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@prefix dbpedia:	<http://dbpedia.org/resource/> .
dbpedia:Carol_Reed	dbpedia-owl:academyAward	dbpedia:Academy_Award_for_Best_Director .
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dbpedia:Carol_Reed	ns2:academyAward	dbpedia:Academy_Award_for_Best_Director .
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dbpedia:Carol_Reed	dbpprop:academyawards	dbpedia:Academy_Award_for_Best_Director .
dbpedia:George_Stevens	dbpedia-owl:academyAward	dbpedia:Academy_Award_for_Best_Director ;
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	dbpprop:academyawards	dbpedia:Academy_Award_for_Best_Director .
dbpedia:Ronald_Neame	dbpedia-owl:academyAward	dbpedia:Academy_Award_for_Best_Director ;
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	dbpprop:academyawards	dbpedia:Academy_Award_for_Best_Director .
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dbpedia:Academy_Award_for_Best_Director	rdf:type	ns5:BestDirectorAcademyAwardWinners ,
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dbpedia:Academy_Award_for_Best_Director	foaf:homepage	<http://oscars.org> .
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	dbpprop:reference	<http://www.oscars.org/awardsdatabase/index.html> ,
		<http://www.oscars.org/> ,
		<http://www.oscar.com/> .
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dbpedia:Academy_Award_for_Best_Director	rdfs:label	"Oscar-d\u00EDj a legjobb rendez\u0151nek"@hu ,
		"Oscar al millor director"@ca ,
		"Academy Award for Best Director"@en ,
		"Academy Award voor Beste Regisseur"@nl ,
		"En \u0130yi Y\u00F6netmen Akademi \u00D6d\u00FCl\u00FC"@tr ,
		"Oscar al miglior regista"@it ,
		"Oscar za najlepsz\u0105 re\u017Cyseri\u0119"@pl ,
		"Oscar za nejlep\u0161\u00ED re\u017Eii"@cs ,
		"Premiul Oscar pentru cel mai bun regizor"@ro ,
		"Parhaan ohjauksen Oscar-palkinto"@fi ,
		"Lista \u00F6ver vinnare av Oscar f\u00F6r b\u00E4sta regi"@sv ,
		"\u041F\u0440\u0435\u043C\u0438\u044F \u00AB\u041E\u0441\u043A\u0430\u0440\u00BB \u0437\u0430 \u043B\u0443\u0447\u0448\u0443\u044E \u0440\u0435\u0436\u0438\u0441\u0441\u0443\u0440\u0443"@ru ,
		"Oscar for beste regi"@no ,
		"\u5965\u65AF\u5361\u6700\u4F73\u5BFC\u6F14\u5956"@zh ,
		"\u30A2\u30AB\u30C7\u30DF\u30FC\u76E3\u7763\u8CDE"@ja ,
		"Oscar du meilleur r\u00E9alisateur"@fr ,
		"Oscar/Beste Regie"@de ,
		"Oscar de melhor diretor"@pt ;
	dbpprop:abstract	"\u30A2\u30AB\u30C7\u30DF\u30FC\u76E3\u7763\u8CDE\uFF08\u30A2\u30AB\u30C7\u30DF\u30FC\u304B\u3093\u3068\u304F\u3057\u3087\u3046\u3001Academy Award for Directing\uFF09\u306F\u3001\u30A2\u30AB\u30C7\u30DF\u30FC\u8CDE\u306E\u4E00\u90E8\u9580\u3067\u3001\u305D\u306E\u5E74\u30A2\u30E1\u30EA\u30AB\u3067\u516C\u958B\u3055\u308C\u305F\u6620\u753B\u306B\u304A\u3051\u308B\u3001\u6700\u3082\u512A\u308C\u305F\u6620\u753B\u76E3\u7763\u306B\u3042\u305F\u3048\u3089\u308C\u308B\u3002 \u6700\u591A\u53D7\u8CDE\u8005\u306F\u30B8\u30E7\u30F3\u30FB\u30D5\u30A9\u30FC\u30C9\u306E4\u56DE\u3002\u6700\u591A\u5019\u88DC\u8005\u306F\u30ED\u30D0\u30FC\u30C8\u30FB\u30EF\u30A4\u30BA\u306E12\u56DE\u3002 \u6700\u5E74\u5C11\u53D7\u8CDE\u8005\u306F\u30CE\u30FC\u30DE\u30F3\u30FB\u30BF\u30A6\u30ED\u30B0\u306E32\u6B73\u3002\u6700\u5E74\u5C11\u5019\u88DC\u8005\u306F\u30B8\u30E7\u30F3\u30FB\u30B7\u30F3\u30B0\u30EB\u30C8\u30F3\u306E24\u6B73\u3002\u6700\u5E74\u9577\u53D7\u8CDE\u8005\u306F\u30AF\u30EA\u30F3\u30C8\u30FB\u30A4\u30FC\u30B9\u30C8\u30A6\u30C3\u30C9\u306E74\u6B73\u3002\u6700\u5E74\u9577\u5019\u88DC\u8005\u306F\u30B8\u30E7\u30F3\u30FB\u30D2\u30E5\u30FC\u30B9\u30C8\u30F3\u306E79\u6B73\u3002 \u307E\u305F\u3001\u3053\u306E\u8CDE\u3092\u53D7\u8CDE\u3057\u305F80\u4F5C\u54C1\u4E2D60\u4F5C\u54C1\u304C\u3001\u30A2\u30AB\u30C7\u30DF\u30FC\u4F5C\u54C1\u8CDE\u3092\u7372\u5F97\u3057\u3066\u3044\u308B\u4ED6\u300128-29\u5E74\u5EA6\u3092\u9664\u304F\u5168\u3066\u306E\u4F5C\u54C1\u304C\u4F5C\u54C1\u8CDE\u306B\u540C\u6642\u30CE\u30DF\u30CD\u30FC\u30C8\u3092\u53D7\u3051\u3066\u3044\u305F\u308A\u3068\u6700\u3082\u4F5C\u54C1\u8CDE\u3068\u306E\u3064\u306A\u304C\u308A\u3092\u6301\u3064\u8CDE\u3068\u3082\u3044\u3048\u308B\u3002"@ja ,
		"Oscar-prisen for beste regi er en filmpris som utdeles ved den \u00E5rlige Oscarseremonien til en regiss\u00F8r valgt av medlemmene i Academy of Motion Picture Arts and Sciences. Vinneren velges ut blant fem nominerete kandidater. I listen nedenfor er vinneren i uthevet skrift og under f\u00F8lger de som var nominert. Alle bortsett fra 21 av de 78 Oscar for beste regi, har g\u00E5tt til en film som har vunnet Oscar for beste film. Prisen blir utdelt \u00E5ret etter det som er oppgitt i listen."@no ,
		"The Academy Award for Achievement in Directing (Best Director) is one of the Awards of Merit presented by the Academy of Motion Picture Arts and Sciences (AMPAS) to directors working in the motion picture industry. While nominations for Best Director are made by members in the Academy's Directing branch, the award winners are selected by the Academy membership as a whole."@en ,
		"A legjobb rendez\u0151 Oscar-d\u00EDj\u00E1t az a szem\u00E9ly kapja, akit az amerikai Filmm\u0171v\u00E9szeti \u00E9s Filmtudom\u00E1nyi Akad\u00E9mia az el\u0151z\u0151 \u00E9v legjobb rendez\u0151j\u00E9nek tart. A d\u00F6nt\u00E9st egy Oscar-szoborral jutalmazz\u00E1k. A 77 d\u00EDjazottb\u00F3l 20 kiv\u00E9tel\u00E9vel valamennyien olyan filmek\u00E9rt kapt\u00E1k az Oscart, amelyek elnyert\u00E9k a legjobb film d\u00EDj\u00E1t. Az Akad\u00E9mia kiv\u00E1laszt egy rendez\u0151t az 5 jel\u00F6lt k\u00F6z\u00FCl, hogy megjutalmazza a m\u00FAlt \u00E9vi teljes\u00EDtm\u00E9ny\u00E9t. Az els\u0151 n\u00E9h\u00E1ny Oscar-g\u00E1l\u00E1n, az 1929. \u00E9vit\u0151l kezd\u0151d\u0151en, a legjobb rendez\u0151 d\u00EDj\u00E1ra a jel\u00F6l\u00E9s az el\u0151z\u0151 k\u00E9t \u00E9v peri\u00F3dus\u00E1b\u00F3l t\u00F6rt\u00E9nt. B\u00E1r a d\u00EDjazottak list\u00E1ja t\u00F6bbnyire egybeesik a legsikeresebb \u00E9s legtehets\u00E9gesebb rendez\u0151k\u00E9vel, akad n\u00E9h\u00E1ny kiv\u00E9tel: Stanley Kubrick, Orson Welles \u00E9s Alfred Hitchcock soha sem kapott rendez\u0151i Oscar-d\u00EDjat. Martin Scorsese \u00E9s Robert Altman, akiket m\u00E1r t\u00F6bbsz\u00F6r is jel\u00F6ltek, a legnagyobb Oscar-d\u00EDjtalan amerikai rendez\u0151k k\u00F6z\u00E9 tartoznak, m\u00EDg 2007-ben Scorsese Oscar-t nyert. Az al\u00E1bbi list\u00E1ban minden \u00E9vn\u00E9l az els\u0151 helyen a gy\u0151ztes \u00E1ll, \u0151t k\u00F6veti a t\u00F6bbi jel\u00F6lt."@hu ,
