@prefix dbpprop: .
@prefix dbpedia: .
dbpprop:voiceType dbpedia:Alto .
dbpedia:Sofia_Rotaru dbpprop:voiceType dbpedia:Alto .
dbpedia:Mariah_Carey dbpprop:voiceType dbpedia:Alto .
dbpedia:Brooke_Valentine dbpprop:voiceType dbpedia:Alto .
@prefix ns2: .
dbpedia:Doudou_Gouirand ns2:instrument dbpedia:Alto .
@prefix dbpedia-owl: .
dbpedia:Doudou_Gouirand dbpedia-owl:instrument dbpedia:Alto ;
dbpprop:notableInstruments dbpedia:Alto .
dbpedia:Patti_Page dbpprop:voiceType dbpedia:Alto .
dbpedia:Sonia_Evans dbpprop:voiceType dbpedia:Alto .
dbpprop:voiceType dbpedia:Alto .
dbpedia:Ella_Chen dbpprop:voicetype dbpedia:Alto .
dbpprop:voiceType dbpedia:Alto .
@prefix ns4: .
dbpedia:Elena_Petreska ns4:occupation dbpedia:Alto ;
dbpedia-owl:occupation dbpedia:Alto .
dbpedia:Holly_Hull dbpprop:voiceType dbpedia:Alto .
dbpedia:Judy_Chamberlain dbpprop:vocalType dbpedia:Alto .
dbpedia:Kenny_Kwan dbpprop:voicetype dbpedia:Alto .
@prefix rdf: .
@prefix opencyc: .
dbpedia:Alto rdf:type opencyc:Mx4rH_lhNtjZQdeLsIWT2WOqzw ,
opencyc:Mx4rvWXYgJwpEbGdrcN5Y29ycA .
@prefix owl: .
dbpedia:Alto owl:sameAs ,
opencyc:Mx4rwJ0c5ZwpEbGdrcN5Y29ycA .
@prefix foaf: .
@prefix ns9: .
dbpedia:Alto foaf:page ns9:Alto .
@prefix ns10: .
dbpedia:Alto dbpprop:reference ns10:alto .
@prefix rdfs: .
dbpedia:Alto rdfs:label "Alt"@sv ,
"Alto"@en ,
"\u5973\u4F4E\u97F3"@zh ,
"Altto"@fi ,
"Alt (g\u0142os)"@pl ,
"Alt"@hu ,
"Alt (zangstem)"@nl ,
"\u30A2\u30EB\u30C8"@ja ,
"Alto (voz)"@pt ,
"Alt"@cs ,
"Alto"@es ,
"Alt (Stimmlage)"@de ,
"Alto (voix)"@fr ,
"\u0410\u043B\u044C\u0442 (\u0433\u043E\u043B\u043E\u0441)"@uk ;
dbpprop:abstract "Die Stimmgattung Alt (lat. altus = \u201Ehoch\u201C, vox alta = \u201Ehohe Stimme\u201C; Mz. die Alte, in der Schweiz auch die \u00C4lte) bezeichnet in der Musik die tiefere Stimme der Frauen- oder Knabenstimmen (\u201EKnabenalt\u201C). Der Stimmumfang betr\u00E4gt etwa g-e’’. Besonders tiefe Altstimmen werden auch als Kontra-Alt bezeichnet. Altpartien der Alten Musik werden auch von Counterten\u00F6ren gesungen. Die Bezeichnung stammt vom vierstimmigen M\u00E4nnerchorsatz (im Brust- und Falsett-Register), in dem die zweite Stimme den Namen Contratenor altus tr\u00E4gt. Ein M\u00E4nneralt hat dabei einen Stimmumfang von e-e’’ (Kastraten erreichten h\u00E4ufig auch noch das d’’&rsquo). Ein S\u00E4nger oder eine S\u00E4ngerin dieser Stimmlage wird \u201EAltist\u201C bzw. \u201EAltistin\u201C oder einfach \u201EAlt\u201C genannt. Eine Anzahl bedeutender Altistinnen ist auf der Liste ber\u00FChmter S\u00E4ngerinnen und S\u00E4nger klassischer Musik aufgef\u00FChrt. In Analogie zur Stimmlage Alt gibt es bei Musikinstrumenten die Tonlage Alt; siehe Nebeninstrument. Alt-Partien in wichtigen Rollen sind verh\u00E4ltnism\u00E4\u00DFig selten. Bekannte Alt-Partien sind: Giuseppe Verdi, Il trovatore: Azucena Giuseppe Verdi, Rigoletto: Maddalena Camille Saint-Saens Samson et Dalila: Dalila Richard Wagner, Das Rheingold: Erda Richard Wagner, Siegfried: Erda"@de ,
