@prefix dbpprop: .
@prefix dbpedia: .
dbpedia:G_sharp_major dbpprop:enharmonic dbpedia:A_major .
dbpedia:F-sharp_minor dbpprop:relative dbpedia:A_major .
dbpedia:A_minor dbpprop:parallel dbpedia:A_major .
dbpedia:A_Major dbpprop:redirect dbpedia:A_major .
@prefix rdf: .
@prefix ns3: .
dbpedia:A_major rdf:type ns3:MusicalKeys ,
ns3:Scale113850304 .
@prefix owl: .
dbpedia:A_major owl:sameAs .
@prefix ns5: .
dbpedia:A_major owl:sameAs ns5:A_major .
@prefix foaf: .
@prefix ns7: .
dbpedia:A_major foaf:page ns7:A_major .
@prefix rdfs: .
dbpedia:A_major rdfs:label "La mayor"@es ,
"\u041B\u044F \u043C\u0430\u0436\u043E\u0440"@uk ,
"\u30A4\u9577\u8ABF"@ja ,
"L\u00E1 maior"@pt ,
"A-dur"@pl ,
"A major"@en ,
"\u041B\u044F \u043C\u0430\u0436\u043E\u0440"@ru ,
"A-Dur"@de ,
"A\u5927\u8ABF"@zh .
@prefix dbpedia-owl: .
dbpedia:A_major dbpedia-owl:thumbnail ;
dbpprop:abstract "\u30A4\u9577\u8ABF\uFF08\u3044\u3061\u3087\u3046\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30A4 (A) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u9577\u8ABF\u3067\u3042\u308B\u3002\u8ABF\u53F7\u306F\u30B7\u30E3\u30FC\u30D73\u3064\u3067\u3042\u308B\u3002"@ja ,
"L\u00E1 maior (abreviatura no sistema europeu L\u00E1 M e no sistema americano A) \u00E9 a tonalidade que consiste na escala menor de l\u00E1, e cont\u00E9m as notas l\u00E1, si, d\u00F3♯, r\u00E9, mi, f\u00E1♯, sol♯ e l\u00E1. Sua armadura tem tr\u00EAs sustenidos. Sua tonalidade relativa \u00E9 f\u00E1 sustenido menor, e sua tonalidade paralela \u00E9 l\u00E1 menor. L\u00E1 maior \u00E9 a \u00FAnica tonalidade na qual um acorde de sexta napolitana em <math>\\hat2</math> requer tanto um l\u00E1 bemol como um l\u00E1 natural."@pt ,
"\u041B\u044F \u043C\u0430\u0436\u043E\u0440\u00A0\u2014 \u043C\u0430\u0436\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u043B\u044F, \u0442\u043E \u0436\u0435, \u0447\u0442\u043E A-dur. \u0418\u043C\u0435\u0435\u0442 \u0442\u0440\u0438 \u0434\u0438\u0435\u0437\u0430 \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435."@ru ,
"A major (or the key of A) is a major scale based on A, with the pitches A, B, C♯, D, E, F♯, and G♯. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A-major is the only key where a Neapolitan sixth chord on <math>\\hat2</math> requires both a flat and a natural accidental. Although not as rare in the symphonic literature as sharper keys, examples of symphonies in A major are not as numerous as for D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto and Clarinet Quintet are both in A major, and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major. In chamber music, A major occurs more often. Both Johannes Brahms and C\u00E9sar Franck wrote violin sonatas in A major. In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major \"is the fullest sounding key for the violin. \" According to Christian Friedrich Daniel Schubart, A major is a key suitable for \"declarations of innocent love, ... hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God. \" For orchestral works in A major, the timpani are typically set to A and E a fifth apart, rather than a fourth apart as for most other keys. Hector Berlioz complained about the custom of his day in which timpani tuned to A and E a fifth apart were notated C and G a fourth apart, a custom which survived as late as the music of Franz Berwald. See also: List of symphonies in A major"@en ,