		"Oscar f\u00F6r b\u00E4sta regi \u00E4r ett pris som ges till den person som Academy of Motion Picture Arts and Sciences anser vara den b\u00E4sta regiss\u00F6ren fr\u00E5n \u00E5ret f\u00F6re. Regiss\u00F6ren som tilldelas priset erh\u00E5ller en Oscarstatyett och f\u00E5r m\u00F6jligheten att h\u00E5lla ett tal vid en \u00E5rlig ceremoni. Alla utom 21 av de 78 Oscar som delats ut f\u00F6r b\u00E4sta regi var till filmer som \u00E4ven vann priset f\u00F6r b\u00E4sta film. Akademin har valt ut en regiss\u00F6r av fem nominerade varje \u00E5r de senaste sju decennierna f\u00F6r att emmotta \u00E4ran. F\u00F6r de f\u00F6rsta Oscarceremonierna, som b\u00F6rjade 1927, hyllade ceremonin de b\u00E4sta filmerna som sl\u00E4pptes under ett \u00E5r mellan augusti ett \u00E5r och p\u00E5f\u00F6ljande augusti. Ceremonin gick sedermera \u00F6ver till att hylla de filmer som sl\u00E4ppts under ett kalender\u00E5r. Medan priset anses vara ett bra s\u00E4tt att samla de mest framg\u00E5ngsrika och talangfulla amerikanska regiss\u00F6rerna, har flera hyllade regiss\u00F6rer som Akira Kurosawa, Ingmar Bergman, Sergio Leone, Stanley Kubrick, John Cassavetes och Orson Welles aldrig vunnit priset. Alfred Hitchcock och Robert Altman, som blivit nominerade fem g\u00E5nger, anses ocks\u00E5 vara bra regiss\u00F6rer som aldrig vunnit oscar f\u00F6r b\u00E4sta regi. John Ford \u00E4r den enda regiss\u00F6r som har fyra Oscar f\u00F6r b\u00E4sta regi, f\u00F6ljt av Frank Capra och William Wyler med tre stycken."@sv ,
		"Parhaan ohjauksen Oscar-palkinto on yksi palkinnoista, joita Yhdysvaltain elokuva-akatemia jakaa vuosittain Oscar-gaalassa. Ehdokkaat ja voittajan \u00E4\u00E4nest\u00E4v\u00E4t elokuvateollisuuden muut j\u00E4senet kuin ohjaajat. Alla olevassa listassa voittajat ovat merkitty elokuvan julkaisuvuoden mukaan: esimerkiksi vuoden 1999 paras miesp\u00E4\u00E4osa julkaistiin vuoden 2000 seremoniassa. Usein t\u00E4m\u00E4 palkinto on mennyt elokuvalle, joka voittaa my\u00F6s parhaan elokuvan Oscar-palkinnon. Ensimm\u00E4isess\u00E4 Oscar-gaalassa palkinto jaettiin erikseen parhaalle draama- ja komediaelokuvan ohjaajalle. T\u00E4st\u00E4 k\u00E4yt\u00E4nn\u00F6st\u00E4 luovuttiin kuitenkin jo seuraavassa gaalassa. Mielenkiintoista on, ett\u00E4 useat arvostetut ohjaajat, kuten Stanley Kubrick, Orson Welles ja Alfred Hitchcock eiv\u00E4t ole ikin\u00E4 voittaneet palkintoa parhaasta ohjauksesta. Useimmin palkinnon on voittanut John Ford, jolla on nelj\u00E4 Oscaria parhaasta ohjauksesta. Kolmeen palkintoon ovat ylt\u00E4neet William Wyler ja Frank Capra. Kahden palkinnon saajien joukko on jo laveampi: Clint Eastwood, Steven Spielberg, Milos Forman, Elia Kazan, David Lean, Joseph L. Mankiewicz, Oliver Stone, Billy Wilder ja Robert Wise."@fi ,
		"Premiul Oscar pentru cel mai bun regizor (\u00EEn englez\u0103 Academy Award for Directing) este este unul dintre premiile Oscar, acordate de \u201EAcademy of Motion Picture Arts and Sciences\u201D."@ro ,
		"En les llistes que segueixen, el guanyador del premi es mostra en la segona columna, i en la tercera els altres candidats. Cada entrada individual mostra el nom del director seguit pel t\u00EDtol del film. Quan la pel\u00B7l\u00EDcula es produ\u00EFa a un pa\u00EDs diferent dels Estats Units, el seu pa\u00EDs i el t\u00EDtol original, si \u00E9s aplicable, es mostren entre par\u00E8ntesis."@ca ,
		"L'Oscar du meilleur r\u00E9alisateur (en anglais, Achievement in directing) est une r\u00E9compense cin\u00E9matographique am\u00E9ricaine d\u00E9cern\u00E9e chaque ann\u00E9e, depuis 1929 par l'Academy of Motion Picture Arts and Sciences (AMPAS), laquelle d\u00E9cerne \u00E9galement tous les autres Oscars. Exception faite de la 1 c\u00E9r\u00E9monie des Oscars, qui fut la seule fois dans l'histoire des Oscars o\u00F9 deux r\u00E9alisateurs furent r\u00E9compens\u00E9s, l'un pour une com\u00E9die l'autre pour un film dramatique, ce prix r\u00E9compense le travail de mise en sc\u00E8ne, jug\u00E9 comme \u00E9tant le meilleur de l'ann\u00E9e \u00E9coul\u00E9e, d'un r\u00E9alisateur sur un film, quel que soit son genre. Le laur\u00E9at est choisi parmi cinq personnalit\u00E9s nomm\u00E9s au pr\u00E9alable. De tous les Oscars du meilleur r\u00E9alisateur (78 en 2006), seuls 21 ne furent pas d\u00E9cern\u00E9s conjointement \u00E0 l'Oscar du meilleur film. Quelques \u0153uvres ont \u00E9t\u00E9 r\u00E9compens\u00E9es par l'Oscar du meilleur film sans que leur r\u00E9alisateur ne f\u00FBt pr\u00E9alablement nomm\u00E9 pour leur mise en sc\u00E8ne, comme Miss Daisy et son chauffeur en 1990. \u00C0 l'inverse, il faut remonter \u00E0 l'origine de la manifestation pour trouver des cin\u00E9astes r\u00E9compens\u00E9s pour leur r\u00E9alisation sans que leur film ait concouru au titre de \u00AB meilleur film \u00BB, tels Lewis Milestone et Frank Lloyd. Bien que les Oscars soient consid\u00E9r\u00E9s comme les prix cin\u00E9matographiques les plus prestigieux, cens\u00E9s honorer les meilleurs cin\u00E9astes internationaux, on remarque que quelques-uns des r\u00E9alisateurs les plus appr\u00E9ci\u00E9s de la profession ou du public, figures incontournables du septi\u00E8me art, n'ont jamais obtenu la r\u00E9compense. Ils ont, pour la plupart, \u00E9t\u00E9 nomm\u00E9s \u00E0 plusieurs reprises. Parmi eux, on compte notamment Charles Chaplin, King Vidor, Erich von Stroheim, Jean Renoir, Howard Hawks, Ernst Lubitsch, Alfred Hitchcock, Orson Welles, Fritz Lang, Max Oph\u00FCls, Carl Theodor Dreyer, Roberto Rossellini, Akira Kurosawa, Kenji Mizoguchi, Federico Fellini, Ingmar Bergman, Luis Bu\u00F1uel, Sergio Leone, Luchino Visconti, Michelangelo Antonioni, Stanley Kubrick, John Cassavetes, Michael Powell, Joseph Losey, Arthur Penn, Sam Peckinpah, George Lucas, Robert Altman, Ridley Scott, Fran\u00E7ois Truffaut, Jean-Luc Godard, Alain Resnais ou encore David Lynch. La plus grosse pol\u00E9mique a concern\u00E9 l'omission dans les palmar\u00E8s de Martin Scorsese, metteur en sc\u00E8ne am\u00E9ricain majeur, qui a d\u00FB attendre sa sixi\u00E8me nomination en 2007 pour \u00EAtre enfin r\u00E9compens\u00E9 gr\u00E2ce aux Infiltr\u00E9s. Aucune femme n'a re\u00E7u ce prix \u00E0 ce jour, bien que trois d'entre elles aient \u00E9t\u00E9 nomm\u00E9es : Jane Campion, Sofia Coppola et Lina Wertmuller. John Ford est le r\u00E9alisateur le plus r\u00E9compens\u00E9 avec quatre troph\u00E9es, suivi de Frank Capra et William Wyler avec trois statuettes. William Wyler obtient \u00E9galement le record de nominations pour cette distinction (douze au total). 15 r\u00E9alisateurs ont remport\u00E9 le troph\u00E9e \u00E0 deux reprises : Frank Borzage, Lewis Milestone, Frank Lloyd, Leo McCarey, Billy Wilder, Elia Kazan, Joseph L. Mankiewicz, George Stevens, Fred Zinnemann, David Lean, Robert Wise, Milos Forman, Oliver Stone, Clint Eastwood, Steven Spielberg. Six personnalit\u00E9s ont \u00E9t\u00E9 nomm\u00E9es \u00E0 la fois en tant que meilleur acteur et meilleur r\u00E9alisateur pour un m\u00EAme film mais aucun n'a r\u00E9ussi le doubl\u00E9. Parmi les r\u00E9alisateurs-acteurs prim\u00E9s pour leur mise en sc\u00E8ne et non pour leur interpr\u00E9tation, on compte : Woody Allen, Warren Beatty, Kevin Costner, Mel Gibson, et Clint Eastwood. Laurence Olivier et Roberto Benigni ont, quant \u00E0 eux, \u00E9t\u00E9 couronn\u00E9s en tant qu'acteurs et non en tant que metteurs en sc\u00E8ne."@fr ,
		"De Academy Award voor Beste Regisseur (ook bekend als de Oscar voor Beste Regisseur of Beste Regie) is een jaarlijkse filmprijs van de Academy of Motion Picture Arts and Sciences. Het is \u00E9\u00E9n van de belangrijkste Academy Awards, voor de beste regisseur van het voorgaande jaar. Welke films daarvoor in aanmerking komen wordt bepaald door mensen die werkzaam zijn in de filmindustrie. Uiteindelijk worden vijf regisseurs (in de eerste jaren meestal slechts drie) bekendgemaakt, die genomineerd zijn voor de prijs. Tijdens de jaarlijkse uitreiking wordt bekendgemaakt wie de prijs gewonnen heeft."@nl ,