"Alt (z lat. altus - vysok\u00FD) je nejni\u017E\u0161\u00ED \u017Eensk\u00FD nebo d\u011Btsk\u00FD hlasov\u00FD obor. N\u00E1zev \u201Ealtus\u201C poch\u00E1z\u00ED ze st\u0159edov\u011Bku, kdy byl tento hlas nejvy\u0161\u0161\u00EDm v mu\u017Esk\u00E9m sboru (u mu\u017E\u016F je nutn\u00E9 tyto v\u00FD\u0161ky zp\u00EDvat falzetem). V oper\u00E1ch se alt nevyu\u017E\u00EDv\u00E1 tak \u010Dasto jako sopr\u00E1n nebo mezzosopr\u00E1n, proto\u017Ee m\u00E1 m\u00E9n\u011B v\u00FDraznou, temn\u011Bj\u0161\u00ED barvu t\u00F3nu. U altu jsou roz\u0161\u00ED\u0159en\u00E9 tzv. kalhotov\u00E9 role, kdy altistky zp\u00EDvaj\u00ED role mlad\u00FDch mu\u017E\u016F. Velmi n\u00EDzk\u00FD alt se pak naz\u00FDv\u00E1 kontraalt."@cs ,
"\u0410\u043B\u044C\u0442 \u2014 \u0442\u0430\u043A\u043E\u0436 \u043A\u043E\u043D\u0442\u0440\u0430\u0301\u043B\u044C\u0442\u043E - \u043D\u0438\u0437\u044C\u043A\u0438\u0439 \u0436\u0456\u043D\u043E\u0447\u0438\u0439 \u0432\u043E\u043A\u0430\u043B\u044C\u043D\u0438\u0439 \u0433\u043E\u043B\u043E\u0441. \u041D\u0430\u0439\u0431\u0456\u043B\u044C\u0448 \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u043D\u0438\u0439 \u0442\u0430 \u0432\u0438\u0440\u0430\u0437\u043D\u0438\u0439 \u0440\u0435\u0433\u0456\u0441\u0442\u0440 - \u0433\u0440\u0443\u0434\u043D\u0438\u0439 \u0442\u0430 \u0447\u0430\u0441\u0442\u043A\u043E\u0432\u043E \u0441\u0435\u0440\u0435\u0434\u043D\u0456\u0439 - \u0432\u0456\u0434 g \u0434\u043E a. \u0412\u0435\u0440\u0445\u043D\u0456\u0439 \u0440\u0435\u0433\u0456\u0441\u0442\u0440 - \u0434\u043E f."@uk ,
"Alto is a musical term, derived from the Latin word altus, meaning \"high\", that has several possible interpretations. When designating instruments, \"alto\" frequently refers to a member of an instrumental family that has the second highest range, below that of the treble or soprano. Hence, for example, the term \"alto saxophone\". In other \"families\", such as the trombone, there is no soprano, the alto having been the highest, although it is absent from the standard modern symphony orchestra. In choral music, \"alto\" describes the second highest voice part in a four-part chorus. As well as being the modern Italian word for \"high\", in the present context it is an Italian abbreviation derived from the Latin phrase contratenor altus, used in medieval polyphony, usually to describe the highest of three parts, the line of which was in counterpoint (in other words, against = contra) with the tenor (which \"held\" the main melody; this word itself originates in the Latin verb tenere, meaning \"to hold\"). The alto range in choral music is approximately from G3 (the G below middle C) to F5 (the F in the second octave above middle C). In common usage, alto is used to describe the voice type that typically sings this part, though this is not strictly correct: alto, like the other three standard modern choral voice classifications was originally intended to describe a part within a homophonic or polyphonic texture, rather than an individual voice type; neither are the terms alto and contralto interchangeable or synonymous, though they are often treated as such. Although some women who sing alto in a choir are