"A-dur - durowa gama muzyczna, kt\u00F3rej tonik\u0105 jest a. Jej d\u017Awi\u0119ki to: a, h, cis, d, e, fis, gis. Pokrewn\u0105 jej gam\u0105 molow\u0105 jest fis-moll. Znane dzie\u0142a w tonacji A-dur: Wolfgang Amadeusz Mozart - XXIII Koncert fortepianowy (KV 488), XVIII Kwartet smyczkowy KV 464, Koncert klarnetowy (KV 622) Feliks Mendelssohn - IV Symfonia W\u0142oska Piotr Czajkowski - Kaprys W\u0142oski Ludwig van Beethoven - VII symfonia op. 92, Sonata na skrzypce i fortepian \"Kreutzerowska\" op. 47 Mieczys\u0142aw Kar\u0142owicz - Koncert skrzypcowy Fryderyk Chopin - Polonez A-dur op 40 nr 1"@pl ,
"La mayor (abreviatura en sistema europeo LaM y en sistema americano A) es la tonalidad que consiste en la escala mayor de La, y contiene las notas la, si, do sostenido, re, mi, fa sostenido, sol sostenido y la. Su armadura contiene 3 sostenidos. Su tonalidad relativa es Fa sostenido menor, y su tonalidad hom\u00F3nima es La menor. La mayor es la \u00FAnica tonalidad en la que un acorde de sexta napolitana en <math>\\hat2</math> requiere tanto un la bemol como un la natural."@es ,
"A-Dur ist eine Tonart des Tongeschlechts Dur, die auf dem Grundton a aufbaut. Die Tonart A-Dur wird in der Notenschrift mit drei Kreuzen geschrieben (fis, cis, gis). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart werden mit dem Begriff A-Dur bezeichnet. A-Dur wird h\u00E4ufig als festlich, hell und strahlend beschrieben, vergleiche hierzu allerdings den Artikel Tonartencharakter. A-Dur ist eine besonders geeignete Tonart f\u00FCr die Liedbegleitung auf der Gitarre, da die Basst\u00F6ne der A-Dur-Grundkadenz (d, e, a) den drei tiefsten \u2013 und dann leer anzuschlagenden \u2013 Saiten der Gitarre entsprechen."@de ,
"A\u5927\u8ABF\u662F\u4E00\u500B\u57FA\u65BCA\u97F3\u7684\u5927\u8ABF\uFF0C\u7531A\u3001B\u3001C\u266F\u3001D\u3001E\u3001F\u266F\u3001G\u266F\u548CA\u7D44\u6210\uFF0C\u8ABF\u865F\u6709\u4E09\u500B\u5347\u865F\u3002\u76F8\u5C0D\u5C0F\u8ABF\u662F\u5347f\u5C0F\u8ABF\uFF0C\u4E26\u884C\u5C0F\u8ABF\u662Fa\u5C0F\u8ABF\u3002"@zh ,
"\u041B\u044F \u043C\u0430\u0436\u043E\u0440 (A-dur) - \u043C\u0430\u0436\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u043B\u044F. \u0413\u0430\u043C\u0430 \u043B\u044F-\u043C\u0430\u0436\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u043B\u044F - \u0441\u0456 - \u0434\u043E\u266F - \u0440\u0435 - \u043C\u0456 - \u0444\u0430\u266F- \u0441\u043E\u043B\u044C\u266F - \u043B\u044F. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u0444\u0430-\u0434\u0456\u0454\u0437 \u043C\u0456\u043D\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0456\u043D\u043E\u0440 - \u043B\u044F \u043C\u0456\u043D\u043E\u0440. \u041B\u044F \u043C\u0430\u0436\u043E\u0440 \u043C\u0430\u0454 \u0442\u0440\u0438 \u0434\u0456\u0454\u0437\u0438 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0444\u0430-, \u0434\u043E-, \u0441\u043E\u043B\u044C-)."@uk ;
rdfs:comment "L\u00E1 maior (abreviatura no sistema europeu L\u00E1 M e no sistema americano A) \u00E9 a tonalidade que consiste na escala menor de l\u00E1, e cont\u00E9m as notas l\u00E1, si, d\u00F3♯, r\u00E9, mi, f\u00E1♯, sol♯ e l\u00E1. Sua armadura tem tr\u00EAs sustenidos. Sua tonalidade relativa \u00E9 f\u00E1 sustenido menor, e sua tonalidade paralela \u00E9 l\u00E1 menor. L\u00E1 maior \u00E9 a \u00FAnica tonalidade na qual um acorde de sexta napolitana em <math>\\hat2</math> requer tanto um l\u00E1 bemol como um l\u00E1 natural."@pt ,
"\u041B\u044F \u043C\u0430\u0436\u043E\u0440\u00A0\u2014 \u043C\u0430\u0436\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u043B\u044F, \u0442\u043E \u0436\u0435, \u0447\u0442\u043E A-dur. \u0418\u043C\u0435\u0435\u0442 \u0442\u0440\u0438 \u0434\u0438\u0435\u0437\u0430 \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435."@ru ,