		"Cena Akademie za z\u00E1sluhy (Academy Award of Merit) za nejlep\u0161\u00ED re\u017Eii je jednou z cen, kterou ka\u017Edoro\u010Dn\u011B ud\u011Bluje americk\u00E1 Akademie filmov\u00FDch um\u011Bn\u00ED a v\u011Bd za nejlep\u0161\u00ED filmov\u00E9 po\u010Diny roku."@cs ,
		"\u5965\u65AF\u5361\u6700\u4F73\u5BFC\u6F14\u5956\uFF08Academy Award for Best Directing\uFF09\uFF0C\u7531\u7F8E\u56FD\u7535\u5F71\u827A\u672F\u4E0E\u79D1\u5B66\u5B66\u9662\u901A\u8FC7\u4E1A\u5185\u4EBA\u58EB\u6295\u7968\uFF0C\u9881\u7ED9\u6BCF\u5E74\u5F97\u7968\u6700\u9AD8\u7684\u5BFC\u6F14\uFF0C\u5965\u65AF\u5361\u91D1\u50CF\u5956\u4E4B\u4E00\u3002 \u6BCF\u4E00\u5E74\u5EA6\u7B2C\u4E00\u90E8\u5F71\u7247\u70BA\u5F97\u734E\u5F71\u7247\uFF0C\u5176\u5F8C\u70BA\u5176\u4ED6\u88AB\u63D0\u540D\u8005\u3002 \u6BCF\u4E00\u9879\u663E\u793A\u5E74\u4EFD\u3001\u5C4A\u6570\u3001\u59D3\u540D\u3001\u83B7\u5956\u5F71\u7247\u3002 \u5E74\u4EFD\u6307\u7535\u5F71\u6444\u5236\u5E74\u4EFD\u3002\u59821967\u5E74\u5373\u610F\u4E3A1968\u5E74\u9881\u53D1\u76841967\u5E74\u5EA6\u7684\u6700\u4F73\u5BFC\u6F14\u5956\u3002"@zh ,
		"Mit dem Oscar f\u00FCr die Beste Regie werden die Leistungen der Regisseure eines Films geehrt. Filme qualifizieren sich jeweils im Folgejahr ihrer Ver\u00F6ffentlichung f\u00FCr einen Oscar. In unten stehender Tabelle sind die Preistr\u00E4ger nach dem Jahr der Verleihung geordnet."@de ,
		"L'Oscar al miglior regista viene assegnato al regista maggiormente votato dall'Academy. L'elenco mostra il vincitore di ogni anno, seguito dai registi che hanno ricevuto una nomination. Per ogni regista viene indicato il film che gli \u00E8 valso la nomination (titolo italiano e titolo originale tra parentesi. Se \u00E8 presente un solo titolo il film \u00E8 italiano o, pi\u00F9 spesso, non \u00E8 stato distribuito in Italia o \u00E8 stato distribuito usando il titolo originale). Gli anni indicati sono quelli in cui \u00E8 stato assegnato il premio e non quello in cui \u00E8 stato diretto il film. Nel 1930 si sono svolte due diverse edizioni del premio, una ad aprile ed una a novembre, mentre nel 1933 non \u00E8 stato assegnato alcun premio. Per maggiori informazioni si veda la voce Cerimonie dei premi Oscar. 1929 Miglior regista per un film commedia Lewis Milestone - Notte d'Arabia (Two Arabian Knights) Ted Wilde - A rotta di collo (Speedy) Miglior regista per un film drammatico Frank Borzage - Settimo cielo (Seventh Heaven) Herbert Brenon - Sorrell and Son (Sorrell and Son) King Vidor - La folla (The Crowd) 1930 (aprile) Frank Lloyd - Trafalgar (The Divine Lady) Lionel Barrymore - Madame X (Madame X) Harry Beaumont - La canzone di Broadway (The Broadway Melody) Irving Cummings - Notte di tradimento (In Old Arizona) Frank Lloyd - Il principe amante (Drag) e Il fiume stanco (Weary River) Ernst Lubitsch - Lo Zar folle (The Patriot) 1930 (novembre) Lewis Milestone - All'ovest niente di nuovo (All Quiet on the Western Front) Clarence Brown - Anna Christie (Anna Christie) e Romanzo (Romance) Robert Z. Leonard - La divorziata (The Divorcee) Ernst Lubitsch - Il principe consorte (The Love Parade) King Vidor - Alleluja! (Hallelujah) 1931 Norman Taurog - Skippy (Skippy) Clarence Brown - Io amo (A Free Soul) Lewis Milestone - The Front Page (The Front Page) Wesley Ruggles - I pionieri del west (Cimarron) Josef Von Sternberg - Marocco (Morocco) 1932 Frank Borzage - Bad Girl (Bad Girl) Josef von Sternberg - Shanghai Express (Shanghai Express) King Vidor - Il campione (The Champ) 1934 Frank Lloyd - Cavalcata (Cavalcade) Frank Capra - Signora per un giorno (Lady for a Day) George Cukor - Piccole donne (Little Women) 1935 Frank Capra - Accadde una notte (It Happened One Night) Victor Schertzinger - Una notte d'amore (One Night of Love) W.S. Van Dyke - L'uomo ombra (The Thin Man) 1936 John Ford - Il traditore (The Informer) Michael Curtiz - Capitan Blood (Captain Blood) Henry Hathaway - I lancieri del Bengala (The Lives of a Bengal Lancer) Frank Lloyd - Gli ammutinati del Bounty (Mutiny on the Bounty) 1937 Frank Capra - \u00C8 arrivata la felicit\u00E0 (Mr. Deeds Goes to Town) William Wyler - Infedelt\u00E0 (Dodsworth) Robert Z. Leonard - Il Paradiso delle fanciulle (The Great Ziegfeld) Gregory La Cava - L'impareggiabile Godfrey (My Man Godfrey) W.S. Van Dyke - San Francisco (San Francisco) 1938 Leo McCarey - L'orribile verit\u00E0 (The Awful Truth) Sidney Franklin - La buona terra (The Good Earth) William Dieterle - Emilio Zola (The Life of Emile Zola) Gregory La Cava - Palcoscenico (Stage Door) William A. Wellman - \u00C8 nata una stella (A Star Is Born) 1939 Frank Capra - L'eterna illusione (You Can't Take It with You) Michael Curtiz - Quattro figlie (Four Daughters) Norman Taurog - La citt\u00E0 dei ragazzi (Boys Town) King Vidor - La cittadella (The Citadel) Michael Curtiz - Gli angeli con la faccia sporca (Angels with Dirty Faces) 1940 Victor Fleming - Via col vento (Gone with the Wind) Frank Capra - Mister Smith va a Washington (Mr. Smith Goes to Washington) John Ford - Ombre rosse (Stagecoach) Sam Wood - Addio, Mr. Chips! (Goodbye, Mr. Chips) William Wyler - La voce nella tempesta (Wuthering Heights) 1941 John Ford - Furore (The Grapes of Wrath) George Cukor - Scandalo a Filadelfia (The Philadelphia Story) Alfred Hitchcock - Rebecca, la prima moglie (Rebecca) Sam Wood - Kitty Foyle, ragazza innamorata (Kitty Foyle) William Wyler - Ombre malesi (The Letter) 1942 John Ford - Com'era verde la mia valle (How Green Was My Valley) Alexander Hall - L'inafferrabile signor Jordan (Here Comes Mr. Jordan) Orson Welles - Quarto potere (Citizen Kane) William Wyler - Piccole volpi (The Little Foxes) Howard Hawks - Il sergente York (Sergeant York) 1943 William Wyler - La signora Miniver (Mrs. Miniver) Sam Wood - Delitti senza castigo (Kings Row) Mervyn LeRoy - Prigionieri del passato (Random Harvest) John Farrow - L'isola della gloria (Wake Island) Michael Curtiz - Ribalta di gloria (Yankee Doodle Dandy) 1944 Michael Curtiz - Casablanca (Casablanca) Ernst Lubitsch - Il cielo pu\u00F2 attendere (Heaven Can Wait) Clarence Brown - La commedia umana (The Human Comedy) Henry King - Bernadette (The Song of Bernadette) George Stevens - Molta brigata vita beata (The More the Merrier) 1945 Leo McCarey - La mia via (Going My Way) Billy Wilder - La fiamma del peccato (Double Indemnity) Otto Preminger - Vertigine (Laura) Alfred Hitchcock - Prigionieri dell'oceano (Lifeboat) Henry King - Wilson (Wilson) 1946 Billy Wilder - Giorni perduti (The Lost Weekend) Leo McCarey - Le campane di Santa Maria (The Bells of St. Mary's) Alfred Hitchcock - Io ti salver\u00F2 (Spellbound) Clarence Brown - Gran Premio (National Velvet) Jean Renoir - L'uomo del sud (The Southerner) 1947 William Wyler - I migliori anni della nostra vita (The Best Years of Our Lives) Frank Capra - La vita \u00E8 meravigliosa (It's a Wonderful Life) David Lean - Breve incontro (Brief Encounter) Robert Siodmak - I gangsters (The Killers) Clarence Brown - Il cucciolo (The Yearling) 1948 Elia Kazan - Barriera invisibile (Gentleman's Agreement) Henry Koster - La moglie del Vescovo (The Bishop's Wife) Edward Dmytryk - Odio implacabile (Crossfire) George Cukor - Doppia vita (A Double Life) David Lean - Grandi speranze (Great Expectations) 1949 John Huston - Il tesoro della Sierra Madre (The Treasure of the Sierra Madre) Laurence Olivier - Amleto (Hamlet) Jean Negulesco - Johnny Belinda (Johnny Belinda) Fred Zinnemann - Odissea tragica (The Search) Anatole Litvak - La fossa dei serpenti (The Snake Pit) 1950 Joseph L. Mankiewicz - Lettera a tre mogli (A Letter to Three Wives) Robert Rossen - Tutti gli uomini del re (All the King's Men) William A. Wellman - Bastogne (Battleground) Carol Reed - Idolo infranto (The Fallen Idol) William Wyler - L'ereditiera (The Heiress) 1951 Joseph L. Mankiewicz - Eva contro Eva (All about Eve) Billy Wilder - Viale del tramonto (Sunset Blvd. ) George Cukor - Nata ieri (Born Yesterday) Carol Reed - Il terzo uomo (The Third Man) John Huston - Giungla d'asfalto (The Asphalt Jungle) 1952 George Stevens - Un posto al sole (A Place in the Sun) Vincente Minnelli - Un americano a Parigi (An American in Paris) William Wyler - Piet\u00E0 per i giusti (Detective Story) Elia Kazan - Un tram che si chiama Desiderio (A Streetcar Named Desire) John Huston - La Regina d'Africa (The African Queen) 1953 John Ford - Un uomo tranquillo (The Quiet Man) Joseph L. Mankiewicz - Operazione Cicero (Five Fingers) Cecil B. DeMille - Il pi\u00F9 grande spettacolo del mondo (The Greatest Show on Earth) Fred Zinnemann - Mezzogiorno di fuoco (High Noon) John Huston - Moulin Rouge (Moulin Rouge) 1954 Fred Zinnemann - Da qui all'eternit\u00E0 (From Here to Eternity) Charles Walters - Lil\u00EC (Lili) William Wyler - Vacanze romane (Roman Holiday) George Stevens - Il cavaliere della Valle Solitaria (Shane), regia di George Stevens) Billy Wilder - Stalag 17 - L'inferno dei vivi (Stalag 17) 1955 Elia Kazan - Fronte del porto (On the Waterfront) George Seaton - La ragazza di campagna (The Country Girl) William Wellman - Prigionieri del cielo (The High and the Mighty) Alfred Hitchcock - La finestra sul cortile (Rear Window) Billy Wilder - Sabrina (Sabrina) 1956 Delbert Mann - Marty, vita di un timido (Marty) Joshua Logan - Picnic (Picnic) John Sturges - Giorno maledetto (Bad Day at Black Rock) Elia Kazan - La valle dell'Eden (East of Eden) David Lean - Tempo d'estate (Summertime) 1957 George Stevens - Il gigante (Giant) Michael Anderson - Il giro del mondo in 80 giorni (Around the World in 80 Days) William Wyler - La legge del Signore (Friendly Persuasion) Walter Lang - Il Re ed io (The King and I) King Vidor - Guerra e pace (War and Peace) 1958 David Lean - Il ponte sul fiume Kwai (The Bridge on the River Kwai) Mark Robson - Peyton place (Peyton Place) Joshua Logan - Sayonara (Sayonara) Sidney Lumet - La parola ai giurati (Twelve Angry Men) Billy Wilder - Testimone d'accusa (Witness for the Prosecution) 1959 Vincente Minnelli - Gigi (Gigi) Richard Brooks - La gatta sul tetto che scotta (Cat on a Hot Tin Roof) Stanley Kramer - La parete di fango (The Defiant Ones) Robert Wise - Non voglio morire (I Want to Live!) Mark Robson - La locanda della sesta felicit\u00E0 (The Inn of the Sixth Happiness) 1960 William Wyler - Ben-Hur (Ben-Hur) George Stevens - Il diario di Anna Frank (The Diary of Anne Frank) Fred Zinnemann - La storia di una monaca (The Nun's Story) Jack Clayton - La strada dei quartieri alti (Room at the Top) Billy Wilder - A qualcuno piace caldo (Some Like It Hot) 1961 Billy Wilder - L'appartamento (The Apartment) Jack Cardiff - Figli e amanti (Sons and Lovers) Jules Dassin - Mai di domenica (Pote tin kyriaki) Alfred Hitchcock - Psyco (Psycho) Fred Zinnemann - I nomadi (The Sundowners) 1962 Robert Wise e Jerome Robbins - West Side Story (West Side Story) Federico Fellini - La dolce vita Stanley Kramer - Vincitori e vinti (Judgement at Nuremberg) Robert Rossen - Lo spaccone (The Hustler) J. Lee Thompson - I cannoni di Navarone (The Guns of Navarone) 1963 David Lean - Lawrence d'Arabia (Lawrence of Arabia) Pietro Germi - Divorzio all'italiana Robert Mulligan - Il buio oltre la siepe (To Kill a Mockingbird) Arthur Penn - Anna dei miracoli (The Miracle Worker) Frank Perry - David e Lisa (David and Lisa) 1964 Tony Richardson - Tom Jones (Tom Jones) Federico Fellini - 8\u00BD Elia Kazan - Il ribelle dell'Anatolia (America, America) Otto Preminger - Il cardinale (The Cardinal) Martin Ritt - Hud il selvaggio (Hud) 1965 George Cukor - My Fair Lady (My Fair Lady) Michael Cacoyannis - Zorba il greco (Alexis Zorbas) Peter Glenville - Becket e il suo re (Becket) Stanley Kubrick - Il dottor Stranamore, ovvero: come imparai a non preoccuparmi e ad amare la bomba Robert Stevenson - Mary Poppins (Mary Poppins) 1966 Robert Wise - Tutti insieme appassionatamente (The Sound of Music) David Lean - Il dottor Zivago (film) (Doctor Zhivago) John Schlesinger - Darling (Darling) Hiroshi Teshigahara - La donna di sabbia (Suna no onna) William Wyler - Il collezionista (The Collector) 1967 Fred Zinnemann - Un uomo per tutte le stagioni (A Man for All Seasons) Michelangelo Antonioni - Blow-Up (Blow-Up) Richard Brooks - I professionisti (The Professionals) Claude Lelouch - Un uomo una donna (Un homme et une femme) Mike Nichols - Chi ha paura di Virginia Woolf? (Who's Afraid of Virginia Woolf?) 1968 Mike Nichols - Il laureato (The Graduate) Richard Brooks - A sangue freddo (In Cold Blood) Norman Jewison - La calda notte dell'ispettore Tibbs (In the Heat of the Night) Stanley Kramer - Indovina chi viene a cena? (Guess Who's Coming to Dinner) Arthur Penn - Gangster Story (Bonnie and Clyde) 1969 Carol Reed - Oliver! (Oliver) Anthony Harvey - Il leone d'inverno (The Lion in Winter) Stanley Kubrick - ' Gillo Pontecorvo - La battaglia di Algeri Franco Zeffirelli - Romeo e Giulietta 1970 John Schlesinger - Un uomo da marciapiede (Midnight Cowboy) Costa-Gavras - Z - L'orgia del potere (Z) George Roy Hill - Butch Cassidy (Butch Cassidy and the Sundance Kid) Arthur Penn - Alice's Restaurant (Alice's Restaurant) Sydney Pollack - Non si uccidono cos\u00EC anche i cavalli? (They Shoot Horses, Don't They?) 1971 Franklin J. Schaffner - Patton, generale d'acciaio (Patton) Robert Altman - M*A*S*H (M*A*S*H) Federico Fellini - Satyricon Arthur Hiller - Love Story (Love Story) Ken Russell - Donne in amore (Women in Love) 1972 William Friedkin - Il braccio violento della legge (The French Connection) Peter Bogdanovich - L'ultimo spettacolo (The Last Picture Show) Norman Jewison - Il violinista sul tetto (Fiddler on the Roof) Stanley Kubrick - Arancia meccanica (A Clockwork Orange) John Schlesinger - Domenica, maledetta domenica (Sunday, Bloody Sunday) 1973 Bob Fosse - Cabaret (Cabaret) John Boorman - Un tranquillo week-end di paura (Deliverance) Francis Ford Coppola - Il padrino (The Godfather) Joseph L. Mankiewicz - Gli insospettabili (Sleuth) Jan Troell - Karl e Kristina (Utvandrarna) 1974 George Roy Hill - La stangata (The Sting) Ingmar Bergman - Sussurri e grida (Viskiningar Och Rop) Bernardo Bertolucci - Ultimo tango a Parigi William Friedkin - L'esorcista (The Exorcist) George Lucas - American Graffiti (American Graffiti) 1975 Francis Ford Coppola - Il padrino - Parte II John Cassavetes - Una moglie (A Woman Under the Influence) Bob Fosse - Lenny (Lenny) Roman Polanski - Chinatown (Chinatown) Fran\u00E7ois Truffaut - Effetto notte (La nuit am\u00E9ricaine) 1976 Milo\u0161 Forman - Qualcuno vol\u00F2 sul nido del cuculo (One Flew Over the Cuckoo's Nest) Robert Altman - Nashville (Nashville) Federico Fellini - Amarcord Stanley Kubrick - Barry Lyndon (Barry Lyndon) Sidney Lumet - Quel pomeriggio di un giorno da cani (Dog Day Afternoon) 1977 John G. Avildsen - Rocky (Rocky) Ingmar Bergman - L'immagine allo specchio (Ansikte mot ansikte) Sidney Lumet - Quinto potere (Network) Alan J. Pakula - Tutti gli uomini del presidente (All the President's Men) Lina Wertm\u00FCller - Pasqualino Settebellezze 1978 Woody Allen - Io e Annie (Annie Hall) George Lucas - Guerre Stellari (Star Wars) Herbert Ross - Due vite, una svolta (The Turning Point) Steven Spielberg - Incontri ravvicinati del terzo tipo (Close Encounters of the Third Kind) Fred Zinnemann - Giulia (Julia) 1979 Michael Cimino - Il cacciatore (The Deer Hunter) Woody Allen - Interiors (Interiors) Hal Ashby - Tornando a casa (Coming Home) Warren Beatty e Buck Henry - Il paradiso pu\u00F2 attendere (Heaven Can Wait) Alan Parker - Fuga di mezzanotte (Midnight Express) 1980 Robert Benton - Kramer contro Kramer (Kramer vs. Kramer) Francis Ford Coppola - Apocalypse Now (Apocalypse Now) Bob Fosse - All That Jazz - Lo spettacolo continua (All That Jazz) \u00C9douard Molinaro - Il vizietto (La Cage aux Folles) Peter Yates - All American Boys (Breaking Away) 1981 Robert Redford - Gente comune (Ordinary People) David Lynch - The Elephant Man (The Elephant Man) Roman Polanski - Tess (Tess) Richard Rush - Professione pericolo (The Stunt Man) Martin Scorsese - Toro scatenato (Raging Bull) 1982 Warren Beatty - Reds (Reds) Hugh Hudson - Momenti di gloria (Chariots of Fire) Louis Malle - Atlantic City, U.S.A. (Atlantic City) Mark Rydell - Sul lago dorato (On Golden Pond) Steven Spielberg - I predatori dell'arca perduta (Raiders of the Lost Ark) 1983 Richard Attenborough - Gandhi (Gandhi) Sidney Lumet - Il verdetto (The Verdict) Wolfgang Petersen - U-Boot 96 (Das Boot) Sydney Pollack - Tootsie (Tootsie) Steven Spielberg - E.T. l'Extra-Terrestre (E.T. the Extra-Terrestrial) 1984 James L. Brooks - Voglia di tenerezza (Terms of Endearment) Bruce Beresford - Tender Mercies - Un tenero ringraziamento (Tender Mercies) Ingmar Bergman - Fanny e Alexander (Fanny and Alexander) Mike Nichols - Silkwood (Silkwood) Peter Yates - Il servo di scena (The Dresser) 1985 Milo\u0161 Forman - Amadeus (Amadeus) Woody Allen - Broadway Danny Rose (Broadway Danny Rose) Robert Benton - Le stagioni del cuore (Places in the Heart) Roland Joff\u00E9 - Urla del silenzio (The Killing Fields) David Lean - Passaggio in India (A Passage to India) 1986 Sydney Pollack - La mia Africa (Out of Africa) Hector Babenco - Il bacio della donna ragno (Kiss of the Spider Woman) John Huston - L'onore dei Prizzi (Prizzi's Honor) Akira Kurosawa - Ran (Ran) Peter Weir - Witness - Il testimone (Witness) 1987 Oliver Stone - Platoon (Platoon) Woody Allen - Hannah e le sue sorelle (Hannah and Her Sisters) James Ivory - Camera con vista (A Room with a View) Roland Joff\u00E9 - Mission (The Mission) David Lynch - Velluto blu (Blue Velvet) 1988 Bernardo Bertolucci - L'ultimo imperatore (The Last Emperor) John Boorman - Anni quaranta (Hope and Glory) Lasse Hallstr\u00F6m - La mia vita a quattro zampe (My Life as a Dog) Norman Jewison - Stregata dalla luna (Moonstruck) Adrian Lyne - Attrazione fatale (Fatal Attraction) 1989 Barry Levinson - Rain man - L'uomo della pioggia (Rain Man) Charles Crichton - Un pesce di nome Wanda (A Fish Called Wanda) Mike Nichols - Una donna in carriera (Working Girl) Alan Parker - Mississippi Burning - Le radici dell'odio (Mississippi Burning) Martin Scorsese - L'ultima tentazione di Cristo (The Last Temptation of Christ) 1990 Oliver Stone - Nato il quattro luglio (Born on the Fourth of July) Woody Allen - Crimini e misfatti (Crimes and Misdemeanors) Kenneth Branagh - Enrico V (Henry V) Jim Sheridan - Il mio piede sinistro (My Left Foot) Peter Weir - L'attimo fuggente (Dead Poets Society) 1991 Kevin Costner - Balla coi lupi (Dances with Wolves) Martin Scorsese - Quei bravi ragazzi (Goodfellas) Francis Ford Coppola - Il padrino - Parte III Stephen Frears - Rischiose abitudini (The Grifters) Barbet Schroeder - Il mistero Von Bulow (Reversal of Fortune) 1992 Jonathan Demme - Il silenzio degli innocenti (The Silence of the Lambs) Barry Levinson - Bugsy (Bugsy) Ridley Scott - Thelma &amp; Louise (Thelma &amp; Louise) John Singleton - Boyz n the hood - Strade violente (Boyz N the Hood) Oliver Stone - JFK - Un caso ancora aperto (JFK) 1993 Clint Eastwood - Gli spietati (Unforgiven) Robert Altman - I protagonisti (The Player) Martin Brest - Scent of a Woman - Profumo di donna (Scent of a Woman) James Ivory - Casa Howard (Howards End) Neil Jordan - La moglie del soldato (The Crying Game) 1994 Steven Spielberg - Schindler's List (Schindler's List) Robert Altman - America oggi (Short Cuts) Jane Campion - Lezioni di piano (The Piano) James Ivory - Quel che resta del giorno (The Remains of the Day) Jim Sheridan - Nel nome del padre (In the Name of the Father) 1995 Robert Zemeckis - Forrest Gump (Forrest Gump) Quentin Tarantino - Pulp Fiction (Pulp Fiction) Woody Allen - Pallottole su Broadway (Bullets Over Broadway) Robert Redford - Quiz Show (Quiz Show) Krzysztof Kie\u015Blowski - Tre colori: film rosso 1996 Mel Gibson - Braveheart - Cuore impavido (Braveheart) Tim Robbins - Dead Man Walking - Condannato a morte (Dead Man Walking) Mike Figgis - Via da Las Vegas (Leaving Las Vegas) Michael Radford - Il postino Chris Noonan - Babe, maialino coraggioso (Babe) 1997 Anthony Minghella - Il paziente inglese (The English Patient) Joel Coen - Fargo (Fargo) Milo\u0161 Forman - Larry Flynt - oltre lo scandalo (The People vs. Larry Flynt) Mike Leigh - Segreti e bugie (Secrets and Lies) Scott Hicks - Shine (Shine) 1998 James Cameron - Titanic (Titanic) Peter Cattaneo - Full Monty - Squattrinati organizzati (The Full Monty) Gus Van Sant - Will Hunting - Genio ribelle (Good Will Hunting) Curtis Hanson - L.A. Confidential (L.A. Confidential) Atom Egoyan - Il dolce domani (The Sweet Hereafter) 1999 Steven Spielberg - Salvate il soldato Ryan (Saving Private Ryan) John Madden - Shakespeare in Love (Shakespeare in Love) Terrence Malick - La sottile linea rossa (The Thin Red Line) Roberto Benigni - La vita \u00E8 bella Peter Weir - The Truman Show (The Truman Show) 2000 Sam Mendes - American Beauty (American Beauty) Lasse Hallstr\u00F6m - Le regole della casa del sidro (The Cider House Rules) Spike Jonze - Essere John Malkovich (Being John Malkovich) Michael Mann - Insider - Dietro la verit\u00E0 (The Insider) M. Night Shyamalan - Il sesto senso (The Sixth Sense) 2001 Steven Soderbergh - Traffic (Traffic) Stephen Daldry - Billy Elliot (Billy Elliot) Ang Lee - La tigre e il dragone (Wo hu cang long) Steven Soderbergh - Erin Brockovich - Forte come la verit\u00E0 (Erin Brockovich) Ridley Scott - Il gladiatore (Gladiator) 2002 Ron Howard - A Beautiful Mind (A Beautiful Mind) Robert Altman - Gosford Park (Gosford Park) Peter Jackson - Il Signore degli Anelli: La Compagnia dell'Anello David Lynch - Mulholland Dr. (Mulholland Dr. ) Ridley Scott - Black