contraltos, many would be more accurately called mezzo-sopranos (a voice of somewhat higher range and different timbre), and many men countertenors (this latter term is a source of considerable controversy, some authorities preferring the usage of the term \"male alto\" for those countertenors who use a predominantly falsetto voice production). The contralto voice is a matter of vocal timbre and vocal tessitura as well as range, and a classically-trained solo contralto would usually have a range greater than that of a normal choral alto part in both the upper and lower ranges. However, the vocal tessitura of a classically trained contralto would still make these singers more comfortable singing in the lower part of the voice. A choral non-solo contralto may also have a low range down to D3 (thus perhaps finding it easier to sing the choral tenor part), but some would have difficulty singing above E5. In a choral context mezzo-sopranos and contraltos might sing the alto part, together with countertenors, thus having three vocal timbres (and two means of vocal production) singing the same notes. Alto is rarely used to describe a solo voice, though there is a plethora of terms in common usage in various languages and in different cultures for solo singers in this range. Examples include contralto, countertenor, haute-contre, and tenor altino among others. The term alto is also used to designate a specific kind of musical clef. See alto clef."@en ,
"\u5728\u97F3\u4E50\uFF0C\u5973\u4F4E\u97F3\uFF08Alto\uFF09\u662F\u5973\u58F0\u4E2D\u6700\u4F4E\u7684\u58F0\u90E8\uFF0C\u97F3\u57DF\u901A\u5E38\u662F\u4ECE\u4E2D\u592EC\u4E0B\u7684F\u97F3\u5F80\u4E0A\u722C\u5347\u4E09\u4E2A\u516B\u5EA6\u3002\u97F3\u8272\u4E0D\u5982\u5973\u9AD8\u97F3\u5639\u4EAE\uFF0C\u4F46\u97F3\u8D28\u6D53\u539A\u3001\u575A\u5B9E\u3001\u7A33\u91CD\uFF0C\u97F3\u533A\u4E5F\u6BD4\u8F83\u4F4E\u3002\u67F4\u53EF\u592B\u65AF\u57FA\u7684\u6B4C\u5267\u300A\u53F6\u752B\u6839\u5C3C\u00B7\u5965\u6D85\u91D1\u300B\u7B2C\u4E00\u5E55\u7B2C\u4E00\u573A\u7684\u300A\u5965\u5C14\u4F3D\u7684\u53D9\u548F\u8C03\u300B\u5C31\u662F\u7531\u5973\u4F4E\u97F3\u72EC\u5531\u3002\u53E6\u5916\u5728\u4E00\u4E9B\u4E50\u5668\u540D\u79F0\u91CC\u5E26\u6709\u201C\u5973\u4F4E\u97F3\u7684\u97F3\u57DF\u201D\u4E4B\u542B\u610F\u3002"@zh ,
"\u30D5\u30A1\u30A4\u30EB:Sopran. png \u30BD\u30D7\u30E9\u30CE \u30D5\u30A1\u30A4\u30EB:Altstimme. png \u30A2\u30EB\u30C8 \u30D5\u30A1\u30A4\u30EB:Tenor. png \u30C6\u30CE\u30FC\u30EB \u30D5\u30A1\u30A4\u30EB:Bass. png \u30D0\u30B9"@ja ,
"Altto (latinan sanasta altus, korkea) on \u00E4\u00E4niala tenorin ja mezzosopraanon v\u00E4liss\u00E4. Alttoa laulavat yleens\u00E4 naiset, ja kuoroissa se on naisten matalin stemma. Lapsikuoroissa on my\u00F6s poika-alttoja, ja varsinkin sooloaltto-osia esitt\u00E4v\u00E4t monet kontratenorit. Tavallisimmin alton \u00E4\u00E4niala ulottuu (laulukelpoisena) pienest\u00E4 f:st\u00E4 kaksiviivaiseen e:hen, mutta skaala voi olla laajempikin. Erityisen matala\u00E4\u00E4nisist\u00E4 naislaulajista k\u00E4ytet\u00E4\u00E4n toisinaan nimityst\u00E4 kontra-altto. Suuret alttoroolit ovat melko harvinaisia oopperoissa. Useimmiten altot esitt\u00E4v\u00E4t \u00E4itej\u00E4, iso\u00E4itej\u00E4, palvelijattaria tai noitia. Melko yleisi\u00E4 ovat my\u00F6s housuroolit eli travestit, joissa naisaltto esitt\u00E4\u00E4 miesroolia mieheksi pukeutuneena; tunnetuimpia lienee Cherubinon rooli Mozartin oopperassa Figaron h\u00E4\u00E4t."@fi ,
