@prefix dbpprop:	<http://dbpedia.org/property/> .
@prefix dbpedia:	<http://dbpedia.org/resource/> .
dbpedia:C_major	dbpprop:relative	dbpedia:A_minor .
@prefix rdf:	<http://www.w3.org/1999/02/22-rdf-syntax-ns#> .
@prefix ns3:	<http://dbpedia.org/class/yago/> .
dbpedia:A_minor	rdf:type	ns3:Scale113850304 ,
		ns3:MusicalKeys .
@prefix owl:	<http://www.w3.org/2002/07/owl#> .
dbpedia:A_minor	owl:sameAs	<http://rdf.freebase.com/ns/guid.9202a8c04000641f800000000066232c> .
@prefix ns5:	<http://umbel.org/umbel/ne/wikipedia/> .
dbpedia:A_minor	owl:sameAs	ns5:A_minor .
@prefix foaf:	<http://xmlns.com/foaf/0.1/> .
@prefix ns7:	<http://en.wikipedia.org/wiki/> .
dbpedia:A_minor	foaf:page	ns7:A_minor .
@prefix rdfs:	<http://www.w3.org/2000/01/rdf-schema#> .
dbpedia:A_minor	rdfs:label	"La menor (m\u00FAsica)"@es ,
		"\u041B\u044F \u043C\u0456\u043D\u043E\u0440"@uk ,
		"\u041B\u044F \u043C\u0438\u043D\u043E\u0440"@ru ,
		"A minor"@en ,
		"A-moll"@pl ,
		"A\u5C0F\u8ABF"@zh ,
		"L\u00E1 menor"@pt ,
		"A-Moll"@de ,
		"La menor"@ca ,
		"\u30A4\u77ED\u8ABF"@ja .
@prefix dbpedia-owl:	<http://dbpedia.org/ontology/> .
dbpedia:A_minor	dbpedia-owl:thumbnail	<http://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Do_Mayor_armadura.png/200px-Do_Mayor_armadura.png> ;
	dbpprop:abstract	"a-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton a aufbaut. Die Tonart a-Moll wird in der Notenschrift ohne Vorzeichen geschrieben. Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart, werden mit dem Begriff a-Moll bezeichnet. Diese Tonart ist als Paralleltonart zu C-Dur und aufgrund der fehlenden Vorzeichen eine in allen Epochen sehr h\u00E4ufig verwendete Tonart. Sie wird h\u00E4ufig als hellklingend, sanft, edel beschrieben \u2013 vergleiche hierzu aber den Artikel Tonartencharakter. Auch die \u201Efromme Weiblichkeit\u201C wurde zuweilen assoziiert. a-Moll war Robert Schumanns Lieblingstonart und hat in seinen Werken stets Schl\u00FCsselcharakter."@de ,
		"La menor (abreviatura en sistema europeo LAm y en sistema americano Am) es la tonalidad que consiste en la escala menor de la, y contiene las notas la, si, do, re, mi, fa, sol y la. Su tonalidad relativa es Do mayor, y su tonalidad hom\u00F3nima es La mayor. Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias."@es ,
		"\u041B\u044F \u043C\u0456\u043D\u043E\u0440 (a-moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u043B\u044F. \u0413\u0430\u043C\u0430 \u043B\u044F \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u043B\u044F - \u0441\u0456 - \u0434\u043E - \u0440\u0435 - \u043C\u0456 - \u0444\u0430(\u266F) - \u0441\u043E\u043B\u044C(\u266F) - \u043B\u044F. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0434\u043E \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 \u043B\u044F \u043C\u0430\u0436\u043E\u0440. \u041B\u044F \u043C\u0456\u043D\u043E\u0440 \u043D\u0435 \u043C\u0430\u0454 \u0436\u043E\u0434\u043D\u043E\u0433\u043E \u0437\u043D\u0430\u043A\u0443 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430. \u0424\u0430\u0439\u043B:Do Mayor armadura. png"@uk ,