Hawk Down (Black Hawk Down) 2003 Roman Polanski - Il pianista (The Pianist) Pedro Almod\u00F3var - Parla con lei (Hable con ella) Rob Marshall - Chicago (Chicago) Stephen Daldry - The Hours (The Hours) Martin Scorsese - Gangs of New York (Gangs of New York) 2004 Peter Jackson - Il Signore degli Anelli: il ritorno del Re Fernando Meirelles - City of God (Cidade de Deus) Sofia Coppola - Lost in Translation - L'amore tradotto (Lost in Translation) Peter Weir - Master and Commander - Sfida ai confini del mare Clint Eastwood - Mystic River (Mystic River) 2005 Clint Eastwood - Million Dollar Baby (Million Dollar Baby) Martin Scorsese - The Aviator (The Aviator) Taylor Hackford - Ray (Ray) Alexander Payne - Sideways - In viaggio con Jack (Sideways) Mike Leigh - Il segreto di Vera Drake (Vera Drake) 2006 Ang Lee - I segreti di Brokeback Mountain (Brokeback Mountain) Bennett Miller - Truman Capote: A sangue freddo (Capote) Paul Haggis - Crash - Contatto fisico (Crash) George Clooney - Good Night, and Good Luck. (Good Night, and Good Luck. ) Steven Spielberg - Munich (Munich) 2007 Martin Scorsese - The Departed - Il bene e il male (The Departed) Clint Eastwood - Lettere da Iwo Jima (Letters from Iwo Jima) Stephen Frears - The Queen - La regina (The Queen) Alejandro Gonz\u00E1lez I\u00F1\u00E1rritu - Babel (Babel) Paul Greengrass - United 93 (United 93) 2008 Joel Coen e Ethan Coen - Non \u00E8 un paese per vecchi (No Country for Old Men) Julian Schnabel - Lo scafandro e la farfalla (Le scaphandre et le papillon) Jason Reitman - Juno (Juno) Tony Gilroy - Michael Clayton (Michael Clayton) Paul Thomas Anderson - Il petroliere (There Will Be Blood) 2009 Danny Boyle - The Millionaire (Slumdog Mollionaire) Stephen Daldry - The Reader - A voce alta (The Reader) David Fincher - Il curioso caso di Benjamin Button (The Curious Case of Benjamin Button) Ron Howard - Frost/Nixon - Il duello (Frost/Nixon) Gus Van Sant - Milk (Milk)"@it ,
		"En \u0130yi Y\u00F6netmen Akademi \u00D6d\u00FCl\u00FC Sinema Sanatlar\u0131 ve Bilimleri Akademisi taraf\u0131ndan sinema sekt\u00F6r\u00FCnde \u00E7al\u0131\u015Fan film y\u00F6netmenlerine verilen \u00F6d\u00FCld\u00FCr. Adaylar Akademi \u00DCyelerinin Y\u00F6netmenler bran\u015F\u0131 taraf\u0131ndan se\u00E7ilir. Kazanan\u0131n se\u00E7imi i\u00E7in ise t\u00FCm Akademi \u00DCyeleri se\u00E7ime kat\u0131labilir Ge\u00E7mi\u015F 79 y\u0131lda payla\u015F\u0131lan ya da ayn\u0131 y\u00F6netmene verilen \u00F6d\u00FCller ile birlikte AMPAS 81 En \u0130yi Y\u00F6netmen Oscar\u0131'n\u0131 59 farkl\u0131 y\u00F6netmene verdi. Hi\u00E7bir kad\u0131n y\u00F6netmen bu \u00F6d\u00FCl\u00FC kazanamad\u0131 ve sadece \u00FC\u00E7 kad\u0131n bu \u00F6d\u00FCle aday olabildi."@tr ,
		"1927/1928 - (drama) Frank Borzage por S\u00E9timo c\u00E9u / A hora suprema, (com\u00E9dia) Lewis Milestone por Dois cavaleiros \u00E1rabes 1928/1929 - Frank Lloyd por Divina dama / Trafalgar 1929/1930 - Lewis Milestone por Sem novidades no front / A Oeste nada de novo 1931 - Norman Taurog por Skippy / Proezas de Skippy 1932 - Frank Borzage por Depois do casamento / Uma j\u00F3ia de rapariga 1933 - Frank Lloyd por Cavalgada 1934 - Frank Capra por Aconteceu naquela noite / Uma noite aconteceu 1935 - John Ford por O delator / O denunciante 1936 - Frank Capra por O galante Mr. Deeds / Doido com ju\u00EDzo 1937 - Leo McCarey por Cupido \u00E9 moleque teimoso / Com a verdade me enganas 1938 - Frank Capra por Do mundo nada se leva / N\u00E3o o levar\u00E1s contigo 1939 - Victor Fleming por ... E o vento levou / E tudo o vento levou"@pt ,
		"Oscar za najlepsz\u0105 re\u017Cyseri\u0119 (The Academy Award for Directing) jest jedn\u0105 z nagr\u00F3d przyznawanych re\u017Cyserom, pracuj\u0105cym w przemy\u015Ble filmowym, przez Ameryka\u0144sk\u0105 Akademi\u0119 Sztuki i Wiedzy Filmowej; nominacje s\u0105 przyznawane przez cz\u0142onk\u00F3w Akademii pracuj\u0105cych w bran\u017Cy re\u017Cyserskiej. Zwyci\u0119zcy s\u0105 wybierani przez wszystkich cz\u0142onk\u00F3w Akademii. Tylko podczas 1. ceremonii wr\u0119czenia Oscar\u00F3w w 1929 roku za okres 1927/28 zosta\u0142y przyznane 2 Oscary za najlepsz\u0105 re\u017Cyseri\u0119: Oscar za najlepsz\u0105 re\u017Cyseri\u0119 dramatu (The Academy Award for Dramatic Direction) oraz Oscar za najlepsz\u0105 re\u017Cyseri\u0119 komedii (The Academy Award for Comedy Direction). Oscar za najlepsz\u0105 re\u017Cyseri\u0119 komedii zosta\u0142 nast\u0119pnego roku usuni\u0119ty i do dzi\u015B przyznaje si\u0119 Oscara za najlepsz\u0105 re\u017Cyseri\u0119, kt\u00F3ry g\u0142\u00F3wnie zostaje przyznawany za dramaty. Pierwsze lata Oscar\u00F3w by\u0142y pe\u0142ne kontrowersji i braku logiki. Tak te\u017C dzia\u0142o si\u0119 z Oscarem za najlepsz\u0105 re\u017Cyseri\u0119. W pierwszych latach istnienia Nagrody Akademii, aktorzy, aktorki, re\u017Cyserzy i inni pracownicy bran\u017Cy filmowej byli nominowani za wszystkie filmy, w kt\u00F3rych mieli udzia\u0142 w nagradzanym okresie. Je\u015Bli chodzi o Oscary za re\u017Cyseri\u0119, to tylko w 1929 roku Oscara za najlepsz\u0105 re\u017Cyseri\u0119 przyznano re\u017Cyserom za re\u017Cyseri\u0119 jednego filmu. W nast\u0119pnych latach nominacje i nagrody budzi\u0142y kontrowersje. W 1930 roku do Oscara 1928/29 zosta\u0142 nominowany re\u017Cyser Frank Lloyd za re\u017Cyseri\u0119 3 film\u00F3w, lecz otrzyma\u0142 Oscara za re\u017Cyseri\u0119 tylko jednego z tych trzech film\u00F3w. Podczas nast\u0119pnego rozdania Oscar\u00F3w w 1930 roku za okres 1929/30, re\u017Cyser Clarence Brown zosta\u0142 nominowany do Oscara za re\u017Cyseri\u0119 dw\u00F3ch film\u00F3w. Dopiero od 1931 roku zacz\u0105\u0142 do dzi\u015B zacz\u0105\u0142 obowi\u0105zywa\u0107 system, i\u017C re\u017Cyser dostaje nominacj\u0119 do Oscara za re\u017Cyseri\u0119 w danym okresie tylko jednego filmu. Spo\u015Br\u00F3d wszystkich 79 ceremonii wr\u0119czania Oscar\u00F3w, a\u017C na 58 ceremoniach Oscar za najlepsz\u0105 re\u017Cyseri\u0119 trafia\u0142 do re\u017Cysera filmu, kt\u00F3ry otrzyma\u0142 Oscara za najlepszy film. Tylko 3 filmy dosta\u0142y Oscara za najlepszy film, za kt\u00F3re re\u017Cyserzy nie otrzymali nawet nominacji do Oscara za najlepsz\u0105 re\u017Cyseri\u0119: Skrzyd\u0142a (Wings) \u2013 re\u017C. William A. Wellman Ludzie w hotelu (Grand Hotel) \u2013 re\u017C. Edmund Goulding Wo\u017C\u0105c pani\u0105 Daisy (Driving Miss Daisy) \u2013 re\u017C. Bruce Beresford Tylko 2 re\u017Cyser\u00F3w w historii Akademii dosta\u0142o Oscara za najlepsz\u0105 re\u017Cyseri\u0119 za filmy, kt\u00F3re nie otrzyma\u0142y nominacji do Oscara za najlepszy film: Lewis Milestone \u2013 Oscar za najlepsz\u0105 re\u017Cyseri\u0119 komedii za film Awantura arabska (Two Arabian Knights) Frank Lloyd za Kr\u00F3lowa bez korony (The Divine Lady) Frank Lloyd by\u0142 te\u017C nominowany do Oscara 1928/29 za re\u017Cyseri\u0119 film\u00F3w Weary River i Drag. Filmy te r\u00F3wnie\u017C nie dosta\u0142y nominacji do Oscara za najlepszy film. W ca\u0142ej historii Akademii tylko raz dw\u00F3ch re\u017Cyser\u00F3w dosta\u0142o Oscara za najlepsz\u0105 re\u017Cyseri\u0119 za re\u017Cyseri\u0119 tego samego filmu. Sta\u0142o si\u0119 to w 1962 roku, gdy zar\u00F3wno Robert Wise