"Alt \u00E4r inom s\u00E5ngtekniken ett r\u00F6stl\u00E4ge inom solos\u00E5ng och k\u00F6rs\u00E5ng, mellan mezzosopran och herrst\u00E4mman tenor. En alts tessitura h\u00E5ller sig i regel mellan f eller g i lilla oktaven och tv\u00E5strukna f eller g. Inom popul\u00E4rmusiken \u00E4r det vanligt med altr\u00F6ster. En kvinna med extra l\u00E5gt r\u00F6stl\u00E4ge ben\u00E4mnes ibland kontraalt. Inom den klassiska musiken \u00E4r det ont om naturliga altar, varf\u00F6r oftast mezzosopraner f\u00E5r g\u00F6ra de typiska altrollerna s\u00E5som Ulrika i Maskeradbalen, Amneris i Aida, och Azucena i Trubaduren. Den alttyp som klassisk musik f\u00F6redrar \u00E4r s.k. dramatisk alt som \u00E4r mycket omf\u00E5ngsrik och l\u00E4tt f\u00F6rv\u00E4xlas med h\u00F6gdramatisk sopran, och s\u00E4rskiljs fr\u00E5n denna genom var expansionen \u00E4r st\u00F6rst och f\u00E4rgen, som \u00E4r m\u00F6rkare f\u00F6r dramatiska altar. En s\u00E4rskild sort altar f\u00F6rekommer till roller som Hans i Hans och Greta och Marcellina i Figaros br\u00F6llop. Denna spelroll g\u00E5r under beteckningen \"komische alte\" eller \"Spielaltestin\". Det f\u00F6rekommer \u00E4ven n\u00E5gra k\u00F6rverk f\u00F6r altar, till exempel Johannes Brahms Altrapsodi. Alten \u00E4r \u00E4ven den st\u00E4mma i en k\u00F6r, som idag \u00E4r den l\u00E4gsta damst\u00E4mman, men kan indelas i f\u00F6rsta-, andra- och tredjealt efter s\u00E4ttningens behov. Inom fyrst\u00E4mmiga k\u00F6rsatser f\u00F6r blandad k\u00F6r \u00E4r alten den n\u00E4st h\u00F6gsta st\u00E4mman. I gammal musik sj\u00F6ngs altst\u00E4mman ofta av m\u00E4n som blandade falsett med br\u00F6str\u00F6st, s\u00E5 kallade kontratenorer (counter tenors). Inom instrumentfamiljerna \u00E4r alt den n\u00E4st h\u00F6gsta arten, till exempel altsaxofon, althorn, altfiol och altfl\u00F6jt."@sv ,
"Az alt a tenor \u00E9s a mezzoszopr\u00E1n hangfekv\u00E9s k\u00F6z\u00F6tt elhelyezked\u0151 hangfekv\u00E9s, f/g-t\u0151l e\"/f\"-ig terjedhet. Az angolsz\u00E1sz zeneirodalomban k\u00FCl\u00F6nbs\u00E9get tesznek a contralto (kontraalt) hangsz\u00EDn \u00E9s az alto (alt) k\u00F3rus-sz\u00F3lam k\u00F6z\u00F6tt, a magyar zeneirodalomban viszont nem. Ez a hangfekv\u00E9s az oper\u00E1kban viszonylag ritka. Ha szerepel, akkor \u00E1ltal\u00E1ban agg\u00F3d\u00F3 anya, vagy boszork\u00E1nyszerepekben. Az alt sz\u00F3lam legt\u00F6bbsz\u00F6r ellensz\u00F3lam, \u0151 val\u00F3s\u00EDtja meg az ellenpontoz\u00E1st."@hu ,
"O termo Alto \u00E9 geralmente utilizado para voz masculina com extens\u00E3o logo a cima do tenor, cantada por: meninos, falsetistas, tenores altos ou castrati. Corresponde a extens\u00E3o vocal feminina de contralto. As partituras s\u00E3o geralmente escritas na extens\u00E3o: Sol-D\u00F3\". Nos corais o termo Alto (naipe) \u00E9 utilizado para ambos os sexos."@pt ,