"La mayor (abreviatura en sistema europeo LaM y en sistema americano A) es la tonalidad que consiste en la escala mayor de La, y contiene las notas la, si, do sostenido, re, mi, fa sostenido, sol sostenido y la. Su armadura contiene 3 sostenidos. Su tonalidad relativa es Fa sostenido menor, y su tonalidad hom\u00F3nima es La menor. La mayor es la \u00FAnica tonalidad en la que un acorde de sexta napolitana en <math>\\hat2</math> requiere tanto un la bemol como un la natural."@es ,
"\u30A4\u9577\u8ABF\uFF08\u3044\u3061\u3087\u3046\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30A4 (A) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u9577\u8ABF\u3067\u3042\u308B\u3002\u8ABF\u53F7\u306F\u30B7\u30E3\u30FC\u30D73\u3064\u3067\u3042\u308B\u3002"@ja ,
"A-dur - durowa gama muzyczna, kt\u00F3rej tonik\u0105 jest a. Jej d\u017Awi\u0119ki to: a, h, cis, d, e, fis, gis. Pokrewn\u0105 jej gam\u0105 molow\u0105 jest fis-moll. Znane dzie\u0142a w tonacji A-dur: Wolfgang Amadeusz Mozart - XXIII Koncert fortepianowy (KV 488), XVIII Kwartet smyczkowy KV 464, Koncert klarnetowy (KV 622) Feliks Mendelssohn - IV Symfonia W\u0142oska Piotr Czajkowski - Kaprys W\u0142oski Ludwig van Beethoven - VII symfonia op. 92, Sonata na skrzypce i fortepian \"Kreutzerowska\" op."@pl ,
"A major (or the key of A) is a major scale based on A, with the pitches A, B, C♯, D, E, F♯, and G♯. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A-major is the only key where a Neapolitan sixth chord on <math>\\hat2</math> requires both a flat and a natural accidental."@en ,
"A\u5927\u8ABF\u662F\u4E00\u500B\u57FA\u65BCA\u97F3\u7684\u5927\u8ABF\uFF0C\u7531A\u3001B\u3001C\u266F\u3001D\u3001E\u3001F\u266F\u3001G\u266F\u548CA\u7D44\u6210\uFF0C\u8ABF\u865F\u6709\u4E09\u500B\u5347\u865F\u3002\u76F8\u5C0D\u5C0F\u8ABF\u662F\u5347f\u5C0F\u8ABF\uFF0C\u4E26\u884C\u5C0F\u8ABF\u662Fa\u5C0F\u8ABF\u3002"@zh ,
"\u041B\u044F \u043C\u0430\u0436\u043E\u0440 (A-dur) - \u043C\u0430\u0436\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u043B\u044F. \u0413\u0430\u043C\u0430 \u043B\u044F-\u043C\u0430\u0436\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u043B\u044F - \u0441\u0456 - \u0434\u043E\u266F - \u0440\u0435 - \u043C\u0456 - \u0444\u0430\u266F- \u0441\u043E\u043B\u044C\u266F - \u043B\u044F. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u0444\u0430-\u0434\u0456\u0454\u0437 \u043C\u0456\u043D\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0456\u043D\u043E\u0440 - \u043B\u044F \u043C\u0456\u043D\u043E\u0440. \u041B\u044F \u043C\u0430\u0436\u043E\u0440 \u043C\u0430\u0454 \u0442\u0440\u0438 \u0434\u0456\u0454\u0437\u0438 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0444\u0430-, \u0434\u043E-, \u0441\u043E\u043B\u044C-)."@uk ,
"A-Dur ist eine Tonart des Tongeschlechts Dur, die auf dem Grundton a aufbaut. Die Tonart A-Dur wird in der Notenschrift mit drei Kreuzen geschrieben (fis, cis, gis). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart werden mit dem Begriff A-Dur bezeichnet. A-Dur wird h\u00E4ufig als festlich, hell und strahlend beschrieben, vergleiche hierzu allerdings den Artikel Tonartencharakter."@de ;
foaf:depiction .
@prefix skos: .
@prefix ns11: .
dbpedia:A_major skos:subject ns11:Musical_keys .
@prefix ns12: .
dbpedia:A_major dbpprop:wikiPageUsesTemplate ns12:infobox_scale ;
dbpprop:fourthPitch "D"@en ;
dbpprop:imageName "A_Major_key_signature.png"@en ;
dbpprop:scaleName "A major"@en ;
dbpprop:firstPitch "A"@en ;
dbpprop:secondPitch "B"@en ;
dbpprop:thirdPitch "C"@en ;
dbpprop:fifthPitch "E"@en ;
dbpprop:sixthPitch "F"@en ;
dbpprop:relative dbpedia:F-sharp_minor ;
dbpprop:parallel dbpedia:A_minor ;
dbpprop:seventhPitch "G"@en .
@prefix ns13: .
dbpedia:A_major dbpprop:hasPhotoCollection ns13:A_major .
dbpedia:Go_the_Distance dbpprop:key dbpedia:A_major .
@prefix yago: .
yago:A_major owl:sameAs dbpedia:A_major .