i Jerome Robbins otrzymali statuetki za film West Side Story. W historii Akademii tylko 3 kobiety dosta\u0142y nominacj\u0119 do Oscara za najlepsz\u0105 re\u017Cyseri\u0119 i \u017Cadna z kobiet go nie zdoby\u0142a: Lina Wertm\u00FCller Jane Campion Sofia Coppola Do tej pory nigdy w historii Oscar\u00F3w nie zdarzy\u0142o si\u0119, aby re\u017Cyser graj\u0105cy we w\u0142asnym filmie dosta\u0142 za niego jednocze\u015Bnie Oscara za najlepsz\u0105 re\u017Cyseri\u0119 i Oscara za najlepszego aktora pierwszoplanowego. W ca\u0142ej historii Oscar\u00F3w 4 re\u017Cyser\u00F3w dosta\u0142o Oscara za najlepsz\u0105 re\u017Cyseri\u0119 za filmy, w kt\u00F3rym zagrali lecz nie dostali oni za te filmy Oscara za najlepszego aktora pierwszoplanowego: Woody Allen za film Annie Hall Warren Beatty za film Czerwoni (Reds) Kevin Costner za film Ta\u0144cz\u0105cy z wilkami (Dances with Wolves) Clint Eastwood za filmy Bez przebaczenia (Unforgiven) i Za wszelk\u0105 cen\u0119 (Million Dolar Baby) Z kolei tylko 2 re\u017Cyser\u00F3w dosta\u0142o Oscara za najlepszego aktora pierwszoplanowego za rol\u0119 w filmach, kt\u00F3re sami wyre\u017Cyserowali lecz nie dostali oni za te filmy Oscara za najlepsz\u0105 re\u017Cyseri\u0119: Laurence Olivier za rol\u0119 w filmie Hamlet Roberto Benigni za rol\u0119 w filmie \u017Bycie jest pi\u0119kne (Life Is Beautiful) Najwi\u0119cej Oscar\u00F3w w tej kategorii (4) otrzyma\u0142 John Ford (1935, 1940, 1941, 1952. Dw\u00F3ch re\u017Cyser\u00F3w dosta\u0142o 3 Oscary w tej kategorii: Frank Capra William Wyler A\u017C 15 re\u017Cyser\u00F3w otrzyma\u0142o Oscara w tej kategorii dwukrotnie: Lewis Milestone Frank Borzage Frank Lloyd Leo McCarey Billy Wilder Elia Kazan Joseph L. Mankiewicz George Stevens Fred Zinnemann David Lean Robert Wise Milos Forman Oliver Stone Clint Eastwood Steven Spielberg John Ford i Joseph L. Mankiewicz s\u0105 przy tym jedynymi re\u017Cyserami, kt\u00F3rzy dostali Oscara Oskara swojej kategorii 2 razy pod rz\u0105d. Re\u017Cyser, kt\u00F3ry otrzyma\u0142 najwi\u0119ksz\u0105 liczb\u0119 nominacji w tej kategorii to William Wyler . A\u017C 4 re\u017Cyser\u00F3w dosta\u0142o najwi\u0119ksz\u0105 liczb\u0119 nominacji w tej kategorii bez wygrania statuetki : Robert Altman Clarence Brown Alfred Hitchcock King Vidor Najm\u0142odszym re\u017Cyserem, kt\u00F3ry otrzyma\u0142 statuetk\u0119 by\u0142 Norman Taurog, kt\u00F3ry w wieku 32 lat wygra\u0142 j\u0105 za film Skippy . Najstarszym natomiast by\u0142 Clint Eastwood, kt\u00F3ry w wieku 74 lat otrzyma\u0142 nagrod\u0119 za film \"Milion Dolar Baby\" . Najm\u0142odszym nominowanym w tej kategorii re\u017Cyserem by\u0142 John Singleton, kt\u00F3ry maj\u0105c 24 lata zosta\u0142 nominowany za film \"Ch\u0142opaki z s\u0105siedztwa\" . John Singleton jest te\u017C jedynym afroamerykaninem nominowanym w tej kategorii. Najstarszym nominowanym re\u017Cyserem by\u0142 John Huston, kt\u00F3ry w wieku 79 lat, otrzyma\u0142 nominacj\u0119 za film \"Honor Prizzich\" . Jedynym polskim re\u017Cyserem, kt\u00F3ry otrzyma\u0142 Oscara w tej kategorii jest Roman Pola\u0144ski . Otrzyma\u0142 on Oscara za film Pianista."@pl ,
		"\u041F\u0440\u0435\u043C\u0438\u044F \u00AB\u041E\u0441\u043A\u0430\u0440\u00BB \u0437\u0430 \u043B\u0443\u0447\u0448\u0443\u044E \u0440\u0435\u0436\u0438\u0441\u0441\u0443\u0440\u0443 \u2014 \u043F\u0440\u0435\u0441\u0442\u0438\u0436\u043D\u0430\u044F \u043D\u0430\u0433\u0440\u0430\u0434\u0430 \u0410\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u043E\u0439 \u0430\u043A\u0430\u0434\u0435\u043C\u0438\u0438 \u043A\u0438\u043D\u043E\u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430, \u043F\u0440\u0438\u0441\u0443\u0436\u0434\u0430\u0435\u043C\u0430\u044F \u0435\u0436\u0435\u0433\u043E\u0434\u043D\u043E \u043B\u0443\u0447\u0448\u0435\u043C\u0443 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0443. \u041D\u043E\u043C\u0438\u043D\u0430\u0446\u0438\u044E \u043D\u0430 \u043F\u0440\u0435\u043C\u0438\u044E \u043E\u0441\u0443\u0449\u0435\u0441\u0442\u0432\u043B\u044F\u0435\u0442 \u0433\u0438\u043B\u044C\u0434\u0438\u044F \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u043E\u0432, \u0430 \u043F\u043E\u0431\u0435\u0434\u0438\u0442\u0435\u043B\u044F \u043E\u043F\u0440\u0435\u0434\u0435\u043B\u044F\u044E\u0442 \u0432\u0441\u0435 \u0447\u043B\u0435\u043D\u044B \u0430\u043A\u0430\u0434\u0435\u043C\u0438\u0438. \u0412\u0441\u0435\u0433\u043E \u0441 1928 \u0433\u043E\u0434\u0430, \u0442\u043E \u0435\u0441\u0442\u044C \u0441 \u043F\u0435\u0440\u0432\u043E\u0439 \u0446\u0435\u0440\u0435\u043C\u043E\u043D\u0438\u0438 \u0432\u0440\u0443\u0447\u0435\u043D\u0438\u044F \u00AB\u041E\u0441\u043A\u0430\u0440\u043E\u0432\u00BB, 61 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0443 \u0434\u043E\u0441\u0442\u0430\u043B\u043E\u0441\u044C 81 \u0441\u0442\u0430\u0442\u0443\u044D\u0442\u043A\u0430. \u041F\u0440\u0438 \u044D\u0442\u043E\u043C \u043D\u0430 \u043F\u0435\u0440\u0432\u043E\u0439 \u0446\u0435\u0440\u0435\u043C\u043E\u043D\u0438\u0438 \u0431\u044B\u043B\u043E \u0432\u0440\u0443\u0447\u0435\u043D\u043E \u0434\u0432\u0430 \u043F\u0440\u0438\u0437\u0430, \u043E\u0434\u043D\u0430\u043A\u043E \u0441\u043E \u0441\u043B\u0435\u0434\u0443\u044E\u0449\u0435\u0433\u043E \u0433\u043E\u0434\u0430 \u044D\u0442\u043E \u0440\u0430\u0437\u0434\u0435\u043B\u0435\u043D\u0438\u0435 \u0431\u044B\u043B\u043E \u0443\u0441\u0442\u0440\u0430\u043D\u0435\u043D\u043E. \u041D\u0430 34-\u043E\u0439 \u0438 80-\u0439 \u0446\u0435\u0440\u0435\u043C\u043E\u043D\u0438\u044F\u0445 \u043F\u0440\u0435\u043C\u0438\u044F \u0431\u044B\u043B\u0430 \u0432\u0440\u0443\u0447\u0435\u043D\u0430 \u0441\u0440\u0430\u0437\u0443 \u043D\u0435\u0441\u043A\u043E\u043B\u044C\u043A\u0438\u043C \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0430\u043C. \u0427\u0430\u0449\u0435 \u0432\u0441\u0435\u0433\u043E \u044D\u0442\u0443 \u043F\u0440\u0435\u043C\u0438\u044E \u043F\u043E\u043B\u0443\u0447\u0430\u0435\u0442 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440, \u0447\u0435\u0439 \u0444\u0438\u043B\u044C\u043C \u043F\u043E\u043B\u0443\u0447\u0438\u043B \u043F\u0440\u0435\u043C\u0438\u044E \u00AB\u0417\u0430 \u043B\u0443\u0447\u0448\u0438\u0439 \u0444\u0438\u043B\u044C\u043C\u00BB."@ru ;
	rdfs:comment	"Parhaan ohjauksen Oscar-palkinto on yksi palkinnoista, joita Yhdysvaltain elokuva-akatemia jakaa vuosittain Oscar-gaalassa. Ehdokkaat ja voittajan \u00E4\u00E4nest\u00E4v\u00E4t elokuvateollisuuden muut j\u00E4senet kuin ohjaajat. Alla olevassa listassa voittajat ovat merkitty elokuvan julkaisuvuoden mukaan: esimerkiksi vuoden 1999 paras miesp\u00E4\u00E4osa julkaistiin vuoden 2000 seremoniassa. Usein t\u00E4m\u00E4 palkinto on mennyt elokuvalle, joka voittaa my\u00F6s parhaan elokuvan Oscar-palkinnon."@fi ,
		"Cena Akademie za z\u00E1sluhy (Academy Award of Merit) za nejlep\u0161\u00ED re\u017Eii je jednou z cen, kterou ka\u017Edoro\u010Dn\u011B ud\u011Bluje americk\u00E1 Akademie filmov\u00FDch um\u011Bn\u00ED a v\u011Bd za nejlep\u0161\u00ED filmov\u00E9 po\u010Diny roku."@cs ,