"Alt \u2013 termin muzyczny (\u0142ac. altus oznacza wysoki) kt\u00F3ry posiada kilka znacze\u0144: w muzyce ch\u00F3ralnej nazwa partii wokalnej ni\u017Csza od sopranu; potocznie: rodzaj g\u0142osu ludzkiego ni\u017Cszy od sopranu i mezzosopranu. Zwykle obejmuje skal\u0119 od g do c'. Alt jest typowym g\u0142osem dla kobiet, dzieci i kastrat\u00F3w."@pl ,
"Se llama alto a la voz que se encuentra por debajo de la voz de tiple y por encima de la tenor. En voz femenina o infantil es la m\u00E1s grave y tambi\u00E9n se denomina contralto. La expresi\u00F3n deriva del canto pol\u00EDfono del renacimiento. Dado que las mujeres no estaban admitidas al canto en la iglesia, la extensi\u00F3n que se encuentra por encima del tenor fue cantado por hombres. En la voz masculina, esta tesitura es m\u00E1s aguda que la voz de tenor o la voz hablada. En voz masculina se aplica el t\u00E9rmino alto o altus para una voz que canta en esta tesitura, mezclando voz de pecho con voz de cabeza, mientras que para el cantante de puro falsete se usa el t\u00E9rmino contratenor. La voz masculina s\u00F3lo llega al registro del alto a trav\u00E9s de una t\u00E9cnica especializada falsete, voz de cabeza, una alteraci\u00F3n f\u00EDsica o antes de la mutaci\u00F3n."@es ,
"Alt is de naam van een lage vrouwelijke zangstem in de muziek, en eveneens de naam van de tweede stem in de vierstemmige muzikale harmonieleer. De laagste alt-stemmen worden wel contra-alt genoemd. Er bestaan ook mannelijke alten. Deze worden altus of contratenor genoemd. De typische Alten-stem begint ongeveer bij F onder centraal C en gaat tot ongeveer een E boven de centrale C (F0-E2 in Europeese notatie). De goed geschoolde Alten-stem kan echter een zeer grote ambitus (bereik) hebben dat gaat van een centrale C (of lager) tot aan de Hoge C (C3). De Alt stem wordt veel gebruikt in Musicals, waar vaak om een grote stem met een dynamisch bereik wordt gevraagd."@nl ,
"Dans la musique classique, un alto d\u00E9signe un type d\u2019emploi dans un ch\u0153ur, dont l'ambitus correspond \u00E0 peu de chose pr\u00E8s, \u00E0 la tessiture de la voix de contralto. Cependant, tous les choristes appartenant au pupitre des altos n'ont pas n\u00E9cessairement une \u00AB v\u00E9ritable voix de contralto \u00BB. Ce sont bien souvent des mezzo-soprano aux graves ais\u00E9s, dont la couleur est plus claire que celle d'une contralto. Si les altos sont fr\u00E9quemment des choristes de sexe f\u00E9minin, on peut avoir affaire \u00E0 des altos masculins dans les deux hypoth\u00E8ses suivantes. Dans une chorale d'enfants, le pupitre des altos est naturellement compos\u00E9 de gar\u00E7ons poss\u00E9dant les voix les plus graves. Dans plusieurs ensembles vocaux, notamment ceux interpr\u00E9tant le r\u00E9pertoire de la musique baroque, le pupitre des altos r\u00E9unit tr\u00E8s couramment des hommes utilisant la technique de la voix de fausset \u2014 appel\u00E9s \u00E9galement : contret\u00E9nors. La pr\u00E9sence d'hommes chez les altos apporte parfois une puissance et une brillance suppl\u00E9mentaires \u00E0 l'ensemble du pupitre, car les hommes chantent dans l'aigu de leur tessiture, alors que les femmes utilisent plut\u00F4t leur tessiture grave."@fr ;