		"A minor (abbreviated Am) is a minor scale based on A, consisting of the pitches A, B, C, D, E, F, and G. The harmonic minor scale raises the G to G&#x266f;. Its key signature has no flats or sharps. Its relative major is C major, and its parallel major is A major. Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. Johann Joachim Quantz considered A minor, along with C minor, much more suitable for expressing \"the sad effect\" than other minor keys (Versuch einer Anweisung die Fl\u00F6te traversiere zu spielen). Whereas traditionally key signatures were cancelled whenever the new key signature had fewer sharps or flats than the old key signature, in modern popular and commercial music, cancellation is only done when C major or A minor replaces another key."@en ,
		"A\u5C0F\u8ABF\u662F\u662F\u4E00\u500B\u65BCA\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u7684\u5C0F\u8ABF\uFF0C\u7D44\u6210\u7684\u97F3\u6709A\u3001B\u3001C\u3001D\u3001E\u3001F\u3001G\u53CAA\uFF08\u548C\u8072\u5C0F\u8ABF\uFF09\u3002A\u5C0F\u8ABF\u662F\u4E00\u500B\u6C92\u6709\u5347\u865F\u548C\u964D\u865F\u7684\u8ABF\u3002 \u5B83\u7684\u76F8\u5C0D\u5927\u8ABF\u662FC\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662FA\u5927\u8ABF\u3002\u514B\u842C\u8328\u8A8D\u70BAA\u5927\u8ABF\uFF0C\u5C0D\u6BD4\u8D77\u5176\u4ED6\u5C0F\u8ABF\u66F4\u52A0\u9069\u5408\u8868\u9054\u60B2\u50B7\u7684\u611F\u89BA\uFF08Versuch einer Anweisung die Fl\u00F6te traversiere zu spielen\uFF09\u3002"@zh ,
		"a-moll - gama muzyczna oparta na skali molowej, kt\u00F3rej tonik\u0105 jest d\u017Awi\u0119k a. Gama a-moll w odmianie naturalnej zawiera d\u017Awi\u0119ki: a, h, c, d, e, f, g. Pokrewn\u0105 jej skal\u0105 durow\u0105 jest C-dur. Znane dzie\u0142a w tonacji a-moll: Niccolo Paganini - Kaprys nr 24 Ernest Bloch - Koncert a-moll Piotr Czajkowski - Trio fortepianowe Anton\u00EDn Dvo\u0159\u00E1k - Koncert a-moll Edward Grieg - Koncert fortepianowy Robert Schumann - Koncert fortepianowy Jean Sibelius - Symfonia No.4 Ludwig van Beethoven Bagatela a-moll Zobacz te\u017C: S\u0142owniczek terminologii muzycznej."@pl ,
		"\u30A4\u77ED\u8ABF\uFF08\u3044\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30A4 (A) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3067\u3042\u308B\u3002"@ja ,
		"La menor (tamb\u00E9 LAm en la notaci\u00F3 europea i Am en la notaci\u00F3 americana) \u00E9s la tonalitat que t\u00E9 l'escala menor natural a partir de la nota la; aix\u00ED est\u00E0 constitu\u00EFda per les notes la, si, do, re, mi, fa i sol. La seva armadura no cont\u00E9 cap alteraci\u00F3, ni sostinguts, ni bemolls; en el cas de les escales menors mel\u00F2dica i harm\u00F2nica les alteracions addicionals s'afegeixen al costat de les notes i no a l'armadura. El seu relatiu major \u00E9s la tonalitat de do major, i la tonalitat hom\u00F2nima \u00E9s la major. Johann Joachim Quantz considerava que tant la menor com do menor eren les dues tonalitats menors que millor expressaven \"l'efecte de la tristor\"."@ca ,
