiction, Gernsback in fact did harm to its literary growth, but this viewpoint has been countered by the argument that science fiction needed an independent market in which to develop if it were to reach its potential."@en ,
"\u041F\u0435\u0440\u0432\u044B\u0439 \u043D\u043E\u043C\u0435\u0440 \u0436\u0443\u0440\u043D\u0430\u043B\u0430 \u00ABAmazing Stories\u00BB \u0441\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044F \u043F\u0435\u0440\u0432\u044B\u043C \u0432 \u043C\u0438\u0440\u0435 \u043C\u0430\u0441\u0441\u043E\u0432\u044B\u043C \u0436\u0443\u0440\u043D\u0430\u043B\u043E\u043C, \u0446\u0435\u043B\u0438\u043A\u043E\u043C \u043F\u043E\u0441\u0432\u044F\u0449\u0451\u043D\u043D\u044B\u043C \u043D\u0430\u0443\u0447\u043D\u043E\u0439 \u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u043A\u0435."@ru ,
"Amazing Stories, pierwsze w historii pismo po\u015Bwi\u0119cone fantastyce naukowej, za\u0142o\u017Cone w Nowym Jorku w 1926 r. (pierwszy numer wyszed\u0142 w kwietniu) przez Hugo Gernsbacka. Pismo zalicza\u0142o si\u0119 do tzw. \"pulp magazines\", kt\u00F3rych nazwa pochodzi\u0142a od marnej jako\u015Bci papieru, na kt\u00F3rym by\u0142y drukowane. Amazing Stories nieco r\u00F3\u017Cni\u0142o si\u0119 od typowych pulp - mia\u0142o rozmiary ok. 220x280 mm, przyci\u0119te strony i wy\u017Csz\u0105 cen\u0119. Ukazywa\u0142o si\u0119 do czas\u00F3w wsp\u00F3\u0142czesnych, wydawane przez licznych wydawc\u00F3w i pod r\u00F3\u017Cnymi wariantami podstawowego tytu\u0142u. Po Gernsbacku najbardziej znanymi wydawcami byli: T. O'Conor Sloane, Raymond A. Palmer i Cele Goldsmith Lalli. Sloane wyda\u0142 pierwsze utwory takich autor\u00F3w, jak: Jack Williamson, John W. Campbell Jr. , Clifford D. Simak, czy E.E. Smith. Dzi\u0119ki Palmerowi zadebiutowa\u0142 Isaac Asimov \u2013 jego utw\u00F3r, Marooned Off Vesta, zosta\u0142 wydany w 1939 r. Goldsmith za\u015B propagowa\u0142 Now\u0105 Fal\u0119 w s-f, publikuj\u0105c utwory takich pisarzy, jak: Thomas M. Disch, Ursula K. Le Guin, Keith Laumer, Sonya Dorman, Roger Zelazny, Fritz Leiber i J. G. Ballard. Przez kr\u00F3tki czas, w latach 1967-1968 redaktorem by\u0142 Harry Harrison. Ostatni, jak na razie, numer ukaza\u0142 si\u0119 w kwietniu 2005 r. Ok\u0142adki wielu pocz\u0105tkowych zeszyt\u00F3w zaprojektowa\u0142 Frank R. Paul."@pl ;
rdfs:comment "A revista estadunidense Amazing Stories, por vezes rebatizada de Amazing Science Fiction, foi publicada pela primeira vez em abril de 1926, tornando-se assim a primeira revista dedicada exclusivamente a publicar hist\u00F3rias do g\u00EAnero conhecido hoje por fic\u00E7\u00E3o cient\u00EDfica (FC). \u00C9 considerada tamb\u00E9m como a primeira revista de fic\u00E7\u00E3o cient\u00EDfica em todo o mundo. Criada por Hugo Gernsback, com muitas de suas capas desenhadas pelo legend\u00E1rio Frank R."@pt ,
"Amazing Stories, paru pour la premi\u00E8re fois en avril 1926, est le premier magazine de science-fiction am\u00E9ricain. Il est appel\u00E9 parfois Amazing Science Fiction. Cr\u00E9\u00E9 par Hugo Gernsback, il appara\u00EEt aujourd'hui comme un pulp classique, avec son papier de qualit\u00E9 m\u00E9diocre et la page couverture criarde. Hugo fut influenc\u00E9 par les \u00E9crit de Percival Lowell pour cr\u00E9er Amazing Stories. \u00C0 ses d\u00E9buts, il propose des histoires dites \u00AB romances scientifiques \u00BB."@fr ,
"Amazing Stories was an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Before Amazing, science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction. Amazing was published, with some interruptions, for almost eighty years."@en ,
"Amazing Stories, pierwsze w historii pismo po\u015Bwi\u0119cone fantastyce naukowej, za\u0142o\u017Cone w Nowym Jorku w 1926 r. (pierwszy numer wyszed\u0142 w kwietniu) przez Hugo Gernsbacka. Pismo zalicza\u0142o si\u0119 do tzw. \"pulp magazines\", kt\u00F3rych nazwa pochodzi\u0142a od marnej jako\u015Bci papieru, na kt\u00F3rym by\u0142y drukowane. Amazing Stories nieco r\u00F3\u017Cni\u0142o si\u0119 od typowych pulp - mia\u0142o rozmiary ok. 220x280 mm, przyci\u0119te strony i wy\u017Csz\u0105 cen\u0119."@pl ,
"\u30D5\u30A1\u30A4\u30EB:Amazbuck."@ja ,
""@ru ;
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