rdfs:comment "Se llama alto a la voz que se encuentra por debajo de la voz de tiple y por encima de la tenor. En voz femenina o infantil es la m\u00E1s grave y tambi\u00E9n se denomina contralto. La expresi\u00F3n deriva del canto pol\u00EDfono del renacimiento. Dado que las mujeres no estaban admitidas al canto en la iglesia, la extensi\u00F3n que se encuentra por encima del tenor fue cantado por hombres. En la voz masculina, esta tesitura es m\u00E1s aguda que la voz de tenor o la voz hablada."@es ,
"Alt is de naam van een lage vrouwelijke zangstem in de muziek, en eveneens de naam van de tweede stem in de vierstemmige muzikale harmonieleer. De laagste alt-stemmen worden wel contra-alt genoemd. Er bestaan ook mannelijke alten. Deze worden altus of contratenor genoemd. De typische Alten-stem begint ongeveer bij F onder centraal C en gaat tot ongeveer een E boven de centrale C (F0-E2 in Europeese notatie)."@nl ,
"Dans la musique classique, un alto d\u00E9signe un type d\u2019emploi dans un ch\u0153ur, dont l'ambitus correspond \u00E0 peu de chose pr\u00E8s, \u00E0 la tessiture de la voix de contralto. Cependant, tous les choristes appartenant au pupitre des altos n'ont pas n\u00E9cessairement une \u00AB v\u00E9ritable voix de contralto \u00BB. Ce sont bien souvent des mezzo-soprano aux graves ais\u00E9s, dont la couleur est plus claire que celle d'une contralto."@fr ,
"\u5728\u97F3\u4E50\uFF0C\u5973\u4F4E\u97F3\uFF08Alto\uFF09\u662F\u5973\u58F0\u4E2D\u6700\u4F4E\u7684\u58F0\u90E8\uFF0C\u97F3\u57DF\u901A\u5E38\u662F\u4ECE\u4E2D\u592EC\u4E0B\u7684F\u97F3\u5F80\u4E0A\u722C\u5347\u4E09\u4E2A\u516B\u5EA6\u3002\u97F3\u8272\u4E0D\u5982\u5973\u9AD8\u97F3\u5639\u4EAE\uFF0C\u4F46\u97F3\u8D28\u6D53\u539A\u3001\u575A\u5B9E\u3001\u7A33\u91CD\uFF0C\u97F3\u533A\u4E5F\u6BD4\u8F83\u4F4E\u3002\u67F4\u53EF\u592B\u65AF\u57FA\u7684\u6B4C\u5267\u300A\u53F6\u752B\u6839\u5C3C\u00B7\u5965\u6D85\u91D1\u300B\u7B2C\u4E00\u5E55\u7B2C\u4E00\u573A\u7684\u300A\u5965\u5C14\u4F3D\u7684\u53D9\u548F\u8C03\u300B\u5C31\u662F\u7531\u5973\u4F4E\u97F3\u72EC\u5531\u3002\u53E6\u5916\u5728\u4E00\u4E9B\u4E50\u5668\u540D\u79F0\u91CC\u5E26\u6709\u201C\u5973\u4F4E\u97F3\u7684\u97F3\u57DF\u201D\u4E4B\u542B\u610F\u3002"@zh ,
"Altto (latinan sanasta altus, korkea) on \u00E4\u00E4niala tenorin ja mezzosopraanon v\u00E4liss\u00E4. Alttoa laulavat yleens\u00E4 naiset, ja kuoroissa se on naisten matalin stemma. Lapsikuoroissa on my\u00F6s poika-alttoja, ja varsinkin sooloaltto-osia esitt\u00E4v\u00E4t monet kontratenorit. Tavallisimmin alton \u00E4\u00E4niala ulottuu (laulukelpoisena) pienest\u00E4 f:st\u00E4 kaksiviivaiseen e:hen, mutta skaala voi olla laajempikin. Erityisen matala\u00E4\u00E4nisist\u00E4 naislaulajista k\u00E4ytet\u00E4\u00E4n toisinaan nimityst\u00E4 kontra-altto."@fi ,