		"L\u00E1 menor (abreviatura no sistema europeu L\u00E1 m e no sistema americano Am) \u00E9 a tonalidade que consiste na escala menor de l\u00E1, e cont\u00E9m as notas l\u00E1, si, d\u00F3, r\u00E9, mi, f\u00E1, sol e l\u00E1. Sua armadura n\u00E3o cont\u00E9m sustenidos nem bem\u00F3is. Sua tonalidade relativa \u00E9 d\u00F3 maior, e sua tonalidade paralela \u00E9 l\u00E1 maior. As altera\u00E7\u00F5es para as vers\u00F5es mel\u00F3dicas e harm\u00F4nicas s\u00E3o escritas se forem necess\u00E1rias."@pt ,
		"\u041B\u044F \u043C\u0438\u043D\u043E\u0440\u00A0\u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u043B\u044F, \u0442\u043E \u0436\u0435, \u0447\u0442\u043E a-moll. \u041D\u0435 \u0438\u043C\u0435\u0435\u0442 \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435 \u0437\u043D\u0430\u043A\u043E\u0432 \u0430\u043B\u044C\u0442\u0435\u0440\u0430\u0446\u0438\u0438."@ru ;
	rdfs:comment	"\u30A4\u77ED\u8ABF\uFF08\u3044\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30A4 (A) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3067\u3042\u308B\u3002"@ja ,
		"a-moll - gama muzyczna oparta na skali molowej, kt\u00F3rej tonik\u0105 jest d\u017Awi\u0119k a. Gama a-moll w odmianie naturalnej zawiera d\u017Awi\u0119ki: a, h, c, d, e, f, g. Pokrewn\u0105 jej skal\u0105 durow\u0105 jest C-dur."@pl ,
		"a-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton a aufbaut. Die Tonart a-Moll wird in der Notenschrift ohne Vorzeichen geschrieben. Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart, werden mit dem Begriff a-Moll bezeichnet. Diese Tonart ist als Paralleltonart zu C-Dur und aufgrund der fehlenden Vorzeichen eine in allen Epochen sehr h\u00E4ufig verwendete Tonart."@de ,
		"L\u00E1 menor (abreviatura no sistema europeu L\u00E1 m e no sistema americano Am) \u00E9 a tonalidade que consiste na escala menor de l\u00E1, e cont\u00E9m as notas l\u00E1, si, d\u00F3, r\u00E9, mi, f\u00E1, sol e l\u00E1. Sua armadura n\u00E3o cont\u00E9m sustenidos nem bem\u00F3is. Sua tonalidade relativa \u00E9 d\u00F3 maior, e sua tonalidade paralela \u00E9 l\u00E1 maior. As altera\u00E7\u00F5es para as vers\u00F5es mel\u00F3dicas e harm\u00F4nicas s\u00E3o escritas se forem necess\u00E1rias."@pt ,
		"\u041B\u044F \u043C\u0456\u043D\u043E\u0440 (a-moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u043B\u044F. \u0413\u0430\u043C\u0430 \u043B\u044F \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u043B\u044F - \u0441\u0456 - \u0434\u043E - \u0440\u0435 - \u043C\u0456 - \u0444\u0430(\u266F) - \u0441\u043E\u043B\u044C(\u266F) - \u043B\u044F. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0434\u043E \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 \u043B\u044F \u043C\u0430\u0436\u043E\u0440. \u041B\u044F \u043C\u0456\u043D\u043E\u0440 \u043D\u0435 \u043C\u0430\u0454 \u0436\u043E\u0434\u043D\u043E\u0433\u043E \u0437\u043D\u0430\u043A\u0443 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430. \u0424\u0430\u0439\u043B:Do Mayor armadura. png"@uk ,