		"A legjobb rendez\u0151 Oscar-d\u00EDj\u00E1t az a szem\u00E9ly kapja, akit az amerikai Filmm\u0171v\u00E9szeti \u00E9s Filmtudom\u00E1nyi Akad\u00E9mia az el\u0151z\u0151 \u00E9v legjobb rendez\u0151j\u00E9nek tart. A d\u00F6nt\u00E9st egy Oscar-szoborral jutalmazz\u00E1k. A 77 d\u00EDjazottb\u00F3l 20 kiv\u00E9tel\u00E9vel valamennyien olyan filmek\u00E9rt kapt\u00E1k az Oscart, amelyek elnyert\u00E9k a legjobb film d\u00EDj\u00E1t. Az Akad\u00E9mia kiv\u00E1laszt egy rendez\u0151t az 5 jel\u00F6lt k\u00F6z\u00FCl, hogy megjutalmazza a m\u00FAlt \u00E9vi teljes\u00EDtm\u00E9ny\u00E9t. Az els\u0151 n\u00E9h\u00E1ny Oscar-g\u00E1l\u00E1n, az 1929."@hu ,
		"Oscar za najlepsz\u0105 re\u017Cyseri\u0119 (The Academy Award for Directing) jest jedn\u0105 z nagr\u00F3d przyznawanych re\u017Cyserom, pracuj\u0105cym w przemy\u015Ble filmowym, przez Ameryka\u0144sk\u0105 Akademi\u0119 Sztuki i Wiedzy Filmowej; nominacje s\u0105 przyznawane przez cz\u0142onk\u00F3w Akademii pracuj\u0105cych w bran\u017Cy re\u017Cyserskiej. Zwyci\u0119zcy s\u0105 wybierani przez wszystkich cz\u0142onk\u00F3w Akademii. Tylko podczas 1."@pl ,
		"The Academy Award for Achievement in Directing (Best Director) is one of the Awards of Merit presented by the Academy of Motion Picture Arts and Sciences (AMPAS) to directors working in the motion picture industry. While nominations for Best Director are made by members in the Academy's Directing branch, the award winners are selected by the Academy membership as a whole."@en ,
		"En les llistes que segueixen, el guanyador del premi es mostra en la segona columna, i en la tercera els altres candidats. Cada entrada individual mostra el nom del director seguit pel t\u00EDtol del film. Quan la pel\u00B7l\u00EDcula es produ\u00EFa a un pa\u00EDs diferent dels Estats Units, el seu pa\u00EDs i el t\u00EDtol original, si \u00E9s aplicable, es mostren entre par\u00E8ntesis."@ca ,
		""@ja ,
		"L'Oscar du meilleur r\u00E9alisateur (en anglais, Achievement in directing) est une r\u00E9compense cin\u00E9matographique am\u00E9ricaine d\u00E9cern\u00E9e chaque ann\u00E9e, depuis 1929 par l'Academy of Motion Picture Arts and Sciences (AMPAS), laquelle d\u00E9cerne \u00E9galement tous les autres Oscars."@fr ,
		"\u5965\u65AF\u5361\u6700\u4F73\u5BFC\u6F14\u5956\uFF08Academy Award for Best Directing\uFF09\uFF0C\u7531\u7F8E\u56FD\u7535\u5F71\u827A\u672F\u4E0E\u79D1\u5B66\u5B66\u9662\u901A\u8FC7\u4E1A\u5185\u4EBA\u58EB\u6295\u7968\uFF0C\u9881\u7ED9\u6BCF\u5E74\u5F97\u7968\u6700\u9AD8\u7684\u5BFC\u6F14\uFF0C\u5965\u65AF\u5361\u91D1\u50CF\u5956\u4E4B\u4E00\u3002 \u6BCF\u4E00\u5E74\u5EA6\u7B2C\u4E00\u90E8\u5F71\u7247\u70BA\u5F97\u734E\u5F71\u7247\uFF0C\u5176\u5F8C\u70BA\u5176\u4ED6\u88AB\u63D0\u540D\u8005\u3002 \u6BCF\u4E00\u9879\u663E\u793A\u5E74\u4EFD\u3001\u5C4A\u6570\u3001\u59D3\u540D\u3001\u83B7\u5956\u5F71\u7247\u3002 \u5E74\u4EFD\u6307\u7535\u5F71\u6444\u5236\u5E74\u4EFD\u3002\u59821967\u5E74\u5373\u610F\u4E3A1968\u5E74\u9881\u53D1\u76841967\u5E74\u5EA6\u7684\u6700\u4F73\u5BFC\u6F14\u5956\u3002"@zh ,
		"Premiul Oscar pentru cel mai bun regizor (\u00EEn englez\u0103 Academy Award for Directing) este este unul dintre premiile Oscar, acordate de \u201EAcademy of Motion Picture Arts and Sciences\u201D."@ro ,
		"Oscar-prisen for beste regi er en filmpris som utdeles ved den \u00E5rlige Oscarseremonien til en regiss\u00F8r valgt av medlemmene i Academy of Motion Picture Arts and Sciences. Vinneren velges ut blant fem nominerete kandidater. I listen nedenfor er vinneren i uthevet skrift og under f\u00F8lger de som var nominert. Alle bortsett fra 21 av de 78 Oscar for beste regi, har g\u00E5tt til en film som har vunnet Oscar for beste film. Prisen blir utdelt \u00E5ret etter det som er oppgitt i listen."@no ,
		""@pt ,
		"L'Oscar al miglior regista viene assegnato al regista maggiormente votato dall'Academy. L'elenco mostra il vincitore di ogni anno, seguito dai registi che hanno ricevuto una nomination. Per ogni regista viene indicato il film che gli \u00E8 valso la nomination (titolo italiano e titolo originale tra parentesi. Se \u00E8 presente un solo titolo il film \u00E8 italiano o, pi\u00F9 spesso, non \u00E8 stato distribuito in Italia o \u00E8 stato distribuito usando il titolo originale)."@it ,
		"\u041F\u0440\u0435\u043C\u0438\u044F \u00AB\u041E\u0441\u043A\u0430\u0440\u00BB \u0437\u0430 \u043B\u0443\u0447\u0448\u0443\u044E \u0440\u0435\u0436\u0438\u0441\u0441\u0443\u0440\u0443 \u2014 \u043F\u0440\u0435\u0441\u0442\u0438\u0436\u043D\u0430\u044F \u043D\u0430\u0433\u0440\u0430\u0434\u0430 \u0410\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u043E\u0439 \u0430\u043A\u0430\u0434\u0435\u043C\u0438\u0438 \u043A\u0438\u043D\u043E\u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u0430, \u043F\u0440\u0438\u0441\u0443\u0436\u0434\u0430\u0435\u043C\u0430\u044F \u0435\u0436\u0435\u0433\u043E\u0434\u043D\u043E \u043B\u0443\u0447\u0448\u0435\u043C\u0443 \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u0443. \u041D\u043E\u043C\u0438\u043D\u0430\u0446\u0438\u044E \u043D\u0430 \u043F\u0440\u0435\u043C\u0438\u044E \u043E\u0441\u0443\u0449\u0435\u0441\u0442\u0432\u043B\u044F\u0435\u0442 \u0433\u0438\u043B\u044C\u0434\u0438\u044F \u0440\u0435\u0436\u0438\u0441\u0441\u0451\u0440\u043E\u0432, \u0430 \u043F\u043E\u0431\u0435\u0434\u0438\u0442\u0435\u043B\u044F \u043E\u043F\u0440\u0435\u0434\u0435\u043B\u044F\u044E\u0442 \u0432\u0441\u0435 \u0447\u043B\u0435\u043D\u044B \u0430\u043A\u0430\u0434\u0435\u043C\u0438\u0438."@ru ,
		"Oscar f\u00F6r b\u00E4sta regi \u00E4r ett pris som ges till den person som Academy of Motion Picture Arts and Sciences anser vara den b\u00E4sta regiss\u00F6ren fr\u00E5n \u00E5ret f\u00F6re. Regiss\u00F6ren som tilldelas priset erh\u00E5ller en Oscarstatyett och f\u00E5r m\u00F6jligheten att h\u00E5lla ett tal vid en \u00E5rlig ceremoni. Alla utom 21 av de 78 Oscar som delats ut f\u00F6r b\u00E4sta regi var till filmer som \u00E4ven vann priset f\u00F6r b\u00E4sta film."@sv ,
		"En \u0130yi Y\u00F6netmen Akademi \u00D6d\u00FCl\u00FC Sinema Sanatlar\u0131 ve Bilimleri Akademisi taraf\u0131ndan sinema sekt\u00F6r\u00FCnde \u00E7al\u0131\u015Fan film y\u00F6netmenlerine verilen \u00F6d\u00FCld\u00FCr. Adaylar Akademi \u00DCyelerinin Y\u00F6netmenler bran\u015F\u0131 taraf\u0131ndan se\u00E7ilir. Kazanan\u0131n se\u00E7imi i\u00E7in ise t\u00FCm Akademi \u00DCyeleri se\u00E7ime kat\u0131labilir Ge\u00E7mi\u015F 79 y\u0131lda payla\u015F\u0131lan ya da ayn\u0131 y\u00F6netmene verilen \u00F6d\u00FCller ile birlikte AMPAS 81 En \u0130yi Y\u00F6netmen Oscar\u0131'n\u0131 59 farkl\u0131 y\u00F6netmene verdi."@tr ,
		"Mit dem Oscar f\u00FCr die Beste Regie werden die Leistungen der Regisseure eines Films geehrt. Filme qualifizieren sich jeweils im Folgejahr ihrer Ver\u00F6ffentlichung f\u00FCr einen Oscar. In unten stehender Tabelle sind die Preistr\u00E4ger nach dem Jahr der Verleihung geordnet."@de ,
		"De Academy Award voor Beste Regisseur (ook bekend als de Oscar voor Beste Regisseur of Beste Regie) is een jaarlijkse filmprijs van de Academy of Motion Picture Arts and Sciences. Het is \u00E9\u00E9n van de belangrijkste Academy Awards, voor de beste regisseur van het voorgaande jaar. Welke films daarvoor in aanmerking komen wordt bepaald door mensen die werkzaam zijn in de filmindustrie."@nl .
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