"\u30D5\u30A1\u30A4\u30EB:Sopran. png \u30BD\u30D7\u30E9\u30CE \u30D5\u30A1\u30A4\u30EB:Altstimme. png \u30A2\u30EB\u30C8 \u30D5\u30A1\u30A4\u30EB:Tenor. png \u30C6\u30CE\u30FC\u30EB \u30D5\u30A1\u30A4\u30EB:Bass. png \u30D0\u30B9"@ja ,
"Alt \u2013 termin muzyczny (\u0142ac. altus oznacza wysoki) kt\u00F3ry posiada kilka znacze\u0144: w muzyce ch\u00F3ralnej nazwa partii wokalnej ni\u017Csza od sopranu; potocznie: rodzaj g\u0142osu ludzkiego ni\u017Cszy od sopranu i mezzosopranu. Zwykle obejmuje skal\u0119 od g do c'. Alt jest typowym g\u0142osem dla kobiet, dzieci i kastrat\u00F3w."@pl ,
"Alt \u00E4r inom s\u00E5ngtekniken ett r\u00F6stl\u00E4ge inom solos\u00E5ng och k\u00F6rs\u00E5ng, mellan mezzosopran och herrst\u00E4mman tenor. En alts tessitura h\u00E5ller sig i regel mellan f eller g i lilla oktaven och tv\u00E5strukna f eller g. Inom popul\u00E4rmusiken \u00E4r det vanligt med altr\u00F6ster. En kvinna med extra l\u00E5gt r\u00F6stl\u00E4ge ben\u00E4mnes ibland kontraalt."@sv ,
"\u0410\u043B\u044C\u0442 \u2014 \u0442\u0430\u043A\u043E\u0436 \u043A\u043E\u043D\u0442\u0440\u0430\u0301\u043B\u044C\u0442\u043E - \u043D\u0438\u0437\u044C\u043A\u0438\u0439 \u0436\u0456\u043D\u043E\u0447\u0438\u0439 \u0432\u043E\u043A\u0430\u043B\u044C\u043D\u0438\u0439 \u0433\u043E\u043B\u043E\u0441. \u041D\u0430\u0439\u0431\u0456\u043B\u044C\u0448 \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u043D\u0438\u0439 \u0442\u0430 \u0432\u0438\u0440\u0430\u0437\u043D\u0438\u0439 \u0440\u0435\u0433\u0456\u0441\u0442\u0440 - \u0433\u0440\u0443\u0434\u043D\u0438\u0439 \u0442\u0430 \u0447\u0430\u0441\u0442\u043A\u043E\u0432\u043E \u0441\u0435\u0440\u0435\u0434\u043D\u0456\u0439 - \u0432\u0456\u0434 g \u0434\u043E a. \u0412\u0435\u0440\u0445\u043D\u0456\u0439 \u0440\u0435\u0433\u0456\u0441\u0442\u0440 - \u0434\u043E f."@uk ,
"Az alt a tenor \u00E9s a mezzoszopr\u00E1n hangfekv\u00E9s k\u00F6z\u00F6tt elhelyezked\u0151 hangfekv\u00E9s, f/g-t\u0151l e\"/f\"-ig terjedhet. Az angolsz\u00E1sz zeneirodalomban k\u00FCl\u00F6nbs\u00E9get tesznek a contralto (kontraalt) hangsz\u00EDn \u00E9s az alto (alt) k\u00F3rus-sz\u00F3lam k\u00F6z\u00F6tt, a magyar zeneirodalomban viszont nem. Ez a hangfekv\u00E9s az oper\u00E1kban viszonylag ritka. Ha szerepel, akkor \u00E1ltal\u00E1ban agg\u00F3d\u00F3 anya, vagy boszork\u00E1nyszerepekben. Az alt sz\u00F3lam legt\u00F6bbsz\u00F6r ellensz\u00F3lam, \u0151 val\u00F3s\u00EDtja meg az ellenpontoz\u00E1st."@hu ,
"Alto is a musical term, derived from the Latin word altus, meaning \"high\", that has several possible interpretations. When designating instruments, \"alto\" frequently refers to a member of an instrumental family that has the second highest range, below that of the treble or soprano. Hence, for example, the term \"alto saxophone\". In other \"families\", such as the trombone, there is no soprano, the alto having been the highest, although it is absent from the standard modern symphony orchestra."@en ,