		"A\u5C0F\u8ABF\u662F\u662F\u4E00\u500B\u65BCA\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u7684\u5C0F\u8ABF\uFF0C\u7D44\u6210\u7684\u97F3\u6709A\u3001B\u3001C\u3001D\u3001E\u3001F\u3001G\u53CAA\uFF08\u548C\u8072\u5C0F\u8ABF\uFF09\u3002A\u5C0F\u8ABF\u662F\u4E00\u500B\u6C92\u6709\u5347\u865F\u548C\u964D\u865F\u7684\u8ABF\u3002 \u5B83\u7684\u76F8\u5C0D\u5927\u8ABF\u662FC\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662FA\u5927\u8ABF\u3002\u514B\u842C\u8328\u8A8D\u70BAA\u5927\u8ABF\uFF0C\u5C0D\u6BD4\u8D77\u5176\u4ED6\u5C0F\u8ABF\u66F4\u52A0\u9069\u5408\u8868\u9054\u60B2\u50B7\u7684\u611F\u89BA\uFF08Versuch einer Anweisung die Fl\u00F6te traversiere zu spielen\uFF09\u3002"@zh ,
		"\u041B\u044F \u043C\u0438\u043D\u043E\u0440\u00A0\u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u043B\u044F, \u0442\u043E \u0436\u0435, \u0447\u0442\u043E a-moll. \u041D\u0435 \u0438\u043C\u0435\u0435\u0442 \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435 \u0437\u043D\u0430\u043A\u043E\u0432 \u0430\u043B\u044C\u0442\u0435\u0440\u0430\u0446\u0438\u0438."@ru ,
		"A minor (abbreviated Am) is a minor scale based on A, consisting of the pitches A, B, C, D, E, F, and G. The harmonic minor scale raises the G to G&#x266f;. Its key signature has no flats or sharps. Its relative major is C major, and its parallel major is A major. Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary."@en ,
		"La menor (abreviatura en sistema europeo LAm y en sistema americano Am) es la tonalidad que consiste en la escala menor de la, y contiene las notas la, si, do, re, mi, fa, sol y la. Su tonalidad relativa es Do mayor, y su tonalidad hom\u00F3nima es La mayor. Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias."@es ,
		"La menor (tamb\u00E9 LAm en la notaci\u00F3 europea i Am en la notaci\u00F3 americana) \u00E9s la tonalitat que t\u00E9 l'escala menor natural a partir de la nota la; aix\u00ED est\u00E0 constitu\u00EFda per les notes la, si, do, re, mi, fa i sol. La seva armadura no cont\u00E9 cap alteraci\u00F3, ni sostinguts, ni bemolls; en el cas de les escales menors mel\u00F2dica i harm\u00F2nica les alteracions addicionals s'afegeixen al costat de les notes i no a l'armadura."@ca ;
	foaf:depiction	<http://upload.wikimedia.org/wikipedia/commons/2/22/Do_Mayor_armadura.png> .
@prefix skos:	<http://www.w3.org/2004/02/skos/core#> .
@prefix ns11:	<http://dbpedia.org/resource/Category:> .
dbpedia:A_minor	skos:subject	ns11:Musical_keys .
@prefix ns12:	<http://dbpedia.org/resource/Template:> .
dbpedia:A_minor	dbpprop:wikiPageUsesTemplate	ns12:infobox_scale ;
	dbpprop:fourthPitch	"D"@en ;
	dbpprop:imageName	"Do_Mayor_armadura.png"@en ;
	dbpprop:scaleName	"A minor"@en ;
	dbpprop:firstPitch	"A"@en ;
	dbpprop:secondPitch	"B"@en ;
	dbpprop:thirdPitch	"C"@en ;
	dbpprop:fifthPitch	"E"@en ;
	dbpprop:sixthPitch	"F"@en ;
	dbpprop:relative	dbpedia:C_major ;
	dbpprop:parallel	dbpedia:A_major ;
	dbpprop:seventhPitch	"G"@en .
@prefix ns13:	<http://www4.wiwiss.fu-berlin.de/flickrwrappr/photos/> .
dbpedia:A_minor	dbpprop:hasPhotoCollection	ns13:A_minor .
dbpedia:A_major	dbpprop:parallel	dbpedia:A_minor .
dbpedia:Key_of_A_minor	dbpprop:redirect	dbpedia:A_minor .
dbpedia:A-minor	dbpprop:redirect	dbpedia:A_minor .
dbpedia:A_Minor	dbpprop:redirect	dbpedia:A_minor .
@prefix yago:	<http://mpii.de/yago/resource/> .
yago:A_minor	owl:sameAs	dbpedia:A_minor .