"O termo Alto \u00E9 geralmente utilizado para voz masculina com extens\u00E3o logo a cima do tenor, cantada por: meninos, falsetistas, tenores altos ou castrati. Corresponde a extens\u00E3o vocal feminina de contralto. As partituras s\u00E3o geralmente escritas na extens\u00E3o: Sol-D\u00F3\". Nos corais o termo Alto (naipe) \u00E9 utilizado para ambos os sexos."@pt ,
"Die Stimmgattung Alt (lat. altus = \u201Ehoch\u201C, vox alta = \u201Ehohe Stimme\u201C; Mz. die Alte, in der Schweiz auch die \u00C4lte) bezeichnet in der Musik die tiefere Stimme der Frauen- oder Knabenstimmen (\u201EKnabenalt\u201C). Der Stimmumfang betr\u00E4gt etwa g-e’’. Besonders tiefe Altstimmen werden auch als Kontra-Alt bezeichnet. Altpartien der Alten Musik werden auch von Counterten\u00F6ren gesungen."@de ,
"Alt (z lat. altus - vysok\u00FD) je nejni\u017E\u0161\u00ED \u017Eensk\u00FD nebo d\u011Btsk\u00FD hlasov\u00FD obor. N\u00E1zev \u201Ealtus\u201C poch\u00E1z\u00ED ze st\u0159edov\u011Bku, kdy byl tento hlas nejvy\u0161\u0161\u00EDm v mu\u017Esk\u00E9m sboru (u mu\u017E\u016F je nutn\u00E9 tyto v\u00FD\u0161ky zp\u00EDvat falzetem). V oper\u00E1ch se alt nevyu\u017E\u00EDv\u00E1 tak \u010Dasto jako sopr\u00E1n nebo mezzosopr\u00E1n, proto\u017Ee m\u00E1 m\u00E9n\u011B v\u00FDraznou, temn\u011Bj\u0161\u00ED barvu t\u00F3nu. U altu jsou roz\u0161\u00ED\u0159en\u00E9 tzv. kalhotov\u00E9 role, kdy altistky zp\u00EDvaj\u00ED role mlad\u00FDch mu\u017E\u016F. Velmi n\u00EDzk\u00FD alt se pak naz\u00FDv\u00E1 kontraalt."@cs .
@prefix skos: .
@prefix ns13: .
dbpedia:Alto skos:subject ns13:Voice_types ,
ns13:Musical_terminology .
@prefix ns14: .
dbpedia:Alto dbpprop:wikiPageUsesTemplate ns14:otheruses4 ;
dbpprop:otheruses4Property "Alto (disambiguation)"@en ,
"the musical term"@en ,
"other uses"@en .
@prefix ns15: .
dbpedia:Alto dbpprop:hasPhotoCollection ns15:Alto .
dbpedia:Britney_Spears dbpprop:voiceType dbpedia:Alto .
dbpedia:Janis_Joplin dbpprop:voiceType dbpedia:Alto .
dbpprop:voiceType dbpedia:Alto .
dbpedia:Angela_Gossow dbpprop:voiceType dbpedia:Alto .
dbpprop:voiceType dbpedia:Alto .
dbpedia:Shania_Twain dbpprop:voiceType dbpedia:Alto .
dbpedia:Lesley_Gore dbpprop:voiceType dbpedia:Alto .
dbpedia:Paulina_Rubio dbpprop:voiceType dbpedia:Alto .
dbpprop:voiceType dbpedia:Alto .
dbpedia:Vivian_Green dbpprop:vocalType dbpedia:Alto .
dbpprop:vocalType dbpedia:Alto ;
dbpprop:voiceType dbpedia:Alto .
dbpedia:Jon_Anderson dbpprop:voiceType dbpedia:Alto .
dbpedia:Betty_Davis dbpprop:voiceType dbpedia:Alto .
dbpedia:Gladys_Knight dbpprop:voiceType dbpedia:Alto .
dbpprop:voiceType dbpedia:Alto .
dbpedia:Adiam_Dymott dbpprop:voiceType dbpedia:Alto .
dbpedia:Angham dbpprop:voiceType dbpedia:Alto .
dbpedia:Ella_Shields dbpprop:voiceType dbpedia:Alto .
dbpedia:Melissa_Schuman dbpprop:voiceType dbpedia:Alto .
dbpedia:Anne_Murray dbpprop:voiceType dbpedia:Alto .
dbpedia:Tracy_Chapman dbpprop:voiceType dbpedia:Alto .
dbpedia:Angie_Stone dbpprop:voiceType dbpedia:Alto .
dbpedia:Lalah_Hathaway dbpprop:voiceType dbpedia:Alto .
dbpedia:Rowetta dbpprop:voiceType dbpedia:Alto .
dbpedia:Kontralto dbpprop:redirect dbpedia:Alto .
dbpedia:Sophie_Delila dbpprop:voiceType dbpedia:Alto .
dbpprop:redirect dbpedia:Alto .